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Mimi Satanistá Poured Napalm Over Neurodivergent Fury in the Industrial Glitch Sermon ‘RAGE IS A RITUAL’

Posted on 10 May 2025
Mimi Satanistá

RAGE IS A RITUAL by Mimi Satanistá is a caustic cut above the rest of the plastic posturing of industrial pop. Raw nerves were threaded through the glitched-out waves in the progressions as the spoken word poetry sees venom cascade over the frenetic pulse of the adrenaline in the track. If you love artists in the same vein as Poppy, ANGELSPIT, and Vicious Precious, RAGE IS A RITUAL will dig into your desire to unchain your rage, allow it to tear through your skin and reach an outlet as it flows through the fervour of the rhythmic volition.

As a Mancunian, I can’t help but adore the way Preston’s Mimi Satanistá allows her North West roots to pull through in the cadence of her spoken word verses; there’s no pretence or assimilation here—just one unreckonable force moving to the vanguard of the industrial glitchwave scene with her refusal to contort herself for commercial potential to the expense of her authentic expression.

The centrepiece of the upcoming TRANSMISSION_FROM_THE_VOID EP plays out like a signal to the deviant and displaced. After surviving a psychosis diagnosis in 2022, Mimi found her voice in the chaos and tore through the static to build a lifeline for anyone still submerged in white noise. This is outsider music at its most confrontational and redemptive.

RAGE IS A RITUAL is now available to stream on all major platforms; discover your preferred way to listen via the artist’s official website. 

Review by Amelia Vandergast.

Hamilton Hound Spun ‘White Noise’ into a Jazz-Wired Sucker Punch for Fans of The Streets-Esque Urban Realism

Posted on 9 May 2025

White Noise by Hamilton Hound is far from what it says on the titular tin. The gospel of Motown flows through the single that vocally reminds you of the era that The Streets reigned supreme in the UK. At the same time, jazzy motifs enmesh with a frenetic beat, creating a chaotic whirling dervish beneath the measured spoken word cadence that draws you into the emotive centre of the track. John Cooper Clarke levels of cheeky wit ripple through the exhilarant rhythms that rush past, daring you to keep pace with them. For fans of Argh Kid, White Noise will feel like a kindred echo—charged with the same urban realism and wired with poetic electricity.

Hamilton Hound—spoken word artist Ian Hamilton and multi-instrumentalist James Mason—don’t waste breath or instrumentation. Together, they summon soul-stirring soundscapes built to make the mundane transcendent. With every release, they sharpen the blade of their observational storytelling. White Noise lands as their latest incision—a track that peels back the surface of the everyday to expose raw truths and quiet chaos.

Following previous BBC Introducing-supported tracks like The Distance, Graves, and You Don’t Have to Hide, White Noise is another example of how Hamilton Hound carve out a space where grit and groove coexist. It’s a head rush with heart and an anthem for anyone tuning into the frequencies of modern discontent.

White Noise is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Ann Aarat Exorcised Liminal Longing in the Downtempo Nocturne ‘stay awake’

Posted on 5 May 2025

With her divine talent in sound design, Ann Aarat cast spectral shadows over the luminescence of downtempo trip-hopped sensuality in ‘stay awake’. Rather than jarring, the syncopated beats let you sink into the sporadicism of their rhythm as Aarat pours ethereal harmonies over the intricately poised textures and tones that will make any leftfield electronica fan feel right at home. There’s no urgency in the soundscape, only a hypnotic surrender to liminality as her vocals drift through the arrangement like half-remembered dreams. ‘

The second official single from the Delhi-born, New York-based artist was synthesised while she was studying at Berklee College of Music. Now making a name for herself as a DJ, singer-songwriter, producer, and experimental sound designer in NYC, Aarat takes her time with her releases – and it shows. The precise stutter effects, lush reversed vocal swells, and fluid atmosphere speak to her desire to make music that lives and breathes in its own sonic dimension.

Aarat’s background in Mumbai and her ongoing devotion to sculpting otherworldly tones through field recordings and Ableton have culminated in a track that scratches the itch for intimacy without spilling into confessional territory. If this is the sonic skin she intends to inhabit while working towards film scoring, she’s already found a place where nuance reigns supreme.

‘stay awake’ is now available to stream on all major platforms; for the full experience, stream the official video on YouTube. 

Review by Amelia Vandergast.

Rick Holden Bound Devotion in a Sonic Halo in the Vocal Trance Anthem ‘You Are the One’

Posted on 4 May 2025

When it comes to sonic embodiments of the resolute nature of unconditional love, they don’t come much more rapturous than Rick Holden’s latest single, You Are the One. The oscillations of pure impassion, the transcendent tones visualising the cathartic sanctity of soul-deep affection, the vocals soaring beyond the confines of material reality and the lyrics with no sense of pretence all contribute to an affecting floor-filling anthem while becoming so much more than the sum of its parts. Sweat deserves to drip over this fervent earworm throughout the summer.

