After going viral on TikTok, the American social media star, JÚWAN, has made his spicy alt-pop debut. His debut single, OUCH, is a confrontationally infectious take on pop-punk with sharp enough lyrics to cut right to the bone.
From tearing apart narcissists to shaming the people that think that questioning someone’s sexuality is a good use of their time, this riotously high-vibe track allows you to imagine what Bowling for Soup would sound like if their music got a potent shot of emotional intelligence.
Instrumentally, OUCH takes you right back to the golden age of 00s pop-punk and alt-rock with the crunchy guitars, sharp lyrical hooks and massive choruses, but JÚWAN is discernibly an artist made for this generation and their search for artists that do more than just superficially scratch at the surface. Seemingly, his magnetism shines through on the airwaves as much as his viral videos. He is definitely one to watch.
The up and coming artist Michael Vincent came into 2022 with a bang with the release of his infectiously upbeat alt-indie pop-rock track, Mine. With lyrics that shake the cobwebs off of romantic regret and fiery vocals that will throw you right back to when Fall Out Boy was reigning supreme on the airwaves, Mine has all the makings of a playlist staple, and then some. The snappy percussion, crawling basslines, and rock virtuoso guitar licks break into exuberantly electric radio-ready choruses that won’t ask permission before glueing themselves to your synapses.
One of the hardest life lessons to learn is that there is no guarantee of closure after a messy relationship. Michael Vincent finds a sticky-sweet way to lend compassion to his amorous-less fans looking for consolation that their ex was too douchey to offer. In every conceivable way, it is a hit.
Mine was officially released on January 1st, 2022. It is now available to stream here.
Lewis Shepperd showed us the true extent of his versatility with the release of his latest single, Take My Hand, which obliterates the boundaries between indie, pop, rock and hip hop. The breaking artist hasn’t idled since we heard his last single, Follow You, which delivered a Kings of Leon style of cool and proved that his soulfully resonant talent should be as revered as Winehouse’s. Since then, he’s performed at the Isle of Wight Festival in 2021, received plenty of BBC airplay and garnered critical acclaim from across the board.
With rap bars mixed with his energised indie-rock vocals atop the instrumentals that continually shift through melodic grooves, tension-fraught build-ups and pop-punk style breaks, Take My Hand is a gift that keeps on giving.
As the garagey distorted rock licks towards the outro prove the value in the perpetual solidarity by depicting the chaotic state of the world, the lyrics remind you how sweet it is to have stunning souls around you. If that doesn’t hit the spot, you may want to check if you’ve still got a pulse.
Take My Hand is now available to stream on Spotify.
For anyone feeling disjointed through perpetuating confusion and a lack of direction, XUINN’s pop-punk-meets-synth-pop track, Don’t Know Anymore, is powerful enough to become a lifeline.
With the weight in the resonant lyrics and the light ever-ascending melodies, it’s a perfectly balanced track. It appeals to those who have found the futility in the fight with ennui while the colourful and snappy beats impart the strength in resilience.
I Don’t Know Anymore became definitive proof that with enough humility, sincerity can be at the heart of any pop track. Since making his debut in 2017, the Floridian alt-pop artist hasn’t failed to gain traction in his career; and it’s unlikely that we have heard the best from him yet. Save space on your radar.
I Don’t Know Anymore is taken from XUINN’s debut, Hide in Silence. It is now available to stream on Spotify.
If Avril Lavigne ever gave up her crown, the up and coming singer-songwriter Lyra V discernibly has what it takes to take her place as the pop-rock supreme. In her latest single, 2 Late, she uses her classical vocal training as much as her command over the ethereal atmosphere of her vocal timbre.
Melancholy pierces through the melodic verses and the stormy choruses to create a track that leaves no corner of the emotional spectrum unvisited. Hell hath no eloquent fury like a woman committed to projecting every ounce of visceral frustration into a soundscape. It’s the darkest earworm that you will hear this year. More impressively, the authenticity of her sonic signature is almost matchless.
2 Late is now available to stream and purchase on all major platforms via this link.
Way Too Good for Me is the latest punchy, alt-rock track from the prodigal pop-punk artist, Her Burden. Any fans of On the Rope by Rocket from the Crypt will undoubtedly find themselves equally as energised by the tumultuously choppy rhythms and snarled lyricism.
