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Americana Music Blog

America has been serving up slices of Americana since the mid-19th-century. The genre is an all-encompassing term for a variety of music styles that found their roots in America, including blues, bluegrass, country, and roots-rock. More often than not, Americana is a fusion of one or more forms of roots music, and it is commonly synonymous with folk-based country and singer-songwriter music.

Some of the most iconic Americana artists include Johnny Cash, Bruce Springsteen, Willie Nelson, Lucinda Williams and Steve Earl. Steve Earl remains popular to this day; his 2021 album, J.T., was listed as one of the best Americana albums of the year. Other artists that featured alongside Earl on the albums of the year list included Brandi Carlile, John Hiatt, Jack Ingram and Strand of Oaks.

Prior to 2010, Americana was considered a niche genre, yet in a transition that no one anticipated, Americana moved into the mainstream. The artists responsible for pulling the genre into the limelight included The Lumineers, the Avett Brothers, and of course, Mumford & Sons. Despite being a British band, Mumford & Sons became one of the best-selling Americana artists in recent years. They made history when they became the first British band since Coldplay to make it big in the US and sell more than a million albums. Yet, Mumford & Sons held their hands up to admit that without The Lumineers, their success wouldn’t have been possible.

In the late 90s, the Americana Music Association was established in Nashville; and they still have their finger on the pulse to this day. In 2021, they named Black Pumas as the group of the year, Brandi Carlile as the artist of the year and Charley Crockett as the emerging artist of the year. It’s not surprising to see Black Pumas named as one of the Americana artists of the year; the Austin-based act has amassed over 100 million streams with their most popular soul psych song, Colors. They also picked up three Grammy nominations in 2020.

Americana received another uptick in interest with the release of the blockbuster film, A Star is Born, which followed a roots music raconteur (Bradley Cooper) on his quest for fame. Bradley Cooper’s character may have been fictional, but plenty of Americana history and culture was poured into the critically acclaimed film that became an overnight sensation; both Lukas Nelson and Brandi Carlile appeared in the film. It seems that as long as there are artists committed to planting roots of Americana into their music, it will never go out of trend.

Dust-Laced Reflections: Mission Spotlight Turn Memory into a Mirage in ‘Ten Years Ago’

With the pedal steel timbres sighing beneath the crunched chords and clean-cut vocals riding a wave of wistful Americana, ‘Ten Years Ago’ by Mission Spotlight is an excavation of the past. Frontman Kurt Foster chronicles the years, sifting through them, decade by decade, uncovering snapshots steeped in both grief and glory, framed by the inescapable truth that everything changes and nothing is ever as it was.

The narrative unravels like the inked pages of a diary you forgot you wrote until a lyric reminds you of something you swore you’d buried. It’s not a simple wallow in nostalgia, but a bitter-sweet vignette of personal transgressions and irreversible shifts, suspended in sweeping pedal steel, jagged rock undercurrents, and a beat so precise it lulls the rhythmic pulse into a slow hypnosis.

Recorded across two coasts and continents—starting at The Ship Studio in LA with Grandaddy’s Jason Lytle and Earlimart’s Aaron Espinoza, then later completed at Jackpot! Recording Studios in Portland with longtime producer Larry Crane—‘Ten Years Ago’ is stitched with dust and daylight. Paul Brainard’s steel work (Richmond Fontaine, The Sadies) drifts through the mix like a sunbeam through half-closed blinds, wrapping itself around the lyrical vulnerability.

Foster’s vocals are less a performance and more a gentle reckoning, made all the more human beside Lytle’s harmonies. For fans of college radio-ready rock with Americana sensibilities, Mission Spotlight offer more than reflection—they offer sanctuary. The kind built not from sentimentality, but from survival.

Tean Years Ago is now available to stream on Spotify. 

