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Pop Music

As the trends in music evolve, as does the definition of pop music. Pop started as an abbreviation for popular; since the mid-20th-century, it has become the go-to term to define the music currently holding the most favour with the public. The evolving nature of pop makes it hard to pinpoint the pioneers; some say it all started when performers needed a catchy and memorable song in the Victorian area, while others say that pop began with the original crooners in the 30s.

The introduction of the pop music charts in 1952 allowed a cultural shift to form around music. It was at this point in history that teenagers became a massive target for the media. Before this new social reconstruction, there had been no in-between for children and adults. Just as it is now in the TikTok age, where teenagers can make an unknown artist go viral in minutes, teenagers effectively ran the music industry in the 50s too!

After Elvis Presley reigned supreme in the late 50s and early 60s, the Beatles dominated the charts for eight years until they disbanded in 1970. Throughout the 80s, synthpop took the pop limelight until the Boy Band era was born in the 90s. The selling power of East 17, Take That, Backstreet Boys and ‘N Sync gave Bob and Chris Herbert the idea to manufacture the world’s ultimate girl group; with the Spice Girls, they discernibly succeeded. After the Spice Girls topped the charts, more manufactured pop acts, such as Britney and Mariah Carey, started to surface. Manufacturing is still a massive part of the pop industry, but more and more pop artists are becoming brave enough to break the mould (think Billie Eilish, St. Vincent and Lorde).

Even though the pop charts are more diverse than ever, with Ed Sheeran sitting next to the Weeknd and Dua Lipa next to Tom Grennan, there are still common factors in their pop tracks. Today, most songs that fall into the pop category follow the extensively tried and tested pop formula. Generally speaking, pop tracks are 3 – 5 minutes in duration, use just one key, contains melodically lyrical soundbites that include the title, have a repeating chorus and keep to 4/4 time signatures. Repetition is quite literally key.

Unless it is a ballad or a stripped back acoustic number, pop tracks usually unfold to danceable tempos and rhythms to complement the lyrical hooks. Elements from every genre can be pulled into pop, the main ones being rock, RnB, hip hop, country, Latin and dance. Indie pop was a force to be reckoned with at the start of the millennium, but two decades in, it has lost its foothold to hip hop and RnB, which have become pop genres in of themselves.

Ava Trepeck Cast a Multi-Sensory Cinematic Spell with the Beach House-Level Textural Sorcery in ‘Sphinx’

Ava Trepeck created multi-sensory cinematography with her seminal ethereal pop single, Sphinx. The New York City-based alternative dream-pop artist, originally from Birmingham, Michigan, has a voice that could see her hailed as this generation’s Kate Bush, a sound that establishes her as talented as Beach House when it comes to alchemising intoxicatingly timbred melodies, and that touch of je ne sais quoi that makes her so stylistically hypnotic.

The soft, reverb-lush way every note drifts in hazy weightlessness through the retro-futuristic colour of the pastel-toned triumph is enough to make you feel as though you’re defying gravity as you drink in the dreamy, artful textures. Beneath the beauty, Sphinx carries a deeply considered emotional architecture, exploring divine union within the self and the balance of masculine and feminine energies as a route towards safety, freedom and inner equilibrium.

Trepeck’s background in psychology and cinematic arts at the University of Southern California gives the single its rare sense of psychic detail and visual depth. You can hear why Dora Jar, Lorde, Lana Del Rey, Kate Bush and Miley Cyrus sit within her wider constellation of influence, but Sphinx never feels derivative. It’s escapism at its finest, and it is proof that Ava Trepeck’s talent refuses to settle into complacency; there’s a palpable sense she’s pushing sound design into transcendently imaginative terrain with each of her new releases, and this is no exception.

Sphinx is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Ricky Leroy – Feiern Vereint: a Bubblegum Eurodance Party-Pop Anthem for Full-Throttle Escapism

Guilty-pleasure party pop feels like a dying art form in the pool of sanitised posturing we are calling modern music, but Ricky Leroy is keeping absurdity alive with his latest single, Feiern Vereint. Born and raised in the USA, Leroy brings rodeo energy and an honest life force into the German Partyschlager scene, giving each one of his hits a personality that refuses tasteful restraint.

