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Grunge

Slip into a rock noir fever dream with Call to the Void’s latest single, Blow

South London’s Call to the Void delivered a smorgasbord of style in their synthesis of garage rock, proto-punk, post-punk, and grunge in the track they crashed onto our radar with earlier this year. Their previous release, Uncontrollable, was one thing; their latest fervid feat, Blow, is another entirely. The vice-like rhythmic grip will drag you down the shadowy rabbit hole in the rock n roll fever dream, where a séance is held with the sonic aesthetic of Jim Morrison, Cobain, and Lux Interior.

By driving innovation through the rancorously electric vintage tones between the melodic increments used to ensnare you in the jaws of their shaking, rattling, and rolling cultivated panache, there’s no getting out of Blow alive once you experience the dark rock noir atmosphere, which twists and turns on a knife edge to impale you on the spikes of innovation that proliferate this nefariously dark hit.

Blow will be available to stream on all major platforms from January 5th, following the pre-release on Bandcamp.

Review by Amelia Vandergast

Call to the Void

Master Splinter took their stoner rock sound into an arcane new realm in ‘Dragon’s Blood’

Master Splinter, the Portland-based hard rock powerhouse, has unleashed a storming renegade of a track with Dragon’s Blood, which opens the gateway into the realms of arcane fantasy and fiction, a territory where bands like Gwar and Nekrogoblikon have previously ventured, but Master Splinter carves out their own unique path with an anthem of escapism and empowerment.

The powerful and melodic vocals tie the whole ensemble together, creating a sound that is both classic and refreshingly innovative. Songwriters, Mick Arrell and Jason Schauer, have a knack for weaving epic stories, using metaphorical characters and scenarios to express complex emotions and experiences in a way that is both clever and subtle – perfectly exemplified in Dragon’s Blood.

The track itself is a journey through a fantastical landscape, where the tales of prevailing against adversity are enough to psyche up any listener to smite their challenges. It is stoner rock perfection from a band that continues to adorn our radar with riff-charged insanity, and we eagerly anticipate what they will conjure up next.

Dragon’s Blood dripped onto the airwaves on December 15; stream it on Spotify.

Review by Amelia Vandergast

Fox 2 warped the lineage of rock n roll to define its future with their debut LP, Sidewinder

Sidewinder by Fox 2

Fox 2’s debut LP, Sidewinder, is a seismic shift in the rock landscape, a thrilling fusion of reverence and revolution. From the streets of Portland, Oregon, this dynamic duo – ex-fighter pilot Paul Shamy and drumming maestro Jason Van Abrams – have unleashed a debut that doesn’t just walk the tightrope between homage and innovation; it riffs right across it.

Imagine the raw, gritty essence of grunge, the soulful depth of blues, and the rebellious spirit of punk, all colliding in a supernova of sound. That’s Sidewinder. Each track is a masterstroke of musical alchemy, where classic rock sensibilities are not just revisited but reinvented. The album is a kaleidoscope of eras and styles, yet it remains unmistakably Fox 2.

Shamy’s vocals are a revelation. He’s a powerhouse of emotion that can whisper in one breath and roar in the next. His guitar riffs are incendiary, igniting each track with a white-hot intensity. And then there’s Van Abrams, a rhythmic juggernaut whose drumming is both a foundation and a force of nature, driving the music forward with unstoppable momentum.

From the haunting melodies of The Grey to the frenetic energy of Phila, each song is a journey in itself. But it’s in tracks like Fly where Fox 2’s genius truly shines, blending bluesy undertones with garage rock grit to create something entirely new yet timelessly familiar.

Following the release of Sidewinder, the outfit is expanding their sound by strapping in bassist Pierce Guderskiand and is set to release swathes of hits in Summer 2024. Ensure Fox 2 is on your flight radar for the drop.

Stream and download Sidewinder on Bandcamp and Spotify. Follow Fox 2 on Instagram to stay up to date with their latest releases.

Review by Amelia Vandergast

djamesk13 reached the pinnacle of haunting subtlety in the twisted psych-rock tale, ‘She Was Angelina’

She Was Angelina by djamesk13 is a captivating piece that solidifies the artist’s position in the realm of grungy, bass-driven psych rock. This single is a masterful blend of raw energy and haunting subtlety, showcasing djamesk13’s adeptness in creating a soundscape that is both gritty and ethereal.

The track opens with a deep, resonant bass line that immediately sets a dark, immersive tone. The distortion is cranked up, not just as an effect, but as a statement, echoing the grunge era’s love for raw, unpolished sound. This choice pays off brilliantly, as it adds a visceral edge to the song.

Lyrically, She Was Angelina is a poetic exploration of a film noir femme fatale figure. The character is painted as both innocently sweet and dangerously alluring, a combination that is as intriguing as it is unsettling. The reference to the Jesus and the Mary Chain not only situates the song within a specific musical lineage but also adds a layer of depth to Angelina’s character, suggesting a complex individual with a rich inner world.

The melody, dusky and lingering, perfectly complements the lyrical content. It’s a siren song, drawing the listener deeper into the narrative and the emotions it evokes. The use of lo-fi elements by the London-based solo artist adds a personal, intimate touch to the track, making it feel like a glimpse into a private, almost secret world.

She Was Angelina was officially released on December 10th; stream it on SoundCloud.

Review by Amelia Vandergast

Break out of your digitally paralysed repose with A VOID’s latest single, The Gutter

After gaining international airplay, featuring in seminal Spotify editorial playlists, and hitting the most prestigious venues in Europe, the Paris-born, London-residing three-piece, A VOID, are currently at work on their third studio album with the Grammy-winning producer Shuta Shinoda.

Their latest single, The Gutter, serves an evocative aperitif to the highly anticipated LP. By encapsulating the essence of the alt-90s while refusing to allow influence to inhibit their creative song crafting, A VOID became one of the refreshingly rancorous entities in the UK’s expansive alternative scene.

The song kicks off with an unfiltered rawness reminiscent of Hole and the Distillers. This visceral yet tonally dreamy introduction sets the stage for what’s to come: a Vercua Salt-esque chorus that delivers a heavy artillery earworm in the form of pounding hooks.

As the track progresses, it introduces angular guitar work that echoes Interpol to add layers of complexity and showcasing the artist’s ability to blend influence and ingenuity into authenticity. Rather than paying tribute to the past, A VOID remain relentless in their determination to breathe new life into the familiar.

The overarching artfulness of the track doesn’t overshadow its integral linchpin; the powerful chords struck through the lyricism which reflects on the stagnancy screens can sucker us into This lament on fear of failure and frustration with procrastination speaks for the vast majority who watch the hours and days slip by in a malaise despite best intentions.

Produced by Shuta Shinoda (Daughter, Spiritualized, Ghostpoet) at Hackney Road Studios and mastered by John Webber (Bowie, Echo and the Bunnymen, Yungblud), The Gutter transcends and subverts all expectations in its artfully grungy beguile as it playfully leads the listener down Lynchian rabbit hols with instrumental drops.

The Gutter was officially released on November 18th; stream it on Spotify

Review by Amelia Vandergast

djamesk13 touches on the existentialism of the temporal experience with ‘No Time’

“No Time” is a sonic meditation on temporal experience, a nudge to wake up to the present and to prioritise what truly matters. djamesk13’s unique blend of grungy guitars, atmospheric psychedelia, and introspective lyricism creates a powerful commentary on the human tendency to let life’s precious moments pass us by.

By encapsulating the elusive and fleeting nature of time and serving as a poignant reminder of the moments that slip away unnoticed as we get entangled in the minutiae of everyday life, the theme of No Time is universally affecting as it reflects on the complicated tapestry of the human condition.

The instrumentals weave together the dark tonal shades of grunge with the introspective swirls of psychedelic rock. There’s a weight to the sound that mirrors the gravity of the song’s message, creating a soundscape that’s both haunting and intimate. As the music unfolds, it lays down a dark and reflective atmosphere that perfectly captures the essence of the lyrics, encouraging a deep, inward look at the listener’s own personal timeline.

djamesk13, with this track, asserts why there’s always space for his artistry on our radar. His lo-fi expressionism has a rawness and authenticity that strikes a chord with his audience, tapping into emotions that are often left unexplored. His music doesn’t just pass through the ears but lingers in the mind, igniting thoughts and feelings that resonate on a deeply personal level. The gritty authenticity of the production enhances the song’s message, allowing the listener to feel the immediacy and the urgency of the present moment.

