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Instrumental

Fabian Jeller took his listeners ‘From Zero to Infinity’ in his latest composition

The classically trained pianist, electronic music producer and composer, Fabian Jeller used every modicum of his training and talent honing to mark his evolution towards a more viscerally stylistic, organic, and colourful tonal palette in his most seminal single to date, From Zero to Infinity.

The synthesis of classical instruments in the electronic soundscape embodies the vivaciousness of a full symphony orchestra to take you on a journey of vibrant transcendence via the arrangement of the synths and strings, which work in absolute synergy to ensure you sonically arrive at the destination the Italian virtuoso intended.

Blissful, rejuvenating, and deeply evocative in inexplicable equal measure, From Zero to Infinity captures the momentum of life, and all the stratospherically colossal twists and turns it leaves us with no option to traverse. As Bill Hicks once famously said, it’s just a ride. Jeller proved the intrinsic beauty in that ride. Strap yourselves in and surrender yourself to it.

From Zero to Infinity arrived on the airwaves on September 16; stream it on SoundCloud.

Review by Amelia Vandergast

Michael Carson emulated the emotional connection of artistic expression with ‘Blades on Ice’

The classical music composer, Michael Carson takes inspiration from everything from the vastness of the universe to the majesty in the contortions of the human form; for one of his most captivatingly seminal scores, Blades on Ice, he took his fans on an audio-visual journey inspired by the grace of Olympian figure skaters.

To the accompaniment of his orchestral arrangement, the artistry and expression of the figure skaters are heightened to the nth degree. By soundtracking their defiance of physics, Carson amplified the tension within the dramatic routines, added to the melancholy of their sombre performances, and made melodic their spirited sequences. While some soundscapes cradle what it means to be human, others demonstrate the definition of extraordinary, Blades on Ice superlatively lies in the latter camp.

The official music video for Blades on Ice is available to stream on YouTube.

Review by Amelia Vandergast

Gary Albert orchestrated an ambient neo-classic respite from discomposure in his piano score, Skies

With melodies moulded into the mellifluous form of drifting clouds and ascending motifs which explore the cosmological atmosphere above, the latest ambient score, Skies, from the composer Gary Albert, is an invitation to lose yourself in the transformative power of music, nature, and art.

The neo-classical piano score was crafted to provide respite from the tumultuous fray of our deeply unsettled world, which can all too easily disquiet the psyche; paired with the mesmerism in the official music video, Skies is a musical and visual journey equipped to mainline the antidote to discomposure.

Instead of using Skies as a testament to his multi-award-winning and critically acclaimed talent, Skies served the far more utilitarian purpose of projecting tranquillity into the soundwaves via pulsating reprises, cathartically cascading melodies, and minimalist movement for fans of ambient soundscapes. Rest assured that you will tune into the same accessibility as offered by Nils Frahm and Hani Rani when you delve into this reflectively accordant piece.

The official music video for Skies premiered on September 4th; stream it on YouTube.

Review by Amelia Vandergast

Join Harry Bone in his ambient retro synthscape, Journey

After gaining a background in classical music and a conservatoire degree in orchestral percussion production, the Bristol, UK-based producer, composer, and mixing and mastering engineer Harry Bone started to take a more experimental and lo-fi approach to his sound after discovering that almost anything can serve a musical purpose.

His 2023 ambient album, Ambi, featuring the odyssey voyage of a single, Journey, is a cathartic exhibition of his freshly rendered explorative talents. The reverb-lavish keys weave cinematic melodies while still delivering a chill synthy lo-fi smorgasbord of nostalgic alleviation.

The single was constructed to depict the journey from naval-gazing self-pity towards gratitude and positive affirmative action. By euphonically visualising a trip through the woods while allowing elements of nature to coalesce with memories that still evoke positive emotion, Bone succeeded in crafting a consoling score that will set your imagination alight.

If you’re always on the hunt for soundscapes that facilitate tranquil mental repose, don’t hang around waiting to discover the quiescent gems in Harry Bone’s discography.

Stream the Ambi album on SoundCloud.

Review by Amelia Vandergast

Peter Xifaras paid an impassioned ode to an icon with ‘While My Guitar Weeps for Mehdi Rajabian’

While My Guitar Weeps for Mehdi Rajabian, performed by Peter Xifaras and the Czech National Symphony Orchestra, pays homage to the bravery and tenacity of an Iranian artist imprisoned for working with female dancers and musicians, something which has been banned since the 1979 Islamic revolution.

After a three-minute trial, he was convicted and tortured during his sentence, but that wasn’t enough to break his indomitable spirit that inspired this jazzy composition, which orchestrally berates the indignity and senseless oppression; it carries the quintessence of the Iranian protesters throwing away their headscarves in a bid to retaliate against regimented oppression.

While Les Pauls don’t often take the lead in orchestral arrangements, on this wild and jazzy contemporary ride, the sonorous sustain lends itself effortlessly to the instrumental piece as Peter Xifaras demonstrates his prowess as a guitarist, composer, and producer.

Stream the official music video for While My Guitar Weeps for Mehdi Rajabian via YouTube.

