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London Music Scene Blog

Along with Paris and New York, London consistently ranks as one of the best cities in the world for its rich and diverse culture. For decades, a massive part of that culture has revolved around music.

Barely a day goes by before a new metropolitan festival starts in the capital. With All Points East, Camden Rocks Festival, Meltdown and British Summer Time in Hyde Park and plenty more major festivals happening in London’s 32 boroughs, the city constantly attracts music fans from across the UK and beyond.

Pop, rock, classical, jazz, rap, folk and indie fans will never find a shortage of events at the music venues spread across the city. Unsurprisingly, the city has also generated a significant proportion of the UK’s most iconic acts from across all genres.

From Tottenham-born Adele to Amy Winehouse to the original UK rock icon Led Zeppelin to David Bowie, the iconic recording studios in London have never fallen short of talented artists already at their doorsteps. There is only a handful of recording studios in the world that have become a household name; London’s Abbey Road Studios is one of them. Within the walls of Abbey Road Studios, The White Album by The Beatles, Odessy and Oracle by the Zombies and Money by Pink Floyd are just some of the iconic albums that have the talent at Abbey Road Studios to thank.

The London Music Scene wouldn’t be the same without the grassroots venues. The Dublin Castle, the Lexington, Nambucca, The Fiddler’s Elbow, XOYO, The Macbeth and the Jazz Café have all played their part in getting artists discovered.

In the urban arena, the award-winning London-based rappers, Stormzy, Dave, AJ Tracey, Aitch, Skepta and Slowthai have completely redefined the UK hip hop scene in recent years. While exceptionally distinct acts, such as Wolf Alice, Django Django, Baby Queen, have made waves with their off-kilter infectious sound. Wolf Alice, who are thought of as London’s answer to Sonic Youth, won the Mercury Music prize in 2018. They also managed to reach number 2 in the album charts with two of their albums. Yet, most artists live in the ever-growing shadow of the two London heavyweights, Adele and Ed Sheeran. They may not be every musos cup of tea, but that didn’t get in the way of Ed Sheeran selling over 150 million albums worldwide and becoming recognised as one of the best-selling artists to have ever lived. Adele hasn’t done too badly for herself during her decade long career either. Her distinct vocal timbre has allowed her to pick up 15 Grammy awards and plenty of other awards along the way. Adele rocketed herself towards stardom with the release of her debut album, 19, while Ed Sheeran went on the arduous journey from busker to a best-selling artist and became the ultimate contemporary artist success story.

Marilyn Joy conjured affectionate innocence in her sticky-sweet synth-pop score. HeartSchool

HeartSchool by Marilyn Joy

Marilyn Joy’s latest single, ‘HeartSchool’, is a sticky-sweet journey back to the innocence of first loves and schoolyard romances. This London-based artist, known for her alternative pop/rock flair, has once again captured our hearts with her quintessentially quirky style.

The lo-fi polyphonic pop vignette is a sweet, nostalgic trip down memory lane, guided by tender melodies which evoke the simplicity of young love, untouched by the complexities of adult relationships. Marilyn’s playful vocal timbres weave through the melody like a gentle reminder of days gone by while bearing reminiscence to the uninhibitedly expressive air of the Legendary Pink Dots.

Marilyn’s influence in the London music scene is evident in her live performances, described as ‘exciting’ and ‘unpredictable’. The track is a testament to her ability to blend genres and influences, from Blondie to Starsailor, into her distinctive sound.

With her previous releases, including ‘Crystal D’Arke‘ and ‘Killjoy Was Here’, she has consistently demonstrated skill in crafting songs that resonate with a wide audience. ‘HeartSchool’ continues this trend, solidifying her place as a significant voice in the alternative pop/rock genre.

HeartSchool is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

BlueMelt’s ‘Stardust on Your Dress’: A Nostalgic Riff-Laden Reverie

BlueMelt, spearheaded by the adept London-based Vito Tardia, has unleashed a sonic tempest with their latest single, “Stardust on Your Dress.” For anyone who kneels at the altar of rock, the track is a rite of passage. From the first note, you’re plunged into a whirlpool of nostalgia, driven by a lead guitar that dances with a fiery passion through the overdriven amplification.