Review by Amelia Vandergast

Alpine Jubilee Inch Closer to the Indie Folk Pop Throne with ‘Fiver on the Favourite’

Alpine Jubilee won us over with their debut, but with Fiver on the Favourite, they well and truly conquered. Folk-tinged indie pop has rarely sounded this expansive, with flourishes tinged with psychedelia and melodies that seem to ascend endlessly. The single instrumentally invites you to a state of transcendence, while the abstract lyricism filters in, almost serving as another instrument, adding texture to the euphonic tonal masterpiece that progressively enthrals with each new nuanced transition.

Born from the creative partnership of brothers Trevor O’Neil and Glenn O’Neil, Alpine Jubilee stretches across continents, with Trevor based in Toowoomba, Queensland, and Glenn in Geneva, Switzerland. Their sound pulls together an eclectic mix of instrumentation, featuring acoustic guitar, violin, trumpet, harmonies, ukulele, mandolin, mando-cello, tin whistle, harmonica, bass, percussion, synthesisers, and even a zither. Their influences range from 80s new wave and darkwave to twee-jangle pop, contemporary nu-folk, and alt-country, and it shows in the depth of their arrangements. Joining them on the track are Flavia O’Neil on trumpet and backing vocals, Nelson O’Neil on drum programming, and Oliver Liang on violin.

If you’re sick of folk artists who bring the same old pale imitations to the table, Fiver on the Favourite is a surefire antidote to monotony.

Fiver on the Favourite is available to stream on all major platforms, including Spotify. For the full experience, watch the official video on YouTube. 

Review by Amelia Vandergast

Cupid and the Cowboy’s ‘Beer on My Tramp Stamp’ Is a Shot of Whiskey Spiked with Sarcasm

Evading the clichés of every scene and leaving no room for pretence or posturing, Cupid and the Cowboy delivered a satirically subversive and seductively salacious tour de force of literally and figuratively down-and-dirty Americana with Beer on My Tramp Stamp. With folk and alt-country drippings in the soulfully delivered, foot-stomping hit, they find rugged intersections of euphony while the lyrics prove that they’re so beyond pastiche they’ve reserved a spot for other pioneers in the alt-country pantheon. There’s something delicious in the way they go down old country roads, finding new thematic intersections to explore while taking playful shots at the culture they’re dissecting through sound.

This misfit NYC duo thrive on contradiction. Bronx-born Cupid, a sultry wallflower with songs of unrequited love, collides with Maynard, a Reno Casino Cowboy who delivers his raw energy like an open bar tab on the line. Together, they trade vocals and have a proclivity for pulling in everything from country, Americana, dance-pop, R&B, alt-rock, and folk-punk to craft a sound as unfiltered as their songwriting.

With their first full-length album, Misfit Sessions, set to drop in 2025, they’re proving that country can be taken apart and put back together in a way that pays ode without feeling old.

Beer on My Tramp Stamp is available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Suite for Claddagh by Conor Churchill featuring Philip Bowen – A Love Letter Cast in Folk Gold

Conor Churchill doesn’t chase reinvention; he understands the weight of tradition and wields it with quiet confidence. Suite for Claddagh is unapologetically Americana to its roots-reverent core, with folk motifs threading an even more timeless touch through its sweeping production. There’s no pretence, no self-indulgence—just razor-sharp songwriting and grandeur born from restraint, allowing every note to breathe.

Philip Bowen’s violin work carves through the track like an autumn wind stirring old memories, lifting Churchill’s introspective storytelling into something cinematic. The rich imagery in the lyrics drives the song forward with the same contemplative solace found in watching water ripple—offering fleeting glimpses into something deeper beneath the surface. It’s a love story, but more than that, it’s an ode to finding meaning in the quiet spaces, the spaces that change and shape us even when we’re not looking.

As a glimpse into his debut album, Brand New Branches, Suite for Claddagh cements Churchill as a songwriter primed for a long-lasting legacy. With a sound that pays homage to the legacies of John Prine and Jason Isbell while staying firmly his own, Churchill captures the melancholy of change and the beauty in embracing it. His debut may be long-awaited, but with songwriting this refined, it’s clear he’s been growing into it all along.

