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Indie Music Blogs UK

 

The term ‘indie’ in the music industry has become so ambiguous it has practically become as subjective as the meaning of life. Whichever way it is defined, it is still a massive part of the music industry in the UK and across the globe.

Originally, indie referred to how an artist distributed their music. Over the decades, it became a catch-all term for artists sharing the same sonic off-kilter edge; and, of course, the same moody yet inexplicably cool aesthetic. Indie, as a genre, only came around as the result of experimental artists in the 70s wanting to bring a new sound to the airwaves; instead of solely hoping for commercial success after appeasing one of the major record labels.

Indie artists adopted punk ethos they started to push the boundaries of pop. Instead of commercialising their sound, they pushed it into post-punk, shoegaze, synthpop, Britpop, avant-garde, noise rock and dream pop arenas. For all that separates bands such as Sonic Youth, the Cure, The Smiths, The Stone Roses, Joy Division, Elliott Smith and Radiohead, there is still so much that ties them together, namely their attitudes and the loud discordant style.

Along with the bands, iconic venues such as the 100 Club in London, the Hacienda in Manchester, and King Tut’s Wah Wah Hut in Glasgow had a pivotal part to play in the traction of independent artists and music. New Indie labels, such as Rough Trade and Factory Records, were amongst the first record labels to truly embrace and encourage experimentalism and authenticity in the artists they scouted and signed – taking New Order and Joy Division as a prime example.

It may have been a while since there was an indie breakthrough act as successful as the Arctic Monkeys, but indie music has far from lost its resonance. Besides, Monkeys won over 42 awards and sold over 20 million records, so that’s going to take some beating, and they’re certainly not the only indie artists currently thriving.

The Welsh indie rock icons, the Manic Street Preachers, celebrated their first number 1 album in 23 years with the release of Ultra Vivid Lament in 2021. The Tarantino-Esque Liverpool outfit, Red Rum Club, released their debut album in 2019, and got to number 14 in the official album sales chart with their album, How to Steal the World, in 2021. Perhaps most impressively, the world’s first CryptoPunk rapper, Spottie Wifi, made just under $200k in album NFT sales in 90 seconds this year.

Silverhours reached the pinnacle of art-rock innovation with ‘The Miser’

With the artfulness of Radiohead, the arcane beguile of Bjork, the atmospherics of Mogwai, and the elevated ornate grace of Sigur Ros, the standout single, The Miser, from the sonic exploration of an album, Madeleine Moment, by Silverhours is a sensually multi-sensory firestorm of gravitas.

By amalgamating jazz and electronica in an intimately lo-fi production space, The Miser is the epitome of uninhibited expression, orchestrated by an artist enthralled by the geometry of musical rhythms. In full, the LP tracks a story that scarcely leaves any of the visceral emotions by the wayside; they’re all materialised in the juxtapositions between melodies, harmonies and memories to capture the haunting echoes of the past.

After getting kudos from Nick Cave after winning his online covers competition, Silverhours started to pick up traction in their career, leading to the launch of this drenched with evocative ingenuity debut LP. If it’s good enough for Nick Cave, it is good enough for your playlists.

Stream Madeleine Moment in full by heading over to Spotify.

Review by Amelia Vandergast

LOST and SOUND weaved an illusory indie pop-rock fantasy with their standout single, Weekend

The Fairfield, CA six-piece alt indie pop outfit, LOST and SOUND, has perfected the art of crafting addictively sticky melodies that effortlessly carry the escapism they deliver via their lyricism.

While the indie landfill pile climbs higher than Everest, LOST and SOUND transcend it all with their assimilation-free sonic fantasies; take their synthy new wave-influenced hit, Weekend for the perfect example. Living forever for the weekend may not be a feasible possibility in tangible reality, but with the meta lyrical phrases and the illusory instrumental arrangements, the romanticism of the notion will reel you in, razor-sharp hook, rhythmic line, and smooth vocal sinker.

To date, Weekend has racked up over half a million streams on Spotify. If their debut album, THE SILVER LINING, contains just a slither of ingenuity in Weekend, LOST and SOUND could easily become one of the biggest bands in Cali in 2023.

Stream Weekend on Spotify and keep up to date with future releases by following the powerhouse via Instagram.

Review by Amelia Vandergast

 

Stone Branches reached the pinnacle of intimately introspective indie rock with The Way Out

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With angular indie guitars that will sucker punch the soul as viscerally as the ones crafted by Interpol and The Toxic Airborne Event, mixed with a Mogwai-esque ethereal atmosphere, the up-and-coming indie outfit, Stone Branches, is undeniable in their latest single, The Way Out.

The intricacies of the artfully intimate lead guitar work will speak volumes to anyone on the introspective side of the spectrum as the lyrics portray the value of hindsight and coming to terms with the past. The sporadic touch of twee indie twang to the reverberantly rich vocals brings a sense of purity to the melancholy that is superlatively laid out by the art-rock outfit that is currently being hailed as one of the most original live acts on the South Coast.

After releasing their debut EP, Mantra, in December 2022, the emotionally intelligent Southampton-hailing outfit has proven to be an unreckonable force in the local scene and far beyond after receiving airplay on BBC Introducing and reaching the Grand Finals of the Isle of Wight New Blood Competition against 5000 other artists.

The Way Out will officially drop on August 4th; hear it on SoundCloud.

Review by Amelia Vandergast

Sean Grant & The Wolfgang synthesised dystopia in AI (Nothing Rests Everything Moves)

The age of the artist is playing its swan song, and it hums to the tune of the latest single, AI (Nothing Rests Everything Moves), by Sean Grant & The Wolfgang.

The diaphanous vocal lines cascading into the cinematically dystopic darkwave atmosphere constructed by clamorous industrial tones created an evocative juxtaposition that paints the vulnerability of sentience in contrast to the inexorable existential threat of artificial intelligence.

Sean Grant & The Wolfgang have metamorphosed a myriad of times since they introduced themselves on the airwaves with their critically acclaimed EP, 7 Deadly 7, in 2016; each evolution in their always sonorously synthesised sound lends itself effortlessly well to the discontent in the collective psyche.

As a complete antithesis to Grimes’ latest single, I Wanna Be Software, through which she willingly volunteers herself to a dark future of transhumanism, which still probably isn’t as cold as getting into bed with Elon Musk, this latest installation of transcendently discordant soul taps into the powerlessness of the average human as exponential technological progression threatens to tear away our purpose and replace it with inadequacy.

Admittedly, Sean Grant & The Wolfgang didn’t appear on my radar until I saw they were venturing into Manchester to perform with The Battery Farm and SOURDOUGH; all it took was one hit of AI to convince me to grab a ticket and get down the front for the live rendition of the obsession-worthy single released via their label, Vandalism Begins at Home.

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Stream the latest single from Sean Grant & The Wolfgang on Spotify and give them a follow on Instagram and Facebook.

Review by Amelia Vandergast

Way Too Late: Kenesukoh floats away forever on i’ll be gone

Putting his previous struggles behind him and getting away from something he feels no love for anymore, Kenesukoh has dropped a quick-fire song to turn our ears up and this one is called i’ll be gone.

Kenesukoh is a Los Angeles, California-based indie shoegaze artist who loves to make soul-carrying singles to take others out of their mental struggle.

Packed with potential and piercing with a speaker-sizzle vibration, Kenesukoh is the type of modern-day musician who keeps things real throughout and certainly isn’t afraid to experiment.

i’ll be gone from the LA shoegaze single-songwriter Kenesukoh is a reminder that sometimes things end before we want them to. This is a single with minimal lyrics and is simply a daydream in real life, that seems to go so fast and take us into a surreal mindset which is hard to overcome sometimes.

Listen up further on Spotify.

See more on the IG music page.

Reviewed by Llewelyn Screen

Lyrically supreme Washington DC underground emcee Kvng Chemist guides us through his obvious true love for music

Kvng Chemist is an insightful and experienced figure in the music game. The Washington DC emcee sat down with us the other day to speak more about his vision behind the new single, his career to date and what’s next.

Llewelyn: Thank you for joining us today Kvng Chemist. Let’s start off here. Where in the world are you as we speak and how did you get your artist name? It feels like it’s a good story of how you got it originally.

