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Pop Music

As the trends in music evolve, as does the definition of pop music. Pop started as an abbreviation for popular; since the mid-20th-century, it has become the go-to term to define the music currently holding the most favour with the public. The evolving nature of pop makes it hard to pinpoint the pioneers; some say it all started when performers needed a catchy and memorable song in the Victorian area, while others say that pop began with the original crooners in the 30s.

The introduction of the pop music charts in 1952 allowed a cultural shift to form around music. It was at this point in history that teenagers became a massive target for the media. Before this new social reconstruction, there had been no in-between for children and adults. Just as it is now in the TikTok age, where teenagers can make an unknown artist go viral in minutes, teenagers effectively ran the music industry in the 50s too!

After Elvis Presley reigned supreme in the late 50s and early 60s, the Beatles dominated the charts for eight years until they disbanded in 1970. Throughout the 80s, synthpop took the pop limelight until the Boy Band era was born in the 90s. The selling power of East 17, Take That, Backstreet Boys and ‘N Sync gave Bob and Chris Herbert the idea to manufacture the world’s ultimate girl group; with the Spice Girls, they discernibly succeeded. After the Spice Girls topped the charts, more manufactured pop acts, such as Britney and Mariah Carey, started to surface. Manufacturing is still a massive part of the pop industry, but more and more pop artists are becoming brave enough to break the mould (think Billie Eilish, St. Vincent and Lorde).

Even though the pop charts are more diverse than ever, with Ed Sheeran sitting next to the Weeknd and Dua Lipa next to Tom Grennan, there are still common factors in their pop tracks. Today, most songs that fall into the pop category follow the extensively tried and tested pop formula. Generally speaking, pop tracks are 3 – 5 minutes in duration, use just one key, contains melodically lyrical soundbites that include the title, have a repeating chorus and keep to 4/4 time signatures. Repetition is quite literally key.

Unless it is a ballad or a stripped back acoustic number, pop tracks usually unfold to danceable tempos and rhythms to complement the lyrical hooks. Elements from every genre can be pulled into pop, the main ones being rock, RnB, hip hop, country, Latin and dance. Indie pop was a force to be reckoned with at the start of the millennium, but two decades in, it has lost its foothold to hip hop and RnB, which have become pop genres in of themselves.

Jamie Beth Refuses to Falter in Her Indie Pop Earworm, ‘Don’t Change My Mind’

After lighting up the airwaves with her debut single, Streetlights, the indomitable force, Jamie Beth returned with Don’t Change My Mind—an indie-pop tour de force of a reminder that love still endures.

The nineteen-year-old Geordie singer has already made waves on BBC Introducing, Amazing Radio, Tyneside Radio, and Spark Sunderland, and with this latest single, she’s taking no prisoners as she storms the scene.

Rather than merely narrating the off-kilter euphoria of losing power through romantic obsession, the anthemic guitar feeds the frenzy into the rhythmic pulses, sweeping you up in a hazily impassioned reverie. Don’t Change My Mind pulls you under the current of its rhythmic momentum, wrapped in a sticky-sweet Sabrina Carpenter-esque aura that makes the single effortless to devour.

Jamie Beth’s ability to deliver quintessential pop panache pierced with her authentic energy and sincerity is on full display in her sophomore release, which splices indie rock instrumentation with dreamy bubblegum pop vocals. With this release, she’s ticked all the pop boxes and invented a few of her own along the way.

Stream Don’t Change My Mind from 10th February on all major platforms, including Spotify. 

Review by Amelia Vandergast

Empara Mi Tears Into the Fabric of Grief with ‘I Can’t’

Empara Mi has long been a voice that defies convention, and her latest single, I Can’t, is no exception. As the first chapter of her forthcoming album, Monsters & Masochists, this heartbreak-laden anthem traces the contours of loss and lets them bleed into every note. With lyrics that seem to be torn from the pages of premonition, Empara Mi wrote I before experiencing the very devastation she feared, turning this track into a cruel case of life mirroring art.

Proving how frivolously the word ethereal is thrown around, Empara Mi’s vocal delivery is as otherworldly as it is gut-wrenching. The sombre introspection quivers through each aching vibrato harmony, carried by a sparse yet cinematic arrangement that makes every moment linger in the silence.

In parts, the instrumentation strips itself to the bare iridescent bones of reverb bleeding from a lone synth note, yet nothing is left hollow—this is a masterclass in knowing when to hold back and when to let the weight of emotion fracture through.

From one soul to another, I Can’t is a reflection of alienation, a meditation on grief that deepens in resonance with every discordant beat.

I Can’t is out now on all major streaming platforms, including Spotify, setting the stage for what promises to be Empara Mi’s boldest and most vulnerable era yet.

Review by Amelia Vandergast

All James’ ‘Falling Back’ Lifts the Weight of the World with Power-Pop Panache

With his latest single, All James filtered Americana, power pop, chamber pop, and indie folk through a lens of authenticity, refusing to fit into any pigeonhole framework. The soaring orchestral strings and lush 90s nostalgia in ‘Falling Back’ blur into an arrangement that feels almost too big for Broadway, yet it never loses its intimacy.

Written between the lines of Falling Back is the efficacious reminder that no one is as alone as they believe they are—there’s always someone to fall back on. The clarity in the crescendos affirms that sentiment, carrying listeners through the emotional turbulence of feeling lost and the sanctuary of being caught.

Every note in Falling Back feels intentional, designed to be epic and emotional without losing sight of its raw honesty. If it has been a while since a singer-songwriter has driven you to the brink of tears, hit play and remind yourself of how sound is capable of making your soul feel whole.

Falling Back is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

JD Kelleher Spins a Groove-Laden Lifeline with Turn It Around

JD Kelleher ignited a movement of self-reclamation with his latest single. In Turn It Around, the queer Irish singer-songwriter spins funk-laced indie pop into an unshakable force of uplifting empowerment. Wrapped in euphoric grooves that strut between disco rhythms and rock ‘n’ roll licks, the track is a pulsating testament to resilience. There’s no saccharine preaching here—just the hard-earned wisdom of someone who has clawed their way back from the brink and now offers a hand to anyone spiralling downward.

No stranger to making waves, Kelleher has spent the past year dominating the UK Dance/Club Chart Top Ten with remix-fuelled anthems, hitting Number 7 with Take The Mon€y & Run. His knack for injecting fresh energy into pop-rock shines again in Turn It Around, which drops on February 21st, followed by remixes in March, including a euphoric rework from 7th Heaven.

With his Catalan bandmates Jimmy Pinol, David Ibarz, Marti Rieira, and Alex Badia, Kelleher continues a legacy of defiant, joy-fuelled releases. From topping the Irish Rock Chart with Love Will Tear Us Apart during the Marriage Equality referendum to his soul-stirring take on Over The Rainbow, his music is a force of resistance against the anti-LGBT+ rhetoric which is now digitally in Vogue.

The official video for Turn It Around will premiere on February 21st; watch it on YouTube.

Review by Amelia Vandergast

NYC’s seraphic songstress Eleri Ward reached the epitome of evocative etherealism with ‘Float’

Eleri Ward

Eleri Ward’s latest single, Float’, exhibits how she doesn’t just live up to the hype cascading around her multifaceted creativity; she immortalises herself through arcanely affecting textures and harmony.

Originally from Chicago and now based in NYC, Ward has been immersed in music and theatre since she was five years old, honing her ability to turn storytelling into an emotional force. Known for her critically acclaimed reimaginings of Stephen Sondheim’s work, which The New York Times and Forbes praised for their imaginative indie-folk acoustic approach, Ward has shifted her focus to crafting her own celestial and introspective sonic universe.

With ‘Float’, she moves beyond her acoustic roots into expansive electro-pop territory while retaining the storytelling depth that defines her artistry. The emotive elements ensure that the single never veers towards pure theatre. Instead, Ward enmeshes intensity with intimacy; crescendos tear through you with dramatic potency, only to be followed by ethereal, caressing alt-indie intricacy.

‘Float’ is immersive enough to make you hold your breath, as though you’re being abstracted from oxygen and plunged into a pool of pure unfeigned artistry, its balance of raw emotion and sonic subtlety creating a hypnotic grip.

Float will hit all major streaming platforms on February 21st. Find your preferred way to listen via Eleri Ward’s official website.

Review by Amelia Vandergast

your friend juniper’s ‘makesmehappy’ Builds a Bridge Between Fantasy and Fearless Living

What begins as a Disney-esque ballad in makesmehappy doesn’t stay in the realm of romantic fantasy for long. your friend juniper—Nashville-based singer-songwriter, producer, and videographer—obscures the whimsical with artful neo-folk instrumentation, her textured rhythm section syncopating beneath vocal lines that don’t just soar but ascend into something divine.

Seamlessly shifting from delicate reverie to something far more profound, this track solidifies her as much more than a vocal powerhouse; she’s an artist who doesn’t just perform but pours her soul into sound.

With a background spanning musical theatre, classical, and contemporary music—honed at Berklee College of Music—your friend juniper wields her vocal versatility with intent, never relying on sheer power alone. makesmehappy resonates with the same evocative energy as her inspirations Hayley Heynderickx, Madison Cunningham, and Regina Spektor, yet the emotional depth and spiritual warmth in her sound make this track unmistakably hers.

If any single can convince you to chase your happiness without hesitation, it’s makesmehappy, which only becomes more of a revelation with each repeat listen.

