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Songwriter Blog

DNA unveiled the UK RnB debut you don’t want to miss with the dualistically stylistic hit, Love or Let Go

Posted on 23 March 2024

Whether you keep hanging on to a relationship that is showing no lifelines or are too hesitant to let down your barriers, DNA’s alt-indie RnB hit, Love or Let Go, will give you all the permission you need to move forward with no inhibition.

Between the grooves of the Latin guitars and the jarringly immersive electronic aesthetic that rocks turbulence behind the solid backbeat, DNA constructed the perfect platform to sonically visualise the emotional themes of Love or Let Go and carry the weight of his hot and heavy vocal lines.

With his vocal dynamism that shifts effortlessly from Hozier-esque timbres to light pop harmonies to electronically distorted dominance, the UK-based up-and-coming talent ensured that he was more than a new entry in the UK RnB scene; he exhibited himself as an RnB heavyweight right out of the gate. We can’t wait to hear what follows.

Love or Let Go will hit all major streaming platforms on March 22; hear it on SoundCloud first.

Review by Amelia Vandergast

Messy Mike – Things Are Crazy: An Alt-Indie Remedy to the Malady of Modernity.

Posted on 21 March 2024

Messy Mike used the cinematic sheen of neo-doo-wop to add transcendent melodic ascendence to his vintage-toned alt-indie rock allegory of how darkness permeates the psyches of us all – regardless of how hard we endeavour to push away the shadows of ennui.

Things Are Crazy goes beyond unravelling as a sonic sign of the times, the kaleidoscopically colourful release that will be a hit with any fans of The Strokes goes one strident step further to deliver vindication and salvation in the same rhythmic breath.

Regardless of how much we know that this dystopia dogs us all, that doesn’t get in the way of bringing our sanity into question; if you can relate, Things Are Crazy will give you all the answers you’re looking for; sift through the layered instrumentals, gentle acoustics and sweeping organs and hone in on the soulfully caressing vocal lines for a remedy to the malady of modernity.

Stream Things Are Crazy on Spotify now.

Review by Amelia Vandergast

Go down the rabbit hole with TaQuan MonChez’s ode to 80s soul, Wonderland

Posted on 20 March 2024

Start your 80s RnB love story by slipping into TaQuan MonChez’s latest single, ‘Wonderland’, which pours the essence of gospel into the heart of RnB. After honing his skills in a 20-year tenure as a church musician and a self-taught pianist, Wonderland showcases TaQuan’s journey and his ability to construct auditory embraces, capable of enveloping listeners in lush, hazy tones.

The ode to an ethereal kind of love, one that allows the material world to dissolve into insignificance, ensures this emotional theme resounds through each element – especially through his velvety magnetic vocals as they effortlessly ascend into a higher vocal register.

The guitar lines in ‘Wonderland’ are also a standout feature, dancing through the track with a pop and groove that’s infectious, intricate, and definitively 80s. These melodies underpin TaQuan’s vocal prowess, creating a layered and immersive soundscape.

Moreover, ‘Wonderland’ is a showcase of TaQuan MonChez’s exceptional songwriting ability. Each musical element is meticulously woven to create a tapestry that visually and sonically represents the sanctity of transcendent love. The song is a testament to TaQuan’s belief in music that resonates with integrity and decency.

Wonderland was officially released on February 16; stream the single on YouTube.

Review by Amelia Vandergast

Top supermodel Alana Monteiro brought style to the airwaves with her RnB meets dream-pop hit, Miss No More

Posted on 20 March 2024

Fuse wavy indie dream pop with swathes of contemporary appeal and Lynchian sonic cinematography, bed the synthesis into RnB roots, and you will be left with a hypnotic elixir which pours as deliciously as Alana Monteiro’s single, Miss No More.

The single unravels through the juxtaposition of lyrical vulnerability and the strident reclamation of power following a disempowering relationship that turned sour. The timbres in the track may run smooth, but there’s no putting out the fire Alana Monteiro started with her velvety luxe vocal lines that harness all the rage that is left in the ashes of a relationship that will never allow you to live up to your worth.

It’s a stunning release from the multi-faceted powerhouse of talent; when Alana Monteiro isn’t in the studio, she’s making waves in the fashion industry as a top supermodel who has made her way into the ranks of the top 100 black female models and acting in Emmy-award-winning films. Miss No More is definitive proof that her beauty is more than skin deep; it oozes from her soul into the lush production.

