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Hard Rock Music Promotion & Blog

Joe Pallotta immortalised the fallen in his piano-driven hard rock ballad, Tears for the Titan

Feed The Fire by Joe Pallotta

In his latest hard rock hit, ‘Tears for the Titan’, San Francisco’s Joe Pallotta tackled the vast expanse of grief with an eloquent precision that almost defies belief. Putting into lyrics what few can weave into words, following the loss of a loved one, he sonically visualised how mourning can tear at the fabric of our being, leaving us frayed, disillusioned, and helplessly out of sync with a world that persists in the wake of tragedy.

The piano rock ballad pits minor key piano melodies against soaring guitar lines and a gothic aesthetic reminiscent of the Sisters of Mercy, pulling listeners deep into the atmosphere of the piece. Pallotta’s vocals echo the soulful vigour of rock legends such as Twisted Sister, Poison and Whitesnake, blending seamlessly with orchestral crescendos which rise and fall with invitations to find consolation that you’re never as alone in your grief as you think you are.

As much as Tears for the Titan is palpably a cathartic outlet for Pallotta, within the jagged shards of agony are commiserations to anyone else who has loved and lost.

 As Pallotta continues to expand his reach, aiming to touch as many souls as possible with his music, ‘Tears for the Titan’ serves as an affecting reminder of his ability to convert raw, unfiltered emotion into a soul-gripping alt-rock experience. To explore more of Joe Pallotta’s emotionally rich and resonant artistry, visit his collection at joepallotta.bandcamp.com.

Review by Amelia Vandergast

SugarFüt – Mirrors: Where UK Alt-Rock Hits Its Peak Power

In their sophomore release, Mirrors, the UK’s most promising emerging powerhouse, SugarFüt, reasserted dominance on the alt-rock scene with a kinetic anthem of sheer visceral innovation.

If you’re still mourning the loss of She Burns Red after they disbanded, this Hull-based four-piece is here to fill the void with a sound that is veritably their own. With scuzzy alt-rock riffs and chameleonic progressions, which splices the frenetic with the melodic Mirrors defies predictability. Just as you start to recognise pop-punk echoes, SugarFüt storms into fresh territory with each progression, pushing boundaries with every bar, leaving heads in a subverted spin.

Vocally, the track oscillates between imploring vulnerability in the verses and soaring dynamism in the chorus, seamlessly transitioning to illuminate the emotive depth of the timbre and the dualistic pull of Jack Moxon’s vocals. When paired with the interstellar peaks of their guitar-driven crescendos, Mirrors is enough to leave your heart in your throat. SugarFüt’s ability to riff with the same fevered energy as Thee Oh Sees while capturing the immersive melodicism of Jimmy Eat World’s Futures era creates an addictive earworm which demands repeat attention.

Formed in Kingston-Upon-Hull in 2023, SugarFüt brings together frontman Jack Moxon, drummer Calvin Casey (formerly of Kira Mac), bassist Rory Myers, and guitarist Dave Measom. Their collective history in the Hull music scene and shared love for rock, pop, and punk culminates in an auditory assault that blends raw, emotionally charged vocals with gritty riffs, pulsating basslines, and thunderous drums.

By the time their debut album drops, they’ll be one of the hottest acts on the UK rock circuit. Keep them on your radar.

Mirrors was officially released on August 16 and is now available to stream on Spotify.

Review by Amelia Vandergast

Ignition of the New Hard Rock Era: ‘Thrillseekers’ by Juliet’s Not Dead

Juliet’s Not Dead, formerly known as Twister, blasted the UK rock circuit with ‘Thrillseekers‘, a formidable first release under their new moniker; the meteoric entry sets the stage for the hotly anticipated forthcoming LP which is being teased for an early 2025 release.

For anyone who has been following the Durham-hailing prodigal juggernauts, expect a seismic shift in their sonic signature with this release which unravels as an electrifying departure from their previous hits.

To juxtapose the scathed snarls of the straitjacket tight instrumental arrangement which pits growling basslines against distorted to the degree of aural debauchery guitars and frenetic pulse-pounding percussion, the vocals push sticky-sweet magnetism into the explosion of high-octane energy as they embed romanticism into the choruses which elevate the track into an anthem of visceral emotion.

Produced by the esteemed Romesh Dodangoda, the track not only kicks off a new chapter for the band but also sets a precedent for the genre itself. As ‘Thrillseekers’ paves the way for the upcoming album, Juliet’s Not Dead is poised to ascend to the ranks of hard rock royalty alongside bands like Florence Black, Massive Wagons and South of Salem. With a UK tour lined up this Autumn, the stage is set for Juliet’s Not Dead to conquer hearts and charts alike.

