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Hard Rock Music Promotion & Blog

Adelaide’s hottest post-grunge pioneers, The Yellow Wallpaper, prescribed volatile vindication in the chaos of their sophomore single, Run Your Mouth

The Yellow Wallpaper made an eternal impression with their debut single, Tell Me to Beg; their spiky attitude punctuated the ensnaring sphere of artful alt-rock, but that was nothing compared to the volition that went into as much overdrive as the guitars in their sophomore single, Run Your Mouth.

Veering more towards the 90s Seattle sound but still sinking their teeth into post-rock production styles, Run Your Mouth is a kaleidoscopic vortex of vindication. In a time when it feels like there’s a cacophony of vacuous contempt at every turn, every bark is worse than the bite and every bitch is in heat, sinking into the single, which delivers an exposition of the shallowness of the hypocrisy of public perception and the psychological effects, is as close to utopia as our dystopic epoch will allow.

Following the sold-out launch show of their debut single in mid-2023, the band is priming to do it all again by launching the single to their hometown crowd in Adelaide.

Run Your Mouth was officially released on September 22nd; stream it on Spotify.

Review by Amelia Vandergast

Hotel Security reached the pinnacle of euphonic furore in their symphonic pseudo prog rock hit, Forget It

If Eighties Matchbox B-Line Disaster did an 8-ball of speed before falling into the studio, their sound still wouldn’t match the fervour in the latest single, Forget It, from New York City’s most volatile prodigal sons, Hotel Security, who have been trailblazing through the NYC alternative scene since 2020.

With the symphonic keys adding a histrionic edge to the tumultuously tight instrumentals that revolve around the dizzying guitar riffs that rip roar with Psychobilly-esque furore, Forget It would be an all-out attack on the senses if it weren’t for the melodic hooks infused through the catchy vocal melodies that give you a centre of gravity in the chaos of the pseudo-prog rock orchestration. Ironically, Forget It is as brutal as an MK-Ultra operation.

Forget It was officially released on September 15th; strap yourselves in and experience it for yourselves via Spotify. For more info on the self-professed band of music nerds, visit their official website.

Review by Amelia Vandergast

Ramener took over the NY metal scene with their explosively experimental single, In Her Hand

The melodic metal monoliths, Ramener, started to take the NY Metal scene by the force of their heavy riffs and thrashing solos with the release of their debut single Dogs, in 2022. In 2023, they’re reigning rancorously supreme, especially after the release of their seminal single, In Her Hand.

With the melodic lines which bear reminiscences to Brian Molko’s twisting into classic metal volition on a whim and the instrumentals which veer from melodic hooks to thunderous power metal breakdowns sharing the same explosive propensities, In Her Hand is a lesson in high-octane authentic experimentalism.

Any fans of the 00s metal sound will want to kneel at the altar of this adrenalized masterpiece, which encompasses the visceral agony of empathy when it comes to the inner turmoil of the person whose soul most feels at home, regardless of how their afflictions afflict us.

In Her Hand was officially released on September 8th; stream it on Spotify.

Review by Amelia Vandergast

Eddie & The Wolves riffed the blues in their latest hard rock anthem, The Coming Storm

Batten down the hatches for the latest riff-adrenalized anthem, The Coming Storm, from Eddie & the Wolves. With the soulful overtones underpinning the blues rock installation of riotously introspective rancour, you’ll be exposed to the soft underbelly of the UK-hailing wolfpack while being electrified by the hard rock alchemy their tight synergy bleeds into the airwaves.

Instead of solely keeping it superficial and glam, Eddie & The Wolves used The Coming Storm to weave a raw tale that invites the listener to take the track as a sign that you should face the uncertainty of our chaotic world head-on. With the hook-littered hit on your playlists, standing at the vanguard of change will start to seem an infinitely better option than cowering into a bottle.

The Coming Storm will arrive on September 15; stream it on Spotify & keep up to date with the band on Facebook.

Review by Amelia Vandergast

Rich Kid Express became the voice of volition in their symphonic with sleaze hard rock hit, U Never….

Under The Purple Lights by Rich Kid Express

The Carolina-hailing hard rock prodigal son, Rich Kid Express, glammed up symphonic synth rock in his slick with Sunset Strip sleaze EP, Under the Purple Lights, featuring the volition-driven single, U Never….

With whammy-laden guitars that sound like they’ve been torn from a Slayer hit punctuating the harbingeringly dark synth lines and an edge of antagonism that continues to slice through the KISS-esque atmosphere with every verse, hard rock scarcely hits harder.

There’s nothing quite like pouring all your contempt into a creative work in terms of catharsis but for hard rock fans who need iconic outfits to be their voice of vindication, there’s plenty of resolve in U Never…. which uses its razor-sharp teeth to tear through the deception and manipulation of the kind of exes we always come to regret getting in bed with.

Stream and purchase the EP in full via Bandcamp.