Stream the official lyric video for Miss No More which is slick with Burn Book-esque aesthetics and premiered on March 13 on YouTube.

Review by Amelia Vandergast

Lynden. – Change: A Melodic Indie Folk Pop Embrace of Vulnerability and Hope

Posted on 17 March 2024

Evoking resonance by versing on our tendency to chase distraction to outrun negative pervasive thoughts and feelings of loneliness, Lynden.’s latest single, Change, melodically thrives on an emotive confluence of indie, pop, and folk and renders your heartstrings raw through the candour.

The deep emotional themes which traverse the trappings of anxiety and depression go beyond touching on the darkness that finds a way of leaving a shadow over all of our lives. Lynden. used the opportunity to advocate for the vulnerability of honesty and to extend hope to people who need to hear that world views are malleable. In short, If this world is just illusion, choose one that fulfils you.

Starting with simple acoustic guitar chords and evolving into an intimately all-encompassing production which echoes the appeal of Violent Femmes and The Maccabees’ more melancholic work, the Burnley-based singer-songwriter and multi-instrumentalist orchestrated a soundscape which sonically visualises the tenderness of the lyrical narrative, while injecting enough rhythmic zeal to give Change an all-too efficacious uplifting energy.

After receiving critical acclaim and over 24k streams for his last single, You, Lynden. is leaving his affectingly intimate mark on the indie landscape; we can’t think of a more worthy breakthrough artist in 2024.

Change was officially released on March 15. Stream the single on all major platforms via this link.

Review by Amelia Vandergast

Nick Cave Meets the National in Harry White’s Latest Feat of Melancholic Liberation, A Way to Go

Posted on 17 March 2024

Harry White’s single, A Way to Go, extracted from his seminal LP Elvera, released on February 23rd, is a profound exploration of introspective lyricism and eclectic soundscapes.

The London-based artist embarked on a new musical chapter with his third album. A Way To Go, in particular, stands out as a vivid illustration of White’s artistic evolution. The influence of Nick Cave permeates through the keys and the gravelly drama of the vocal lines, while the introspective and intimate lyrics carry the magnetic flair of Leonard Cohen.

White’s venture into a more eclectic sound palette is evident in the fusion of electronic effects and the inclusion of a scratchily turbulent backbeat, hinting at The National’s influence. This backdrop is more than just a sonic layer; it’s a canvas for White’s philosophy that the world’s end is inevitable, regardless of individual actions. This theme, rather than being oppressive, is presented with a liberating twist, making A Way to Go a paradoxically uplifting anthem of melancholy.

The track is a compelling blend of styles, reminiscent of the transcendent zeal of ELO, yet amplified with a gothic romanticism unique to White. As the singer-songwriter gears up for live performances, A Way to Go solidifies his position as a seminal artist on the London circuit.

Stream A Way to Go on Spotify now.

Review by Amelia Vandergast

Martin Packwood wrapped his latest jazz fusion, Moonlight in Paris, in the warmth of the Parisian night

Posted on 15 March 2024

Martin Packwood’s latest single, Moonlight in Paris, is a scintillatingly smooth journey through the streets of jazz fusion, where every note feels like a step along the Seine under a starlit sky. This amorous installation unravels as a sensory expedition, wrapped in the warmth of a Parisian night.

Packwood’s guitar work, reminiscent of the bluesy soulfulness of Eric Clapton, intertwines effortlessly with the jazz keys. The bluesy guitar notes, like whispers of a distant love affair, meld with percussive fills that don’t just give the score structure, they fill Moonlight in Paris with anticipation.  Each progression in the track teases the listener not unlike the narrative arc of a classic romance.

The genius of Packwood lies in his ability to draw from a diverse palette of influences. His style, a confluence of Santana’s rhythmic mastery and the improvisational spirit of jazz, makes Moonlight in Paris a track that transcends mere auditory experience. It’s a piece that paints pictures, evoking the filmic aura of a David Lynch creation.

This release, following Packwood’s consistent contributions to the jazz-rock fusion domain, confirms his place as a sculptor of soundscapes rather than just a musician. Moonlight in Paris is a nocturnal stroll through the heart of jazz fusion, leaving listeners with a longing for just one more night in the city of lights.

