Browsing Category

Grunge

Hover pierced the post-grunge veil with the visceralism nestled within ‘In My Head’

In My Head by Hover

The Cali fourpiece powerhouse, Hover, unchained the gates to the post-grunge pantheon with their seminal single, In My Head. The grungy indie anthem opens introspective floodgates over crunchy overdriven guitar chords; when the reprise of ‘in my head’ pours over the instrumentals, you can’t help but be reminded of the visceralism of Zombie by The Cranberries, yet Hover makes the mantric confession their own through the raw emotive power of the vocal delivery.

With hints of everything from grunge to indie rock to college radio rock to pop punk, and every element riling up the last, In My Head unravels as an anthem of catharsis for anyone who knows how much hostility can be bred within the confines of the mind. In My Head proves that Hover doesn’t just have the technical chops to ensure their recorded material carries immense emotional weight, they also have the ability to take weight from the listener as the burden of rumination is lifted.

The Coachella Valley hailing outfit is easily distinguished from the rest with their attitude-spiked melodic rock. Rather than merely layering fuzz-laden riffs, Hover let raw reflection spill from every sonic seam, adding a welcome blast of authenticity to alt-rock’s current landscape.

In My Head is now available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

Master Splinter is ‘Unbound’ in the chaotic liberation of their latest alt-rock crusade

The shackles fall away in Master Splinter’s latest single, Unbound, a track that affirms their status as Portland’s ultimate emissaries of mind, body, and soul-melting sludgy stoner-rock chaos.

As a departure from their previous releases, Unbound is a lyrically abstract release which lets their signature blend of monolithic guitar riffs, dynamic basslines, and intricate percussion carry the spellbinding conversation while the lyrics breathe into the tempestuous mix as thematic abstractions.

It’s as unpredictable as it is entrancing—a visceral concoction that melds East-inspired mysticism with the raw intensity of Midwest grunge. Opening with opium-scented, hypnotic tones, Unbound evolves into an intricate vortex of progressive rock textures, ascending around grungy, Eddie Vedder-esque croons that carry enough smoky potency to leave you reeling.

The climactic moments are tightly controlled chaos, like a ship steered by an expert hand through a riot, reinforcing Master Splinter’s fearless approach to orchestrating dramatic vignettes.

Master Splinter’s unorthodox approach to hard rock strips away monocultural boundaries, crafting a sound that is equal parts primal and sophisticated. As the track crescendos, the constrictive tethers of typical genre constraints are shattered, leaving listeners adrift in an aural maelstrom, allowing Master Splinter to round out the year of faultless releases on a monumental note.

Unbound was unleashed on all major streaming platforms, including Spotify, on December 13.

Review by Amelia Vandergast

Shadows and Light: Sarah Shafey’s Grunge Resurgence in ‘Don’t Be Afraid of the Dark’

In her standout single, ‘Don’t Be Afraid of the Dark,’ the award-winning Canadian-Egyptian artist Sarah Shafey conjured a maelstrom of emotion and sound, marking a bold new chapter in the legacy alt-rock.

Infused with a hypnotic etherealism seamlessly married to the raw, sludgy aesthetics of grunge, Shafey’s latest single finished what Wolf Alice started. Her singular sonic footprint blazes a trail for a stylised resurgence, one that sinks swathes of substance into style and is layered with sonic transitions from the ferocious growl of grunge to the futuristic shimmer of synth-driven indie rock.

Her latest album ‘The Paper Bag Princess’, from which Don’t Be Afraid of the Dark was taken, draws from the empowering narrative of Robert Munsch’s children’s book, infusing her music with a feminist ethos that puts her in Kathleen Hanna’s lyrical league while vocally allowing her harmonies to drip Shirley Manson-esque seduction.

Shafey’s approach to this album—an eight-song manifesto melding personal revelation with a ’90s grunge backdrop—signals a defiant overturning of outdated norms. As she navigates through a soundscape crafted with chugging guitars and ethereal synths, Shafey not only redefines her musical identity but also challenges the listener to embrace a narrative of strength and self-discovery.

Don’t Be Afraid of the Dark was officially released on November 15th; stream the single on SoundCloud now.