The release masterfully blends the soul of classic blues with the grit of modern rock, creating a sound that is both raw and refined. The garagey texture of the track adds a layer of authenticity, a nod to the unpolished gems of rock’s golden era. As the guitar solos soar, they paint a vivid picture while the technical precision becomes a testament to Tardia’s skill and dedication to his craft. Each note is meticulously placed, yet there’s an underlying wildness that can’t be tamed.

Stardust on Your Dress is a journey back to the roots of rock, yet it propels the listener forward, hinting at the boundless potential of BlueMelt’s future endeavours. This track is a must-listen, not just for rock aficionados but for anyone seeking a taste of musical fervour that’s both nostalgic and exhilarating.

Stardust on Your Dress will officially release on January 26; stream the single on SoundCloud.

Review by Amelia Vandergast

Ard Adz & Sho Shallow sharpened the raw edge of London’s rap scene with ‘Still Windy’

Brixton’s biggest rap luminary, Sho Shallow, has another feat of innovative urban engineering in his discography, which is quickly becoming an unreckonable legacy in the London rap scene. Still Windy, created in collaboration with Ard Adz, is a deeply affecting synthesis of lyrical intimacy, gritty charisma, and melodious beats that pulsate luxe grooves into the release which doesn’t allow the essence of the track to be overshadowed and lost by excessive studio production.

In the span of 12 hours, Still Windy was recorded and the music video was filmed, ensuring the same fire that sparked the inspiration blazes through the fervent release, which juxtaposes the soul in the backing vocals with the sharp cadence in the rap delivery, which bleeds urgency and expressive candour.

The video has racked up almost 200k streams since its December 28th premiere, which debuted ahead of the Head Above Water LP, which is due for release on January 26.

Check out the official music video brought to YouTube by GRM Daily via YouTube.

Review by Amelia Vandergast

Suli Hyuga orchestrated the ultimate soundtrack for seances with the soul with the luxe ambient garage house grooves in his seminal track, +24. BLEED+

The timbres and textures within Suli Hyuga’s latest release, +24. BLEED+, may feel comfortingly familiar, but the London-based artist’s approach to synthesising UK Garage with House and Rap pushes the sonic flavours into arenas that few other artists have seen the potential within.

Perfect for late-night seances with the soul, this seminal release is a reverberation of pure incandescent hypnotism, with every progression, a new subjugation to its luxe atmosphere. With Suli leaving no one else’s imprint on his work as the sole architect of his soundscapes, the mark he will leave on the UK Garage landscape will be definitively his distinctive own.

+24. BLEED+ is the title single pulled from Suli Hyuga’s 5-track EP, which promises to dive deep into a cavern of cathartic dance-influence hip-hop. With rich resonance set to spill from the atmospheric synths between his smooth vocal flows as they groove through dynamic bars and around alchemic arrangements of raw basslines and intuitive percussion, the EP is primed to become an aural phenomenon in its own right.

Stream +24. BLEED+ on all major platforms, including SoundCloud, from January 19th.

Review by Amelia Vandergast

London’s Immy Odon gave us the live lounge-y version we never knew we needed of Nelly Furtado’s Say It Right

Stripped-back and soulfully reimagined, Immy Odon’s acoustic RnB pop version of Nelly Furtado’s ‘Say It Right‘ is a revelation; the previously keyboard-driven single, now infused with the warmth of acoustic guitar chords, is elevated to new heights of emotional profoundness. Odon’s rendition is more than a mere cover; it’s a visceral reinvention of every harmony, showcasing her outstanding vocal performance.

Odon achieves what seems impossible: her version of ‘Say It Right’ outshines even the idea of Furtado herself performing it in a BBC Live Lounge setting. The success of Odon’s most popular single to date, ‘Unfreezing’, with over 384,000 streams on Spotify, speaks volumes about her talent and the impact of her music. Her rendition of ‘Say It Right’ is a testament to her unique ability to transform a well-known track into something entirely her own, and something that deeply connects with the listener.

