Elements of prog rock, Midwest emo, indie, garage rock, and pop all feed into the latest single from the genre-melding self-taught solo artist Junkhouse Bones (Dominic Orteza). After starting with a trashy garage rock prelude, Only a Name loses its discordant textures as the melodies get sweeter and the vocals provide even more nectar to make sure that the earworm sticks to your synapses like superglue.
With riffs that allow Orteza to show his rock and roll stripes and the cleverly formulated instrumental breakdowns, it’s impossible not to be hooked by the release that consistently piques your interest with clever motifs and aural curveballs.
Only a Name will be released on September 17th; you can check it out for yourselves by heading over to SoundCloud.
OGGY’s latest single, Find My Way, shifted us from curious to obsessed before the first chorus hit. The rock-inclined London-based singer-songwriter has what it takes to leave the same impression on the airwaves as Amy Winehouse with her endlessly uplifting jazz-fused finesse.
After being born in a small, closed-minded Croatian town, OGGY (Olga Savic) found herself inspired to create the good that she couldn’t find in the world through her music. After securing some Croatian festival slots, she knew that to truly make her mark she would have to leave her hometown. After moving to the UK in 2017, she started to study songwriting in 2020 – which is when she came into her own as a songwriter and performer.
Find My Way is the ultimate break free rock anthem that follows the journey of finding new love after heartbreak. This one is definitely for the scorned romantics out there. The shimmering guitar tones, choral atmosphere and OGGY’s sultrily fierce vocals are enough for your heartbeat to fasten alone.
Find My Way officially released on September 10th. You can check it out for yourselves by heading over to Spotify or Soundcloud.
Left of the Slash are the harbingers of doom in their latest single, The Time is Now, which uses screeching sleaze rock solos around the trepidation-laden rhythm section. In the vocals, you’ll find a sense of urgency for awakening that becomes infectious throughout the high-octane hard-rock hit.
Left of the Slash is easily one of the most promising alt-rock outfits to have fallen on our radar this year. Their expansive array of influence covers everyone from TOOL to The Yeah Yeah Yeahs to Black Sabbath to Pixies; which gives you an idea of how they came to cultivate such a dynamic sound that is unpredictable from one release to the next.
Post-punk and symphonic metal converge in the darkened atmosphere of Baroque Monody’s latest single, Plan 2021, featuring percussionist Kellii Scott (Failure).
With Scott’s thrashing percussive flair, the heavy guitars and the etherealism of Jenifer Rose’s vocals as they emanate the same arcane allure of a 15th-century mystic, all of your senses will surrender to the sublimely-paced progressive furore in Plan 2021.
After making their debut in 2013, Baroque Monody has released two albums, and there is plenty more in the pipeline from the powerhouse duo. Save a spot on your radar.
Plan 2021 is available to stream and purchase via Bandcamp.
Don’t Kill Me is the latest single from Chris Sunfield, an artist quickly becoming renowned for his conceptual explorations of classic pop idioms to the tune of snaking, swampy blues-rock that isn’t afraid to go Baroque through symphonic styling.
His radio-ready psychobilly single is probably the most accurate femme fatale depiction I’ve ever heard; what Single White Female is to cinema, Don’t Kill Me is to the airwaves. Any fans of the Cramps, the Brains, Amigo the Devil, Nick Cave, or Mad Sin will find plenty to love about Sunfield.
Don’t Kill Me is now available to stream on Spotify.
With their debut album called ‘Per Aspera Ad Astra‘ (through hardships to the stars) on the way in early 2022, Control Shift rev up our soul engines with their first track that brings us a kindly loud ‘Welcome‘.
Control Shift is a high-octane packed hard-rock band from the beautiful San Fernando Valley, California who have a post-grunge and progressive rock style, that heartily swarms the speakers rather eloquently.
”Control Shift was founded soon after the pandemic started as this was a period where Ali was intensively creative and wrote a ton of brand new songs. Soon after, he started his search for a vocalist who could express the essence and power of his material, and he connected with MT Letsinger, another experienced performer in the industry with many releases to his name.” ~ Control Shift
With sensational vocals and a hardcore soundscape which easily lifts the volume button by itself and certainly wakes us the pesky neighbors who are in for quite the shock, this is a more-than solid first outing for a band who are clearly on a mission to succeed.
The lift-off here is mightily genuine and with a stunning chorus that gets you in the mood to get things done, this is a new act who are surely going places with this type of output.
‘Welcome‘ from the San Fernando Valley, California-based indie hard rockers Control Shift, is a powerful track all about embracing that pain and really going for it no matter what. Life is too short to have excuses, so holding hands and pushing through is the only way to truly win.
Made with a rampaging sound that might break your glass windows into shattered smithereens, this is a single to be enthralled by, as they start their music journey to the top. A terrific start indeed, as first impressions really do last.
Hear this new track on their Spotify and see more via the IG channel.
Youngstown Ohio’s prodigal sons of industrial metal, Heck Vektor, have released their scathing new single, Superspreader. With the energy of garage punk, the harsh electronica stylings of Powerman 5000 and vocals that switch from Alec Empire-level slick to caustic and confrontational, it is impossible not to be drawn in by this tumultuous amalgamation of alt electronica and rock.
Even though I hit play on the covid-related track with hesitancy, the glitchy basslines, nefarious charisma and unpredictable breakdowns quickly replaced the cynicism with admiration. We can’t wait to hear what follows.
70s rock revivalist, James Sebastian, is set to release his psych-tinged single, Love is only Love’, which sees his vocals consistently switching from choral 60s psych harmonies to raucous rock n roll affectionate proclamations which makes the single the perfect balance of fiery and sweet.
With his main inspirations listing Led Zeppelin, The Beatles and Harry Styles, the 20-year-old Drama and English student’s diverse sound is sure to resound with pop, rock, indie and psych fans alike. He’s one to watch.
There was no forgetting the Scottish melodic rock progressive Danny Mortimer after his haunting 2018 single, Anything But Silence. Discernibly, lockdown added even more virtuosic flair to his melodic ability; if his latest single, Opener, is anything to go by.
After a scuzzy hard-rock riff as a prelude, Opener unravels as a lyrically tender Trans-Atlantic time capsule to the 90s with hints of both Paul Draper and early FNM Mike Patton in the vocals that pour plenty of soul into the otherwise strident and emotionally-charged track.
Opener will be released on August 20th; check it out by heading to Danny Mortimer’s website.
UK-based singer-songwriter Matt Black tapped into the collective sense of listlessness and despair with his scathing industrial rock debut single, Are You Afraid of the Dark.
The lyric-less soundscape uses samples of doom-mongering news broadcasts, featuring our seemingly dim, realistically catastrophic prime minister who seems determined to blather the country to ruin around heavy scuzzy metal guitars and percussion that could only be described as apocalyptic.
With a similar sonic palette to Machine Head’s Bloodstone and Diamonds and Disturbed’s Down with the Sickness, we’re sure plenty of the industrial rock and metal community will welcome his cathartically foreboding presence on the airwaves with open arms.