Review by Amelia Vandergast

The Elegant Chasers is set to deliver a kaleidoscope of hope with their politically-charged Britpop-Grunge mash-up sophomore LP, To Live in Colour

The Elegant Chasers

The title track of To Live in Colour, the sophomore LP from The Elegant Chasers, is a vestige of sanctuary for those still searching for hope and resilience amid chaos.

As we sink ever deeper into a textbook definition of dystopia, the visceral fusion of grunge and Britpop, which rages with hook-rife rancour, is a livewire lifeline from an artist who has always sought solace in sound. With the hypersonically grungy hooks injecting adrenalised vindication into the mix, the one-man powerhouse beckons listeners into a tumult of nostalgia. Not to morosely reminisce on what is missed but to dare to fight against the backdrop of a disillusioned world after being reminded of the volition and connection we historically sourced from sonic redemption and calls to action.

Influenced by his own struggles, the track wrestles with darkness but refuses to succumb. The juxtaposition of anguish and upbeat, infectious melodies mirror the internal battle Maz faced growing up—bullying, trauma, and later, the hangover of rock ‘n’ roll’s recklessness.

With backing vocals from his daughters Penny and Phoebe and drums from the ever-present Lloyd “Keith Moon” Pritchard, the track taps into familial warmth and raw, gritty sound. Maz’s gift is to prove that while the world may be descending into madness, we can still choose to live in colour. The firestorm of sound that is To Live in Colour demands your attention and ensures you’ll never feel isolated in your apathy again.

The To Live in Colour LP will be available to stream on all major platforms, including Bandcamp, from December 6th. Connect with The Elegant Chasers on Instagram to stay up to date with news of the release.

Review by Amelia Vandergast

You Dirty Blue revived vintage blues rock with their renegade of a hit, Humming

‘Humming’ by You Dirty Blue thrashed into the blues rock scene with a rare ferocity that barrels through the annals of music history. This single reverberates with the raw, unrefined essence of 70s rock, encapsulated by fuzzy guitar riffs and raucous vocals that snarl with renegade charm. It’s a rhythmically infectious track that knocks polished modern rock productions off their pedestals and replaces them with something that resonates with the spirit of old-school rock.

You Dirty Blue, a powerhouse duo from Tamworth, have been igniting venues across the UK with their explosive live shows. Their music is steeped in the DIY ethos of grunge and blues, infused with a punchy punk twist that makes each performance unforgettable. Humming is a new chapter in the duo’s legacy with its heady rush of rock’s golden era aesthetics and modern ferocity. If you’ve been pining for the days of raw, unapologetic rock music, get your kicks that are guaranteed to leave a lasting mark.

Humming was officially released on November 1st; stream the single on SoundCloud now.

Review by Amelia Vandergast

Loudness Wars unleashed heavy scuzz rock artillery with ‘Withered Flower’

Withered Flower by Loudness Wars

Loudness Wars made no apologies for turning up the decibels with their latest single, “Withered Flower.” The seasoned and striped alt-rock outfit plunges listeners into a sludged-up vortex where the textured growl of Deftones meets the cerebral drama of Muse, with a hint of Smashing Pumpkins’ melancholy woven through.

The innovative declaration in the guise of an alt-rock anthem sees Jerome, the Sri Lankan-born lead on guitars and vocals, crafting a soundscape where each strum feels like a pulse of raw emotional electricity. His voice, an artful contortion, sinks into the distortion that bleeds from the angular, cutting guitars. The anthemic hooks that ensue are nothing short of adrenaline for the soul, crafting a track that’s as unnerving as it is entrancing.

Rich, a guitarist turned bassist, brings a grounded ferocity to the mix. His transition from guitar to bass underpins the track with a depth that only a rhythmic savant could provide. Completing this trio, Ian, a lifelong drummer whose rhythmic instincts are as inherent as breathing, injects Withered Flower with a relentless beat that binds the track’s explosive components. His chemistry with Rich, rooted in their shared upbringing in Chesham, fuels the rhythmic backbone of this record with precision and wild abandon.

Together, they transform “Withered Flower”—a poignant meditation on decay—into a pulse-throbbing hit. The charismatically maniacal presence of Jerome’s vocals incites a riotous revival of alt-rock, proving that the outfit has heavy artillery to attack the senses and leave them cathartically affected.

Stream Withered Flower on Bandcamp now.