The first single from her upcoming full-length album is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Dandelions by ST4RR: A Sundrenched Bloom in Indie Pop

With all the dreamy reverie of coming-of-age infatuation wrapped up in the warm, hazy hues spilling from the jangle pop guitars and her organically hypnotic vocal lines, ST4RR will leave you as lovestruck as the lyrics with her single, Dandelions.

Allowing you to imagine The Smiths and Sabrina Carpenter intertwining their sounds, the track effortlessly appeals to both new wave indie faithful and contemporary pop fans. Her songwriting chops, effortlessly seraphic sonic signature, and ability to envelop listeners in an aura of emotion result in a sticky-sweet earworm born through an effortless amalgamation of style and substance

Behind the ST4RR moniker is Trinity Rutledge, who has nurtured her devotion to music since childhood. After finding her voice in choruses and mastering guitar and piano, she is well on her way to achieving her lifelong dream of appearing on major stages and reading audiences across the globe.

As the opening single on her debut EP, Circle of Love, Dandelions positions ST4RR in prime territory to reach the top of the indie pop charts. Every note lingers in your mind, retaining a mellifluous spark that sets her apart from the standard singer-songwriter formula.

Stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

Planets Delivered a Meteoric Blast of Pop Rock Intensity with ‘Winner’

Planets, the UK-based pop rock duo formed by guitarist Hector Castro and vocalist Charlotte King, continue their unstoppable ascent with their new single, Winner.

True to their name, they pull you into their orbit through sheer emotive gravity. Intensity intersects with vulnerability as the pop vocals temper the storm of instrumentals that constantly shift in tone. From aching stabs of minor piano keys to the raw chugging of electric guitar strings and crescendos of pure aural oblivion, Winner is a visceral ride through the minds of one of the most authentic duos in the underground scene.

Building on their recent singles, Red Earth and SIGNS, Planets refuse to assimilate with their cinematic sound. Despite having only been active for a few months, they have already exceeded expectations.

Winner was penned to add fuel to the fire for anyone hesitant to chase their real ambitions, acknowledging how some of us are our own worst enemies but it’s never too late to take back control, reawaken dormant potential, and finally build the life we want.

That spirit of empowerment is mirrored in the uplifting shift to a major key during the chorus, which showcases the collaborative vision between Hector and Charlotte and attests that global domination may be well within their reach.

Winner was officially released on January 31st. Stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

Lost Foxes Rips Through Rhythmic Convention in His Electrifyingly Frenetic Indietronica Earworm, ‘Sirens’

‘Sirens doesn’t settle into the background of Lost Foxes’ sophomore LP—it crashes through it with the weight of unresolved emotion clawing at the bones of To Get Used to You Gone, an emotionally turbulent tour de force that holds no prisoners in the name of candour.

Duncan Therrell, the creative force behind Lost Foxes, has never played by the rulebook, and in his latest release, he doesn’t just ignore convention—he grinds it into the dirt beneath syncopated beats that rip through the mix like a live wire.

Opening with an alternative slant on Slowdive’s cuttingly angular guitars, the track teeters on the edge of familiarity before wreaking havoc on the rhythmic pulses. From there, Sirens swells into a new-wave synth anthem, its oscillating layers stacked with enough textural depth to pull listeners under, all while Therrell’s indie-pop-adjacent vocal lines bleed melancholy over the frenetic percussion.

More of an avant-gardist than an assimilator, Lost Foxes chips away at expectation with every unflinchingly unfeigned note. Then, the hypersonic middle eight obliterates all restraint, leaving only rubble in its wake and the mark of a true innovator.

Sirens is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

A Mirrorball Manifesto: INES Commands the Dancefloor with ‘Dance’

With more shimmer than a disco ball hanging over a hedonic dancefloor, INES illuminated the airwaves with her sophomore single, Dance, which throws you right back to when Gaga stormed the scene in the 00s, while throwing further back with elements of funk and disco, giving the earworm of an anthem plenty of kinetic textures to share the euphoria.

With an irresistible rhythm behind her dynamic vocal lines that don’t just hit the notes, they envelop them with fervour, INES didn’t just scratch the pop surface, she nestled into its core and held dominion over the disco pop anthem.

INES, a Tunisian-born singer, has never confined herself to one musical space. After first taking to the stage as a child, she gained wider recognition in 2013 with her duet for the documentary Tounsi w Khalli Iqoulou Hbel, produced by Coca-Cola. She spent years refining her craft across festival stages and exclusive embassy performances in Tunisia before setting her sights on a global stage. In 2018, she moved to Los Angeles to carve out her space in the pop scene, embracing a multilingual approach that reflects her belief in genre fusion as the future of music.

Dance is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast