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Pop Music

As the trends in music evolve, as does the definition of pop music. Pop started as an abbreviation for popular; since the mid-20th-century, it has become the go-to term to define the music currently holding the most favour with the public. The evolving nature of pop makes it hard to pinpoint the pioneers; some say it all started when performers needed a catchy and memorable song in the Victorian area, while others say that pop began with the original crooners in the 30s.

The introduction of the pop music charts in 1952 allowed a cultural shift to form around music. It was at this point in history that teenagers became a massive target for the media. Before this new social reconstruction, there had been no in-between for children and adults. Just as it is now in the TikTok age, where teenagers can make an unknown artist go viral in minutes, teenagers effectively ran the music industry in the 50s too!

After Elvis Presley reigned supreme in the late 50s and early 60s, the Beatles dominated the charts for eight years until they disbanded in 1970. Throughout the 80s, synthpop took the pop limelight until the Boy Band era was born in the 90s. The selling power of East 17, Take That, Backstreet Boys and ‘N Sync gave Bob and Chris Herbert the idea to manufacture the world’s ultimate girl group; with the Spice Girls, they discernibly succeeded. After the Spice Girls topped the charts, more manufactured pop acts, such as Britney and Mariah Carey, started to surface. Manufacturing is still a massive part of the pop industry, but more and more pop artists are becoming brave enough to break the mould (think Billie Eilish, St. Vincent and Lorde).

Even though the pop charts are more diverse than ever, with Ed Sheeran sitting next to the Weeknd and Dua Lipa next to Tom Grennan, there are still common factors in their pop tracks. Today, most songs that fall into the pop category follow the extensively tried and tested pop formula. Generally speaking, pop tracks are 3 – 5 minutes in duration, use just one key, contains melodically lyrical soundbites that include the title, have a repeating chorus and keep to 4/4 time signatures. Repetition is quite literally key.

Unless it is a ballad or a stripped back acoustic number, pop tracks usually unfold to danceable tempos and rhythms to complement the lyrical hooks. Elements from every genre can be pulled into pop, the main ones being rock, RnB, hip hop, country, Latin and dance. Indie pop was a force to be reckoned with at the start of the millennium, but two decades in, it has lost its foothold to hip hop and RnB, which have become pop genres in of themselves.

Darcy Thomas’ ‘It’s You’: Aussie Pop’s Anthemic Heartbreak in Full Bloom

Darcy Thomas’ latest single, ‘It’s You’, carries 00s pop nostalgia in acoustic guitar chops that lend immediate intimacy before the track swells into an anthemic radio-ready proclamation. Raw rock riffs spike through the chorus, fuelling a heart-in-throat crescendo as the lyrical protagonist lays it all unapologetically on the line.

The emotional intensity strikes hard enough to bruise, providing a bittersweet reminder that fairytale love stories rarely survive off the page, screen, or airwaves. Thomas deliberately avoids neat resolutions, leaving listeners tangled in ambiguity as they root for a protagonist faced with losing the one person who makes them feel whole.

At just eighteen, Darcy Thomas has transitioned from writing his first song at six to crafting his vocal identity under the watchful eye of renowned vocal coach ‘Mama Jan’ Smith, whose clientele famously includes Justin Bieber and Usher. Alongside producer Greg Stace, whose guidance at Ignite Studio in Alexandria has been pivotal, Thomas has shaped a visceral sound ready to capture global attention through its expansive cross-over appeal.

‘It’s You’ is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Arnold J.’s ‘Eden is Burning’: An Alt-Rock’s Cosmic Elegy to Lost Paradise

Arnold J.’s latest single, ‘Eden is Burning’, allows listeners to imagine Tracy Chapman’s iconic singles filtered through Bowie-esque cosmic pop-rock, soaring riffs, and twilight-drenched synths. The Ghanaian-born, Canada-based artist, whose creativity first took root amidst the streets of Ghana, defies every boundary with a genre-fluid sound built from raw emotion and untethered imagination.

‘Eden is Burning’ instantly grips with eccentrically ethereal vocals, weaving swooning melodies haunted by 80s nostalgia without succumbing to convention. The experience echoes the otherworldly charm of Science Fiction/Double Feature from the Rocky Horror Picture Show—except here, the surrealism intensifies. Arnold J. crafts a love song steeped in desolation, a harbingering elegy to the absence of someone capable of transforming the seventh ring of hell into a utopian escape.