Immy Odon is clearly an artist on an upward trajectory. Her upcoming releases, including several dance tracks, are eagerly anticipated. If they contain even a fraction of the magic found in her version of ‘Say It Right’, they are sure to elevate her status even further in the music world.

Stream the acoustic rendition of Say It Right on Spotify, which was first transmitted on the airwaves on January 12th.

Review by Amelia Vandergast

Miranda Joy is an icon of graceful beguile in her latest single, Wasting My Time

Miranda Joy brought the proverbial house down with her latest single, Wasting My Time. Her classic approach to songwriting paired with the cutting-edge cultivation which resounds within the sophistication of the production allows her rapidly expanding fanbase to enjoy the best of both worlds as she delivers pure unadulterated emotion filtered through the lens of a relatable vignette.

It isn’t a stretch to say the vast majority of us waste life’s most precious resource as our time becomes trapped in digital vacuums or invested in people who aren’t worthy of our energy or attention, allowing Wasting My Time to unravel as a universally relevant release. The timely unveiling of the single, which coincides with when our motivations to keep resolutions slip, is sure to ensure the success of the single, orchestrated by the London-based luminary, whose voice has filtered through the O2 Academy Islington and graced the bill of The Great Escape Festival.

Her voice, a blend of raw emotion and refined artistry, carries the song with an effortless grace reminiscent of Joni Mitchell’s intimate narratives. Yet, there’s a stridency in her delivery, a nod to the iconic power of Prince’s Purple Rain. Even with the loungey adult contemporary elements filtered between the blues and soul layers, the accessibility of the single as Joy commands a panorama of emotions is palpable from the first verse.

Her past collaborations, like the acclaimed I Just Came to Dance with Carmy Love, and her contributions to Peter Beatty’s album, have all been stepping stones to this moment. Wasting My Time is a testament to her growth as an artist and a harbinger of the incredible work we can expect in her upcoming releases.

Wasting My Time is due for official release on January 19; stream it on Spotify. 

Review by Amelia Vandergast

Stelios Kyriakidis created a passport to ‘Copenhagen’ in his seminal ambient classical guitar composition.

Stelios Kyriakidis staked his claim as one of the most evocative neo-classical guitar composers of his generation upon the unveiling of his debut album, 508 Days. The opening single, Copenhagen, pays a fitting ode to the titular destination; each note, a breath taken at the profoundly inspiring scenery, a moment stolen within the rich culture, a step taken through the enriching streets.

The serenity within the instrumental soundscape constructed by the London-based Greek guitarist and composer echoes his influence of neoclassical, folk and film music elements. If the soundtrack to the film Her made an ever-lasting impression on you, expect the very same affecting experience from Stelios’ intimately composed score which undoubtedly resounds as well in a live performance as it does on record. The connection he feels to the guitar in hand is comforting throughout, echoing his own familiar and fond acquaintance with the instrument he uses to make highly visual mirages from melodies.

Prior to the release of 508 days, Stelios Kyriakidis performed in prestigious venues globally and has been featured by BBC Radio London, The Music Dances When You Sleep, and the Minor7th. Since releasing Copenhagen, the single entered the iTunes Classical Charts at no.34. We can’t wait to see where he takes his sound next.

Visit Copenhagen via Spotify and explore the rest of Stelios Kyriakidis’ debut LP,

Review by Amelia Vandergast

Suedejazz Collective broke jazz-fusion boundaries with ‘Spinal Chord’, ft Louie Le Vack & LEYLAH

Suedejazz Collective assembled once more to create their sophomore single, Spinal Chord and brought Louie Le Vack & LEYLAH into the fold to orchestrate an unflinching foray into the darker side of contemporary jazz-fusion.

The intro sees piano keys sway against the rigorous drum fills and fervid horns before sultry RnB vocal lines, perfectly pitched by LEYLA, become a demure anchor in the track, but it isn’t long before there’s another seamless yet breakneck transition in the exhilarant feat of genre fusion. Hip-hop often borrows timbres from jazz, but Suedejazz Collective reverse-engineered the fusion by bringing in Louis Le Vack’s rap bars that bite down hard on the psyche over the synthesis of electronica fervour to effortlessly complement the ensnaring alchemy which grooves through the release.

There aren’t many jazz-inclined outfits that can transcend the fusionist flair of Melt Yourself Down and Acoustic Ladyland, but the energy and attitude which charges through Spinal Chord is set to seal the London-based multicultural collective’s fate as unrivalled conduits of experimentalism. The uniqueness of their sonic blueprint goes beyond edgy pretension. It opens up viscerally constructive arenas of sound that you’ll want to feel the heat of time after time. Forget the smoky jazz you’ve inhaled before. Spinal Chord is a wildfire in the form of a riptide.

Stream Spinal Chord on all major platforms via this link.

Review by Amelia Vandergast

Casino Moon boiled the human experience down to birth, sex, and death in their indie folk-rock revelation, Fearless

Casino Moon, the South London-based Americana folk-rock ensemble, has distilled the essence of the human experience into their latest single, ‘Fearless’, which unravels as a journey through life’s most primal elements – birth, sex, and death – wrapped in a melody that’s as infectious as it is profound.

‘Fearless’ grips you with its upbeat folk instrumental arrangement, setting the stage for a musical expedition that’s both exhilarating and introspective. The chorus bursts forth with a fearless tenacity, its lively rhythm a stark contrast to the more contemplative alt-indie verses that invite you to delve deeper into the song’s candid narrative.

Casino Moon’s cultivated sound, recognised by icons like Tom Robinson and Robert Smith, shines through in ‘Fearless’. The band’s talent for transforming untold stories into addictive sounds is evident in every chord, lyric and harmony. The vocals seamlessly switch up in energy, mirroring the dynamism of the instrumentals. From the resonant vibrato in the lower registers to the fervour and zeal in the soul-augmented choruses, the vocal performance is a masterclass in raw, unadulterated emotion.

Consider ‘Fearless’ a blueprint for living life with unbridled passion; the crescendos and echoes of evocative wisdom fuel the listener with invincibility. As Casino Moon continues to garner acclaim, with standout performances at festivals and alongside notable artists, ‘Fearless’ stands as a testament to their burgeoning legacy.

Stream Fearless as part of Casino Moon’s Woody Bay EP on Spotify now.

Review by Amelia Vandergast

Arden – I Don’t Sleep: A Poignant Alt-Pop Symphony of an Exposed Heart and Soul

The London-based alt-pop pioneer, Arden, found the inspiration for his latest single, I Don’t Sleep, through the fear that once you have laid your soul bare, there’s no covering it up to the ones you exposed your vulnerability to.

There’s sweetness in the sentiment “there will always be a part of me that’s yours” but the bitterness of that part of you becoming redundant in the wake of a breakup is a cutting juxtaposition. Lyrically, it is powerful enough to make you view relationships through a brand-new cautious lens. Still, within the blossoming swells in the piano melodies and the orchestrally carved crescendos, there’s a scintillating atmosphere, full of spirited passion – stirring enough to make you want to take the dive into inevitable pain.

I Don’t Sleep is a testament to Arden’s ability to blend poignant lyrics with lush musical arrangements. The song achieves a cinematic quality, panoramic enough to be part of a blockbuster soundtrack, yet intimate enough to tug at the heartstrings with every note. Arden’s cultivated songwriting, reminiscent of Owl City, shines through in I Don’t Sleep. His soulful vocal performance, memorable melodies, and sophisticated production showcase a maturity beyond his years.

As he opens 2024 with this energised and refined sound, Arden solidifies his place as an artist to watch, captivating audiences with his honest and witty songwriting.

I Don’t Sleep will hit the airwaves on January 5th; stream it on SoundCloud.

Review by Amelia Vandergast