Carrying that unmistakable classic 90s Eurodance beat and infectiously cheeky vocals that spill hype at every turn, Feiern Vereint introduces splinters of modern production to the genre while preserving the bubblegum Europop sweetness. The result is shamelessly kinetic, festival-ready and engineered for communal release; it’s the kind of track that understands pleasure as a full-contact sport.

After early songs unexpectedly lit up a party, Leroy’s project moved from novelty to a serious prospect through Shooter Promotions, producers, labels and a creative link-up with star producer Stefan Vogel. Together, they created his ten-track debut album, Hier Geht die Party Ab!, a record built for singing along, dancing hard and surrendering to collective escalation.

Feiern Vereint sits perfectly inside that mission. Ideally, you will hear it with a beer in your hand, surrounded by raised arms at Malle, clubs, festivals, après-ski or any room allergic to self-seriousness.

Feiern Vereint is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

TROUBLE Twisted Pop and EDM into an Untameable Dancefloor Rush with ‘that’s the way’

With their sophomore single, that’s the way, the already iconic duo TROUBLE unleashed another earworm that will stick around for long enough for you to be tempted to charge it rent. This time, TROUBLE locked their sight on the dancefloor and dropped the ultimate chameleonic floor filler. Few dancefloor DJs will fail to be seduced by the bordering feral glamour of the single.

After an intro which harbingers an intense burst of rhythmically injected energy, just when you think they have delivered a quintessential, messy Y2K EDM pop anthem, there is a seamlessly radical shift into a bass-heavy house floor filler before TROUBLE experiment with hyper funk elements and come into their own through a Latin pop twist courtesy of the bilingual vocals.

Built from glossy pop production and club-ready energy, the Nashville duo have already established an irreplicable artistic identity where infectious hooks meet bold visuals and unapologetic confidence. That willingness to lean into every strength gives **that’s the way enormous commercial appeal while preserving the personality that makes TROUBLE impossible to overlook. The mainstream could claim them, but they could never tame them, and that is exactly why we are obsessed with them

For fans of Charli XCX, COBRAH, Slayyyter.

that’s the way is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast.

close to u by Leea Clem Is Shadowy Dance Pop with Euphoria-Grade Seduction

LEEA CLEM

If Maddy from Euphoria made moody alt pop, it would struggle to match the same demure volition as the latest single, close to u, by the up-and-coming sensation Leea Clem. The independent Italian artist has stepped into a sharper phase of her career with a release that understands exactly how to weaponise desire without losing its dreamy echoes of yearning.

Vocal seduction drips over the shadowy progressive dance pop hooks as oscillations of cosmic retro-futurism make the production feel infinitely expansive. It is the kind of all-consuming earworm that refuses to resonate as sound alone; the swirling kaleidoscope of cinematic colour psychology creates a vignette of basement club lust as the beats sonically pump adrenaline straight into your veins.

After debuting in 2021 with A Universe Apart, releasing moving on through Sony Music distribution with support from Puglia Sounds, performing at Medimex Showcase and following with SWEET REVENGE in 2026, Clem already has the foundations of an artist ready to scale beyond underground admiration. Now as an independent entity, she’s more uninhibited than ever; if close to u is anything to go by, she’s at her zenith when refusing to soften herself and fit into someone else’s vision.

As a club anthem, prime material for international radio A-lists and a single with serious viral appeal, if close to u does not break into the mainstream, it will not be because it leaves anything to be desired. If anything, desire is the epicentre of close to u.

close to u is now available to stream on all major platforms via this link. 