Review by Amelia Vandergast

Cosmic Order proved resistance isn’t futile in his outcry of an anthem, Warfare

With a music video that unravels with the same kind of dystopic aesthetic narrative as an Adam Curtis documentary and a definitively cataclysmic atmosphere created by the alt-rock instrumentals, the latest release from Cosmic Order is an eye-opening testament to the constructs of society that are rotten at their core and spreading hate through the masses.

In a bid to transcend the tragedy of the world through spirituality, art, and music, the one-man powerhouse which is Cosmic Order has succeeded in its mission of infusing hope and resilience into the human condition. On the basis of their latest single, Warfare, it is safe to say they’ve succeeded.

The vocalist, songwriter, multi-instrumentalist, engineer, producer and performer Angelo Silvio DiPippo uses his juxtaposing life experiences, which have taken him from war zones in Iraq and Afghanistan to the raw beauty of the Sicilian countryside and pours them into the grounding gravitas of his work. Just as George Orwell saw it all before dedicating his life to overcoming tyranny, Cosmic Order is smashing through the bedrock of oppression with his discography.

While I can’t say I agree that androgyny and queerness are signs of end times and would contest that the moral trans panic is a far greater societal sin, the other points of contention in the outcry of a rock anthem are right on the money that the masses will never see if the space race billionaires continue to have their way.

Stream Warfare on YouTube now and discover more about Cosmic Order via the official website.

Review by Amelia Vandergast

Falling Below tore through the façade of fallacy-weavers in their alt-metal debut, Liar

Falling Below

The Nottingham alt-metal emissaries in the freshly constructed powerhouse Falling Below are set to storm the local scene and beyond with their ground-breaking debut single, Liar.

Following a dissonant prelude, the tight and technical instrumentals start to breed an electrifying disquiet atmosphere for the evocative alt-metal vocal lines to charge into. Building on the iconic 00s metal sound, the amalgam of melodicism and furore that lies within Liar will leave you eating out of the palm of the five-piece’s hand.

There hasn’t been this much contempt thrown at living and breathing fallacies since Godsmack tore them to shreds with their single, I Fucking Hate You. With the guitars sharing as much vitriol as the lyrics and the sweet release of catharsis in the anthemic chorus, Liar is one of the strongest (in every conceivable way) debuts we’ve heard this year.

We can’t wait for the forthcoming eponymous debut EP, which promises to indomitably find the perfect balance between despair and hope to provide a soundtrack of resilience.

The debut single will be available to stream everywhere from August 18th; check out Falling Below on their website, Facebook, and Instagram.

Review by Amelia Vandergast

WD-HAN drove their listeners towards progressive action and revolution in ‘Something’s Gotta Change’

In this year alone the LA-hailing rock outfit, WD-HAN, has riffed right across the rock spectrum with their diverse discography. With their latest single, Something’s Gotta Change, the chameleonic powerhouse turned their vitriol towards political punk-rock to deliver a viscerally empowering hit. If any single has what it takes to spark an anarchist revolution, it’s Something’s Gotta Change.

Starting the hit with the sobering fact that more people are enslaved today than ever in history was an efficacious way for WD-HAN to drive their listener’s compulsions toward progressive action. The collective rise in individualism and apathy created the perfect storm for oppression; we’ve sat back and watched how the marginalised have been attacked – it is only a matter of time before injustice meets everyone who can’t afford to escape into space.

Believing that the issue of human trafficking deserves attention resulted in the release of one of the most impactful anthems we’ve heard this year. The track was created in support of the Foundation for a Slavery-Free World and Operation Underground Railroad. 

Something’s Gotta Change was officially released on August 11th; stream it on SoundCloud.

Review by Amelia Vandergast

The teeth of synth rock sharpened to the tune of Ghostfeeder’s latest single, Rearview

Ghostfeeder

The latest monolith of a hook-filled single, Rearview, from the alt-electronica trailblazer Ghostfeeder, stepped out from the shadows of 80s synthpop and glam rock to show its sharp teeth and even sharper hooks.

With the frenzied-with-distortion guitars around Ghostfeeder’s signature vintage synth textures and under the poppy vocals that leave the hooks in IAMX and Highly Suspect tracks sounding blunt, Rearview is a viscerally exhilarant release; especially if you allow the depth of the lyricism to submerge you deeper into the evocative momentum. Anyone who can find resonance in the reprise ‘stuck in rewind’ in the context of being paralysed when it comes to letting go of the past will get galvanizingly more than they’ve bargained for when they hit play.

After sharing stages with goth royalty, including KMFDM, Powerman 5000, and Cold Cave, it is more than about time that Ghostfeeder stepped into the headliner limelight. To bolster the honed songwriting, Rearview was mixed by the Grammy Award-nominated and platinum-selling artist and producer Amir Derakh (Orgy, Dead by Sunrise, Julien-K) and mastered by Mike Marsh (The Chemical Brothers, Prodigy, Depeche Mode). The track reaches the pinnacle of cyber goth ear candy.

Stream Rearview on all major platforms from the 11th of August via this link.

Review by Amelia Vandergast