With the vocals bordering on pop-punk theatrics and the sweet humility in the lyrics, it is impossible not to get wrapped up in this high-octane hit which will officially release on December 3rd. Way Too Good for Me is one of the rare tracks that is actually worthy of being called an earworm. By default, Her Burden is easily one of the best pop-punk powerhouses the UK has heard in the last decade. Get them on your radar.
The up and coming alt pop-punk trailblazer, Louie Dangerous, found a brand-new way to allude to the hollowness that can fill us in the absence of someone that became the centre of our gravity in his debut single, My Whole Inside’s Gone.
My Whole Inside’s Gone will take you back to the Angels and Airwaves days while keeping you galvanised through the sheer ingenuity of the robustly morose track. With choruses as infectious as they are exuberant, this stadium-ready single is set to take Louie Dangerous’ career to stratospheric heights. There’s enough nostalgia for accessibility, but discernibly, My Whole Inside’s Gone is packed with high-octane authenticity.
My Whole Inside’s Gone is now available to stream on Spotify.
With their latest release, (I Won’t Be Your) Christmas Turkey, the indie alt-folk artist, Winterbrook singlehandedly changed my perception of Christmas music. The sweetly scorned, festively spiced power-pop ballad doesn’t pander to the usual cliches; instead, it locks horns with seasonal heartbreak to soak the track in realism and resonance.
You can’t help warming to an artist that makes a vocal hook with “I won’t be your Christmas turkey again”. Better yet, Winterbrook didn’t fall into the twee trap; their stellar songwriting talent and boldly well-invested confidence made sure that there’s nothing novel about this earworm.
As Winterbrook was an early bird, you can catch Christmas Turkey on Spotify.
Engaging our cumbersome bodies to go and take us into a whole new environment away from mundane problems we are smothering inside, Stuck on Repeat transport us to a place that is full of joy and lots of attractions via their new single ‘Dance‘.
Stuck on Repeat is a Cork, Ireland-based electro-punk act that makes that dance-all-night type of vibe that has your whole body drenched in sticky sweat, just thinking about the night’s possible ventures.
”Stuck on Repeat creates irrepressibly catchy electronic music, designed to make people dance. His style combines “kick you in the chest” drums with synth lines so filthy, they’re almost indecent, and catchy hooks that put Captain Ahab to shame.” ~ Stuck on Repeat
You feel her astonishing vocals take you to a completely new planet, as those eyes close and transport you to this bass-pumping dance floor that allows normal people to feel like superstars. The electric vibration from this gravitating and brilliant beat seems to lift you away from the dull doom awaiting the world outside – as you can actually fly now to a better illusion – to somewhere idyllic where there are no taxes and boring days, just perfection awaiting you as you let that perspiring body do whatever comes naturally.
‘Dance‘ from the compelling Cork, Ireland-based electro-punk act Stuck on Repeat, is a party-all-night gem that needs to be played loud and proud. Emphasizing the need for a rampantly arousing and speaker-shaking energy to take over after the cold gloom of before, this is an engrossing encounter that grabs you close, and kisses you back into first-rate form again.
Hear this rip-roaring track that will have you in a happy mood via Spotify and support their travels on IG.
‘Minds and Makers’ is the psychotropic sophomore release from alt-indie solo artist Bent 290 (Dakota Schilling). With hints of Midwest Emo in the vocals, nuances of reggae in anthemic guitars and lashings of electronic psych euphoria, it’s impossible not to warm to the multi-instrumentalist and songwriter’s instantly enamouring expressionism.
If you could imagine what it would sound like if Muse, All American Rejects, and Tame Impala aurally met in the middle, you’ll get an idea of the kind of bitter-sweet soul on offer here.
The project, Bent 290, was born during the 2020 lockdown when Dakota locked himself away in a cabin in North-Eastern Indiana. His debut release broke onto the airwaves to critical acclaim in 2020. After the release of his power-pop hit, we’re sure that only good things will follow.
Minds and Makers is now available to stream on Spotify.