Suite for Claddagh is available now on all major streaming platforms, including YouTube.

Review by Amelia Vandergast

Secondhand Smoke – Sinking Ships’ Twang-Soaked Hymn for the Wandering Soul

Sinking Ships by Sinking Ships

Sinking Ships doesn’t play Americana by the book—he stains it with Detroit’s garage rock grit and lets it linger in the air like Secondhand Smoke, which also happens to be the title of his latest single. With twangy, roots-reverent guitars cradling the intro, the track gently pulls you in before his gravelly, whiskey-soaked vocals take centre stage. Echoing the swagger of Dogs D’Amour and The Stones, his delivery balances rugged sincerity with a devil-may-care coolness.

The sepia-toned lull doesn’t last long. As the crescendo kicks in, the single shifts from dusky introspection to full-blown rock ‘n’ roll earworm. Winding guitar strings, steel guitar timbres, and brashy chords ensure the alt-country undercurrent never fades completely—it stays locked in, an uplifting presence coursing through the track’s folk storytelling heartbeat.

True to tradition, Secondhand Smoke paints a panorama of a portrait, tracing a beatnik attempt at self-discovery, where hope clings to the horizon like the last glow of a setting sun. Whether meaning is found or not seems almost secondary—the real story is in the search itself.

With this release, Sinking Ships proves he’s found his footing in the crossfire of alt-country, indie, and garage rock. His sound isn’t polished, it isn’t predictable, but it lands exactly where it needs to—right in the marrow of modern Americana’s restless spirit.

Stream Secondhand Smoke on all major platforms, including Bandcamp.

Review by Amelia Vandergast

Michael Rendon – The Look: A Red, White and Blue Shadow of Love and Longing

Michael Rendon, a true red, white, and blue Americana singer-songwriter, carries a deep reverence for the roots of country in his unadulterated sound. More than a troubadour, Rendon is an evocateur in The Look, with his wistfully affecting crooning hitting all the rawest chords in his orchestrally laced classic country ballad. If you don’t find yourself on the brink of tears while this cinematically visceral, slick-with-longing love song is in session, you may find that your soul checked out a while ago.

Born and raised in San Antonio, Rendon has spent years earning his stripes across Texas, Ohio, Massachusetts, and beyond. With performances alongside country icons like Martina McBride, Sammy Kershaw, and Doug Stone, he’s built a career on authenticity, letting his voice and songwriting do the heavy lifting. The Look is a testament to that—delicate yet devastating in its execution, steeped in the timeless ache of country storytelling.

While I generally agree with the theory that there’s no such thing as perfection in art, there’s something in the way The Look transcends sound to remind you of the true beauty of unconditional love and affection.

The Look is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Tyler Rifley Oxygenated New Life into Country Pop with ‘Breathe’

Since the first notes of Breathe found oxygen on the airwaves, Tyler Rifley’s country pop rock anthem has been picking up momentum, and for good reason. With twang in all the right places and anthemics in all the rest, the hook-packed hit doesn’t just set the tone for summer—it serenades it into existence.

Written as an ode to his child and a reflection on how parenthood flips the world on its axis, Breathe radiates the kind of unfiltered, feel-good sincerity that most country artists spend their whole careers chasing. The uplifting message transcends into euphoria, with sun-bleached melodies guiding the way. Even the soaring electric guitar solo feels like an extension of that boundless, infectiously sweet energy.

Anchorage-based and self-produced, Rifley is the engineer of his own sound. As the co-owner of Midnight Sound Studio, he’s created a space where raw emotion meets refined musicianship. His path hasn’t been easy, shaped by years in foster care and the system that followed him into adulthood, but his music doesn’t dwell in the past—it pushes forward, powered by resilience and a newfound sense of purpose.