Thrillseekers took the airwaves by storm on August 30th; stream the single on Spotify and keep up to date with news of the upcoming LP from Juliet’s Not Dead via Facebook and Instagram.

Review by Amelia Vandergast

Mercy Vibe alchemically occupied the rock scene with her instrumental track, Peaceful Med

Mercy Vibe may be a nascent presence on the rock scene, but her seminal instrumental single, Peaceful Med, established her as an artist worthy of adoration.

The Midwest-originating artist’s background in traversing genres and her adventurous approach to music production pull through with veracity in this track, which subverts conventional guitar-led instrumental pieces by defying expectations with cultivated use of special effects. You could hear a pin drop in the production which creates a palpable tension and anticipation for each successive note.

Mercy Vibe doesn’t just set a mood with her work, she commands it with the guitars which act as a narrative force in the expansive sonic space. Yet, it is the percussion that truly energises the track, delivering bursts of intensity that ensure the listener’s engagement never wanes.

With Peaceful Med, Mercy Vibe made it clear she is here to innovate and inspire. Save a space on your radar for her future releases which are in the pipeline.

Stream Peaceful Med on YouTube now.

Review by Amelia Vandergast

No-mad tightened their grip on the alt-metal scene with ‘Don’t Let Go’         

 No-mad’s latest single, Don’t Let Go, is a blistering reminder of why the alt-metal scene is still alive and kicking. This track is a full-throttle assault on the senses, driven by razor-sharp hooks and a tight, tensile instrumental arrangement. The band’s precision is undeniable, delivering a performance that’s as technically impressive as it is emotionally charged.

From the first note, Don’t Let Go grabs hold and refuses to let go, pulling you into a chaotic soundscape where head-spinning time signatures and relentless rhythmic pulses create a feeling of cultivated chaos. The vocal performance is a tour de force, moving from the powerful, crusading energy reminiscent of Disturbed to vicious growls that would make any metalhead’s spine tingle, before seamlessly transitioning into melodic harmonies that add depth and contrast to the track.

With a foundation in progressive metal and an affinity for nu-metal’s gritty edge, their sound oscillates between gentle harmonies and jarring dissonance, reflecting the inner conflicts and personal struggles that fuel their lyrics. The band, founded by Ofer Tamir, has evolved significantly since its inception, now boasting a lineup that’s ready to take their music to the next level.

With three singles already making waves and a debut album on the horizon, No-mad is clearly gearing up to carve out a space at the forefront of the alt-metal scene. If Don’t Let Go is anything to go by, they’re more than ready to lead the charge.

Don’t Let Go was officially released on August 9th; stream the single on Spotify now.

Review by Amelia Vandergast

Ditch the Demon is out for blood in their sonic screening of garage goth glamour, Fright Night

Fans of Zombina and the Skeletones, Lesbian Bed Death and the Creepshow won’t want to miss the installation of horror and garage goth glamour, Fright Night, prised from the crypt of Ditch the Demon’s LP, Ain’t Dead Yet.

With the percussive pulse of punk and the phantasmic reanimations of new wave indie conjured by the guitars filtered through a psychedelic prog rock lens and the livewire energy rippling through the production as a courtesy of Amanda Brooks-Byron’s histrionically haunted vocals, Fright Night hits with an exhilarating horror punk intensity.

After forming in 2018, the Hastings-hailing powerhouse has made chilling waves with their scintillatingly dark sonic signature; the launch of their debut album in 2023 marked the zenith of the band’s career so far but with their infamous live shows, Ditch the Demon isn’t a band to underestimate.

Stream the official music video for Fright Night on YouTube.

Review by Amelia Vandergast

Goatzilla – Secret Agent Man: a gargantuan monster of a punk rock anthem

The Gold Coast’s prodigal sons of Atomic Mutant Goatpunk, Goatzilla, initiated their latest single, Secret Agent Man, with a barrage of beats before the guitars lend their overdriven furore to the teeth of this gargantuan monster of a punk rock anthem.

If you like your rock with all the hinges blown off and all sense of sensibility tied to a funeral pyre, Secret Agent Man is a balls-to-the-wall explosion of sheer insanity. Clearly, it’s true what they say: madness is catching. You’ll feel your own sense of self-restraint slip away as the tumultuous, rip-roaring hit proves there’s no room for pretension in rebellion.

With their following only getting stauncher, it is time to kneel to our new overlords of snarled, gnarled, and electrifying punk rock, charged with all the technical ability and songwriting chops of Megadeth and Motörhead, and all the escapism of rock that parades under a gimmick to thematically manifest mind-melting mayhem – someone might want to tell Lordi and Gwar that THIS is how it is really done.

From the depths of the Gold Coast underground punk scene in 2015, Goatzilla has built a strong local following through relentless gigging and festival appearances around South East Queensland. Their debut album, Muthafukasaurus, dropped in 2019, featuring the off-the-wall video for DROPBear, which earned the #1 spot on 4ZZZ FM’s Hot 100.

Goatzilla boasts two shredding guitarists, a freight-train drummer, and a gravel-throated bass player who brings the fire—literally. With new material crafted during COVID-19 in the pipeline, Goatzilla is set to keep their fans thrashing for a long time.

Secret Agent Man was officially released on July 26 and is now available to stream via all major platforms via this link.

Stay tuned to Goatzilla’s TikTok for updates on new releases.

Review by Amelia Vandergast

Changing Tymz eviscerated anxiety by bringing the hard rock hammer down in ‘The Fear is Gone’

https://music.youtube.com/watch?v=NfDpOE5glmM&si=1YFe7soOmWljtAqM

With their seminal single, The Fear is Gone, the breakthrough powerhouse, Changing Tymz delivered a sonic behemoth that firmly established them within the modern hard rock pantheon.

The track ensues from distortion-heavy chugging guitar riffs; an immediate clarion call for anyone who seeks sanctuary within the volition of hard rock. From there, a Metallica-esque aura of power and intensity takes hold of the auditory assault that is cast in introspective gold, encasing the most affecting elements of hard rock and metal.

Meticulous yet menacing, the rhythmically tight and explosive transitions that would leave any hard-rock fan broadsided become the perfect vessel for the deep-penetrating lyricism. By the time the song reaches its tumultuous outro, it has already awakened an indomitable spirit within.

The efficacious melodic hooks work in synergy with the haunting tinges of dark gothic glamour which manifests through the Evanescence-esque vocal stylings, affirming that few hard rock outfits can overpower the juggernautical entity which is Changing Tymz.

With their debut LP, Finish the Race, riling the airwaves, it’s time the world tuned into their cultivated, conscious command.

The Fear is Gone was officially released on July 5th; stream the single on YouTube now.

Review by Amelia Vandergast

The Whiskey Knights called ‘Time’ in Their Rhythmically Rendered Rock Hit

The Whiskey Knights

The Whiskey Knights struck all the right nerves with their latest single, Time. The Surrey-hailing hard rock revenant outfit deconstructed the concept of time with their latest tour de force by exploring its relentless grip on our mortal coil, its power to strip away memories, and its refusal to guarantee change or healing.

From the solid rhythm section and baying guitars to the electrifying vocal performance, Time showcases The Whiskey Knights as a formidable triple threat. The track’s grungy undertones amplify the intensity of the universally relatable emotions, creating an immersive experience that is as visceral as it is compelling. There’s no room for nostalgia here; The Whiskey Knights are reviving the reasons we fell in love with rock – its ability to translate the rawest facets of the human experience into pulsating furore.

Having formed in 2013 and hailing from Camberley, Surrey, The Whiskey Knights have built a diverse discography, including two studio albums, one EP, a live album, and a demo. Their sound, a mixture of hard rock, punk rock, indie rock, and pop rock, continues to evolve, with Time testifying to their chameleonic songwriting chops.

If Time hits this hard on the airwaves, brace yourself for the colossal impact when you see The Whiskey Knights perform the single that solidifies their place in the hard rock pantheon.

Time will officially drop on July 19; stream the single on Spotify and Bandcamp.

Review by Amelia Vandergast

Don’t Light Rock’s Funeral Pyre Yet, Everafter Instigated the Ultimate Resurrection in ‘Born to Rock’

Everafter, stalwarts on the UK rock scene since their formation in East London in 2010, have consistently evolved and sharpened their sonic arsenal. The band, initiated by the Daperis brothers, Alexis and Stefan, alongside Tim Wiltshire, rose from the remnants of a previous endeavour to forge a premier hell-bent-for-distortion outfit which has blazed across many of London’s iconic stages.

Their Born to Rock EP, recorded at Soundlab Studios with Matt Williams, is the ultimate attestation to their dedication to standing at the vanguard of the hard rock revolution. The title single is a monumental anthem that celebrates the intensity of rock through explosive energy, intricate guitar riffs, and relentless rhythms that demonstrate the technical talent and passion of Everafter. Unlike Tenacious D, there are no tributes here, anyone born to rock can gaze into a sonic mirror when they hit play.

With razor-sharp melodic hooks implanted in the high-octane currents of the single, the only way this track wouldn’t go down well live is if the entire crowd was lobotomised.

Stream the official lyric video for Born to Rock on YouTube now.

Review by Amelia Vandergast