Review by Amelia Vandergast

Conversations in Sound: An Interview with Insomnia on their Artistic Evolution and Ethos

Joining us at A&R Factory today is the band Insomnia, known for their introspective exploration of profound themes through a unique sonic palette. As they continue to expand their influence beyond San Diego, the band share the essence of their sound, marked by a dynamic range and the integration of deeply personal and universal lyrical content. Their approach invites listeners into a reflective auditory experience, resonating with themes of isolation, grief, and morality. This discussion sheds light on how their music serves as a narrative conduit for both the personal and the collective.

Insomnia, welcome to A&R Factory! It’s a pleasure to sit down with you to discuss the ethos and pathos that pulse at the heart of your music and performances. What kind of reputation have you amassed in San Diego and beyond?

Insomnia feels we have ascertained a dependable and influential reputation due to our ability to push boundaries with both our lyrical styling and entertaining performances. Venturing outside of our hometown has brought us success in the form of new audiences that are now excited to see us and Rat Pope take the stage whenever possible.

What’s an essential component of the Insomnia sound?

An essential component of the current iteration of the Insomnia sound would have to be our use of a loud-quiet dynamic to convey the tone of our storytelling within a song.

How has your sound evolved since your debut and what has inspired these shifts? 

Over time, our sound has been able to evolve greatly thanks to the ability to get comfortable performing our music in front of audiences. Their reaction delivers great feedback letting us know what works for them. To coincide with this, their reactions also allow us to understand what boundaries we can push in order to keep things interesting for all.

The lyrical themes in your music scratch far beyond the surface; what do you hope to achieve by exploring introspective avenues in the vein of isolation, grief and morality? 

Insomnia loves to explore what many consider to be “heavier” topics in a way that is accessible and relatable in order to not beat listeners and audience members over the head with it.

In some instances, we’re able to use our instrumentation to covey tone while in other cases we can make those more unsavory topics digestible by using metaphors and/or accompanying them with poppier sounding musical backing as a means to almost desensitize listeners so they’re able to take in the depth and complexity of our lyrics.

How have your personal experiences shaped your lyrical style?

As the lead songwriter of Insomnia, Noah employs many aspects of his personal experiences when creating lyrics for the band’s music. Topics such as fear of death and distaste with overbearing societal expectation are often found within Insomnia’s lyrics as these are struggles that he has had to tackle in his life. Aside from this, Noah loves to base songs around small bits of poetry and/or short stories he has written almost giving them a new life in the form of song. At the end of the day, Insomnia’s songwriting is meant to be almost ambiguous as the group prefers listeners attach their own personal meaning rather than professing their own defined message.

How do you balance personal vulnerability with universal relatability in your songwriting?

In order to make Insomnia’s songs retain their personal vulnerability while also remaining universally relatable, the band makes use of metaphors and double entendre statements as a way to allow the listeners to search for the “true” meaning.

Can you elaborate on the genesis of the rat pope and what the mascot represents in the context of your music?

The Rat Pope was never meant to be a physical being represented at our shows, but rather an idea based on a disdain for religious hypocrisy. The album art for Easter Sunday showcases an animated form of the figurehead which was then adapted to a live mascot of sorts parading around the stage at shows in order to draw relation for the audience between the message and the song itself.

You are known for your intense and emotionally charged live shows. How do you prepare for these performances, and what do you hope your audience takes away from these experiences?

We don’t do much in the vein of preparing for shows. We prefer to approach every show as if it is our last, leaving all the energy we have on the stage showing the audience and other bands sharing the night with us that it is okay to dive head first and have fun. As far as what we hope the audience takes away from the night, we aspire to be memorable and for the audience that night along with our streaming listeners to follow along with our evolution.

What does an idealistic future look like for Insomnia? 

An idealistic future for Insomnia entails the band being able to expand their audience reach beyond their home state. The band aims to test the limits of how the people could categorize Insomnia and evolve their sound and performances to be as impactful as possible.

Are there any new releases lingering in the pipeline?

Insomnia is deep in the works on a new single entitled Garbage Day perhaps hinting at a future larger release. Suffice to say, it’s not so much for us to say what lies ahead, it’s simply for the audience to stick around and find out.

Stream Insomnia’s discography on Spotify.

Connect with the band on Instagram.