With his latest single, the Manchester-based trance producer Rick Holden channelled nostalgia into a visceral manifestation of early 2000s Clubland euphoria. Built from the bones of old-school trance and polished in modern sheen, the independently released track harnesses the exact kind of emotion most producers would struggle to translate through a DAW. Using Vital synths to sculpt the spectral timbres and sealing the soundscape in Audacity, Holden engineered a clean yet explosive hit, laced with ethereal synthwork and pulsing beats that beg for movement.

The roots of his sound stretch back to the ‘90s, cutting his teeth on Commodore 64 and Amiga software before sharpening his melodic instincts with a Roland XP50 and Cubase. Now, he filters decades of underground dancefloor magic through a refined sonic lens that refuses to dilute the emotion at its core.

You Are the One is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast.

CR Srikanth Lit a Celestial Fuse Beneath the Dancefloor in the Hyper Pop Anthem ‘Dancing in the Dark’

Posted on 1 May 2025

CR Srikanth, one of the most fearless sonic explorers, goes beyond traversing uncharted ground; he builds new intersections between symphonic harmony and synth pop to invite his ever-growing army of fans into mind, body, and soul-melting vehicles of escapism.

As one of the rare affecting architects of hyper-sonic pop, none of the emotion is diminished through auto-tune in his latest single, Dancing in the Dark. Visceralism weighs heavily in the euphoria of the dance-worthy anthem, which lifts you to one of the highest plateaus you could ever hope to reach through sensory experience alone. The track is so much more than a tour de force of genre fusionism—it’s constraintless expression delivered through the desire to rush body beats with serotonin.

With Dancing in the Dark, CR Srikanth expands his VS Pop™ vision—his self-defined cinematic crossover genre where orchestral scores collide with ambient and electronic pop aesthetics. Since launching the project in late 2024, he has earned global traction with FM and digital radio spins across seven countries, over 100,000 venue placements through playlisting networks, and a growing Spotify audience. His background as a composer and producer, backed by a catalogue of over 30 orchestral works and a growing presence on YouTube, makes each release more than a standalone single—it’s a signal that the future of genre boundaries is already dissolving.

Dancing in the Dark is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Obsidian Cane & Gizella Eased the Friction of a Wearied Reality with Their Soul-Fuelled Electro Release, Crazy World

Posted on 30 April 2025

Crazy World saw producer Obsidian Cane and vocalist Gizella join forces once again through unflinching determination to better the world through sound. As we become wearied by the weight of the world, it can almost feel impossible to find a guilt-free reprieve, but that is exactly what you will find in the soul-infused electro anthem. With vocals tempering the frenetic pulse of the breakbeats which feed drum n bass rhythms into the leftfield tropical house atmosphere, there’s no denying that the symbiotic collaborators orchestrated a hit as authentic as their creative connection. As your rhythmic pulses get rhythmically delivered shots of adrenaline, your mind won’t escape the catharsis of knowing that there are others out there praying for peace to stand in place of the lack of humanity and friction which gets more corrosive day by day.

As one of London’s most boundaryless beatmakers, Obsidian Cane – whose career has spanned producing for major label acts and scoring for British TV – has never bowed to formula. With Crazy World, he once again rewrites the rules. After producing for Gotcha! Records, Gizella earned her stripes as a vocal chameleon, traversing the UK Garage and Drum n Bass scenes with her singular range and emotive command. Their latest release expands their sonic synergy and marks them as artists unafraid to make their art mean something in the age of desensitisation.

Crazy World is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast

Blue Violence. Became the Definitive Sad Boi of Synth Pop with ‘My Feet Are Sad on the Dancefloor’

Posted on 22 April 2025

Blue Violence. turned the emotional weight of disconnection into a dancefloor confession with ‘My Feet Are Sad on the Dancefloor’, the keystone single from his 3-track EP, ‘Ugh…’. With synths set to shimmer and sardonic melancholy laced through the beat, this melancholic indietronica lament spins the disco ball on its axis to reflect a darker spectrum of inner turmoil.

Through anthropomorphised sorrow, Daniel Fischetti—writing and producing as Blue Violence.—exposes the paradox of internal desolation amidst external euphoria. While glitter rains and basslines throb in euphoric unison, his feet remain heavy with the weight of unshakable emotional inertia. There’s funk in the Depeche Mode-esque rhythm and pain in the lyricism, stitched together with the same magnetic gloom found in the works of John Grant.