With Breathe, Rifley reaches the epitome of wholesome country pop panache, discover it yourself on YouTube.

Review by Amelia Vandergast

Elysrei’s ‘Is There Really Nothing You Miss?’ Cuts Deep with Cinematic Southern Gothic Resonance

Loss doesn’t simply take—it leaves behind a hollow, a mess of illusions, and a silence louder than the words that were never spoken. In ‘Is There Really Nothing You Miss?’, Elysrei crafts a dark Americana vignette steeped in the pain of devotion turned to dust.

With hauntingly husky vocals, she takes command of the roots-infused instrumentals that stretch between the Southern Gothic and the cinematic grit of a Tarantino western. The atmosphere is so thick it could blunt the sharpest knife, with growling basslines, rattling percussion, and twang-laced motifs that curl through the mix like spectral echoes of something long gone.

Hailing from Singapore, Elysrei has never been one for easy categorisation. Her music draws from pop, R&B, soul, and jazz, yet every note is tethered to a space where authenticity reigns, where emotional resonance trumps convention. ‘Is There Really Nothing You Miss?’ doesn’t play to expectation—it revels in raw sentiment, pulling listeners into a soundscape that aches with longing and bitter revelation.

The track’s Western noir aesthetic gives the heartbreak a cinematic weight, as if the dust has barely settled from the departure of someone who took everything and left nothing but questions in their wake. It’s a song for anyone who’s been left to wrestle with naivety, for those who know the sting of devotion repaid with indifference.

‘Is There Really Nothing You Miss?’ is out now on all major streaming platforms; find your preferred way to listen via this link.

Review by Amelia Vandergast

Blue Rose’s ‘If I Had a Rose’ Finds Harmony Between Heartache and Hope

Blue Rose

Chicago’s most authentically affecting singer-songwriter duos, Blue Rose, have etched their names into indie folk pop with a rawness that refuses to be polished away. Their latest single, ‘If I Had a Rose’, carries all the hallmarks of their sound—rootsy warmth, soul-deep sincerity, and a perfectly weighted electric guitar solo that teases technical skill into an emotion-driven production.

Originally penned by Adam Wright and recorded by Kelly Willis and Bruce Robison, Blue Rose honoured its sentiment while making their own mark, writing a chorus and instrumental section, which is as euphonic on the ears as it is on the soul. Under their duress, the melodies progressions sweep up in the atmosphere around you, transcending sound to comfort you with the consolation that everyone has known the bittersweet beauty of longing.

If Blue Rose’s songwriting chops get any sharper, they’re gonna sear their way right through the earth’s core with their innovated odes to tradition; the duo’s chemistry is undeniable—Jori Griffith’s vocals carry a weight of lived experience, and Marcus Gebauer’s instrumental textures offer an unshakable foundation.

‘If I Had a Rose’ is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Connor Bettencourt’s ‘House of Cards’ Stacks Emotional Intensity on a Shaky Foundation

With the fervour of acoustic folk punk and the raw magnetism of Americana, Connor Bettencourt’s latest single, House of Cards, bridges folk intersections while shattering the illusion of stability with frenetic strings and a vocal performance that drags vulnerability into the spotlight. His jaggedly chopping fretwork slices through bluesier angular notes, creating a duality that mirrors the push and pull between emotional defiance and confession.

While plenty of artists latch onto the concept of resilience, few acknowledge how brittle it can be. Bettencourt doesn’t try to spin triumph from hardship; he lets the cracks show, making House of Cards one of the most relatable folk releases of the year. Each note and lyric submerges you further into its storm while holding a mirror to the turbulence within.

The weight of Bettencourt’s honesty, paired with the kinetic energy of his guitar strings, ensures House of Cards leaves an imprint. His talent knows no bounds, and neither does the resonance of this track. Fans of artists like Frank Turner and Shakey Graves will find plenty to sink their teeth into here. House of Cards is now available to stream on all major platforms.

House of Cards was officially released on January 31; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast