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Americana Music Blog

America has been serving up slices of Americana since the mid-19th-century. The genre is an all-encompassing term for a variety of music styles that found their roots in America, including blues, bluegrass, country, and roots-rock. More often than not, Americana is a fusion of one or more forms of roots music, and it is commonly synonymous with folk-based country and singer-songwriter music.

Some of the most iconic Americana artists include Johnny Cash, Bruce Springsteen, Willie Nelson, Lucinda Williams and Steve Earl. Steve Earl remains popular to this day; his 2021 album, J.T., was listed as one of the best Americana albums of the year. Other artists that featured alongside Earl on the albums of the year list included Brandi Carlile, John Hiatt, Jack Ingram and Strand of Oaks.

Prior to 2010, Americana was considered a niche genre, yet in a transition that no one anticipated, Americana moved into the mainstream. The artists responsible for pulling the genre into the limelight included The Lumineers, the Avett Brothers, and of course, Mumford & Sons. Despite being a British band, Mumford & Sons became one of the best-selling Americana artists in recent years. They made history when they became the first British band since Coldplay to make it big in the US and sell more than a million albums. Yet, Mumford & Sons held their hands up to admit that without The Lumineers, their success wouldn’t have been possible.

In the late 90s, the Americana Music Association was established in Nashville; and they still have their finger on the pulse to this day. In 2021, they named Black Pumas as the group of the year, Brandi Carlile as the artist of the year and Charley Crockett as the emerging artist of the year. It’s not surprising to see Black Pumas named as one of the Americana artists of the year; the Austin-based act has amassed over 100 million streams with their most popular soul psych song, Colors. They also picked up three Grammy nominations in 2020.

Americana received another uptick in interest with the release of the blockbuster film, A Star is Born, which followed a roots music raconteur (Bradley Cooper) on his quest for fame. Bradley Cooper’s character may have been fictional, but plenty of Americana history and culture was poured into the critically acclaimed film that became an overnight sensation; both Lukas Nelson and Brandi Carlile appeared in the film. It seems that as long as there are artists committed to planting roots of Americana into their music, it will never go out of trend.

Third Coyote poured an indie country elixir for the soul with ‘Heartland’

Third Coyote’s latest defiance of the aural ordinary, Heartland, is a testament to the timelessly alluring talents of singer-songwriter Laura Williams and her band. The experimental release refuses to pledge allegiance to any singular genre; instead, it presents a fusion of soulful melodies, bluesy depth, and rock vigour.

It’s a musical elixir that invites listeners to take a shot of pure aural escapism, promising an intoxicating journey through sound; the production allows every undertone to shine without overpowering any of the other elements in the nostalgic smorgasbord of sonic style.

The soulful underpinnings are reminiscent of an intimate blues club, while the rock components add a robust, heart-pumping energy, creating a fresh and familiar echo of the 70s and 90s. The Bay Area-rooted band’s ability to transcend genre and era is evident in every scintillating note. With Heartland, they beckon to those who seek to discover the uncharted territories of sound and emotion; pack light and prepare to take the indie country rock trip of a lifetime.

Heartland hit the airwaves on November 18; stream it on Spotify.

Review by Amelia Vandergast

Karyn Ann released the most affecting Americana single of the year with her latest single, 8 Hours

8 Hours by Karyn Ann

Instead of reinventing the wheel, Karyn Ann spun it in a brand-new direction with her latest timelessly enrapturing single, 8 Hours; a hauntingly beautiful ballad that captures the essence of Southern gothic magnetism, wrapped in a production that’s swallowed by arcane reverb.

The song is a masterful blend of timeless melodies and a stylistic distortion on the guitars that gracefully wrap around the vocal lines. These elements collectively weave a sonically cavernous landscape that seductively entices listeners into the depths of melancholy that the song explores.

The release, which is sure to resonate with fans of artists as diverse as Chelsea Wolfe to Brandi Carlile, elucidates the disassociation of losing your grip with the latter half of the space-time continuum, a theme that is both esoteric and deeply human.

The emotive lyricism of 8 Hours showcases Ann’s raw vulnerability, a trait that has seen the American songwriter praised and performing at notable festivals and venues. The narrative behind 8 Hours is as darkly compelling as its composition, delving into the hours that went missing when Ann awoke in a stranger’s van, with only a dim recollection of the preceding events. This raw and exposed nerve of a song not only reveals Ann’s prowess as a singer-songwriter but also demonstrates her ability to turn personal tribulation into profound artistic expression. She’s a phenomenon in her own right.

Stream or purchase 8 hours on Bandcamp.