Kvng Chemist: Right now I’m in Washington D.C born and raised. My artist name origin stems from my early childhood when my father was a DJ and my interest in science as I first started out as The Venomous Chemist as in the early 90s there was a chemist radioactive lab set to where you could concoct a lot of ingredients to make weird things and I really enjoyed and it help me to appreciate art and mind of a chemist so I embody that and as I got older me and some of my friends I grew up with we really got into learning ancient cultures and history which lead to me evolving and changing my name to Kvng Chemist as doing research we are descendants of our ancestors who are ancient beings.

Llewelyn: Please tell us more about your true love of music. How has this progressed and does it encapsulate your life story?

Kvng Chemist: My love for music stems from my father DJing since I can remember at the age of 4yrs old seeing him mix and blend oldies with late 80s to early 90s hip-hop and R&B. He seen how much I loved music at the age 2yrs old and made sure when ever he had gigs at weddings, beach parties, anniversaries etc. me and my brother was present. My love for the art progressed as friends around my neighborhood would come over and we would have freestyle sessions and battle rap. I did a lot recordings I sang and rap on my home alone talkboy my parents bought me one Christmas. But I really starting taking my writing serious when I was 14 yrs old and recorded my first song at 15yrs old. I believe when I turned 19yrs of age and my daughter came into the picture my writing and thought process changed and evolved for the better. It’s crazy because her being helped me tap into expressing my journey and lessons in life in a enigmatic manner and I embody that.

Llewelyn: When do you realise that you wanted to be an artist and what have been the victories and challenges along the way? Have you found that self-belief has carried you over the line when some have doubted you?

Kvng Chemist: I realized at 15yrs of age I wanted to be an artist. I was an introvert growing up and there was a lot of emotions and things I started to experience that I felt more comfortable expressing through writing. My challenges along the way we’re definitely hard. It was a constant struggle trying to master my cadence to the beat and I really stood out because most not all but majority of my peers liked punch lines and battle rap and that just wasn’t me even though I enjoyed it also. My victories along the way were my constant freestyle sessions whether I was in a cypher or around my friends, or I was with my cousin and he would play new beats he made and we would ride out for 2 to 3 hrs and he would have me freestyle on all his beats the whole ride. Those moments and memorabilia were pivotal in my growth up to this day. Most definitely self-belief has carried me over the line of doubters whether it was family, friends, business partners, love interests. It was all fuel to the fire. But at the end of day I love what I do and it’s me.

Llewelyn: Your new single is called Star. What’s the vision behind the project and who did you make the song for? Also, who was involved in the creation besides yourself?

Kvng Chemist: The vision behind my new single Star was self-love affirmation and recognizing who I am and when I wrote it I spoke from my personal perspective and experiences with the thought of others in mind. Because I do believe everyone has a gift and everyone is special or you wouldn’t be here. So we are all Stars but, it’s on us as individuals to seek out that gift and see how can we use it for the betterment of mankind. I definitely wanna show love to everyone I collaborated with on this single Anna-Sophia Henry who is one of the co-writers, Darrell Banks the producer and Face the engineer who mixed and mastered the final cut.

Llewelyn: How do you write tracks? Do you go outside to find the lyrics or do they come naturally when you want?

Kvng Chemist: When I write I never box myself into only one particular way of how my creativity comes to me. So to be truly honest and 100 when I say this my process is never forced and comes naturally when I’m inspired to share my experiences, thoughts, and lyricism

Llewelyn: What kind of music are you into and who are some of your favorite artists?

Kvng Chemist: I’m into most genres because they all tell a story and as I study them and listen closely they all expressed in different emotional tones how I would put it. But I will say I do listen to more classical, opera, & jazz music. Those combinations definitely inspires some of my creative styles. As favorite artists now a days I really don’t have a favorite because I like so many of them that came before me. So just to name a few off the top of my head MosDef, Rakim, Big L, Nas, AZ, Busta Rhymes, Black Thought, OutKast, Goodie Mob, UGK, De La Soul, Slum Village, Tribe Called Quest, of course Dr. Dre, Snoop Dogg, Tha Eastsidaz, & Shade Sheist it’s so many I enjoy studying & listening to the art overall from all genres just to reiterate

Llewelyn: Last, who inspires you most in the world and do you have any words for young musicians starting out in the game?

Kvng Chemist: I would say the fact that I exist to learn & experience God’s creations, inspires me the most. Because every breath, every step, every heartbeat, every blink from eyes is a tempo. Music is an essential part of life!

For the young musicians starting out. Be inspired, be different. Always be true and authentic with yourself and you’ll be successful. It’s all about PFM Positive Foward Movement

Listen up on Spotify.

See more on his IG.

Reviewed by Llewelyn Screen

Up all night: Gemfaire wants to feel less alone in a back alley kinda world on Chat GPT

Formally known as Ami Inu, Gemfaire breaks away from her influencer past and shows us her true love for music with a memorable outing on her dazzling debut single, Chat GPT.

Gemfaire aka Ami is a hugely loveable US-based hyper pop/cyber core solo artist who has fearlessly reinvented herself and performs with such honesty and truthful insights inside our digital world.

This is what I like to imagine it would sound like if Isaac Asimov [prolific science fiction writer] got yassified and made pop music,” GemFaire explains.

Telling us the truth and opening the door to her world so we can see what she’s really like, Gemfaire is absolutely mind-bending-ly brilliant on Chat GPT. Floating away from her mental health issues and showing such bravery, we feel glitching and vintage computer sounds, which urges us to embrace technology while keeping our intrinsic essence.

Chat GPT from Gemfaire is a scary look into the future….and the now. With a pulsating beat to tear holes through the speakers, this is a reminder that we are so alone right now.

Sung with frankness and telling us a real story, this is a complex web for us to unravel for the sake of humanity.

Hear this visionary single on Spotify.

Feel her vibes manifest on IG.

Reviewed by Llewelyn Screen

You trapped me in: Bay Area’s Juno Khrøme felt so stuck in those dangerous games on Paralyze

Feeling those sweetly intoxicating lips which are delectable and terrifyingly alluring each time, Juno Khrøme knows that he was played and lied to and can’t seem to disentangle himself from the spiderweb which has him cocooned inside like a mummy on Paralyze.

Juno Khrøme is a Bay Area, USA-based shades-sliding indie genre-floating artist and music producer who is inspired by jazzy beats, neo-soul brilliance and those funky disco tunes to lose all bad moods with.

Featuring nonfunctioning hearts, love lost and much regret, Juno Khrøme’s Paralyze is a masterful maze into the romantic intentions of those who don’t mean to cause carnage…but ultimately do anyway. Is this what dating is in 2023? Confusing and filled with hazardous potholes. Or a message to be cautious about who we let into our beds at night?

Paralyze from Bay Area, USA-based indie music producer and musician Juno Khrøme is a story that will soar minds into a thrilling but ultimately haunting zone which won’t let go.

Feeling like a misplaced zombie and reminiscing us through a single which is excellent in nature and warns us about those temptations which will take innocent souls into the dark.

Cautioning us about the dangers of a hazardous love, it will be hard not to relate to this song.

Listen up loud on Spotify and forget everything else.

See more vibes on the IG music page.

Reviewed by Llewelyn Screen

I Hear Voices: Torn Rhythms remembers the youthful hunger on Lines

Feeling like everything has faded away due to the cold world, Torn Rhythms takes us on a journey through the innocence of youth and shows us what life should be like on the visuals for Lines.

Torn Rhythms is a Virginia, USA-based indie 5-piece rock band that loves to inspire crowds with their classic sound that shall add a warm blood flow to all veins.

Ripping away all negativity and guiding us into a better place, Torn Rhythms has brought kindness back to music. This is quality stuff from an experienced outfit who shows us the truth.

Lines from Virginia, USA-based rockers Torn Rhythms is a trip down memory lane. It takes us back to a more suitable place. Flying hand-made planes, playing on the beach and reading after dark. This is pure. This is a single to show all kids, who have been exposed to the harshness of the world. To remind them that this is what it should be about, as freedom and learning to play, is the best way to being happy long-term.

See this inspiring new video on YouTube.

See more on their Facebook music page.

Reviewed by Llewelyn Screen

iisaac opens up about his life in the most honest way possible on interview about keep my head afloat

Known best for his debut track Tired of You and kindly telling us all about his new vulnerable 10-track record called keep my head afloat, San Diego alternative artist iisaac bravely shows us the scars of depression and was kind enough to open up the curtains on this revealing interview. This is must-read stuff.

Llewelyn: Thanks so much for joining us today isaac. Please tell us where you’re based at the moment and what was it like growing up in your hometown.

iisaac: hello! Thank you so much for having me, I am based in San Diego. Growing up in San Diego was amazing, I loved every moment of it, especially starting my craft as a musician.

Llewelyn: Have you always been connected with music and who do you personally work with?

iisaac: I have always been connected with music, especially when I express my vulnerability and emotions on each song I do, also when I was younger. I sing a lot so I feel like music has always been around me, growing up. I haven’t worked with any artists yet but my dream is to possibly work with Clairo, JOJI, BENEE, all such talented artists.

Llewelyn: Please tell us more about your emotion-filled new 10-track record, keep my head afloat. This is raw and revealing. We admire your courageousness. It feels like you have put your heart & soul into this effort.

iisaac: This album was so hard emotionally and mentally because I basically told a story all about my life, growing up as a kid who felt lost, and depressed, it was hard. The main goal for this album was that I was completely honest about the things that I went through and perhaps someone who listens to this record relates to it in a way. The whole album talks about heartbreaks, depression, moving on from people who no longer are in your life, and just finding yourself to be who you are. Each song on keep my head afloat all tells a story about me, and I couldn’t be more happier on how this album turned out to be, which is a life diary of me.

Llewelyn: Which songs in particular are you most proud of and which ones were the most difficult to make as they perhaps made you revisit those tough times?

iisaac: The most proud songs on keep my head afloat were blurry side, hostage, keep my head afloat and deep end, because they all talk about different topics about my life which is not getting push down again, losing a connection with someone, being hostage from toxic people, and getting to the deep end with your thoughts, overall i do feel proud for the rest of the songs. I feel like the songs that were difficult to make on keep my head afloat were blurry side and hostage just because blurry side told a story about losing someone you had a connection with and before you saw all clear, because you and that person were together etc but now its all over so you’ll forever not see clearly, you start to see this person on the blurry side, a side that doesn’t exist. Hostage was another one that was hard because it’s being trapped with someone who constantly abuses you with their power, meaning they control you with their harsh words and actions, which was very difficult to write and record that song and blurry side.

Llewelyn: Does making music make you feel happier and away from the deep end?

iisaac: Music is therapy to me, being able to write your heart out with real topics that relate to you and being able to record, and just feel some way when you release your emotions with music, makes me so happy to be an artist, I definitely get out of those hard situations with music for sure.

Llewelyn: You seem to mix alternative and RnB rather well. Do you love to fuse different genres and make music that is different to what most people are making?

iisaac: Yes, because I feel like as an artist you need to be as unique as possible because there’s so many artists who make the same music and they lack the ability to be different. some artists copy other artists, same type of vibe for the song etc. So it’s important to be different as an artist, so that’s what I do, especially with my alternative R&B sounds.

Llewelyn: What plans do you have for the future? Making more music and touring, or it is one day at a time right now? We certainly live in a rather odd world.

iisaac: My plan is to keep creating music and hopefully put out a new record by the end of 2023, also hopefully touring more, doing music videos, so much stuff that i can’t wait to do with my music.

Llewelyn: Also, who is on your team? Who backs you when the chips are down?

iisaac: I don’t really have a team right now, but I do have my mom who supports me and my music career which I’m forever grateful for, and she mostly helps me get back up when it gets difficult for me to handle.

Llewelyn: If you could play live in any country, where would it be and why?

iisaac: I would love to play in the UK because their vibe seems so fun, and I would love to learn the uk accent.

Llewelyn: Lastly, who do you make music for and how do you hope to inspire the lost youth who are looking for genuine role models right now?

iisaac: I make music for myself, it heals me, having so many things that i went through was so hard to get out of, but music made me have purpose in life. Creating different beats, writing songs that come from my soul, and being able to just have fun, so i feel like music is for me. Some person told me that when it’s hard to find the light, you don’t keep your head down, you stand tall and keep going until you find the light to guide you on where you want to go.

Listen up to this fine new music on Spotify.

See more news on IG.

Interview by Llewelyn Screen