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Blog Showcasing Singer Songwriter Talent

Where Dust Weeps and Thunder Waits: Welcome Stranger’s Folk Reckoning in ‘When They Let Up’

With a vocal timbre that chews on gravel before spilling its soul across the mix, Welcome Stranger drag folk-stitched Americana through the thorns of emotional reckoning in When They Let Up, taken from their EP You’ll Never Mind How I Leave. The title alone sets the tone: departure is a foregone conclusion, and this track unfolds as the moment of clenching before the storm finally breaks.

Their emotive echoes of alchemy will simultaneously leave you reaching for the tissues and to turn up the volume as you envelop yourself within the artful architecture of the single that is constantly opening new stylistic doors. From the first notes of the acoustic guitars, you’d never expect to be greeted by rougher-than-Waits vocals, or how the single builds into an intricately ornate tableau before building into an augmented chest-swelling anthem of radio-worthy, foot-stomping, full-bodied catharsis. Scored with scorned emotion, arranged with sweeping euphony, rendered through succinct reflection and refined through a poetic sense of emotional intellectualism, When They Let Up is an invitation to lose yourself in sound and connect the dots rhythmically laid before you to piece together the poetry with perspective.

Welcome Stranger don’t rely on sonic frills or overplayed tropes to hit their mark; they hit harder by digging into the quieter tragedies, letting the rough-hewn vocals crack through the instrumentals like dried earth under flood. There’s more bruised beauty in a single bar than most artists summon across an album.

When They Let Up is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Shaw Revolver Wrestle Reverie and Reality in ‘Chasin’ My Shadow’

Shaw Revolver is the artistic definition of keeping it in the family—but there’s nothing saccharine about their dynamic. The trio—fronted by the father-daughter triad of Michael, Dresden, and Brielle—harness their natural synergy without ever falling into sentimentality. What they conjure instead is something far more powerful: emotionally charged rock, stripped of ego, driven by instinct.

The layered harmonies in Chasin’ My Shadow come like storm clouds over sunburnt desert guitars—guitars that shift with a chameleonic coolness, bleeding spectral southern rock into gothic textures, then turning on a dime into lines so virtuosically affecting they sound like the subconscious speaking in reverb. It’s a sonic terrain that mirrors the track’s thematic weight: trying to find stillness while wrestling with the shadows trailing behind you.

Chasin’ My Shadow doesn’t just feel like catharsis—it feels like confrontation. A reckoning between dream states and disillusionment, between inner peace and inherited pain. And while I’ll usually brace myself for the insular feel of family bands, Shaw Revolver blew that expectation wide open. Their sound doesn’t lock you out—it drags you right through the heart of their sound.

Since their 2019 debut, Shaw Revolver has toured coast to coast with their travelling acoustic act, but this single proves they’re just as potent when they plug in and wear their souls on their sleeves. Theirs is a rock ethos built on substance, delivered with gravitas, grace, and an unshakable sense of purpose.

Chasin’ My Shadow is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Pop Culture’s Powder Keg: Maeve Riley Lights the Fuse with her EDM Pop Anthem, ‘Oops’

Maeve Riley

After a year where pop icons have openly paraded the imperfect and the unruly, Maeve Riley set the dancefloor on fire with Oops—a decadent pop explosion that anthemises digressions with no intention of cleaning up the mess. From the first hit of the tropic house kicks and 80s polyphonic motifs, Riley slams the accelerator on sonic excess, riding a disco groove fuelled by one of the rawest rock riffs ever dropped into a pop production.

The hedonism only intensifies around Riley’s meteorically magnetic vocal lines, which invite you to shed shame, strip away your inhibitions, and groove to the realisation that few things in life are as pristine as idealism, so get lit to the rapture of chaos. Every beat is a rebellion, every lyric a permission slip to abandon composure in the name of unapologetic pleasure.

Born in Rancho Cucamonga and now entrenched in LA’s music circuit, Riley sharpened her performance edge at UCLA’s School of Theatre, Film, and Television before becoming a fixture in the entertainment world. With 200K+ followers across TikTok and Instagram, she’s turned visibility into credibility without sacrificing authenticity.

Connect with Maeve Riley on Instagram and TikTok and wait for the drop of what will undoubtedly become one of the hottest tracks of the summer.

Review by Amelia Vandergast.

Starfire in the Scar Tissue: Stephan Leroy Folkes Transcends Temporal Turmoil in ‘It’s All Within Time (Travelling Through the Stars)’

Stephan Leroy Folkes

After launching Say It Like You Mean It with an insistent demand for honesty, Stephan Leroy Folkes has returned to eclipse every surface-level sentiment in It’s All Within Time (Travelling Through the Stars). Where the debut came with sharp confrontation, the sophomore single is steeped in cosmic introspection and scorched-soul sonics that unravel through alt-soul-pop with funk-slicked edges and ethereal atmospherics.