Review by Amelia Vandergast

Love Bug Junkie delivered an alchemic masterclass in vintage tonality with ‘Voodoo Woman’

Voodoo Woman, the latest single by North Carolina’s own Love Bug Junkie, is a bluesy rock revelation steeped in the allure of authentic Americana. As the track opens, listeners are immediately transported to a dimly lit juke joint, where the air is thick with the scent of smouldering incense and the promise of enchantment. The band, known for their emotionally charged and robust sound, has managed to bottle the alchemy of a voodoo priestess’ charm and pour it generously into their music.

The song is a masterclass in vintage tonality, with guitar riffs that cry out with the wisdom of the old spirits and a rhythm section that thumps in time with the heartbeat of the bayou. Love Bug Junkie’s vocal prowess is on full display, finding a haunting middle ground between the Prince of Darkness, Ozzy Osbourne, and the soul-penetrating timbre of Chris Cornell. It’s this unique blend that also conjures vibes reminiscent of My Morning Jacket during their It Still Moves era, yet the band infuses their own distinct essence into the mix.

Voodoo Woman is a sensory experience which taps into a raw, almost primal energy that is both captivating and inspiring. Their performance, whether live or recorded, showcases a love for music that transcends genre and era. With their eyes set on leaving an indelible mark on the music industry, Voodoo Woman serves as a powerful statement of intent from Love Bug Junkie. This band unites their audience in the shared space of rhythm and blues, with the promise of uniting people through the undeniable power of rock music.

Stream Voodoo Woman on Spotify.

Review by Amelia Vandergast

Ross Flora grappled with the melancholy of unfulfilled potential in ‘As the Crow Flies’

Ross Flora

Ross Flora’s EP, As the Crow Flies, is a poignant and reflective journey through the heart of country folk. Hailing from the Blue Ridge Mountains of Virginia, Flora’s upbringing in a milieu rich with R&B and Bluegrass influences is palpably reflected in the acoustically adorned, stripped-back title single. His gruff, resonant timbres weave through the wistful yearning harmonies, creating a tapestry of sound that resonates deeply with anyone who has ever grappled with the melancholy of unfulfilled potential.

The lyrical tempo of As the Crow Flies is akin to a melodied spoken word sermon, imbued with regretful poetry. Flora’s background as an English major shines through in his lyrical craftsmanship, as he skilfully interweaves themes reminiscent of literary greats like Dickinson, Thoreau, and Whitman. The result is a narrative that is both deeply personal and universally relatable; Someone hand him a Grammy for the line “I’d be half the man I’d ought to be less than half the time”.

Ross Flora’s journey from the family farm to Nashville, performing over 4,000 shows and collaborating with acts like “Johnny T” Band and “Smoke n’ Guns,” has clearly honed his ability to capture the essence of southern rock and outlaw country. If you want to hear a heart poured out in melody, hit play on As the Crow Flies.

Stream the As the Crow Flies EP, which debuted on October 27 on Spotify.

Review by Amelia Vandergast

Gain the permission to live autonomously free with The Close’s 90s pop-rock single, Living It Right

With a nostalgically 90s pop-rock edge which cuts as deep as the hits from Jewel, Sheryl Crow, and Alanis Morrisette, The Close came close to perfect with the standout single, Living It Right, from their debut album, Orbit.

The debut LP pushed the introspective genre-bending outfit’s monthly listeners up to impressive heights. Now, over 36k listeners are repetitively tuning into their intricately airy melodies which transcend expectation and effortlessly share effervescent transcendence.

You’ll be torn between attempting to match the flawlessly magnetic timbres in the vocal delivery as they verse the virtues of living autonomously free and leaning into the mellifluous interplay of the ethereal synergy within the instrumental arrangements and harmonies.

Aside from the very obvious superlative song crafting which sets The Close apart, the outfit also finds distinction by employing each member as a lyricist, musician and lead vocalist, resulting in a dynamic discography, which dabbles in everything from Americana to contemporary folk to country. A commercial pop sensibility is one of the few constants within their euphonically unshackling collection of lyrically intimate releases.

Living It Right was officially released on October 27; stream it on Spotify with the rest of the Orbit LP.

Review by Amelia Vandergast  

Settle in for a ‘Long Hard Winter’ with Ben Brooks’ Americana Folk single, ft EG Vines

If you can already feel Seasonal Affective Disorder kicking in, sink into the latest single, Long Hard Winter, by the Americana folk raconteur Ben Brooks.

Created in collaboration with EG Vines, the meta single cleverly runs in the parallels between the winter phases of our lifetimes and the bitterly cold season which leaves serotonin in short supply; both of which leave us yearning for the spring and summer of youth and the warmth that allows the trees to blossom.