Review by Amelia Vandergast

Mike Di Lorenzo Rose-Tinted the Airwaves with ‘Our Song’ ft. CaiNo and Anna Moore

Mike Di Lorenzo

With monoculture dead, there is no definitive sound of the summer anymore, but if any release deserves to spin on the decks of 2026’s hottest hits, it is Our Song, born through Mike Di Lorenzo’s alchemic collaboration with CaiNo and Anna Moore. It drifts straight back to the Y2K era, when pop, hip-hop and RnB started to occupy the same sun-drenched frequency.

After a prelude of little more than reverb-lush synths and soprano soul, the beat kicks in with swathes of summer heat before slipping into an RnB groove, with playful polyphonic keys carrying layered harmonies which mesmerise as they entwine and rose-tint the airwaves. The chance of you taking the cherished people in your life for granted after this single is slimmer than Shady. It reaches the peak of how much affection can radiate from the core of a release.

Produced by Di Lorenzo, whose Modern Times title track has surpassed 1.2 million streams, Our Song brings CaiNo’s charismatic rap and vocal energy together with Anna Moore’s soulful warmth. For fans of Justin Timberlake, Mary J. Blige, Method Man, Jason Derulo and Bruno Mars, this is RnB-adjacent pop refusing imitation while still feeling instantly playlist-ready.

 Our Song is now available to stream on all major platforms. Discover your preferred way to listen on the artist’s official website. 

Review by Amelia Vandergast

Isabella Chiarini – Out of Control: a Funk-Fed Dance-Pop Anthem with Mainstream Firepower

Off-the-rails rhythms render Isabella Chiarini’s latest earworm, Out of Control, one of the most infectious singles of the summer. The Hamilton, Ontario singer-songwriter has always treated pop as an open field for emotional honesty and sonic reinvention, and with her latest meteorological drop, she hits the sweet spot between feel-good dance-pop, EDM euphoria and funky new-wave sticky sweetness.

The stabs, chops and grooves of the synth-pop production turn Out of Control into an anthem that surges with staccato euphoria. It has the sincere, feel-good transcendence of ABBA’s biggest anthems within a massive production that carries clear appeal for fans of EDM-pop giants in the vein of Kygo and Calvin Harris. Yet Chiarini’s strongest advantage sits in the perceptible instrumental complexity and the way every layer in the mix pops with organic musicianship. Written around the rush of finding someone who brings out new sides of yourself, Out of Control whips up that (hopefully) relatable sense of fervour without the single ever risking the loss of its emotional core.

Chiarini’s upbringing, shaped by resilience after losing her mother at three and being raised by a father who taught her never to give up, feeds into the empowered rapture of her writing. After early vocal training with Teresa Nocita, development through PCG Universal in Nashville and current collaborations with Nocita and Canadian Idol winner Brian Melo, Chiarini more than sounds ready for serious dance-pop traction.

Out of Control is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Josh Raines – Daydreaming: Gravity-Defying Indie Soul Pop to Wooze You Away from Melancholy

Josh Raines fits right into the Jungian archetype of the wounded healer; his latest single, Daydreaming, is his most potent dose of medicine yet. The addiction-medicine doctor and pop-Americana songwriter creates music to help his own mental health while helping others with theirs, giving the single an unusually sincere foundation beneath its sun-drunk melodic lift.

Semi-lucid reverie takes the form of surfy 60s indie pop as the earworm defies gravity and wraps you up in melodies that echo the woozy euphoria of Foster the People’s iconic single, Pumped Up Kicks, just with a few more oceanic waves lapping against the shore of the single, delivering an unrivalled high; you know it’s efficacious when an outro leaves you with a comedown.

All of the imagery in the lyrics only serves to take you higher as Raines enmeshes dream-like visuals with swoons of soulful sincerity. Produced and recorded by Raines, then mixed by seven-time Grammy-nominated producer and engineer Tony Hoffer, whose credits include Beck, Air, Depeche Mode, Phoenix, M83 and Foster the People, Daydreaming has the clarity and melodic architecture to travel far beyond indie-pop playlists.

Following a viral online moment that pulled millions into his orbit, Raines sounds ready for a wider audience. Even without a mainstream to declare a definitive song of the summer, Daydreaming is guaranteed to soundtrack the season for everyone who resonates with it.

