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Americana Music Blog

America has been serving up slices of Americana since the mid-19th-century. The genre is an all-encompassing term for a variety of music styles that found their roots in America, including blues, bluegrass, country, and roots-rock. More often than not, Americana is a fusion of one or more forms of roots music, and it is commonly synonymous with folk-based country and singer-songwriter music.

Some of the most iconic Americana artists include Johnny Cash, Bruce Springsteen, Willie Nelson, Lucinda Williams and Steve Earl. Steve Earl remains popular to this day; his 2021 album, J.T., was listed as one of the best Americana albums of the year. Other artists that featured alongside Earl on the albums of the year list included Brandi Carlile, John Hiatt, Jack Ingram and Strand of Oaks.

Prior to 2010, Americana was considered a niche genre, yet in a transition that no one anticipated, Americana moved into the mainstream. The artists responsible for pulling the genre into the limelight included The Lumineers, the Avett Brothers, and of course, Mumford & Sons. Despite being a British band, Mumford & Sons became one of the best-selling Americana artists in recent years. They made history when they became the first British band since Coldplay to make it big in the US and sell more than a million albums. Yet, Mumford & Sons held their hands up to admit that without The Lumineers, their success wouldn’t have been possible.

In the late 90s, the Americana Music Association was established in Nashville; and they still have their finger on the pulse to this day. In 2021, they named Black Pumas as the group of the year, Brandi Carlile as the artist of the year and Charley Crockett as the emerging artist of the year. It’s not surprising to see Black Pumas named as one of the Americana artists of the year; the Austin-based act has amassed over 100 million streams with their most popular soul psych song, Colors. They also picked up three Grammy nominations in 2020.

Americana received another uptick in interest with the release of the blockbuster film, A Star is Born, which followed a roots music raconteur (Bradley Cooper) on his quest for fame. Bradley Cooper’s character may have been fictional, but plenty of Americana history and culture was poured into the critically acclaimed film that became an overnight sensation; both Lukas Nelson and Brandi Carlile appeared in the film. It seems that as long as there are artists committed to planting roots of Americana into their music, it will never go out of trend.

Gain the permission to live autonomously free with The Close’s 90s pop-rock single, Living It Right

With a nostalgically 90s pop-rock edge which cuts as deep as the hits from Jewel, Sheryl Crow, and Alanis Morrisette, The Close came close to perfect with the standout single, Living It Right, from their debut album, Orbit.

The debut LP pushed the introspective genre-bending outfit’s monthly listeners up to impressive heights. Now, over 36k listeners are repetitively tuning into their intricately airy melodies which transcend expectation and effortlessly share effervescent transcendence.

You’ll be torn between attempting to match the flawlessly magnetic timbres in the vocal delivery as they verse the virtues of living autonomously free and leaning into the mellifluous interplay of the ethereal synergy within the instrumental arrangements and harmonies.

Aside from the very obvious superlative song crafting which sets The Close apart, the outfit also finds distinction by employing each member as a lyricist, musician and lead vocalist, resulting in a dynamic discography, which dabbles in everything from Americana to contemporary folk to country. A commercial pop sensibility is one of the few constants within their euphonically unshackling collection of lyrically intimate releases.

Living It Right was officially released on October 27; stream it on Spotify with the rest of the Orbit LP.

Review by Amelia Vandergast  

Settle in for a ‘Long Hard Winter’ with Ben Brooks’ Americana Folk single, ft EG Vines

If you can already feel Seasonal Affective Disorder kicking in, sink into the latest single, Long Hard Winter, by the Americana folk raconteur Ben Brooks.

Created in collaboration with EG Vines, the meta single cleverly runs in the parallels between the winter phases of our lifetimes and the bitterly cold season which leaves serotonin in short supply; both of which leave us yearning for the spring and summer of youth and the warmth that allows the trees to blossom.

With a sonic style as arrestingly affecting as Bob Dylan and Neil Young, Ben Brooks, who has recently found his voice and inspiration again post-Covid, is perceptibly back in his stride. This bitter-sweet earworm will undoubtedly become a great source of comfort for many as the leaf litter thickens and days darken. Even though it was written during the hardest winter during the pandemic, it’s a smorgasbord of sun-toned soul.

