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Best Rock Music Blog

It is almost impossible to imagine Western society without the influence of rock n roll; the artists that became renowned as (rock)gods, the aesthetic, the culture that so many live and breathe, and of course, the music that became the soundtrack to our lives. Many of the greatest artists of all time are of some rock inclination; whether that be Buddy Holly, Nirvana, or The Rolling Stones – the charts simply wouldn’t be the same without the unpredictable and volatile genre.

Rock started to emerge in the 1940s through the masterful rhythm of Chuck Berry and his contemporaries. Twenty years later, The Rolling Stones became the true face of rock n roll as they advocated for sex-positive youthful rebellion; this controversy became synonymous with rock which took the genre to brand-new cultural heights. By the 70s, artists started to push rock music into heavier, darker territories. At the same time, hard rock and metal were behind conceived; Pink Floyd gave rock trippier, more progressive tendencies with their seminal album, Dark Side of the Moon. Another major move in alternative music happened in the 70s as punk artists, such as The Clash and The Sex Pistols extrapolated rock elements and fused them into their punk sound.

The 80s was the era for sleaze rock, indie rock and college rock bands, while the 90s delivered the grunge movement with Nirvana, Hole, Soundgarden and Pearl Jam chomping at the aggressive discordant bit. Mainstream rock artists from across the globe became part and parcel of the music industry at the start of the 90s, but with the death of Kurt Cobain, the popularity of alternative music took a nosedive – despite the best efforts of Limp Bizkit, Staind, Puddle of Mudd and The Red Hot Chilli Peppers.

In any definitive guide of the best rock bands of all time, the rock artists that made their debut in the 21st-century are few and far between. But regardless of how much you want to pull the plug on the life support of rock, it isn’t quite dead – yet. For irrefutable proof, you only need to consider Black Midi, Yungblud, Greta Van Fleet, Highly Suspect, The Snuts, and Dirty Honey, who are all bringing in the new wave of classic rock – in their own way.

Contemporary rock may not sound like it used to, but that is one way in which rock has remained consistent over the past eight decades – it never has sounded like it used to. Each new generation of artists has found room for expressive and experimental manoeuvre.

Hover pierced the post-grunge veil with the visceralism nestled within ‘In My Head’

In My Head by Hover

The Cali fourpiece powerhouse, Hover, unchained the gates to the post-grunge pantheon with their seminal single, In My Head. The grungy indie anthem opens introspective floodgates over crunchy overdriven guitar chords; when the reprise of ‘in my head’ pours over the instrumentals, you can’t help but be reminded of the visceralism of Zombie by The Cranberries, yet Hover makes the mantric confession their own through the raw emotive power of the vocal delivery.

With hints of everything from grunge to indie rock to college radio rock to pop punk, and every element riling up the last, In My Head unravels as an anthem of catharsis for anyone who knows how much hostility can be bred within the confines of the mind. In My Head proves that Hover doesn’t just have the technical chops to ensure their recorded material carries immense emotional weight, they also have the ability to take weight from the listener as the burden of rumination is lifted.

The Coachella Valley hailing outfit is easily distinguished from the rest with their attitude-spiked melodic rock. Rather than merely layering fuzz-laden riffs, Hover let raw reflection spill from every sonic seam, adding a welcome blast of authenticity to alt-rock’s current landscape.

In My Head is now available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

Master Splinter is ‘Unbound’ in the chaotic liberation of their latest alt-rock crusade

The shackles fall away in Master Splinter’s latest single, Unbound, a track that affirms their status as Portland’s ultimate emissaries of mind, body, and soul-melting sludgy stoner-rock chaos.

As a departure from their previous releases, Unbound is a lyrically abstract release which lets their signature blend of monolithic guitar riffs, dynamic basslines, and intricate percussion carry the spellbinding conversation while the lyrics breathe into the tempestuous mix as thematic abstractions.

It’s as unpredictable as it is entrancing—a visceral concoction that melds East-inspired mysticism with the raw intensity of Midwest grunge. Opening with opium-scented, hypnotic tones, Unbound evolves into an intricate vortex of progressive rock textures, ascending around grungy, Eddie Vedder-esque croons that carry enough smoky potency to leave you reeling.

The climactic moments are tightly controlled chaos, like a ship steered by an expert hand through a riot, reinforcing Master Splinter’s fearless approach to orchestrating dramatic vignettes.

Master Splinter’s unorthodox approach to hard rock strips away monocultural boundaries, crafting a sound that is equal parts primal and sophisticated. As the track crescendos, the constrictive tethers of typical genre constraints are shattered, leaving listeners adrift in an aural maelstrom, allowing Master Splinter to round out the year of faultless releases on a monumental note.

Unbound was unleashed on all major streaming platforms, including Spotify, on December 13.

Review by Amelia Vandergast

Asterhouse’s ‘Sick Millenia’ is a Meteor of Raw Indie Electro Rock Thunder

‘Sick Millenia’ is a fistful of rock reinvention from Seattle’s power-rock force, Asterhouse. Their knack for choppy, angular staccato riffs is matched only by the irresistible spark of the crystalline vocals, which slip across the frenetic pulses with a potent sense of urgency. While the Arcade Fire-esque synths keep the track firmly in the contemporary sphere, there’s an undeniable nod to the glory days of Emerald City punk that charges the song with adrenalized intensity.

Asterhouse recently showcased their talents through a residency at Climate Pledge Arena and a seminal KEXP in-studio session, building on their tradition of unleashing ethereal rhythmic power at iconic venues such as The Neptune Theatre, The Showbox, Neumos, The Crocodile, and Chop Suey.

This new single proves that the band aren’t simply documenting the malaise of modern life; they’re offering an efficacious salve through a hefty dose of full-throttle instrumentation and a whirlwind of hooks that tear beyond the rhythmic pulses and straight into the soul.

Sick Millenia is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Boston Flowers broke into the pantheon of indie supremacy with the hauntingly hook-rife hit, ‘Afterlife’

Softcore/alternative rock outfit Boston Flowers has returned with their latest single, Afterlife, balancing crunchy chords and heady concepts in a release that crackles with the same raw emotive intensity as Death Cab for Cutie’s haunting release, I Will Follow You Into the Dark.

Riding a pulsative anthemic backbeat, the tighter-than-a-straitjacket instrumentals act as an intravenous shot of adrenaline while the vocal performance invites deep reflection on life’s frailty. Each listen peels back another dimension of inventive detail, confirming that despite the stiff competition in Brooklyn’s indie scene, Boston Flowers has the potential to hold dominion over it.

Their new single builds on the introspective ground they broke with Soul Creature, Fever Dream, and Cancer Man, all of which probe life, death, and possible realms beyond. As vocalist/guitarist Sam Trestman explains, his decade in healthcare and a near-death experience fuels the Afterlife EP’s emphasis on life’s polarity and its revolving cycles of transformation.

Since making their mark with 2023’s Mondegreen, the band have stayed firmly devoted to melodic alt-rock and a softcore edge. They may namecheck The Strokes, Arctic Monkeys, and Tame Impala as their influences, yet everything you hear in the Boston Flowers is of the powerhouse’s own cerebrally affecting design.

Stream the official music video for Afterlife on YouTube now.

Review by Amelia Vandergast

Kilravock unchained a sludgy industrial rock wrecking ball with ‘Incompatibility’

Incompatibility ][ Working Class Hero by Kilravock

The latest single, ‘Incompatibility’, by the alternative artist Kilravock, sonically storms through the gates of multiple genres. The raucously riled juggernaut is fuelled by the fire of industrial metal, sludged up through strokes of stoner doom rock, and finds its chameleonic stripes through the influence of progressive rock. It’s an onslaught of chaos that places Kilravock in the same league as Combichrist and Rammstein without bowing to any mechanised predecessor’s rulebook.

Omaha-based Steven W. Smith—known for his contributions to The Alliterates, Lucid Fugue, Megaton, and Valley of Shadows—has morphed into a one-man powerhouse under the Kilravock moniker. From instrumentation to production, everything you hear is of Smith’s own making, lending the track an undeniable sense of personal authenticity as it distils Smith’s frustration with society’s rigid frameworks and his lived neurodivergent experiences into a landscape of deep, sorrowful vocals and raw, frustrated howls.

Throughout, Kilravock’s grip on the melodic weight ensures that even though you’re pummelled by vicious distortion and messy reflections of discordance, you’re never lost. Instead, you’re locked into the insanity, granted permission to unchain your own chaos, and left with an aftertaste of brutal truth.

Incompatibility is now available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

Ralph Bishop’s ‘Photographs’ is a snapshot of rock theatre

With Photographs, the standout single from Ralph Bishop’s debut LP, The Path, the 18-year-old artist from Dorset threads theatrical intensity with classic rock sophistication. Far from settling into well-trodden territory, Bishop carved a distinct niche by pairing his histrionic harmonies with an unapologetically dramatic arrangement that would be equally at home on the airwaves or the Broadway stage.

The track’s emotional depth is as vast as Bishop’s awe-inspiring octave range, which soars alongside the cabaret piano, chamber strings, and searing guitar solos that nod to the golden age of 80s rock. Rather than overpowering the melody, the instrumentation leaves space for Bishop’s theatric vocals to command attention, balancing subtlety with unrelenting intensity.

Lyrically, Photographs transcends rock’s usual fare by delving into the poignant fragility of our relationship with mementoes, inviting listeners to reflect on how memories can simultaneously comfort and haunt. Bishop’s piercing poetry only amplifies the visceral weight of his performance, proving his talent isn’t just in the notes he hits but in the stories he tells.

Having cut his teeth in front of crowds as young as 11 and sharpened his musicianship at the Guildhall School of Music and Drama, Bishop brings a maturity beyond his years to his solo career.

Stream The Path in Full on Spotify.

Review by Amelia Vandergast

Alt-Indie Raconteur Mickey Haimes Shines Light on Shadows in his Debut Single, ‘Sunlight’s Exposure’

Mickey Haimes

With his debut single ‘Sunlight’s Exposure’, Guernsey-based singer-songwriter Mickey Haimes signalled that supremacy in the alt-indie scene is his for the taking by blending jazz, blues, and indie rock with the swagger reminiscent of Nick Cave. Supported by BBC Music in the Channel Islands, Haimes offers a candid tale of questionable life choices via an unflinching descent into past experience.

With a distinctive, soulful voice, he could harmonise his shopping list and still leave listeners mesmerised. His rugged yet sweet harmonies infuse smooth grooves with a warmth that only a true conduit of soul can provide. While most artists have to resort to experimentalism for authenticity’s sake, with Haimes, there’s a rare sense that his distinction breeds from unfeigned expression as he exudes a rare originality born from sincere expression.

The intricate, organic layers of ‘Sunlight’s Exposure’ paint a vivid portrait of a soul guarding its own shadow, serving as the perfect introduction to an artist already making major waves before his first official release reaches the shores of the alt-indie arena.

Already recognised locally as Guernsey Street Festival Performer of the Year 2022 and having graced the BBC Introducing stage at the Guernsey Together Festival 2023, Haimes reflected on his songwriting with the observation that “A gritty insight is a useful one, but a playful slant is what brings it to life.”

Sunlight’s Exposure will be available to stream on all major platforms from December 6th; discover your preferred way to listen via this link.

Review by Amelia Vandergast

The devil is in the debauched detail of Too Late To Run’s seminal alt-rock hit, Diablo

Fake News by Too Late To Run

In their debut EP, Fake News, the outfit fated to become Sweden’s latest alt-rock powerhouse, Too Late To Run (TLTR), takes on the hypocrisy of world leaders and puppet news media with gritty distorted guitars and a subtle voice of sarcasm.

The standout single, Diablo, is a down-and-dirty cocktail of funk, scuzz, and playful punk panache that blasts past pastiche while harking back to acts like Eagles of Death Metal and Mike Patton, who avert cliché with their humorous and avant-garde spins on rock ‘n’ roll tropes. For a while, it has felt like rock has become a parody of itself—a trend perpetuated by artists with scarce awareness of how they’re weak effigies of their idols. But with Too Late To Run, you lock into the rolling rhythms and devil-may-care debauchery, instantly assured that every sonic sermon will leave you wanting to kneel at their eccentrically electric altar.

Born in the UK, songwriter, producer, lead vocalist, and band founder LEA says of the album, “Many people are feeling powerless right now, and these songs are the best way I know to get my own voice heard and try to make a difference.”

Diablo is now available to stream and download via Bandcamp.

Review by Amelia Vandergast

Todd Michael Chapman is the lyrical cheerleader everyone will want in their corner with ‘Celebrate It’

New York-born-and-raised singer-songwriter Todd Michael Chapman reached his uplifting zenith with his latest melodic Americana rock single, Celebrate It.

Covering the all-too-relatable phenomenon of chasing dreams and overcoming adversity for the promise of an emotional payoff and never finding any serotonin at the end of the endeavour, Chapman uses the single as an opportunity to remind his fans to reflect on their wins as much as their losses.

Joined by a female vocalist who effortlessly complements his stridently euphoria-painted harmonies, Celebrate It is enough to strip the weight of ennui right off your soul and rose tint the way you perceive your impact on the world.

The country-twanged classic rock melodies paired with Chapman acting as the lyrical cheerleader everyone will want in their corner transform Celebrate It into the ultimate anthem to slam through your speakers every time you need an intravenous shot of optimism.

Stream Celebrate It on Spotify now.

Review by Amelia Vandergast