Daydreaming is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Blinding Lights in the Underground: Sco Nixon’s ‘Numb’ Is Retro-Futurist RnB Pop Cinema

The neon lights in Sco Nixon’s latest single, Numb, are even more blinding than The Weeknd’s viral hit. The Indianapolis pop and RnB artist, songwriter and performer locked emotional storytelling into a radio-ready release that carries the shadowy intimacy of the underground.

While the momentum and colour spill from the new wave synth pop melodies and contemporarily hazy production, Sco Nixon locks the amorousness of RnB into his harmonies as they glide across the retro futurist synth lines. You would be hard-pressed to find a more polished hit of RnB pop in the underground, but there is so much more to Nixon than a glossy presence on the airwaves. His voice is a cinematic force in itself, carrying enough control, smoke and sensitivity to make detachment feel dangerously intimate.

Numb is already out on all platforms, with the official music video expanding the tension behind the record through expressive performance and cinematic storytelling. That visual extension makes sense for an artist whose work is rooted in movement, feeling and atmosphere. After performing in multiple cities, including recent London and Los Angeles shows for the Target Concert Series, Nixon sounds ready for a wider spotlight.

Numb is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

The Camus of Pop: Katie Noir’s ‘Only Us’ Turned Kinetically-Charged Pop into an Existential Inquiry

Spiritually meta symbolism eclipses the entire debut LP, What Is Unseen Still Exists, by Katie Noir, a pop artist who has revolutionised the moody pop zeitgeist in her first sonic strike. The standout single, Only Us, fuses introspective cerebralism and razor-sharp social commentary with kinetic beats that shift your perceptions as they lock into the rhythm of the spicy lyrical poetry.

The visceral electricity of the high-energy dance pop production sinks teeth of juxtaposition into the existential thematic core of the release as it rips the façade of meaning from everything except connection and the present moment. In doing so, Only Us coaxes listeners out of complacency, away from distraction and towards mindfulness, without ever sacrificing the addictive force of its pop architecture.

What Is Unseen Still Exists began as something deeply private for Noir, an apology to her closest friends that gradually became a 23-song debut album shaped by diary-like confession, recurring symbols, emotional callbacks and the number 23. That backstory gives Only Us even more gravity.

It would have been a tragedy if Katie Noir kept her debut LP away from the airwaves; she has the kind of voice and mind that outliers, creatives and listeners craving more than superficial hooks from pop will instantly gravitate towards. She has gone leagues beyond the spicy disinhibition that shot Chappell Roan and Lola Young to fame; she is the Camus of pop.

Only Us is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Humanity Holds the Line in the Cinematic Pop Rock Salvation of Julian Veliss’ ‘Ahead of You’

We are a little late to the party with Julian Veliss’ viral single and music video, Ahead of You, but the hype is still, unsurprisingly, in full swing. The Slovenian-German singer-songwriter has created the contemporary equivalent to Hallelujah; a secularly sermonic single that breaks the silence in the void of isolation and loneliness so many people have slipped into.

Signs of endemic disillusionment are everywhere you turn, making seminal singles such as Ahead of You more than melancholy-validating feel-good releases. They become rare opportunities to find catharsis in pain and power in the belief that you, just by virtue of being human, deserve to feel optimism and hope.

It is a stunningly rendered single, led by Veliss’ voice that could lead a choir, broadside on Broadway and effortlessly fill a stadium. His early appearances on Slovenia’s Got Talent and Deutschland sucht den Superstar make complete sense when you hear the vocal authority he brings here, yet the performance carries tenderness alongside its scale. When fortitude-fuelled vocals are accompanied by little more than acoustic guitar, the release already feels complete. When the arrangement rises into cinematic, orchestrally scored pop rock, it becomes aural salvation. With international radio airplay already behind it, Ahead of You proves Julian Veliss can raise others through formidable talent.

Ahead of You is now available to stream on all major platforms. For the full enrapturing experience, stream the official music video on YouTube.

Review by Amelia Vandergast