With a sonic style as arrestingly affecting as Bob Dylan and Neil Young, Ben Brooks, who has recently found his voice and inspiration again post-Covid, is perceptibly back in his stride. This bitter-sweet earworm will undoubtedly become a great source of comfort for many as the leaf litter thickens and days darken. Even though it was written during the hardest winter during the pandemic, it’s a smorgasbord of sun-toned soul.

Stream Long Hard Winter on all major platforms via this link.

Review by Amelia Vandergast

Dave Wilbert was born to take the wheel and drive in his country-rock earworm, Tractors and Trucks

Springsteen was born to run, but Dave Wilbert was born to take the wheel and drive in his country-rock earworm Tractors and Trucks, which delves beyond the stereotypes and into the intricacies of the identities of people who spend their lives outside of the city smoke.

Tractors and Trucks rips up all the tropes and cliches of country and scatters them like confetti within the anthemically polished production which will lure you in with the bluesy pop grooves and ensure you’re suitably hooked by the slide guitars which follow the solos which exhibit Dave Wilbert’s command of a fretboard.

The Fairview, Tennessee-residing artist was born and raised in rural Indiana, where he practised the hard-working virtues extolled in this infectiously feel-good hit, which will undoubtedly give those living the rural life a potent shot of pride.

Tractors and Trucks was officially released on October 6th; add it to your country-rock playlists by heading over to Spotify.

Review by Amelia Vandergast

Drink the sonic Kool-Aid in Max Diaz’s twangy alt-punk Tour De Force, COWBOY CULT

The cowboy-hating Texan Max Diaz brought his seminal single, COWBOY CULT, to life via swathes of sardonic vitriol, potent enough to make every punky take on garage rock by Fidlar sound like a love letter to the universe.

While the instrumentals weave their way through bluesy entanglements, Diaz uses every lyrical line to roll with the punches in his heavyweight canter; even if you’ve never pulled on a pair of cowboy boots in your life, you will feel every drop of vindicating venom projected by the artist’s devil may care disdain towards his fellow Texans.

You’d think all of the controversy of his Machiavellian attacks on the people surrounding him who are hellbent on seeing the regression of social progress would leave him unpopular, but the streaming stats don’t lie. After racking up millions of streams on several of his tracks, he’s the pissed-off prince that wasn’t promised but rose through the ashes of redneck numbskullery regardless. We fucking adore him.

COWBOY CULT was released with the rest of the artist’s sophomore LP, METANOIA on October 13th; do yourselves a favour and stream the entire Tour De Force in full via Spotify.

Review by Amelia Vandergast

TuskHead blurred the boundaries between acoustic pop-punk and folk in ‘Breaking the Man’

The boundaries between Americana, acoustic pop-punk and folk blurred beyond recognition in the rhythmically arresting latest single, Breaking the Man, by the Dutch musician, singer, and songwriter TuskHead.

With the bends of bluegrass weaving around the pull of the percussion, which won’t fail to awaken your rhythmic pulses and the lyrics, which sting with vulnerable volition, Breaking the Man is a hard lyrical pill to swallow, but the upbeat rhythmics take some of the sting from the deeply relatable pensiveness, allowing it to unravel as a cathartic olive branch to anyone unwilling to do the same and make the admission of ‘I’m not alright’.

Asking the time-old question, “how can you love me if I hate myself” and alluding to the fight from within that pills can salve but can’t solve, the heartache with the world is heart-wrenchingly affecting.

Breaking the Man was officially released on October 13th; stream it on Spotify.

Review by Amelia Vandergast

The LA singer-songwriter Eric Baugh has made his acoustic folk-rock debut with his compulsion-questioning single, Silent Spring

Eric Baugh strummed the decades and all the contemporary distractions which came as a courtesy of them in his debut single, Silent Spring. The bluesy lead notes against the quiescent calm of the acoustic folk-rock chords beneath his beckoning vocal lines will strike all the right notes with fans of Cat Stevens and Paul Simon.

The LA-based singer-songwriter made as much of a case for the beauty in simplicity in his guitar work as his lyrics which bring to question the way we live as though there’s no alternative. Consumerism and greed were never part of the human psyche’s blueprint; as eloquently illustrated by Baugh, we’ve been conditioned into commercialist conformity, and it is never too late to start again.

It may take more than one stunning song fuelled with small-town iconography and bearing R.E.M. reminiscences to derail our descent into further despondency with the world around us, but Baugh’s contribution is sure to compel his listeners into questioning their compulsions.

Silent Spring reached all major platforms on September 15; stream it via this link.

Review by Amelia Vandergast