Arnold J. has always marched to his own rhythm, from daydreaming melodies in Ghana to electrifying thousands at Assiniboia Downs on Canada Day. With ‘Eden is Burning’, he continues this pursuit, sculpting sonic portraits from poetic introspection, surreal imagery, and existential musings.

For alternative rock listeners drawn to music that traverses emotional depths and existential heights simultaneously, Arnold J. offers an experience as profound as it is soul-stirring.

‘Eden is Burning’ is now available to stream on all major platforms, including YouTube and Apple Music. 

Review by Amelia Vandergast

Lauren Ash Lights a Match with ‘COOL STORY, BRO’: A Pop-Punk Anthem Fuelled by Scathing Contempt

Lauren Ash

Lauren Ash is driving the nostalgia of pop-punk back onto the airwaves, though you’d be mistaken to expect a familiar revival. Her latest single, ‘COOL STORY, BRO’, confidently flits between glossy pop hooks and sultry-sweet harmonies before crashing headlong into alt-rock territory, exploding into an anthemic chorus driven by jagged guitars and electrifying percussion.

Written from the merciless vantage point of someone whose heartbreak has curdled into sharp-tongued contempt,the track is an acerbic wake-up call delivered with visceral intensity. Lauren Ash channels the relatable brutality of post-breakup clarity, turning personal wounds into lyrical dynamite reminiscent of Alanis Morissette’s unfiltered honesty on ‘Jagged Little Pill’, with a pop-punk energy.

Though best known for her roles as Dina Fox in NBC’s ‘Superstore’ and Lexi in ‘Not Dead Yet’, Ash’s dream was always rooted in songwriting and live performance. With her debut single ‘Now I Know’ soaring to #5 on Billboard’s Alternative Digital Song Sales and #1 on Canada’s iTunes Rock Chart, and performances at venues like the Viper Room and Whisky A Go Go, her musical ambition is swiftly matching her acting acclaim.

‘COOL STORY, BRO’ is now available to stream on all major platforms. Find your preferred way to listen on the artist’s official website. 

Review by Amelia Vandergast

XXLTARIK dragged RnB into the shadows of pop funk with his ahead of the curve hit, RUNAWAY

Moroccan-American artist XXLTARIK is storming through Jersey’s music scene with his spectral and darkly sultry approach to RnB, creatively spliced with alt-pop sensibilities and contemporary funk grooves. His latest single, ‘RUNAWAY’, sidesteps the usual pitfalls of superficial hooks, pulling listeners instead into a deeper, emotionally raw narrative that feels hauntingly personal despite the slick, polished production.

XXLTARIK’s ability to alchemise genuine emotive candour with melodies flooded with unflinching momentum turns ‘RUNAWAY’ into an infectiously arresting anthem—guaranteed to hype any listener, whatever their backdrop. His vocals refuse pretence, showcasing flawless command as authenticity surges through each note, effortlessly oscillating between gritty vulnerability and smooth sophistication.

The track confronts the human tendency to expose our vulnerabilities to those least worthy of them. Through this emotional transparency, XXLTARIK makes ‘RUNAWAY’ resonate as both confession and cautionary tale, exploring the shadows we willingly inhabit for fleeting connections.

With funk-driven rhythms underpinning his dark wave alt-RnB textures, XXLTARIK ensures ‘RUNAWAY’ is a tour-de-force, defined by its depth and cross-over appeal.

‘RUNAWAY’ is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Amanda Gabriel Crystallises Nostalgia into Sentimentality’s Sharpest Edge in Her Indie-Pop Single, Always Better

With her theatre roots, New Jersey-bred vulnerability, and a self-diagnosed tendency to feel too much, Amanda Gabriel builds entire sonic topographies from emotion. In Always Better, her girl-next-door demureness sharpens the blow of her emotional candour. The single pulls you under with infectiously seraphic progressions, tinged with a gentle nod to 90s and 00s pop, while keeping one eye fixed on the horizon.

The production elevates the songwriting to stratospheric heights. What begins with a dreamy, cloudlike atmosphere slowly tightens its grip as jangly guitar chops carve through the softness. It’s delicate without being breakable, with Gabriel’s dynamic vocal range gliding over the instrumental with glassy, diaphanous harmonies that feel fragile and unshakable.

Lyrically, Always Better distils emotional chaos into clarity, moving through beauty, confusion, pain, and longing without over-explaining or overstating. From the first verse, the sentimental pull is inescapable, and by the final note, you’ll know precisely what she meant—even if she never told you outright.

Her debut EP, also titled Always Better, made a strong first mark in early summer 2024, with the title track climbing to #16 on the aBreak58 chart and earning a slot on their radio station and playlist.

Always Better is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

ZKIN Expose the Sociopathic Script in ‘Breaking Me Down’ – A Synth-Pop Autopsy of Emotional Erosion

ZKIN’s latest single, Breaking Me Down, tears through the surface with haunting synth-pop stylings that shimmer with trip-hop unease and indietronica nuances. The Swedish duo, formed in Linköping by Jonas Gustafsson and Malin Jeraeus, have crafted their own genre by refusing to compromise their vision to fit a template. Their self-styled descriptors—Dessert Soul, Bristol Blues, Cinematic Industrial Synth Rock—speak to their obsession with pushing past the expected.

The production operates like strobe lighting through fog—illuminating the disorientation of psychological warfare in toxic dynamics. The synth arrangements soundtrack a spiral, while the lyrical plot is paced like a psychological thriller. Jeraeus delivers each line with measured cadence, capturing the ache of recognition and the slow-burn clarity that comes from realising you’ve been pulled into someone else’s constructed reality. Her voice, shaped by years of singing through soul, funk, blues and rock, holds nothing back in its precision.

Thematically, Breaking Me Down resonates as a cautionary tale written for anyone who’s felt reality rewritten by someone more concerned with control than connection. Gustafsson’s lifelong grounding in jazz, blues, and punk bleeds into the track’s rhythmic structure—firm, unrelenting, and laced with menace. Together, they reconstruct the power balance that emotional manipulation seeks to dismantle.

ZKIN’s strength lies in their refusal to simplify or soften. Every element of Breaking Me Down is sharpened to expose what it means to reclaim your voice after it’s been strategically unravelled.

Breaking Me Down is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Angie Keys Unlocks Emotional Armour in Her Alt-Pop Anthem ‘Brave’

With an intro landing deftly between a bitter-sweet Taylor Swift ballad and the soaring guitar strings of a Springsteen-inspired country-pop anthem, Angie Keys’ single, ‘Brave’, instantly immerses you in melodically impassioned territory. Taken from her debut album, Finally Here, the track never allows its emotive momentum to falter, striking an affecting balance between intensity and tranquillity.

Keys’ instrumental swells resonate with palpable feeling, affirming her talent for embedding visceral emotion into each note. Yet, amidst this sonic strength, a gentle serenity emerges through Keys’ vocals, gracefully drifting through the production like whispers of comfort. This effortless vocal touch adds a serene reverie, making the single a musical salve for those wearied by fortitude.

Lyrically, ‘Brave’ explores the resilience required to thrive despite relentless trials—an honest narrative borne from genuine life experience. Keys, a Birmingham-based singer-songwriter with roots tracing back to childhood family performances, has grown into a nuanced storyteller. Her teenage fascination with 90s multitrack recording blossomed into mastery, fuelled further by life’s heartbreaks, repairs, loves, and losses. These lived experiences culminate impressively on her long-awaited debut, underpinned by contributions from global talents including Emiliano Boulot on drums, Daniel Beachy’s pedal steel, Marco Gatti’s piano keys, Hugo Lanauestudi’s lap steel, and Joseph Keys’ accomplished guitar and production work.

Brave is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Noah Nordman Constructed an Indie Pop Rock ‘Paradise’ with His Latest Raw Revelation of a Release

Noah Nordman perceptibly shares melodic DNA with Sam Fender, but within his sound lies far more than sonic assimilation; he delivers stridence twined seamlessly with indie sensibility. His latest single, ‘Paradise’, is cultivatedly twee, presenting Nordman as an artist who wears both his heart and his digressions openly on his guitar strings and soaring vocal lines.

As the rhythm section steadily feeds the track’s pulse, all peaks and valleys emerge courtesy of Nordman’s elastic vocal range, contracting and extending to flood the track with endless nuance. This melodic confession bursts with blistering emotion, subverting the stereotypical tranquillity of summery indie-pop-rock into an intimate canvas that vibrantly colours Nordman’s vulnerability and candour.

Based in Indianapolis, Nordman made his initial impact through the 2022 release of his debut, two-part album, SHIPWRECKED!. Following live performances across breweries and distilleries, he transformed his ambition into reality by diving headfirst into home production. With ‘Paradise’—the first of multiple planned 2025 releases—his powerful, clean vocals align effortlessly with impactful lyricism that blends indie-pop immediacy with singer-songwriter introspection.

Nordman’s music invites listeners into a world where emotional sincerity bursts free from indie-pop convention. ‘Paradise’ confidently positions him as an artist unafraid to colour outside the lines, providing listeners with a melodic outpouring as authentic as it is unforgettable.

‘Paradise’ is now available to stream on all major platforms, including Soundcloud.

Review by Amelia Vandergast

Vanna Pacella Haunts with Her Soul-Steeped Indie Pop Single, ‘Wolf’

With Wolf, Vanna Pacella doesn’t just revisit the time-old tale of naivety and misplaced trust—she reconstructs it through the raw magnetism of her voice and the expressive precision of her songwriting. At 18, the Cape Cod-based singer-songwriter, pianist, and self-taught producer proves that age has no bearing on the depth of emotional insight. Wolf is a soul-stirring excavation of entrapment, emotional dependency, and the slow corrosion of identity in toxic connections that confuse devotion for destruction.

Written and produced by Pacella and her Power Trio bandmates, Tom Davis and Nick Simpson, Wolf holds its weight in every detail. The swanky piano keys drop a moody noir atmosphere over the track, while Tom’s guitar injects bold, bluesy punctuation into the heartbreak. Meanwhile, Nick’s percussive pulse carries the emotional tide with stoic force. Pacella’s voice, equal parts timeless chanteuse and conduit of contemporary soul, weaves between jazz-tinted verses and gut-wrenching admissions, wielded like the most expressive instrument known to man.

The hook, penned on Halloween and later brought to life through obsessive refinement, carves out space for layered interpretations. Lines like “I built you into home” and “I can feel the bleed of time” reflect how easily love becomes confinement, while “Oh, but I am growing cold” closes the curtain with numb finality. The song’s melodic depth is only rivalled by its lyrical scope—Wolf exists as a sobering reminder of how easily we lose ourselves while chasing comfort in chaos.

Wolf is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast.

The Emotional Guillotine Falls with Hyper-Trap Pop Precision in Yung Blasian’s ‘I’m Sorry’

With every scathing line and serrated hook riff in I’m Sorry, Yung Blasian proves that vulnerability in hyper-trap pop doesn’t have to come wrapped in polished platitudes. Instead, it hits like a sledgehammer wielded by someone with nothing left to lose. The Philadelphia-based artist, who has been quietly sharpening his sonic edge on SoundCloud since 2017, goes in for the emotional kill in his breakthrough hit, which carves through the noise with Latin-laced guitars, delay-drenched choral hooks, and a beat that knows no mercy once it drops.

There’s no pretence in his lyrical candour—just a supercharged vignette of coming-of-age heartbreak told from the raw end of rejection. The Haitian-Japanese vocalist and producer doesn’t just wear his heart on his sleeve; he shreds it open to expose how quickly self-esteem can be reduced to rubble when left picking through the wreckage of fading affection. The emo-adjacent anguish isn’t self-indulgent. It’s methodical. Calculated. Intentional. Yung Blasian doesn’t give you space to pity him—he drags you into the chaos of every self-effacing lyric and leaves you reeling in the aftermath.

Yet somehow, through the storm of scorn and dejection, he keeps the energy high. It’s a whiplash-inducing contrast that’s fast becoming his signature. With his ahead-of-the-curve production style, sincerity at the core of every expression, and an authentic voice that cuts through the noise, he’s not just riding the hyperpop wave—he’s building the playground it thrives in.

I’m Sorry is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast.