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The term ‘indie’ in the music industry has become so ambiguous it has practically become as subjective as the meaning of life. Whichever way it is defined, it is still a massive part of the music industry in the UK and across the globe.

Originally, indie referred to how an artist distributed their music. Over the decades, it became a catch-all term for artists sharing the same sonic off-kilter edge; and, of course, the same moody yet inexplicably cool aesthetic. Indie, as a genre, only came around as the result of experimental artists in the 70s wanting to bring a new sound to the airwaves; instead of solely hoping for commercial success after appeasing one of the major record labels.

Indie artists adopted punk ethos they started to push the boundaries of pop. Instead of commercialising their sound, they pushed it into post-punk, shoegaze, synthpop, Britpop, avant-garde, noise rock and dream pop arenas. For all that separates bands such as Sonic Youth, the Cure, The Smiths, The Stone Roses, Joy Division, Elliott Smith and Radiohead, there is still so much that ties them together, namely their attitudes and the loud discordant style.

Along with the bands, iconic venues such as the 100 Club in London, the Hacienda in Manchester, and King Tut’s Wah Wah Hut in Glasgow had a pivotal part to play in the traction of independent artists and music. New Indie labels, such as Rough Trade and Factory Records, were amongst the first record labels to truly embrace and encourage experimentalism and authenticity in the artists they scouted and signed – taking New Order and Joy Division as a prime example.

It may have been a while since there was an indie breakthrough act as successful as the Arctic Monkeys, but indie music has far from lost its resonance. Besides, Monkeys won over 42 awards and sold over 20 million records, so that’s going to take some beating, and they’re certainly not the only indie artists currently thriving.

The Welsh indie rock icons, the Manic Street Preachers, celebrated their first number 1 album in 23 years with the release of Ultra Vivid Lament in 2021. The Tarantino-Esque Liverpool outfit, Red Rum Club, released their debut album in 2019, and got to number 14 in the official album sales chart with their album, How to Steal the World, in 2021. Perhaps most impressively, the world’s first CryptoPunk rapper, Spottie Wifi, made just under $200k in album NFT sales in 90 seconds this year.

In an act of divine imagination Jessamine Barham advocated for carnival performers in her anachronistic single, Freak Show

In an act of complete ingenuity driven by compassion and divine imagination, Jessamine Barham advocated for the rights of performers in carnivals in her aptly carnivalesque single, Freak Show.

While AHS Freak Show gave a view into the exploitation of performers when it aired on our screens in 2014, it didn’t even come close to cutting to the bone as sharply as the lacerating lyrical volition in Freak Show.

Sure, the waltzy, anachronistic cabaret instrumentals cushion the blow and add a jaunty air of playfulness to the release, but there is no escaping the revelation that everyone who has ever attended a show that parades deformity and disability participated in a sick and twisted session of voyeurism. If you love Amanda Palmer, you’re going to fall head over heels for Freak Show.

Roll up to the Freak Show by heading over to YouTube.

Review by Amelia Vandergast

Ted brewed the ultimate blend of jazzy indie-folk dream pop with ‘The Coffee Shop’

There was no forgetting Ted’s folk-meets-dream-pop hit, Revolution Then, which reminisced on the times when revolution action was a feasible act of retribution amongst the repressed masses.

In his latest single, the Australian singer-songwriter and multi-instrumentalist waltzed into The Coffee Shop to share a jazzy and intimate vignette of an unassuming female protagonist who inspired the laidback with luxe style from the fleeting observations made on her curious reticence.

With touches of the Beatles melding with a dreamy iteration of the 70s folk style, The Coffee Shop is far from short of beguile. Ted captured the coffee shop mood perfectly. The snug comforting atmosphere breathes right through the sax-infused kaleidoscopic melodies.

Visit The Coffee Shop for yourselves by heading over to Spotify first.

Review by Amelia Vandergast

Slip into the hazy catharsis of No Lonesome’s Indie-Psych-Folk single, It’s

With tones that will do as much for your nostalgia-seeking soul as songs from The Beatles, The Maccabees, and The Violent Femmes, the debut album, Flowers Recomposing, from the Chicago-hailing alt-folk outfit No Lonesome is a Tour De Vintage Force.

Between the blissful timbres of the harmonies and the serotonin that spills from the foggy with euphoria horn stabs, the standout single on the album, It’s, is the perfect introduction to the ingenuity of No Lonesome, which can be tracked through the distinction in the production that melds the quirky intimacy lo-fi with higher fidelity instrumental recordings.

If you were under any illusion that fresh alchemy can’t be squeezed out of amalgamating folk, 60s psych-pop and indie Americana, the seminally sticky-sweet LP will prove you otherwise as soon as you slip into the hazy catharsis.

The debut album from No Lonesome is now available to stream via Spotify.

Review by Amelia Vandergast

The Boston bedroom pop trailblazer Eliora reached the epitome of bitter-sweet twee with ‘butterflies turn into stomach bugs’

The alt-indie-pop singer-songwriter Eliora ripped up trite romantic tropes and scattered them like melodic confetti in her latest lo-fi single, butterflies turn into stomach bugs.