Hailing from Southern California, Fischetti started Blue Violence in 2019 during a collaboration with producer and engineer Chris Caccamise of CJE Productions. Their work on the debut album Modern Love cemented Blue Violence. as a name worth noting in the shadowy corners of synth pop. Since then, Fischetti has remained self-contained in his sonic pursuits, refining his signature style without sanding away the raw emotional contours.

‘My Feet Are Sad on the Dancefloor’ doesn’t fake the catharsis—it coils around it, examining every nuance of numbness through neon-soaked textures and darkly sweet tones. Blue Violence delivered the funked-up synth pop hit we never knew we needed. He’s the definitive sad boi of synth pop.

‘My Feet Are Sad on the Dancefloor’ is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Leirbag X.O. Threads a Sonic Scalpel Through the Ether in the Avant-Garde Electronica Cut ‘Earth Paradise Hell’

Posted on 18 April 2025

Earth Paradise Hell is just one of the viscerally affecting hits in Leirbag X.O.’s discography—if this release is anything to go by, no one will be in line to tell the French producer to watch their tone. Starting out in the vein of a pulse-pounding deep-house anthem, the single quickly transmutes into transcendence to sonically visualise the paradise alluded to in the title. Through arresting quiescence, the cultivated producer compels you to lean into the instrumental soundscape far enough that you can feel the textures bleed into your anatomy, leaving you at the mercy of the concluding chapter of the single which feeds disquieting motifs into the ambience, reaching the epitome of harbingering while never forsaking the diaphanous euphony.

Clearly, Leirbag X.O. grabbed a cleaver and ensured he was a cut above the rest through Earth Paradise Hell—a cut deep enough to expose the full contrast between serenity and dissonance without losing control of either. As part of a growing discography which has earned him over 5,000 monthly Spotify listeners, this release showcases his ability to structure tracks as psychological arcs rather than passive audio wallpaper.

Based in France, Leirbag X.O.—real name Gabriel—is already working on his second conceptual album Awakening of Light, following his debut Annihilation of Darkness, released track by track from October 2023 to July 2024. With ambitions of collaboration and a beatmaker’s instinct for sonic architecture, he’s a producer wired for deeper conversations through sound.

Earth Paradise Hell is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast.

Viresha Found Rhythm in Transcendence with Her Organic Tech House Debut, Flow of Life

Posted on 16 April 2025
Viresha

Hit play and permit the augmentations of transcendent spirituality to slam and spiral through your speakers as the synthesis of organic house and techno in Viresha’s debut, Flow of Life awakens the senses. Like a tribal calling to the dancefloor, the instrumental radio edit of Flow of Life delivers exactly what it says on the tin—encapsulating what it means to be human in the tension and catharsis of the progressions, which seamlessly shift as a tribute to the trials we face and the sanctuaries we can lead ourselves to if we ebb to the flow of life.

Viresha—the moniker chosen by Swedish producer, DJ, and breast cancer survivor Anna—channelled her invincible strength into every beat of her self-written and self-produced debut. Drawing from years behind the decks and deep immersion in vinyl and radio culture, she’s carved out a sound steeped in tribal, Latino, afro, melodic tech, and downtempo roots. Her style doesn’t borrow; it builds. There’s structure in the sonic chaos, purpose in the propulsion, and emotion that doesn’t just flirt with the surface but cuts clean through it.

From her past to her pulse-raising future—including her forthcoming attendance at Tomorrowland Academy—Viresha is proof that it’s never too late to create something worth dancing to—debuts rarely come as strong as this fierce rhythmic reckoning.

Flow of Life is now available to stream on all major platforms via this link.

Review by Amelia Vandergast.

Venom in the Reverb: Offworld Narcotics Lace Trip-Hop with Lynchian Limerance in ‘Siren Serpent’

Posted on 9 April 2025

As harbingering, serpentine, and seductive as the title would suggest, Siren Serpent by Offworld Narcotics is a salacious cocktail aimed at intoxicating your mind as much as the rhythmic pulses. The juxtapositions between the dark reverberant effects, chilling tones and timbres, and spectral shadows cast across the illuminated motifs and the ethereally diaphanous vocal lines as they refract light through the alchemised darkened corridors in the mix results in a hypnotic effect; you’ll be fully at the mercy of Offworld Narcotics as they build to a crescendo of Lynchian Avant-Garde beguile.

The trio behind the track – multi-instrumentalist Bryan Drummond, vocalist and producer William Fyke, and drummer-engineer Brandon Bera – have already laid down a reputation for sonic subversion. Their debut single Mariana earned spins on WFMU, and with their 2025 dual drop Siren Serpent and Chained (The Descent), they’ve proven their dedication to pushing their trip-hop sound further into the abyss.

Rooted in the rhythmic tension of artists like Portishead and Massive Attack, Siren Serpent flirts with electronica and alternative rock while keeping a firm focus on subjugating the listener through sound.

Siren Serpent is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast.