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The term ‘indie’ in the music industry has become so ambiguous it has practically become as subjective as the meaning of life. Whichever way it is defined, it is still a massive part of the music industry in the UK and across the globe.

Originally, indie referred to how an artist distributed their music. Over the decades, it became a catch-all term for artists sharing the same sonic off-kilter edge; and, of course, the same moody yet inexplicably cool aesthetic. Indie, as a genre, only came around as the result of experimental artists in the 70s wanting to bring a new sound to the airwaves; instead of solely hoping for commercial success after appeasing one of the major record labels.

Indie artists adopted punk ethos they started to push the boundaries of pop. Instead of commercialising their sound, they pushed it into post-punk, shoegaze, synthpop, Britpop, avant-garde, noise rock and dream pop arenas. For all that separates bands such as Sonic Youth, the Cure, The Smiths, The Stone Roses, Joy Division, Elliott Smith and Radiohead, there is still so much that ties them together, namely their attitudes and the loud discordant style.

Along with the bands, iconic venues such as the 100 Club in London, the Hacienda in Manchester, and King Tut’s Wah Wah Hut in Glasgow had a pivotal part to play in the traction of independent artists and music. New Indie labels, such as Rough Trade and Factory Records, were amongst the first record labels to truly embrace and encourage experimentalism and authenticity in the artists they scouted and signed – taking New Order and Joy Division as a prime example.

It may have been a while since there was an indie breakthrough act as successful as the Arctic Monkeys, but indie music has far from lost its resonance. Besides, Monkeys won over 42 awards and sold over 20 million records, so that’s going to take some beating, and they’re certainly not the only indie artists currently thriving.

The Welsh indie rock icons, the Manic Street Preachers, celebrated their first number 1 album in 23 years with the release of Ultra Vivid Lament in 2021. The Tarantino-Esque Liverpool outfit, Red Rum Club, released their debut album in 2019, and got to number 14 in the official album sales chart with their album, How to Steal the World, in 2021. Perhaps most impressively, the world’s first CryptoPunk rapper, Spottie Wifi, made just under $200k in album NFT sales in 90 seconds this year.

Join Solar Eyes on a rapturous plateau by ascending with the ethereal aesthetic in their alt-indie single, Top of the World

Posted on 23 October 2023

Take the kaleidoscopic scintillation from the National’s guitars and the indie rock croons of the Arctic Monkeys, splice them into a dreamy to the point of romantic etherealism new wave production, and you will be left with something akin to the latest single, Top of the World, from the Birmingham-based duo, Solar Eyes.

The amorous air of elation is superlatively contextualised and synthesised into the single that pulls you into a captivating score that all too readily shares the experience of being on a rapturous plateau.

The Fierce Panda Records-signed outfit comprising Sebastian Maynard Francis and Glenn Smith has been making major waves since making their debut; this year, they’ve performed at The Great Escape and SXSW, and their music has featured on everything from BBC MOTD to Sky Sports, which stands as a testament to the commercial potential that oozes from the pores from the dynamic outfit which will undoubtedly reach even bigger heights in 2024.

Top of the World is now available to stream on Spotify.

Review by Amelia Vandergast

Diablofurs’ Vampires of Rome will sink its teeth into the heart of any power pop fans.

Posted on 21 October 2023

Imagine Sonic Youth came to fame on this side of the Atlantic, they displaced their distorted guitars with analogue synths, and punky power pop ran in the veins of Goo, and you will get an idea of what Diablofurs consummately concocted with the lead single, Vampires of Rome, from their forthcoming album, Welcome to the City of Fun.

The deeply affecting atmosphere in the verses of Vampires of Rome, which holds an alchemic candle to Echo and the Bunnymen, makes the crescendos even more sonically transcendent to experience. While just about anything with a hook gets labelled as an earworm in these lazy days of music journalism, the infectious appeal of Vampires of Rome is far too intoxicating to experience once. From the first shoegazey rings of euphonic bliss from the guitars in the intro to the Teenage Kicks-y energy when the track reaches its momentum, the nostalgic sense of fabled romanticism will sucker diehard romantics and those whose souls haven’t been stirred viscerally since the 80s.

After receiving critical acclaim from Vive Le Rock, being lauded and spun by 6 Music and BBC Introducing and performing unforgettable shows at Rebellion, the Nottingham-based outfit is set to take the scene by storm with their sophomore release.

Pre-order the sophomore LP, which is due for official release on October 27, from Rough Trade and ensure it sells out as fast as the debut album.

Review by Amelia Vandergast

Keli Woods illuminated the keys with enlightenment in his latest piano composition, Skies

Posted on 18 October 2023

Fans of Tom Odell, James Bay and Birdy won’t fail to be consumed by the latest piano composition, Skies, from the UK multi-instrumentalist, composer, and producer, Keli Woods.

If his voice accompanied this year’s John Lewis Christmas advert, I wouldn’t be coloured surprised, and that is only the start of the crossover appeal of this sombrely intimate yet juxtaposing strident release, which seamlessly amasses evocative momentum and flair with every intricately laid progression in the epic 6-minute progressive ballad.

Keli Woods’ experience as a monk lent itself effortlessly well to the powerfully metaphorical introspection within Skies. His ability to conjure vivid pictures in the mind with his deeply affecting lyrical prose is second to none. He may have missed out on West End stardom at the age of 11, but all paths, which included performing jazz band in a decommissioned ambulance in Swansea and living the late-night rock ‘n’ roll life, have led him to this point of proving the transformative force of music.

Listen to the live recording of Skies from Real World Studios via YouTube from October 18.

Review by Amelia Vandergast

djamesk13 lit a beacon to the outliers in the Lynchian post-punk atmosphere of his latest single, The Left-Over Piece of the Puzzle

Posted on 17 October 2023

If djamesk13 wasn’t a solo artist, you’d be forgiven for wondering if Paul Banks had added a new project to his legacy. With echoes of the early Interpol records lingering in the guitar’s reverb entwined with an atmosphere which could only be described as Lynchian, the latest single, The Left-Over Piece of the Puzzle, is an alluring pool of tonal and textural mesmerism.

When you’re not busy being consumed by the artful effects applied to the post-punk nuances, you will find the time to find the melancholic beauty in the release. While some people lament because a piece of them of missing, others are alienated by the unshakable feeling that there’s no place where they can fit in and feel at home.  This one is for anyone who has felt a kinship with Camus.

The Left-Over Piece of the Puzzle was officially released on October 8th; stream it on SoundCloud.

Review by Amelia Vandergast

TuskHead blurred the boundaries between acoustic pop-punk and folk in ‘Breaking the Man’

Posted on 17 October 2023

The boundaries between Americana, acoustic pop-punk and folk blurred beyond recognition in the rhythmically arresting latest single, Breaking the Man, by the Dutch musician, singer, and songwriter TuskHead.

With the bends of bluegrass weaving around the pull of the percussion, which won’t fail to awaken your rhythmic pulses and the lyrics, which sting with vulnerable volition, Breaking the Man is a hard lyrical pill to swallow, but the upbeat rhythmics take some of the sting from the deeply relatable pensiveness, allowing it to unravel as a cathartic olive branch to anyone unwilling to do the same and make the admission of ‘I’m not alright’.

Asking the time-old question, “how can you love me if I hate myself” and alluding to the fight from within that pills can salve but can’t solve, the heartache with the world is heart-wrenchingly affecting.

Breaking the Man was officially released on October 13th; stream it on Spotify.

Review by Amelia Vandergast

SAIDOU psyched out RnB with his latest exploration of the 5th dimension, INTERDIMENSIONAL LADY

Posted on 17 October 2023

After the success of his 2023 LP, 00ET, RnB’s most experimental entity, SAIDOU, merged wavy elements of RnB with lashings of cosmic psych and funk, drippings of 50s pop, and expressive jazz grooves to alchemise the ultimate aural trip, you might want to strap yourselves in before you experience INTERDIMENSIONAL LADY.

With a love so strong it breathes into the 5th dimension; the amorous track looks far beyond the material dimension to pay an Odyssey-esque ode to the affectionate feelings manifested by a femme fatale with an allure so powerful it makes the soul levitate.

Before crafting his own interstellar soundscapes, the 22-year-old MD-hailing artist Saidou Sosseh absorbed the influence of Al Green, Kanye & Youssou N’Dour and studied music at NYU. During this time, he recorded a handful of songs with the Grammy-winning songwriter Jesse Fink, INTERNATIONAL LADY being one of them.

INTERDIMENSIONAL LADY was officially released on October 6th; stream it on Spotify.

Review by Amelia Vandergast

NTHN versed vulnerability for Mental Health Day in his shoegaze-hip-hop mash-up, The Meaning

Posted on 16 October 2023

For Mental Health Day, the UK songwriter, cloud sampler, and producer NTHN debuted his most introspective shoegaze and hip-hop-influenced track to date, The Meaning, on October 10 and subsequently delivered the most compellingly dark single of the year.