Standing in her own league in a world of Phoebe Bridgers assimilators, the bedroom pop artist who never inhibits her hits always creates quirk-filled soundscapes that capture the messy and idiosyncratic nature of real life instead of normalising the lies that perpetuate through Hollywood and the Billboard charts. Her latest playfully twee single is no exception to her cardinal song crafting rule which was established when she made her debut from her Boston bedroom in March 2020.

butterflies turn into stomach bugs was officially released on August 8th; stream it on Spotify.

Review by Amelia Vandergast

Ethan Senger augmented retrospective regret in his seminal single, Everything

Ethan Senger became the New Wave Indie Rock equivalent to Springsteen in his fastidiously manicured latest EP, Standing Still, featuring the standout single, Everything.

Balancing anthemic instrumentals with intimate proclamations of ruminative regret, Everything ticks all the right indie pop-rock boxes while setting the bar for any artist who wants to give their heart-on-sleeve lyricality galvanising propensities.

The lyric “I don’t know you but we talk all the time” just goes to show how honed Senger’s song crafting has come since he made his debut; as for the superlative guitar work, which has seen Senger revered by industry tastemakers as a virtuoso, you’ll have to experience it for yourselves to understand why the Atlanta-born-and-raised artist is an icon in the making.

You will often hear music fans moaning that they don’t make them like we used to, but the truth of the matter is that the music industry doesn’t produce global artists as they did in earlier eras. If they did, Senger’s poster would be on the wall of every aspiring guitarist.

Ethan Senger’s Standing Still EP is now available to stream on Spotify.

Review by Amelia Vandergast

The Tearless Life – Conversations with Angels: Heart-String-Tearing Post-Punk Transcendence

In the same way, Suicide, Joy Division, and Echo and the Bunnymen singles stir scintillating alchemy into melancholic souls, The Tearless Life’s seminal single, Conversations with Angels, is capable of the very same heart-string-tearing post-punk transcendence.

The cleverly intended imperfections in the production of the release from the East Lancashire outfit, which was founded earlier this year, only serve to add to the glitchwavey artfulness of the disjointed by dissonance single, which unravels as a lost-in-transmission call into the void.

While some howl into the void, others seek comfort in the realm of the celestial for comfort. If you can relate to the latter, your aural voyage into Conversations with Angels is guaranteed to be a visceral one.

Conversations with Angels was officially released on July 22nd; stream the official music video on YouTube, or purchase the single with the B-Side, Your Just Touch, via Bandcamp.

To keep up to date with the band by following them on Facebook.

Review by Amelia Vandergast

Turncoat Billy sang the worn-in blues in their latest indie single, Hand Me Downs

After enamouring us with their psychedelically vintage single, Kaleidoscope, the Tottenham-hailing prodigal sons of indie rock nostalgia, Turncoat Billy, are back on our radar once again with a definitively infectious sound that carries all of the feel-good grooves of a Ray Charles hit single.

The jaunty honkytonk piano keys stab their way through the theatrical flair of their brass-infused cosy new single, Hand Me Downs, which boasts swathes of 70s pop swagger and evidence that Turncoat Billy is no longer the band equivalent of the girl next door.

It is safe to say they’ve come into their stride, and wherever they go from here, we will be keen to follow, especially if their singles continue to run in the same quirkily romantic and self-deprecating vein as Hand Me Downs.

Hand Me Downs will officially release on August 14; stream it on SoundCloud.

Review by Amelia Vandergast

Fosh. Gazed Into the Void with Their New Wave Indie Release, Staring Into the Dark

Ahead of the release of their debut 15-track LP, Up with the Sun, the New Wave Indie brother trio, Fosh., teased the blissful tones to come with the release of Staring Into the Dark.

With 90s emo inclinations brushing up against the cruising guitar chords and angular lead work, Staring Into the Dark sonically strides across familiar territory while facilitating your arrival at a brand-new destination. Their honeyed brand of melancholy is instantly palatable as it oozes from the harmonised vocal lines that sugar coat ennui with soul while the melodies easily make an earworm out of the single.

If you can’t get enough of Staring Into the Dark, you won’t have long to wait for the release of the debut album, which is set to drop this fall.

Staring Into the Dark was officially released on August 4th; you can stream it on Spotify and follow the band on Instagram and TikTok.

Review by Amelia Vandergast

Numbsoul welcomes you into unfamiliarly inviting territory with his downtempo trip-hop hit, Break Free

With syncopated beats brushing up against ambient electronic melodies that allow you to trip into an unfamiliarly inviting gritty urban territory, the latest single, Break Free, from the singer-songwriter, producer, audio engineer and sound designer, Numbsoul is a short and sweet slice of sonic transcendence.

The NYC-raised artist, who goes by the name Dashaun Riley away from the mixing desk, started self-teaching and performing in the arts at age seven; he’s had plenty of time to hone his multi-faceted crafts since finding inspiration from the likes of Kanye, Timbaland and G-Unit.

At age 15, he stepped up his creativity by evolving from a music composer and screenwriter into a music producer. His sounds can be heard reverberating through the NYC underground and within the mainstream after featuring on one of Universal Music Group’s official Spotify playlists and signing a deal with Sony. If you’re waiting to see the rise of the latest NYC luminary, watch this space; Numbsoul is sure to dominate it with his culturally-balling beats.

Stream Break Free via SoundCloud.

Review by Amelia Vandergast