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Country

Get your recklessly raucous country rock fix with Tracy Inman’s latest single, I’m Drunk Again

When only boozy & bluesy tongue-in-cheek country rock will hit the spot, dig into the latest single, I’m Drunk Again, from the recklessly raucous singer-songwriter Tracy Inman.

From endearing accounts of encounters with bullfrogs to tales of hedonism that make Charles Bukowski sound like a lightweight to sing-along choruses and foot-stompin’ rhythmics, I’m Drunk Again delivers it all in one tidy, polished, and infectiously feel-good package.

Even though the country genre is proliferated with songs about whiskey, the St. Louis-hailing singer-songwriter still managed to pull something original out of the brown paper bag. I can only imagine how well I’m Drunk Again goes down in a live performance in crowded and bleary rooms.

Stream I’m Drunk Again on Spotify, or check out Tracy Inman via his official website.

Review by Amelia Vandergast

Madison Hughes painted a vignette with the poison arrows of a lothario in her country single, The Heartbreak Kid

If Helen of Troy could launch a thousand ships with her face, trailblazing country songstress Madison Hughes could do the same with her velveteen vocal lines in her latest single, The Heartbreak Kid.

Not one to skate by on her most obvious talent, Hughes always ensures her vignettes come to life in enthrallingly vibrant colour. With her latest slice of Americana, she painted a portrait of the kind of lothario you will always hope to never know while providing pitch-perfect solace to the ones that have been shot with poisoned arrows.

The Florida-residing artist started her journey at 10 years old. Since, she has won over all three judges on NBC’s The Voice, which subsequently resulted in her cover of Knocking on Heaven’s Door being streamed half a million times on YouTube. Her most popular single, You or the Whiskey, found a place on the Billboard “7 Must Hear Country Songs” list and the New Music Friday County Spotify playlist. The Heartbreak Kid is easily deserving of the very same accolades.

Stream The Heartbreak Kid on all major platforms via this link.

Review by Amelia Vandergast

Skip Seattle and Go to the Ozarks for Your 90s Grunge with Jeremy Phillips’ Latest Single, Crazy

Country and Grunge rarely collide, but when they do, as proven by the latest single, Crazy, from Jeremy Phillips and The Ozark Grunge, evocative firestorms spark in the gruff vocal timbre and southern rock riffs, which will take you higher than a billionaire in space.

With the raucousness scouring the soul in Crazy, the hit is rough around all the right edges, but at its core, it’s a heartfelt release strong enough to pick you up off the floor if you reach to it in your lowest moments.

While the lyrics allude to how love is one of the only acceptable forms of madness, the blazingly tight instrumentals, which will throw you right back to the 90s, sell sludged-up sanctuary. While so many artists are keen to assimilate the Seattle grunge sound, Jeremy Phillips proves the distortion sounds just as sweet in the Ozarks.

Crazy is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Matt Mullins & The Bringdowns harbingered the ‘Beginning of the End’ in their expansively influenced single

Matt Mullins & The Bringdowns may be alt-country at their core, which their single, Beginning of the End, efficaciously signifies but written into the rich tapestry of a single are elements are folk, grunge, psych and new wave indie to create a genre-bending odyssey.

Their stylistic fluidity is one thing; the way they allow emotion to drive the momentum and paint a panoramic portrait of the human psyche and all that defiles and uplifts it is quite another. The Beginning of the End takes a raw and real anxiety for the people prolifically questioning the sustainability of our societies and enraptures the listener away from it all with the unshackling nature of the stellar songwriting.

Beyond the Slash-style soaring guitar solos, the Eddie Vedder-esque gruff vocal timbre, the gangly indie melodies that will appease any fans of the Psychedelic Furs, and the rugged folk elements which reminisce with the tones made iconic by the Levellers lies the true beauty of Matt Mullins & The Bringdowns. For your own sake, experience it for yourselves.

Beginning of the End, along with their latest album, Monarch Sessions, from which it was taken, is now available to stream on Spotify.

Review by Amelia Vandergast

The Cornish brother duo, Roguey Roads, served a fresh slice of Americana indie pop with Westwood Sands

Roguey Roads carved a fresh slice of Americana indie pop for their latest single, Westwood Sands, which fuses country vox with an angular melodicism that will make any indie fan nostalgic for the 90s and 00s.

Following their debut album, Something to Prove, in 2021, Westwood Sands is a testament to how honed the Cornish indie pop duo’s sound has become. The songwriting, in particular, has been elevated to the nth degree.

After the winding bluesy guitars in the intro, momentum progressively builds in the immersive vignette of a wanderlust-driven protagonist who embarks on a journey of the soul and finds it filled by another. Hollywood directors would be hard-pressed to achieve the same panoramic picture in their feature films as Roguey Roads did in Westwood Sands.

It’s a heart-rendering indie pop anthem which goes a long way in proving why the brother duo can’t seem to create much distance between the ‘loveable’ adjective that is always affixed to them.

Westwood Sands is now available to stream on Spotify.

Review by Amelia Vandergast

Dreams Come True: Alabama-based country artist Josiah Rodda puts the hard work in on Blue Collar

Sung with poise and love to teach us about his real story of grit no matter the challenges placed in his path, Josiah Rodda is the kind of role model from which we can take inspiration in his new single Blue Collar.

Josiah Rodda is a hard-working Alabama-based indie country singer-songwriter who has a truly humble nature which will calm the hearts of many who have grown tiresome of boastful fakeness.

Showing his true professionalism and with profound lyrics to match, Josiah Rodda is the kind of underground hero millions can relate to. He’s real and appears to be down to earth whilst being truly sincere about his craft.

Blue Collar from Alabama-based indie country singer-songwriter Josiah Rodda is such a feet-tapping single which might relax the stressed souls amongst us who needed something to ease into. His vocals are stress-relieving and you feel like you’re inside the room with him.

Listen up further via YouTube.

See more news on his Facebook page.

Reviewed by Llewelyn Screen

Lorne Riley has released his page-turning upbeat country earworm, That’s All She Wrote

‘That’s All She Wrote’ is the latest quintessentially country single from the singer-songwriter Lorne Riley, who ingeniously cloaked his latest pop and rock-encompassing feat of Americana with swathes of 80s nostalgia to take you on a sonic journey you’ve never muddied your metaphorical boots with before.

You just can’t help falling in love with the small-town boy who has dug up his Northern Ontario roots and implanted them in his new residence in Dubai. Evidently, you can take the boy out of the country, but you can never take the country out of the boy.

Since making his debut in 2019, he’s featured on the Nashville Music Row Chart; That’s All She Wrote is yet another hooky chart-worthy hit from the singer-songwriter who knows exactly how to infuse his vignettes with bold imagery and a sense of soul that will awaken your own.

That’s All She Wrote was officially released on April 28; hear it on Spotify now.

Review by Amelia Vandergast

Restless Nights: Evan Charles wants much more than a shadow on Low Road Runnin’

Trying to get higher and hoping for the music to never stop no matter what, Evan Charles sees the wild coyote glimpsing as he takes another look into the illuminating sky on Low Road Runnin‘.

Evan Charles is an Austin, Texas-based Mr Pink Records-signed country singer-songwriter who is best known for being in the local band, Altamesa.

Charles was selected as one of six Austin-based songwriters to participate in the international touring and documentary film organization Project ATX6, reigniting his passion to put storytelling back to the forefront.” ~ Evan Charles

Truly an inspiration to so many who just want to be happy, Evan Charles is on fire with a special song made from the heart. Showing his progression from band life, this is a quality single made by an experienced great who will only get better.

Low Road Runnin’ from Texas-based country singer-songwriter Evan Charles is a truly enticing soundtrack to play rather loud when those lonely nights start to catch up. Teaching us about those wild memories which can change everything if the mindset flips, this is a truly excellent song.

Turn this up on loud and forget all worries.

Listen up more on Spotify.

Reviewed by Llewelyn Screen

Lucas Pasley put his audience in the saddle of injustice in the roots release, Icelandic Horses

The authentic but by no means archaic Americana luminary Lucas Pasley twanged plenty of timeless soul onto the airwaves with the release of his third album, Ponies Back Home. The serenely composed release, which carries all the Grammy-nominated allure of Bonny Light Horseman’s debut LP, starts with the standout single, Icelandic Ponies. 

With melodies that sway in the breeze of his songwriting which pays homage to his Appalachian Mountains roots and a voice so soothing it could placate a rabid raccoon, there’s no overstating the arresting allure of Icelandic Horses.

His slide guitars reach the pinnacle of sonic catharsis as the lyrics lament the inherent unjustness of the universe while showing you the beauty within it in the same breath. The fragility of life is laid out in a series of short and bitter-sweet vignettes to brim you with gratitude for the burdens you don’t bear and fill you with empathy for the ones who do.

Stream Lucas Pasley’s album, Ponies Back Home, on Spotify now.

Review by Amelia Vandergast

Dan Slyker’s “Mexico” provides a much needed musical escape.

Dan Slyker’s “Mexico” is a refreshing and unique addition to the alt-country genre. The song features a vibrant and upbeat sound that is a blend of traditional country elements, such as banjo and guitar, with electronic noise and even a mariachi band, resulting in a rich and engaging musical arrangement. It’s the kind of song that makes your ears perk-up and say to yourself “well, this is new.”

Dan’s gritty and tuneful voice perfectly complements the energetic instrumentation and adds a sense of rawness and authenticity to the song. The lyrics tell a story of a man escaping to Mexico with a sweet and enticing young lady, to forget his troubles and enjoy life, making the song relatable and catchy.

Dan Slyker’s musical style is a mix of various genres, including country, bluegrass, rock, and hip hop, which he blends together to create a unique sound that sets him apart from other country artists. He draws inspiration from his childhood experiences of living in different parts of the US, where he was exposed to a wide range of musical styles, from west coast twang to mainstream rock and pop.

Dan’s mission is to break the mould and challenge the traditional country music scene, which he believes has become too serious and predictable. With his innovative sound and powerful lyrics, Dan Slyker is a rising star in the alt-country genre, and “Mexico” is a perfect example of his talent and creativity.