Review by Amelia Vandergast

The Manchester-based producer Tao Mitsu liberated his listeners with his transcendent mix, Just Let Go.

With textures and melodic progressions that go beyond immersive to offer aural escapism, when you’re enmeshed with the pulsating rhythms in the latest instrumental mix, Just Let Go, from the Manchester-based producer Tao Mitsu, space and time may as well cease to exist.

By starting with emotional impulses and constructing musical landscapes around them, each creation of Tao Mitsu is an evocative trip tinged with the full spectrum of human emotion rather than just riding euphoric waves. The fragments of melancholy within the groove and bass-driven ambient techno beats in Just Let Go capture the bittersweetness of loneliness, encompassing the primal pain of heartbreak and the first teasings of hope that appear on the periphery.

Just Let Go may not carry the definitive Manchester sound, but with the cover art depicting one of the cosy corners of the iconic Night & Day Café, Tao Mitsu succeeded in paying homage to the vibrant and eclectic music scene via his nostalgia-driven, transcendently liberating leftfield electronica anthem.

Just Let Go reached the airwaves on August 13th; stream it on SoundCloud.

Review by Amelia Vandergast

Mother Pangea followed the muse into unchartered territory with ‘tHE mISERABLE fOSSIL’

Mother Pangea captured the mystery of his Middle Eastern roots in his latest melodically enticing single, tHE mISERABLE fOSSIL.

The neo-classic electronic hip-hop score may reach the pinnacle of experimentalism, but the artist’s inclination to follow his muse into unchartered new territory didn’t diminish the accessibility of the release; to date, tHE mISERABLE fOSSIL has clocked up almost 40k streams, and counting.

After being fascinated by the way instrumentation drives our emotions, especially by the hand of Yanni, Hans Zimmer, and Tyler Bates, Mother Pangea was keen to awaken evocative impulses with his own compositions; never one to discriminate on genre, he often turns his talents to emanating elements of pop, RnB, Indie, House, and EDM in his hybridic compositions which break every mould known to man, and a few more that are beyond our consciousness.

tHE mISERABLE fOSSIL was officially released on July 28th; stream it on SoundCloud.

Review by Amelia Vandergast

PonyArt has unveiled his Avant-Garde IDM installation of sonic maleficence, Novum Stutter Sd

The artwork for PonyArt’s debut LP, Redundancy, which landed on August 3rd, is creepier than any scene in The Last of Us; when you open the sonic door to it by delving into the first single, Novum Stutter Sd, you’ll instantly note the sound designer and composer’s ability to sonically visualise the macabre into maleficent melodic soundscapes.

While I never thought I would use Otto Von Schirach and Glenn Branca references in the same review, PonyArt necessitated it with his Avant-Garde installation of IDM, which came into fruition when the composer, who day walks by the name of Joe Sheldrick, decided to orchestrate an expression of pure creative freedom and escapism from genres or expectations.

While there are visceral moments of phantasmally cacophonous etherealism, the LP, which was put out through Dachshund Records, is underpinned by melodic accessibility.

Stream the Redundancy LP on Spotify now.

Review by Amelia Vandergast

Embark on an ochre aural adventure with Ross Cantrell’s single, Peach Skies, ft Sam Thompson

After graduating from Bath Spa University with a First-Class Honours Degree in Music and releasing a superlative string of successful singles, the saxophonist and composer, Ross Cantrell has invited his fans to embark on an ochre aural adventure by unveiling his debut album, Golden Hour.

While each of the seven singles serves up a melodic remedy that will indulge your senses in catharsis, the standout jazz-fusion single, Peach Skies, featuring Sam Thompson is the perfect introduction to Cantrell’s arresting ability to bring presence of mind to his listeners.

From an intro of reverberant drenched in 80s nostalgia synths, the downtempo amalgam of smooth jazz and electronic pop gets to work embedding under your skin, implanting ease with each mellifluous progression that exhibits Ross Cantrell’s natural talents when it comes to subduing you into a sonic world of sheer sonic serenity.

The halcyon days may be over in our society, but endless swathes of tranquillity await anyone willing to hit play.

Stream Peach Skies and the LP in full by heading over to Spotify.

Review by Amelia Vandergast

JxPrezzo – A New Home: A Scintillating Exploration of Rebirth

With a touch of the more sombre scores found on the Westworld OSTs and lashings of orchestral beguile, JxPrezzo’s latest ethereal piano composition, A New Home, is a scintillating exploration of rebirth and a reconnection to security.

Four years after finding the inspiration to orchestrate his own compositions upon hearing the piano accompaniment to Echoes of Silence by the Weeknd, the solo artist released his debut score, A Year Later, in 2019.

By exploring his emotions through his always visceral minor-key melodies, each of his elevated works carries the cinematic gravitas of a composer who has dedicated their life to the craft. If you told me he graduated with honours from Julliard or The Royal Academy of Music, I wouldn’t think twice. He doesn’t just hold a candle to Nils Frahm and Philip Glass, he’s equally as luminary and eloquent in his melodies.

A New Home was added to JxPrezzo’s discography on the 7th of July; stream it on Spotify.

Review by Amelia Vandergast