No Time was officially released on November 19; stream it on SoundCloud.

Review by Amelia Vandergast

Gaze into The Elegant Chasers’ riff-carved kaleidoscope of sludgy psychedelia, Running Around the Sun

Hersham’s hottest indie rock act, The Elegant Chasers, swathed their latest single, Running Around the Sun, with lashings of kaleidoscopic psychedelia to indulge their ever-growing fanbase in a mind-bending sonic experience which finds the perfect balance between heavy and sludgy rancorousness and melodicism to keep you locked into the innovation which drips from every progression.

Running Around the Sun is the first single to drop following the critically acclaimed success of the band’s long-awaited debut album, Sentimental Dust. Following a significant stint of soul-searching, The Elegant Chasers, who always live up to their moniker via the cultivated gravitas in their hits, struck aural gold once more whilst exploring a bigger and bolder sound that rings with reminiscences of the Seattle Sound and subverts all expectations by industrialising 70s rock synthetics.

Running Around the Sun will be officially released on December 1st; hear it on SoundCloud.

Review by Amelia Vandergast

Play That Funk Metal Music and Hit Play on Master Splinter’s Latest Installation of Clamorous Rancour, Wednesday Night

For their latest release, Wednesday Night, the trailblazing outfit, Master Splinter, which is hell-bent on being the breakthrough outfit out of the year funked up a sludgy and clamorous alt-rock aesthetic reminiscent of Mudhoney, Melvins and Soundgarden while proving once again that Mike Patton isn’t the only one capable of delivering the Mr Bungle effect.

If you’ve ever wondered what it would sound like if a 70s funk rock ensemble had a violent acid trip with instruments in hand while being caught in the throes of lust, indulge in the Portland, Oregon-hailing troubadours of rhythmically tight, face-melting aggression’s latest offering, which punches through hip-hop-inspired drums and uses the devil may ensnare vocal lines to rile up the energy from the searing hot guitars and prowling basslines.

The 2023 Remaster of Wednesday Night hit the airwaves on October 26; stream it on Spotify.

Review by Amelia Vandergast

Peach Giraffe scorns the sands of time in his grungy lo-fi indie gem, Running Out of Time

Running Out of Time by Peach Giraffe is a lo-fi indie gem that marries the raw, emotionally charged vocal delivery of Kurt Cobain with a lighter, more melodic instrumental arrangement, which creates an entrancing dichotomy between the visceral vocal expression and the gentle yet complex, guitar work. The track is bound to captivate listeners drawn to the music of AJJ, Roar, Vundabar, and The Mountain Goats.

Peach Giraffe’s approach to music production—treating each recording session like assembling pieces of a puzzle—lends the track a sense of organic cohesion that’s both intimate and relatable. With genre conventions cast aside, the independent singer-songwriter channels pure and spontaneous creativity, evident in the sound and lyrical expression alike.

The lyrical content is a thoughtful reflection on the ephemeral nature of existence. The way Peach Giraffe intertwines the desperation of time slipping away with the soothing instrumentals is a beautiful contrast that keeps delivering the consolation, regardless of how many times you hit repeat.

Watch the lyric video for Running Out of Time via YouTube.

Review by Amelia Vandergast

The Every Glazer refused to be silent on the needless extensively-voyeured bloodshed in ‘Silver Screen’

https://open.spotify.com/track/2iNSEjAcmdiV0dKF0Jzt7T?si=634f3cca83b4415e

With a more frantic tempo to match the urgency of the message in the intro and opening verse which scathes over what society has become in light of the bloodshed, which is only pouring harder the further we get into 2023, The Every Glazer veered into nu-metal territory with his latest single, Silver Screen, before bringing in the grungy melodicism in the chorus. If Linkin Park ever saw sense and collaborated with Deftones and Soundgarden, the result would be as alchemic as Silver Screen, which captures the singer-songwriter’s compulsion to ensure this fucked up segment of history will be never forgotten by the music industry.

As The Every Glazer has had a vice-like grip on his muse throughout 2023, there’s plenty of traction picking up around him; now close to 20k listeners are finding solace within his discography, which never shies away from reflecting the most heart-wrenching stitches in our social tapestry. If you want a virtuosic hand to help you through this slither of dystopia, hit play.

Stream Silver Screen on Spotify and YouTube.

Review by Amelia Vandergast