Folkes has dialled up the soul, beguile, and eccentric electricity up to 11, welcoming his ever-growing fan following into the epitome of impassioned visceralism. With the cosmic underpinnings to the alt-soul-pop serenade and Folkes’ falsetto vocal timbre surpassing the scintillation of Michael Jackson with the aching vibrato that hits in the chorus, the single is a lesson on what it means to truly go beyond surface level with emotions.

From the first synth-streaked beat to the last breathy note, the track tests the tensile strength of resilience, using star-bound metaphors to map the personal collisions that shake us into shape. The Leytonstone-born artist never plays it safe—nor should he. Born from brushes with death, his sound is living proof that survival can sound transcendent. With nods to Prince, Stevie Wonder, and Billie Eilish woven into his genre-defiant fingerprint, Stephan sidesteps imitation and plants himself firmly in the present moment of music with a sound entirely his own.

It’s All Within Time (Travelling Through the Stars) is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Nick Cody & The Heartache’s ‘Next Up’ Is A Swaggering Alt-Rock Serenade to Survival

With their latest single, Next Up, from the freshly pressed LP This is Love and the Heartache, Leeds-based Nick Cody & The Heartache have decidedly dialled up the swank and swagger. Frenetically paced grooves pull listeners into a sandstorm of Jim Morrison-esque desert-infused vocals, while backing harmonies create a dynamic, kinetic whirlwind of alt-rock reverence. The ensemble seems charged with an infectious energy that leaps effortlessly from musician to musician, ensuring the track becomes a certified serotonin shot—even against the stark refrain, ‘you don’t know what it’s like to die ‘round here’.

Clearly the band’s boldest sonic exploration to date, the creative gamble has spectacularly paid off. Genre boundaries crumble away as Next Up seamlessly sways from funk to college radio rock, slipping into vintage soul without missing a beat or dropping intensity. Released via Green Eyed Records—an imprint championing creative collaboration, previously hosting acclaimed artists like Jon Gomm and Martin Simpson—the single underscores Cody’s razor-sharp lyrical instincts and penchant for crafting melodies that refuse to fade.

Next Up is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Niamh Casey lyrically grounds the grandeur in her chamber pop diary entry, Fake Friend

Niamh Casey

Niamh Casey delivers tonal grandeur through grounded intimacy in her standout single, ‘Fake Friend’. Her flawlessly pitched, unfeigned vocal lines soar alongside an orchestral pop intensity, swiftly shifting into raw rock reverence with a broadsiding crescendo that spills beyond stadium proportions. Beneath the ornate instrumentation lies a deeper emotional reckoning: Casey captures the sheer exhaustion of existing at your emotional limits in a friendship devoid of reciprocity, where all is expected but nothing mutual ever materialises.

Pivoting away from her familiar themes of romantic heartbreak, Casey turns her gaze towards the murkier waters of friendship, highlighting the stark reality that bonds built on trust, honesty, and mutual support often fracture painfully. The single’s ironic title cleverly frames the cycle of adolescent reflection as Casey carousels through repeated disappointments, mirroring the shallow interactions with her own weary realisations. Each verse speaks rhetorically to the friend, challenging their conscience before swiftly turning inward, questioning her own judgement and emotional resilience.

As the bridge ignites, resentment physically releases through echoes of past betrayals and broken trust, vividly portraying how exhausting one-sided friendships truly become. Casey’s lyrical narrative relentlessly explores how grief and contempt intersect when the loss of a so-called friend offers more peace than pain.

With the potential of becoming the Tori Amos of her generation, all eyes and ears should be on Niamh Casey as the release of her upcoming EP inches closer.

‘Fake Friend’ is now available to stream on all major platforms.

Follow Niamh Casey on Facebook, Instagram and TikTok.

Review by Amelia Vandergast

Meher Turns Longing into Lush Catharsis on ‘When Flowers Bloom’

With When Flowers Bloom, the standout single from her debut EP End of Winter, Meher invites you to witness the thaw. The Punjabi RnB artist curates reflective states steeped in atmosphere and intentional vulnerability. Her ambient textures don’t drift aimlessly; they hang in the air with purpose, wrapping around vocals that shimmer with soul and subtlety.

The first thing that grips you about When Flowers Bloom is the soulful, sensuous seraphic timbre, but as the track progresses and picks up steam, it’s the narrative spun throughout the fervently performed yet quiescently projected vocals. It’s a paradoxical sonic spell that no one will be impervious to as you’re invited down the rabbit hole of Meher’s world of reverb and resonance. As the lyrics illustrate a protagonist who dares to fulfil desire and take bold risks in life, the instrumentals prove that she lives just as fearlessly through sound.