Interview by Amelia Vandergast

Insomnia – Fleabag: Demonically Distorted No-Wave Grunge

Insomnia’s latest onslaught, ‘Fleabag’, is a ferocious synthesis of no-wave grunge and unrelenting hardcore punk rhythms. The standout on their LP ‘Idiosyncrasy‘, is a caustic celebration of noise, embodying the spirit of grunge pioneers with a fresh, chaotic twist. The guitars screech with electrifying distortion, while hardcore punk drums thrash out a beat that pummels listeners into submission, offering no respite from the band’s sonic fury.

In the eye of this storm are the vocals—raw, unfiltered, and dripping with disdain, they transmit a message of ‘we’re all mad here’ vindication for anyone wrestling with the chaos of the human psyche.

Undeniably, Insomnia, hailing from San Diego, has mastered the art of avant-garde obscurity. With the cultivated approach of Glenn Branca’s compositions fused with the brashy energy of Napalm Death, the breakthrough band injects listenability into their sound while ensuring their deliverances of no-wave are unfeigned, unfiltered and unafraid to descend into the sonic abyss. Imagine what Pavement would sound like if they were demonically possessed and you’ll get an idea of what is in store when you hit play.

Stream the Idiosyncrasy LP in full by heading over to Spotify.

Review by Amelia Vandergast

The renegades of shoegaze revolution, interail, emerged as an unreckonable outfit in their debut single, red

With their debut single, red, the independent alt-rock outfit interail went beyond dropping the first track in their repertoire. The Northwest UK-hailing four-piece collective established themselves as the renegades of rock’s impending revolution, impending under their juggernautical volution.

Undercurrents of grungy shoegaze permeate the artfully chaotic tour de force, guaranteeing that getting swept up in the tides of red is non-optional as piercingly tumultuous percussion punctuates the laments of the distorted guitars beneath the vox, which oscillate between emulating everyone from Julian Casablancas to Thom Yorke to Orlando Weeks before heightening the evocative sting of the unique inflexions as the track gears towards its viscerally intense hardcore-tinged outro.

Not one moment of red allows you to feel comfortable within the progressions; the dynamic chameleon shifts in pace and tone are enough to leave your nerves frayed and your rhythmic pulses in knots.

The bar couldn’t have been set higher with their debut track; if you’re sick of assimilation-driven shoegaze, prepare to be adrenalised by the walls of sound in red.

Stream red on Spotify now.

Review by Amelia Vandergast

Kuwaisiana – Gentrification: A Sonic Molotov Aimed at Cultural Erosion

https://soundcloud.com/kuwaisiana/gentrification-aug-mix/s-GGnNrQ0jOK2?in=kuwaisiana/sets/mishriff-ep//s-hQHummCrWZD

Seattle-based trio Kuwaisiana aren’t pulling any punches with their latest release, ‘Gentrification’. From the opening Arabic howl of angst, the band tears into the cold, clinical destruction of cultural roots with brutal fury. As the track shifts gears into English, it doesn’t lose an ounce of its venom. Instead, it hammers home the visceral reality of gentrification – not as a polite reshuffling, but a full-scale assault on heritage and identity.

The track’s aggressive blend of grunge, hardcore, and post-punk catapults Kuwaisiana to the frontlines of protest music. Forget the half-hearted rage of your typical punk track; this is pure, unadulterated chaos. With riffs that cut like jagged glass and rhythms that hit like a riot, ‘Gentrification’ feels like a sonic Molotov hurled at the forces that reduce communities to dust. The gnarled vocals alone could level cities, calling back to the uncompromising energy of Bad Brains and Dead Kennedys.

The lyrical narrative is equally ferocious, painting a vivid picture of the hollowed-out ruins left by gentrification. The reference to ‘Disneyland nose jobs’ alludes to how Kuwaisiana aren’t just on the money, they’re holding the monopoly in the punk scene.

The haunting opening image sets the tone for a journey through displacement, exclusivity, and transience. +Aziz’s Kuwaiti-American identity bleeds through every note, making the track a gut punch for anyone who’s watched their cultural landscape get obliterated by the greed of the powerful.

Gentrification will reclaim the airwaves when it officially releases on September 27; stream the single on SoundCloud first.

Review by Amelia Vandergast