If it’s been a while since you’ve discovered an alt-rock track that tugs on the heartstrings as heavily as the rabid bass strings, prepare yourselves for the emotionally subjugating melodies in Die Tired’s latest single, Play, and leave the misery of responsibility behind.
With none of the pretension of a powerhouse and all of the talent, getting suckered into the anthemic soul of Play is non-optional. There are some serious virtuosic stripes through the hard-rock solos. But the filthy grungey distortion in the bass and Mathew DeAngelis’ vocals, which could send EVERY grown-up The All-American Rejects fan into swoon mode, the gravity of Play lingers in the giddying catharsis.
And if anyone is handing out awards for alluding-ly-clever monikers, it should be in Die Tired’s hands.
You can hear Play for yourselves by heading over to Spotify.
Scottish post-grunge outfit, The Breathing Method, are set to release their vehemently distorted evolution of the 90s Seattle sound, Burden, which will throw you right back to the simpler times when Layne Staley reigned vocal supreme before pulling you into the angst of modernity with frenetic no-wavey guitars that make a juggernaut out of the release.
After the Mudhoney-Esque intro, The Breathing Method career into their own take on the post-grunge textures and don’t take their foot off the fuzz pedal until the outro of a primal scream, which compels you to envy the larynx they came from. Or maybe that’s just me.
Burden will officially release on June 17th; you can check it out for yourselves via Bandcamp.
With a touch of Oasis to the choral vocals to anchor the anthem in its melodicism, the alt-90s Seattle sound doesn’t asphyxiate any originality out of the revivalist nature of BLUEBOO’s latest single, Cherry Woman. It teases just the right amount of nostalgia for Screaming Trees, Soundgarden and Pearl Jam as your synapses fire to the tune of the Chicago-based artist’s off-kilter hook-filled sonic signature.
Notably, we aren’t the only ones finding addictive propensities in the effortlessly original sound of BLUEBOO. They’ve garnered acclaim from across the globe, especially on their strikingly ethereal seminal single, You Win Abigail, which has amassed over 260k streams on Spotify alone.
Cherry Woman is now available to stream on Spotify.
The evocative rock raconteurs, which form the melodic grunge powerhouse, Phatt James’ are fresh from the release of their latest single, Ahead of Line, which is a sublime convergence of the styles of Incubus and Red Hot Chilli Peppers, with plenty of their own distinction injected in between. Production-wise, the instrumentals gravitate around inexplicably intricate gravitas while the vocals expose nothing but raw soul.
It is still early days for the Bridgeport, Connecticut hailing outfit after releasing their debut EP, Circle Bent, in 2019, but notably, if any new band has what it takes to stir the hearts of 90s and 00s rock fans, it is Phatt James with their familiar yet sincerely original sound.
Ahead of Line is now available to stream on Spotify.
The Manchester music scene became infinitely richer for the latest release from the funk-rock pioneers, Flying Oceans. If you can imagine what it would have sounded like if Incubus abstracted their plaintiveness and implanted unbridled soul, you will get an idea of the stirring alchemy that Circles delivered.
With the guitars consistently transitioning between roots-deep funk chops and jangly Marr-Esque rhythm and the seductively low basslines bringing just as much gravitas as Mr Bungle’s, Circles has all the makings of a playlist staple for anyone that wants to find a slice of aural solace in our disjointing times where it’s all but impossible to find rhyme or reason away from the airwaves.
The folk-grunge maverick and award-winning singer-songwriter, Jessie Dipper, has stayed true to her sincerely originalist style with her latest single, Where Do I Go, taken from her coming of age second album.
However many times you’ve taken a trip around the sun before hearing this fiery yet soulfully flawless single, you’re sure to find the resonance in the frustration that easily stems from the uncertainty that confounds around our mental maps of the future. She didn’t just speak for her generation; she spoke for all of them.
With guitar licks that would serenade any Springsteen fan, the stridently distinctive vocals and Ben Folds-Esque pianos, the Cardiff-based singer-songwriter orchestrated a matchless hit that is going to put her on an even bigger map than the one that has seen her picking up awards, lauded by the BBC and touring across the globe.
Where Do I Go was officially released on May 20th. You can catch it for yourselves by heading over to Spotify.
After garnering a serious amount of traction around his debut single, the Sydney-based alternative artist, Chalant, has dropped his dark, grungy slice of RnB, For a Night. If you can imagine what it would sound like if Frank Ocean and Trent Reznor met in the sonic middle, you will get an idea of how emotionally intense this production is as it balances on wailing synths, oscillating bass and dark monochromatic textures.
Never afraid to gaze into the most malignant facets of the human condition, Chalant is quickly making a name for himself in the field of high fire social dissections. With a perspective that is just as refreshing as his sound, it is only a matter of time before Chalant sees the top of the charts.
For a Night is now available to stream on Spotify.
If the past few decades have taught us anything, its that there is no better breeding ground for hard-hitting rock than LA – case in point, the solo project of multi-instrumentalist and songwriter Ali Rizvi.
The latest single from Control Shift, Awake, exudes a Velvet Revolver & Stone Sour-Esque seductive angst while asserting its originality via its progressive nature that runs in the same energetic vein of A Perfect Circle, Tool & NIN. It isn’t every day that we find commercial potential against complete authenticity, but notably, Control Shift is unapologetically the full package.
Awake will officially release on May 20th; you can check it out by heading over to SoundCloud.
On the basis of their latest single, Again,Glass Image is the entire pensively intellectual alt-rock package. With the artfully evocative gravitas of Radiohead, the monolithically melodic guitars and the raw yet honeyed indie alt-rock vocals, it’s enough to aurally lull you into an emotionally heightened state of intense appreciation of their candour and signature brand of riff-heavy alchemy.
After forming in 2018, the NY-hailing outfit got to work on their debut 2019 EP, which stood as a testament to their proclivity to always weave a meaningful narrative around melodic riffs. Following the release of Again, they are set to release their debut LP in 2022. Notably, they’re one to watch.
Taken from their debut EP, Nobody Home, West Ridge Circle’s standout single, Stuck in This Chair, is an eclectic array of era-spanning rock nuances and modernist lyrical vulnerability.
Fans of Pavement, Pixies and Nirvana will want to drink up the 21st-century melancholy that drips through the lyrics and captures the frustration that lingers in unrelenting ennui. It’s tracks like Stuck in This Chair that prove there’s a beauty in collective misery, that now, we can hear lyrics, and it isn’t an Olympian stretch of the imagination to get on the same level. Granted, that isn’t always a given, but West Ridge Circle are thriving on the funk that is writhing through our existential hive minds.
With the J Mascis-style guitar chops, the despondent Americana blues-rock vocals that come with a tinge of the Seattle alt-90s sound and the eerily relatable lyrics, Stuck in This Chair has all the makings of a melancholy alt-rock playlist staple. We hope there’s another release nestled in the pipeline.
Stuck in This Chair is now available to stream on Spotify.