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Acoustic Pop

Nottingham’s Eleanor McGregor rendered the pain of diehard romantic reverie into her latest acoustic folk single, Muscle Memory

Posted on 17 January 2025
Eleanor McGregor

Following an intro that resounds with the same evocative melodicism as a José González single, the latest release from Nottingham UK’s Elanor McGregor instantly disarms with its euphonic acoustic guitar timbres. With a vivaciously expressive vocal style which will instantly enamour fans of Mitski and Phoebe Bridgers, McGregor veers into eccentricity without ever coming close to touching twee cliché tropes through the moody undercurrents that mellifluously flow beneath her narrative lyricism.

Deeper into the single, Muscle Memory picks up hints of acoustic punk in the same vein as Neutral Milk Hotel while McGregor never loses her grip on her authenticity which has seen her garnering praise from BBC Introducing and launching her debut album in Nottingham’s Rough Trade.

Within this single, mundane moments transpire into an observatory of poetry while put in context with the romantic longing, which proves romanticism still lives and breathes in the souls of those who know the pain of diehard romanticism.

Muscle Memory will hit all major streaming platforms on January 17 as part of the Muscle Memory EP. Find your preferred way to listen and connect with the artist via this link.

Review by Amelia Vandergast

Joshua Wales – Don’t Worry: Sublimely Seraphic Indie Folk

Posted on 13 November 2024

If The National veered into acoustic indie folk territory and took a few leaves from Cigarettes After Sex’s intimately expansive book, the result would echo the same affectingly tender alchemy which drifts through Joshua Wales’ latest single, Don’t Worry.

The indie folk singer-songwriter’s sombrely honeyed, low-timbered vocal register subdues you into the melodious sentimentality of the acoustic guitar-driven single, which sees quiescent swells of orchestral strings brush past the plaintively warm guitar notes.

With “Don’t worry, we’ve got all the time in the world” reprising throughout the sublimely seraphic release, listeners are reminded that pace is the trick as Joshua Wales issues a reminder to his frenetically minded younger self.

The reflectively sonorous score features in Joshua Wales’ discography as a standalone entity and as the opening title single to his debut EP which you will need little convincing to devour in full after bearing witness to the introspective magnetism in the opening salvo.

Stream Joshua Wales’ latest single, Don’t Worry, on all major platforms, including Spotify, now.

Review by Amelia Vandergast

Emerge from your naval daze with Phantom Electric’s acoustic rock symphony, ‘Hope So’

Posted on 27 September 2024

The quasi-psychedelic indie singer-songwriter Phantom Electric may have innovation running deep in the veins that connect to the heart he wears on his guitar strings, but his latest single, Hope So, revisits classic song crafting, allowing the thematic underpinnings of the release to draw you into the artful gravity of the single.

Hope So is a haunting intersection between the atmospherically nostalgic air of Chris Isaak and the soul of Bryan Adams; the Adams influence tempers the dark melancholic chill of the lyrics which are slick with existential yearning.

Hope So unfurls as an artful reflection on how easy it is to succumb to navel-gazing and forget to care about anything but yourself—a theme all too relevant in our era of rampant individualism. With spectrally arcane melodies that tear through the soul, Phantom Electric produced one of his most affecting singles to date by looking to the darkest side of the human condition and showing a better way to be.

Hope So will be available to stream on all major platforms from September 27; stream the single on SoundCloud first and head over to Phantom Electric’s official website for more ways to listen.

Review by Amelia Vandergast

Robin Shaw borrowed from Bright Eyes in his acoustic indie single, Bus 2 Nowhere

Posted on 16 September 2024

From the first effervescent notes of the acoustic guitar chord progressions in Robin Shaw’s latest single ‘Bus 2 Nowhere (Acoustic Version)’, your soul sets alight and your senses scintillate to the timbre of the euphonically rugged rhythms. Equally sweet are Shaw’s folk-leaning indie pop vocals, which synergise with the summery melodies.

As a true troubadour to the diehard romantics, Shaw knows exactly how to pull you into his panoramic narrative of infatuation that rings with hints of 00s indie pop nostalgia. If you’re a big fan of bands in the vein of Bright Eyes and The Shins, you’ll be downright sycophantic for ‘Bus 2 Nowhere’.

Before making waves in the music industry, Robin started off as a street dancer at age 16, which included appearances on Britain’s Got Talent. He established himself as a singer-songwriter after an audition in Soho, and began his career with Regent Street Artists, eventually moving to work independently. Now, he records across a variety of studios in West/Central London with his producer, Chris Hall.

Robin Shaw has been a hit with music lovers and critics alike after his tracks have been transmitted on BBC Introducing Norfolk and Suffolk, South Devon Sounds, Islington Radio, Watford VIBE FM as well as reaching Global stations in Ireland, Ohio, Toronto, Helsinki, Canberra, Los Angeles and many more.

With his new release, he’s one step closer to sealing his fate as one of the most accoladed singer-songwriters of his generation.

Stream the Acoustic Version of Bus 2 Nowhere on Spotify now.

Review by Amelia Vandergast

Drew Hersch broke new ground in heartache with the raw indie-folk pop reflections in ‘Onward & Upward’

Posted on 30 August 2024

Drew Hersch’s latest single, Onward & Upward, is a raw, intimate confession that bleeds vulnerability from start to finish. The lyric, “The other night when I had someone over, I taught him to hold me like you did,” is a gut-wrenching highlight, encapsulating the bitter pangs of moving on while still anchored to the past. This tender indie folk pop ballad doesn’t just brush against the surface of heartache—it plunges into the depths, making you feel every pulse of pain that Hersch so poignantly articulates.

In Onward & Upward, Hersch captures the agonising reality of being the one left behind, as his ex-partner soars above it all, while he’s left to grapple with memories that linger like ghosts in every corner. From old date spots to the universal curse of dating someone with a common name, Hersch paints a picture so vividly relatable, that it will be hard to determine where your emotions end and his torment starts.

At just 23, this Boulder, Colorado-based artist is already proving himself as an alt-indie folk pop savant of emotional resonance. The artful ingenuity intertwined with the confessionally cathartic release makes the irreverently witty melancholy hit so much harder. From hushed acoustic verses to ornately tender crescendos, each motif is a conduit of unfeigned emotion in the track which echoes the warmth of Zach Bryan, the haunting depth of Lana Del Ray and the textured production of Eilish.

The official music video for Onward & Upward will premiere on August 30th; stream it on YouTube.

Review by Amelia Vandergast

Gaze into the introspective kaleidoscope of leo hc’s seminal indie folk release, the shades EP

Posted on 23 August 2024

leo hc’s debut release, ‘the shades EP’, elegantly strips music back to its most elemental form, serving as a pure conduit for emotion which resonates through the instrumental textures and the lyrical narratives.

The opening track, the aptly named ‘the shades’, introduces us to a semi-lucid reverie where the angular, fingerpicked guitar notes intertwine with leo’s reticent, whispered vocals. Each motif transcends sound to become experiences shaded in deep introspection, allowing listeners to immerse their own melancholic emotions into the abstract depths of the production.

The subsequent track, ‘two wrongs’, transitions into a more indie folk aura, with vocals that echo Elliott Smith, soaring within a seraphically toned lo-fi backdrop. This piece epitomises intimacy, transforming the listening space into a personal enclave of reflective peace.

Track three, ‘i’m the man’, continues the narrative with a progressively gratifying indie lullaby. It allows for a dynamic interplay of intensity, with artful flourishes that let emotional currents ebb and flow, underscoring leo’s mastery in balancing sonic peaks and valleys.

The EP rounds off with ‘lovers hilltop’, a stunning demonstration of acoustic indie songwriting. Here, the poignant strains of coming-of-age yearning are captured through evocative fingerpicked guitars, drawing influences from classical Spanish guitarists while paying homage to artists like Jose Gonzalez and Hot Left Pole.

Overall, ‘the shades EP’ by leo hc is a pacifying synthesis of introspection and musicality, offering a sanctuary where each track invites personal reflection amidst evocatively crafted soundscapes.

Stream the shades EP on Spotify now. 

Review by Amelia Vandergast

Lara Eidi and Ed Blunt conjured the sweetest sound of the summer in the soul-folk single, Orange Sundress

Posted on 10 August 2024

For her latest single, Orange Sundress, the Grecian soul folk goddess, Lara Eidi, collaborated with the equally esteemed artist Ed Blunt to hold the magic of summer.

After a chance meeting at a songwriting retreat in Edinburgh, Orange Sundress was written as an impromptu act of sonic serendipity, and that’s so much more than the origin story behind the single. The naturalistically spontaneous synergy resounds through the weightlessly blissful single which is fraught with the imagery of a love story unfurling to an Athenian backdrop.

Slip into the single and live vicariously through the tenderly warm narrative which serves as yet another attestation to Lara Eidi’s ability to transcend sound with the soul she infuses into each of her sonic landscapes.

With acoustic instrumentation as seraphically sweet as the interplay between the harmonies of Eidi and Blunt, Orange Sundress immortalises the ephemeral utopia of sun-kissed days marked by the rapture of devotion.

Orange Sundress was officially released on August 2nd; stream the single on Spotify.

Review by Amelia Vandergast

Entwine with Alba James’s folk-pop reverie, You Belong to Me

Posted on 14 May 2024

In their latest single, You Belong to Me, singer-songwriter and multi-instrumentalist Alba James equally exhibited their profound connection to music and nature. Hitting play opens a doorway to a portal of fantasy, constructed by a mind attuned to folk-tale reverie; in the same vein as Cosmo Sheldrake, James rhythmically renders naturalism into her productions, which also tap into the enduring appeal of Dodie and Sufjan Stevens.

Though the title of the single implies possession, the free-spirited energy that breezes throughout the production with the retrospection of affection acts as an unexpected contradiction. James’ arcanely serene vocal lines drift through the organic layers of instrumentation attesting to how integral giving room to breathe is in a world full of confines.

Despite their relatively fresh innings in the music industry, the French Sweden-residing folk-pop troubadour allowed their aural talents to blossom from a young age before releasing their debut single, One in a Million, in 2020. Since then, they’ve shared 13 singles and their critically acclaimed EP, Bedroom Walls ahead of You Belong to Me. Even though nothing is off lyrical limits, themes of ancient mythology, queer love and nature are the cornerstone of the artist’s inspiration.

The next time you feel the need to touch grass, just tune into her discography instead.

Stream the official music video for You Belong to Me which premiered on May 7th via YouTube.

Review by Amelia Vandergast

Resonating Reflections: Timothy Jaromir Echoed the Complexity of the Human Condition Through the Organically Intricate Single, ‘Rebound’

Posted on 11 May 2024

Swiss singer-songwriter, Timothy Jaromir, became the Paul Simon of his generation in the intimacy of his latest single, Rebound. The organic euphony of the intricately organic instrumental arrangement, tinged with sporadically nuanced modern aesthetics, speaks volumes of his command over orchestrating progressions which resound with as much heartfelt candour as the poetry in his lyrics.

Speaking on the complexities that construct the human condition, Rebound forces you to reflect on how everyone you meet is a walking embodiment of the light and dark of their histories before you contemplate the sanctity of finding a love that will fuel you in perpetuity.

After releasing two solo albums, four EPs and several singles in his decade-spanning career, Timothy Jamir has had plenty of time to hone his craft; judging by how deep Rebound nestles into the soul, it’s safe to assume that he hasn’t wasted a day.

His forthcoming Nick Drake-inspired EP, Man Atlas, promises to deliver his most introspective and powerful work to date by leaning into the subconscious rather than pandering to the superficiality that premeditates the success of many of this era’s most laudable artists. 2024 undoubtedly has the scope to be a career-defining year for Jaromir.

Rebound was officially released on April 26th; stream the single on Spotify.

Review by Amelia Vandergast

Belfast’s Fuar became the paragon of the loveable rogue in his folk debut, Leave the Light On

Posted on 25 March 2024

For his debut single, Leave the Light On, the Belfast-born-and-bred multi-instrumentalist Fuar put the faux Irish roots of Mumford & Sons to shame. If you want to get high on the fumes of authentic Irish folk, make Faur your dealer.

The infectiously upbeat acoustic folk anthem needed little more than his guitar chords, a solid backbeat and Faur’s naturally exhilarated charisma to drive the euphoria through the progressions of the hook-proliferated single which celebrates love and the ecstasy found in the sparks of connection.

With Faur’s affinity for punk giving Leave the Light On plenty of fiery rugged bite, he hasn’t just contributed to the rich tapestry of Irish folk music, he’s made his own matchless mark on the genre. With the promise of plenty more singles to come conflated with the commercial potential which courses through his debut, it is impossible not to anticipate Faur becoming one of the biggest breakthrough singer-songwriters in 2024. Watch this space.

Leave the Light On was officially released on March 16th; stream the single on Spotify.

Review by Amelia Vandergast