It has been a while since a rap track hit so hard it made an impact on my tear ducts, but NTHN’s command over evocative ambient melodies and the intimate vulnerability within the lyrics and delivery proved that there’s power in dragging your demons out of the closet and vanquishing them for all to hear.

Rather than keeping his sound solely in the hip-hop arena, NTHN uses hip-hop composition, sampling, and percussion around his influence from emo, shoegaze and metal genres to keep his sonic signature scribing authentically absorbing and always emotion-driven atmospheric alchemy.

“I started writing it when I was at my lowest and I am now releasing it when I’m much more in control of how I feel, and I am in a much better place. It’s my journey to accepting my own mental health issues and learning to live with them, not just exist, by looking for the meaning in the everyday. I would like to raise awareness of the need to speak out and, by sharing my vulnerability, hopefully, connect with listeners who might be able to use the track as a way of relating to how I feel and not feeling so alone in dealing with things.”

The Meaning is now available to stream on SoundCloud.

Review by Amelia Vandergast

The everyman’s folk raconteur Matt McManamon reached a new plateau with  ‘Circles in the Sky’

Posted on 15 October 2023

The Liverpudlian-Irish singer-songwriter Matt McManamon set the bar plateau-high with his critically acclaimed debut LP, Scally Folk, after breaking away from his band, The Dead 60s, but he transcended it all the same with his latest single, Circles in the Sky.

The everyman’s folk raconteur took the inspiration for his latest single from a trite positivity post found online and spun lyrical gold from the sentiment which was an attestation to how fear, failure and inspiration will always be components of the same formula. The consoling compassion which equally emanates from the assuredly steady guitar chords and his tender vocal timbre also goes a fair way in proving the chaos in life won’t always make it easy for you to succeed – perseverance is the trick.

If you can’t get enough of the psych-tinted alt-90s nostalgia in Circles in the Sky, you won’t have long to wait until your next retro indie-folk fix; the single was the first to drop from the illustrious artist’s upcoming EP, Seventy-Two Hours.

Or you can always delve into The Dead 60s discography; with Matt McManamon at the helm, the band toured with Morrissey, Kasabian, and their Deltasonic label mates The Coral when they weren’t playing Glasto and appearing on Top of the Pops.

Circles in the Sky dropped on September 29; stream it on Spotify.

Review by Amelia Vandergast

Get your teenage kicks from Sweetboy’s latest indie power-pop installation of nostalgia, Day in the Park

Posted on 14 October 2023

If you are looking for a new indie-pop outfit to get your teenage kicks from, or reminisce from kicks from yesteryear, get ready for the impact of Sweetboy’s latest single, Day in the Park.

After finding each other on Craigslist in 2018, the founding members, Anna Barnett and Jon Flores, put momentum into their dream of pursuing a music career; armed with classical piano training and a background in English Literature respectively, Sweetboy took the NYC scene by storm when they started to tour the live circuit and amass more members.

With the demureness of Debbie Harry, the vocal lines will draw you right into the nostalgic gravity of the release, which bolsters itself with soaring riffs between the cutting angular guitars and a solid backbeat that feeds you all the power pop furore you could ask for.

A Day in the Park is the first single to be released from the debut LP of the same title; if you like your vibrato vocals to be affecting and instrumentals infectious in their sticky-sweet retro glamour, save a space on your radar.

Day in the Park was officially released on September 22; stream it on SoundCloud.

Review by Amelia Vandergast

Jeff Jepson spoke for the disillusioned masses in his jovially schadenfreude folk single, Here Comes Trouble

Posted on 14 October 2023

The Liverpool-born Isle of Man-residing singer-songwriter Jeff Jepson spoke for the disillusioned masses with the jovially schadenfreude standout single, Here Comes Trouble, from his latest album, Meaning Waves.

If you are nostalgic for the days when you used to hide in bed because you were dysfunctional instead of as a protective measure to shield yourself from the chaos in our climate, you won’t fail to find the melodic magic in this masterpiece of instrumental and lyrical ingenuity.

If you want a song to sing along with as the fabric of society tears under our precarious footing in it, consider making Here Comes Trouble a sanity-saving playlist staple. You’d be hard-pressed to forget the enchantingly alchemic progressions anyway.

Here Comes Trouble will be available to stream with the rest of his hotly anticipated LP, Meaning Waves on October 13; stream it on SoundCloud.

Review by Amelia Vandergast