Stream Long Hard Winter on all major platforms via this link.

Review by Amelia Vandergast

Dave Wilbert was born to take the wheel and drive in his country-rock earworm, Tractors and Trucks

Springsteen was born to run, but Dave Wilbert was born to take the wheel and drive in his country-rock earworm Tractors and Trucks, which delves beyond the stereotypes and into the intricacies of the identities of people who spend their lives outside of the city smoke.

Tractors and Trucks rips up all the tropes and cliches of country and scatters them like confetti within the anthemically polished production which will lure you in with the bluesy pop grooves and ensure you’re suitably hooked by the slide guitars which follow the solos which exhibit Dave Wilbert’s command of a fretboard.

The Fairview, Tennessee-residing artist was born and raised in rural Indiana, where he practised the hard-working virtues extolled in this infectiously feel-good hit, which will undoubtedly give those living the rural life a potent shot of pride.

Tractors and Trucks was officially released on October 6th; add it to your country-rock playlists by heading over to Spotify.

Review by Amelia Vandergast

Drink the sonic Kool-Aid in Max Diaz’s twangy alt-punk Tour De Force, COWBOY CULT

The cowboy-hating Texan Max Diaz brought his seminal single, COWBOY CULT, to life via swathes of sardonic vitriol, potent enough to make every punky take on garage rock by Fidlar sound like a love letter to the universe.

While the instrumentals weave their way through bluesy entanglements, Diaz uses every lyrical line to roll with the punches in his heavyweight canter; even if you’ve never pulled on a pair of cowboy boots in your life, you will feel every drop of vindicating venom projected by the artist’s devil may care disdain towards his fellow Texans.

You’d think all of the controversy of his Machiavellian attacks on the people surrounding him who are hellbent on seeing the regression of social progress would leave him unpopular, but the streaming stats don’t lie. After racking up millions of streams on several of his tracks, he’s the pissed-off prince that wasn’t promised but rose through the ashes of redneck numbskullery regardless. We fucking adore him.

COWBOY CULT was released with the rest of the artist’s sophomore LP, METANOIA on October 13th; do yourselves a favour and stream the entire Tour De Force in full via Spotify.

Review by Amelia Vandergast

TuskHead blurred the boundaries between acoustic pop-punk and folk in ‘Breaking the Man’

The boundaries between Americana, acoustic pop-punk and folk blurred beyond recognition in the rhythmically arresting latest single, Breaking the Man, by the Dutch musician, singer, and songwriter TuskHead.

With the bends of bluegrass weaving around the pull of the percussion, which won’t fail to awaken your rhythmic pulses and the lyrics, which sting with vulnerable volition, Breaking the Man is a hard lyrical pill to swallow, but the upbeat rhythmics take some of the sting from the deeply relatable pensiveness, allowing it to unravel as a cathartic olive branch to anyone unwilling to do the same and make the admission of ‘I’m not alright’.

Asking the time-old question, “how can you love me if I hate myself” and alluding to the fight from within that pills can salve but can’t solve, the heartache with the world is heart-wrenchingly affecting.

Breaking the Man was officially released on October 13th; stream it on Spotify.

Review by Amelia Vandergast

The LA singer-songwriter Eric Baugh has made his acoustic folk-rock debut with his compulsion-questioning single, Silent Spring

Eric Baugh strummed the decades and all the contemporary distractions which came as a courtesy of them in his debut single, Silent Spring. The bluesy lead notes against the quiescent calm of the acoustic folk-rock chords beneath his beckoning vocal lines will strike all the right notes with fans of Cat Stevens and Paul Simon.

The LA-based singer-songwriter made as much of a case for the beauty in simplicity in his guitar work as his lyrics which bring to question the way we live as though there’s no alternative. Consumerism and greed were never part of the human psyche’s blueprint; as eloquently illustrated by Baugh, we’ve been conditioned into commercialist conformity, and it is never too late to start again.

It may take more than one stunning song fuelled with small-town iconography and bearing R.E.M. reminiscences to derail our descent into further despondency with the world around us, but Baugh’s contribution is sure to compel his listeners into questioning their compulsions.

Silent Spring reached all major platforms on September 15; stream it via this link.

Review by Amelia Vandergast

Marygolds transcended space and time with the blues in their indie Americana single, Time Machine

The Louisville, Kentucky-hailing indie Americana outfit, Marygolds, made light melodic work of stripping away the past few decades and bringing a bygone era back to life in the standout single, Time Machine, from their eponymous 2023 EP.

Everything rests mellifluously easy on the timbre of the vintage bluesy guitar chords, which shimmer with early ’60s nostalgia as they drive the evocative instrumental arrangement under the gospel-esque vocals which reach the epitome of old-school soul. With the intimacy infused into the massive roots-wrapped production that could rival Father John Misty’s masterful work, Time Machine is so much more than an ode to the past; it’s a ticket back to soulfully sepia-tinged sanctity of it.

Perhaps even more remarkably, even though Marygolds left no clues to their 21st-century habitation behind in the cinematic gravitas of their work, their reverence for roots music didn’t come close to resounding as archaic. The outfit comprised of progenitors of modern blues is definitely one to watch.

Time Machine is now available to stream on Spotify.

Review by Amelia Vandergast

Northern Arms lifted the veil on Americana alchemy in ‘This Thing Called We’

An amalgamation of influences from Bowie, Nick Cave, Arcade Fire, Velvet Underground and Pulp was always going to transpire as a cosmically compelling Tour De dark melodic Force, but what wasn’t a given was how much This Thing Called We by Northern Arms would stir the soul to such a viscerally amorous degree.

Northern Arms lifted the veil on Americana alchemy in his latest single, for which the Philadelphia-haunting song crafter enlisted the help of a stellar lineup of instrumentalists, who all brought their own profoundly deft touch to the art-rock installation.

If This Thing Called We came before Bowie’s Heroes, the single that will never be lost to history would easily be considered derivative. That may sound blasphemous until you’ve drenched yourself in the decadently morose romanticism; feel free to hit play and argue with me, because the way the single encapsulates the heart-wrenching pain that true love can leave us to linger in couldn’t be closer to the agonising mark.

Stream This Thing Called We on SoundCloud now.

Review by Amelia Vandergast

It’s ‘Gemini’ season in the latest blues folk single by Goldschatz

Genres are defied and the soul transcends in the latest dual-harmony-driven single, Gemini, from the duo Goldschatz. Despite Timothy Jaromir and Rykka hailing from Switzerland and Canada, respectively, nothing was lost in translation in the spiritually spirited acoustic blues-folk release, which teases the soul-affirming singles to come in the upcoming EP, TWIN FLAME.

Even if Father John Misty and Stevie Nicks joined melodic forces in a euphonic portal back to 70s blues, the alchemy wouldn’t sound as sweet as the synergy that breathes through the power couple’s sound, which has seen them become one of the hottest breakthrough artists in Switzerland.

Whether they’re gracing the airwaves or live music venues, Goldschatz never fails to make an impression when they share their poetic introspection over their timelessly enrapturing antidotes to ennui. If you need to reinvigorate your lust for life by exposing yourself to the potential magic of it, delve into their rich discography of soul-rendered singles.

Gemini officially released on September 1st; stream it on Spotify.

Review by Amelia Vandergast

Unknown River set the bar for honkytonk hits plateau-high with ‘Outlaws on My Trail’

The Floridan singer-songwriter and multi-instrumentalist Unknown River set the bar for penning immersive escapist honkytonk hits plateau-high with the standout single, Outlaws on My Trail, taken from his debut album, The Dead River Passage.

The fiddle and banjo-driven single delivers a vignette of a man coming to regret the repercussions of his down-and-out actions; the combination of the simple country living exposition and the upbeat arrangement and vocals is enough to make the experience of outlaw-evading sound like a riotous way to see the sands of time slip away, and therein lies the beauty of Unknown River’s indomitable magnetism.

By taking the influence of bluegrass, delta blues, country, rock and old-timey traditional tunes, Unknown River’s amalgamated Americana signature is designed to strip away the plight of modern-day malaise and entrench you in the ease and euphoria of eras that are far from bygone – roots-crafted sanctuaries are just one hit on play away. Press it.

Outlaws on My Trail is available to stream on Spotify.

Review by Amelia Vandergast