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Enjoy the high life with Emil’s dreamy synthpop sonic story ‘Up in the Hills’

Escape reality with Emil’s latest feat of fusionist alchemy, Up in the Hills. At just 18 years old, the Sydney, Australia-hailing artist has already perfected the art of crafting soundscapes that scarcely seem of this world.

With the artful originality, which pairs dream pop with nuances of jazz and RnB, on par with the likes of Brian Eno and Kate Bush, Emil set himself apart from the rest with his hazy, smoky, summer serenade. The best part? The complete lack of pretence while the narrative lyrics are soulfully being run through. Up in the Hills is pure sonic expressive bliss.

Up in the Hills was officially released on June 26th, 2022. Check it out for yourselves on SoundCloud.

Review by Amelia Vandergast

Mark Earnest – Just a Dog: his beats aren’t as bad as his bite

For his latest single, Just a Dog, the Ireland-born, Tokyo-based artist Mark Earnest served a stellar slice of lush RnB pop. You can’t help but drift away with the mellow funky grooves, the soulfully resonant vocals that are pinched by melancholy instead of overarched with it, and the mellow guitar-centric rhythms.

With the bedroom artist’s greatest motivation centred on bringing catharsis and compassion, he gave his soul free reign over Just a Dog, which lyrically sees him changing species to allude to his need for simplicity. If you aren’t on board with that sentiment, have you even been alive for the past few years?!

Just a Dog will officially release on July 1st. You can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Bedroom producer, J4RED transcended genre in his artfully reflective introspection slice, ‘hurt u’

Sometimes it is the emotion that grips you; sometimes, it is the musicality and originality; in his third single, hurt u, the bedroom producer, J4RED, proved that he is a triple threat. Perhaps even more impressively, hurt u transcends genre while carrying vast universal appeal.

The dark mellow pool of experimentalism created the perfect atmosphere for the fiery yet quiescent vocals to ooze into, allowing you to feel every ounce of the exhaustive frustration that breeds from dynamics where the mental scars tally our time together.

After launching his music career with his EP, UNCONSCIOUS, which debuted when he was 17 years old, he joined bands in the UK and Germany, and produced for other bands, such as the up-and-coming metalcore band, Half Me. If he keeps on at this level of momentum, it is only a matter of time before he breaks into the mainstream.

hurt u is now available to stream on Spotify.

Review by Amelia Vandergast

Ashes to Amber took the evolution of indie one off-kilter step further with HEEBIE JEEBIES

It isn’t all too long after the prelude that trying to pull out genre or reminiscence from Ashes to Amber’s latest single, HEEBIE JEEBIES starts to feel redundant. The unapologetic indie originator is one of the increasingly rare new names that are willing to expose his soul on the airwaves without hiding behind the style of another.

From gorgeously angular guitars fed through frenetic loops to harsh dancey synthetic textures to hip hop beats to cosmic blisters of dream pop, it’s all fed into the electrifying livewire of a title single to his forthcoming EP. As an anchor for sonic sanctity, Ashes to Amber gave us his sweetest indie-pop vocals, which will undoubtedly be a hit with fans of Peace, Jaws, the 1975, The Maccabees, and Swim Deep.

The HEEBIE JEEBIES EP will officially drop on June 24th. You can hear it for yourselves here.

Review by Amelia Vandergast

Drift away with Milk Bar Gang’s ethereal art-pop lullaby, Ozzie Ostriches Dream

OPEN by Milk Bar Gang

Taken from their debut EP, Open, the Milk Bar Gang’s standout single, Ozzie Ostriches Dream, is an ethereal lullaby; constructed to subdue you into an art-pop trance.

Any fans of Nico, PJ Harvey and Suicide will find just as much to favour in Ozzie Ostriches Dream, which wears influence from the 80s new wave, shoegaze, and cosmic pop as motifs affixed to the sheer originality that has been soporifically poured into this feat of transcendent avant-garde alchemy.

The reverb on the whispered vocals, the ring of the delayed guitars and the glassy aesthetic of the track all contribute to the intricately distinctive appeal that is sure to see the duo go far in 2022 and beyond.

Ozzie Ostriches Dream is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

London’s Lemonade Sin defied gravity with their elevated dream pop single, Melanie Nods

Melanie Nods by Lemonade Sin

Following the saturated-in-tape-delay indie dream pop intro, Lemonade Sin’s latest single, Melanie Nods, unfolds as a transcendentally playful aural crumble of the definitive UK sounds from the 80s to the 00s. The hazy shoegaze textures, chilling nods to post-punk and the Manic Street Preaches-Esque riffs in the middle eight pull together to form a sonic trajectory that you will want to follow time and time again.

With vocal reminiscences to Joy Division’s Atmosphere and the Human League’s Mirror Man happening simultaneously, Lemonade Sin is for every 80s fan out there looking for artists innovative enough to pull new aesthetics out of the synths, unmistakable percussion, and vocal layering.

Melanie Nods is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Brighton’s most cosmic collective, Tidal Rave, took us on an ‘Astral Escape’ with their neon pop-rock opera

Forget the phallic space race between Musk and Bezos, no one has gone deeper into the cosmos than the Brighton-based collective Tidal Rave in their latest single, Astral Escape (Adventure of a Lifetime), which stirs the soul in a quaintly imaginative style that we could more than get used to. I mean, existence has become synonymous with absurdity; you may as well live it through the oxytocin offered by an act that starts cuddle puddles at shows.

They call it whimsical insanity; we call it sticky-sweet ingenuity decorated in their enthusiasm to better the world through their space rock opera theatrics paired with kaleidoscopically colourful indie-pop hooks.

Astral Escape is now available to stream on Spotify.

Review by Amelia Vandergast

Fleeting artfully revived the alt-90s take on dream pop with his latest single, Enso

The angular indie ambience in the latest single, Enso, from the Philadelphian bedroom producer Fleeting is something for every alt-90s fan to get excited about.

Beyond the Gorillaz and Radiohead influences are the hazy textures of dream pop and Slowdive-Esque shoegaze guitars spliced with the trippy discord of the downtempo artfully placed breakbeats that keep you centred in the mostly instrumental mix. For even more catharsis, turn to the other 24 artfully orchestrated hits in his 2022 self-titled album. We know we will. Repeatedly.

Enso is now available to stream on Spotify.

Review by Amelia Vandergast

Supercoastal brought us back to nature with her electronic intersection between art and music, Botanical Fanatical

One of the freshest names on LA’s electronica scene, Supercoastal, is fresh from the release of her debut album, Blue Noise, which converges as a hypnotic intersection between naturalistic art and music.

The standout single, Botanical Fanatical, starts as an ethereally light feat of trickling ambience before the beats kick in and transform the soundscape into a synesthesia-triggering downtempo exploration of melody. If any new summer release stands leagues apart from the rest, it’s Botanical Fanatical; Supercoastal evidently got off on the right foot with her debut, and we can’t wait for the next installation of artful aural catharsis.

Botanical Fanatical is now available to stream on Spotify, along with the rest of the debut album, Blue Noise.

Review by Amelia Vandergast

Tree Giants bring unity in trend with their dreamy evocative firestorm, Better Together

Tree Giants

The electronica duo Tree Giants, consisting of Oklahoma City’s Daniel Chrisman and Israel Lee, have released another compassionately synthy-sweet dream-pop hit, Better Together. As blissful as Beach House, as momentous as the euphonic hits left behind in Avicii’s wake, it’s a triumph in genre-defying euphoria.

The message of unity behind the spacey sonic elements may be simple but through the honeyed indie RnB vocal lines, reverb-swathed synths and oscillating basslines that surge through enrapturing the progressions, it’s as profound as anything Shakespeare had to say in his time. It’s a stunningly sincere reminder that connection is a fundamental part of the human experience and in dark days, those olive branches can bring us to a new plateau of existence.

Hear Better Together for yourselves here.

Review by Amelia Vandergast