Moonlight in Paris will officially release on March 15; stream the single on SoundCloud.

Review by Amelia Vandergast

The country rock rapture arrived through The Whiskey State’s latest single, Where I Need to Be

Posted on 14 March 2024

In the valleys of Hampshire, The Whiskey State, comprising Tom Stride and Jordan Tate, has distilled a sound that resonates with the soul of country and the riotous heart of rock. Their latest single, “Where I Need to Be,” is a testament to their journey from college companions to creators of exhilaratingly sticky-sweet euphoria.

Imagine extracting the quintessence of The Manic Street Preachers, Bruce Springsteen, and Sam Fender, then blending it into a musical elixir. The result? A flavour profile as affecting as “Where I Need to Be,” a song that pays homage to the sanctity of country surrounds. It’s a track that stirs the soul so profoundly, that you might find yourself questioning if any roots-reverent rock track has ever touched it quite like this before.

The song encapsulates tender homecoming yearning through the guitar chords that wrap you in nirvana and endlessly ensnaring vocal hooks which make it impossible not to want to make The Whiskey State your sonic poison of choice. The songwriting prowess of the duo is as evident as their ability to catapult listeners into the soulful aura of their music.

Few things feel better than returning to whatever constitutes home, but this track comes a close second. With their debut EP “Welcome to…”, The Whiskey State not only showcases their distinctive blend of country and rock influences but also cements their place as one of the most captivating country-influenced rock duos in the Uk and beyond..

Stream the official music video for Where I Need to Be via YouTube.

Review by Amelia Vandergast

Sam Phillips serenaded urban desolation into melody with his seminal pop single, In the City

Posted on 14 March 2024

Sam Phillips, a 21-year-old Nashville-based talent, has struck a resonant chord with his debut LP, ‘Hide ‘n Seek’, particularly with the single ‘In the City‘. This track stands out as a testament to his burgeoning artistry, showcasing a maturity that seems far beyond his years and harmonies so light they defy gravity in the predominantly acoustic number.

It’s a song that cuts to the core of the emotional themes explored while demonstrating that there’s immense power in simplicity when delivered with authenticity and profound understanding.

The lyrics paint a vivid picture of moving into the city, a journey from comfort to regret. Phillips taps into a universal sentiment, especially poignant in today’s world of widespread isolation. The bustling metropolis, often seen as a place of connection, is instead portrayed as a landscape of solitude. This theme will undoubtedly resonate with many, echoing the feelings of disconnection prevalent in our times.

Artistically, ‘In the City’ is both sublime and mellow, using its sonic narratives to great effect. The electric guitar solo towards the outro is particularly striking, cutting through the synthetic backdrop which symbolises a turbulent disconnection from sanctity.

For fans of pop looking for a track that combines lyrical depth with melodic beauty, ‘In the City’ is a must-add to your playlist. It’s a song that not only entertains but also invites reflection, making Sam Phillips an artist to watch in the contemporary music scene.

Sam Phillips’ LP, Hide ‘n Seek, was officially released on February 16; stream the album on Spotify now.

Review by Amelia Vandergast

Toy Taha – Thrill is Gone: A Fiery Requiem for Lost Love

Posted on 12 March 2024

Following up on her debut LP, EIGHT, the Philadelphia native, Toy Taha confidently veered off RnB’s beaten track with her latest single, Thrill is Gone.

Instrumentally, the moody jazzy foray is reminiscent of what might happen if the Arctic Monkeys took a detour through the heart of RnB territory; the instrumentals melodiously flow, blending genres tied together by a luxe 90s twist, setting a stage for Taha’s voice to explore the emotional aftermath of a fleeting romance.

Taha’s vocal lines weave through the complexities of quick-to-burn passion and being left with the aftermath of deception. Her voice, cultivated from a rich tapestry of influences ranging from Shirley Murdoch to Whitney Houston, scathes with a raw intensity, smouldering with unresolved passion.

Thrill is Gone is a testament to her candid lyrical approach, she navigates the intricate dynamics of love and loss with a narrative depth that’s as compelling as it is relatable, resulting in a fully stylised emotional outpour that anyone in the same position can source catharsis from.

Thrill is Gone was officially released on February 23rd, check it out on Spotify.

Review by Amelia Vandergast