Written during a period of transition and healing, End of Winter is a sonic sanctuary stitched together by ambient warmth and lyrical intimacy. Meher doesn’t overstate; she lets restraint speak volumes. Through softness, she tells stories of distance, identity, and the quiet courage of becoming. Her sound creates a climate for connection, one that’s already drawing in thousands of listeners without industry scaffolding.

When Flowers Bloom is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast.

Jason Klaire Holds the Door Open to Solidarity in His Nine-Minute Pop-Rock Reckoning

Jason Klaire has always had a knack for translating chaos into art. With Open the Door, he strips away the noise of nationalistic chest-pounding and forces attention onto the slow rot of a society that’s convinced itself of its own superiority. Through theatrical piano-laced pop-rock progressions and gruff lyrical reckonings tempered by falsetto-soaked crescendos, he lays bare the internal malaise that festers in the face of external injustice.

The production carries the weight of disillusionment with a world that grows more fractured as the sands of time erode compassion, youth and the impulse to question. Open the Door isn’t content to simply reflect existential dread—it pushes past guilt and calls for a collective pivot, urging listeners to abandon cynicism and step into a future shaped by shared humanity. There’s no patience here for apathy, no room for denial.

Written as a defiant stand against territorial arrogance, Klaire’s nine-minute single was sculpted through painstaking revision, mastered by Steve Kitch, and eventually paired with a macabre AI-generated visual epic that consumed two months of obsessive perfectionism.

Klaire may have started with guitar chords and frustration, but what he built is a manifesto. One that swells with theatrical poise and lands with an emotional impact few artists dare aim for.

Open the Door is now available to stream on all major platforms. For the full experience, watch the music video on YouTube. 

Review by Amelia Vandergast

Kunle B – Wasting Time: A London Edge to R&B’s Classic Pulse

Kunle B

Kunle B may have cut his teeth in church pews and school halls, but his latest single Wasting Time proves he’s now fully in command of the late-night airwaves. Dripping with early 00s R&B swagger and wrapped in the kind of sensuous vocal delivery that leaves fingerprints on your soul, the track is a bold return for the Londoner who’s rebuilt his sound from the ground up after a vocal haemorrhage threatened to pull the plug on his rise.

He doesn’t just throw down smooth grooves—he stakes his territory with a voice that oozes intent. The cheeky edge in the voice note interludes grounds the track in the reality of London’s grit, while the sultry rhythm guitar flickers with Latin heat. It’s this juxtaposition—between street-smart bravado and slow jam sensuality—that makes Wasting Time so addictive.

The influence of Brandy, Craig David, and Michael Jackson is felt in the meticulous vocal layering and slick phrasing, but Kunle B brings something fresh with his aphrodisiacal tone and instinct for emotional weight. Every line is shaped with purpose; every harmony lands with a sting.

Having climbed from mashups on socials to writing for others and securing his own development deal, Kunle B isn’t leaning on anyone else’s vision. He’s here to push R&B forward, spotlight Black male artistry, and show the UK doesn’t need to look across the Atlantic for this calibre of soul.

Wasting Time is available to stream on all major platforms, including Soundcloud, now.

Review by Amelia Vandergast

Luke O’Hanlon’s ‘The Parrots of Lark Lane’: A Feathered Alt-Folk Elegy to Liverpool’s Hidden Magic

Liverpool alt-indie folk singer-songwriter Luke O’Hanlon becomes a conduit for naturalism and catharsis when armed with his acoustic guitar and warmed vocal chords. Released on the 31st of March as a teaser from his upcoming LP, The River Only Flows One Way, the standout single The Parrots of Lark Lane allows listeners to witness his infatuating sensitivity—his rare ability to perceive what we usually overlook.

As the track unfurls, it evolves gracefully into a Neutral Milk Hotel-esque lo-fi arrangement, with O’Hanlon, the poet of melody, gripping his pen firmly as he writes calligraphy with his affecting sonic signature. There’s a touch of James Yorkston in the observational clarity of his lyricism; its gentle grandeur inspires listeners either to adopt a similar macro lens or simply indulge in the reverie of his unique perspective. His innate gift lies in tying personal experience to wider phenomena, creating tenderly affectionate parables of everyday existence.

O’Hanlon, known for weaving poetic storytelling with evocative melodies, continues to delve into nostalgia, survival, and the quiet poetry found in ordinary life. His latest single gracefully blends sharp observational songwriting with surreal beauty, honouring Liverpool’s iconic Lark Lane with affectionate authenticity. Through O’Hanlon’s lens, even the smallest details feel monumental.

The Parrots of Lark Lane is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast