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HBEEE Trailblazed through London’s Grime Scene and Razed it To the Ground with ‘Chosen Freestyle’

https://www.youtube.com/watch?v=xFcEhEc9prw

After getting caught up in the hype of London’s hottest up-and-coming hip-hop trailblazer, HBEEE through his viral hit, Game Over, we couldn’t wait to dig into his latest hit, Chosen Freestyle.

Once the introspective instrumentals swathe the production in an atmosphere that sets the perfect tone for reflection, the bars and the beats roll in thick and fast, exhibiting HBEEE’s ability to freestyle with the fervour of Juice WRLD, Cassidy, and MC Juice, while staying true to his own gritty grime artistic identity.

The raw and spontaneous bars result in unexpected lyrical flows, which continuously culminate in a series of mic drops. HBEEE’s wordplay doesn’t solely exhibit his ability to maintain rhymes and stay on the beat; it also lends itself to a personal connection between his candour and the listener’s ability to relate to the lyricism.

Cheeky and convictive in parts, cuttingly haunting in others, HBEEE knew exactly how to make his mark on the London grime scene. Try as other artists might, few flows bring the same fire as what blazes through Chosen Freestyle; he’s razing the whole grime scene to the ground.

The official music video for Chosen Freestyle will premiere on YouTube on March 28th.

Review by Amelia Vandergast

Whoisturso put resilience into rhyme in his viral-worthy hip-hop single, VENT III

Forget mic drop verses, in his standout hit, VENT III, the lyrical hip-hop luminary Whoisturso drops lines that will make your soul sink. After a stylistically atmospheric and contemporary hip-hop intro which lulls you into a contemplative state, the up-and-coming rapper who has moved from the streets into the studio wastes no time delivering lyrical blows that will stick with you for long after the outro.

“I’ve been fighting all my life, you expect rejection to phase me girl?” speaks volumes about the resilience of the human spirit, and our profound capacity to overcome trauma and open ourselves up to vulnerability. From there on out, every line hits hard enough that you’ll be left in awe of his ability to turn confessionalism into achingly affecting wordplay.

Regardless of your life path, as VENT III runs through, you’ll find fragments of yourself within it as you lose yourself in the scintillating production that allows the instrumentals to complement the intimacy in the candour.

If authenticity and lyrical gold got artists to the top of the charts, few artists would sit above Whoisturso. He’s got everything it takes to make it into the mainstream, it’s only a matter of time before he moves from being criminally underrated to being choked in hype. After hearing the themes of determination in VENT III, we know he’s not going to stop until he’s reached the top.

Stream and purchase VENT III on Apple Music.

Review by Amelia Vandergast

Slip back to the mid-century with Sam Johnson Trio’s jazz number, Waltz for Taylor

Sam Johnson Trio’s latest single, ‘Waltz for Taylor’, is a temporal gateway to the golden era of mid-century jazz, an introduction to the trio’s commitment to authenticity and an exhibition of their skill in crafting a sound that resonates with the essence of jazz legends like the Vince Guaraldi Trio and the Oscar Peterson Trio.

The easy-listening instrumental score crafted by Sam Johnson (piano), Georgia Johnson (double bass), and James Wood (drums) shuns the lure of bravado and opts for an ambience rich in opulence and decadence, yet remarkably free of pretension. It’s a rare feat in today’s jazz scene.

The heart of this piece lies in its melodious piano keys, led by Sam Johnson. His intuitive play is the cornerstone of the trio’s sound, weaving a soundscape that is both warm and beguiling. The expressive flair of the music is subtle yet profound, inviting listeners into a world of escapism. The cathartic nature of this waltz is undeniable, offering a respite from the chaos of modern life.

This single is a must-listen for jazz aficionados and casual listeners alike, offering a slice of history served with a side of modern flair.

Waltz for Taylor was officially released on March 15th; stream the single on Spotify.

Review by Amelia Vandergast

Kelvo’s Laidback Cuts Got Sharper with His Latest Alt-Hip-Hop Release, Got2Change

North London’s Kelvo is riding an exotically mellow new wave of hip-hop while harking back to 70s soul & funk and 90s hip-hop with his latest single, Got2Change, which showcases his ability to weave introspective lyrics with vibrant beats and transcendent swathes of soul.

From the outset, ‘Got2Change’ sinks you into a tropical-infused groove; the soundscape lays the perfect foundation for Kelvo’s smooth rap bars, which glide effortlessly over the beat. His flow is as smooth as velvet, creating a striking contrast with the colourful vibrancy of the instrumental arrangement.

Instrumentally, Got2Change is a holiday from the gritty streets of London, but the big smoke is infused in the razor-sharp flow of Kelvo as he delves into themes of self-growth and introspection, challenging listeners to awaken from the slumber of unrealised potential. In essence, Got2Change is a call to action, an invitation to strip away tension and embrace a more reflective state of mind.

Got2Change will hit all major platforms on March 27th, stream it via this link.

Review by Amelia Vandergast

Mario Vayne – Electric: A High-Voltage Homage to 80s Rock

It may have been almost a year since we got hooked on Mario Vayne’s earworm, Baby, but there was no forgetting the rock virtuoso’s infectiously euphoric energy and charisma, which is just as visceral in his latest single, Electric.

After a tenderly melodic and choked-with-sunset-strip-atmospherics prelude, Electric riffs its way into a vibrant homage to the 80s, boldly asserting that the future of classic rock is charged with an exhilarating, new energy.

Following the success of his debut single which captivated over 200K Spotify listeners, ‘Electric’ is poised to ignite the airwaves in a similar vein. Vayne’s journey, from a shy child crafting songs at eleven to a dynamic frontman in the UK and Australia, culminates in this release. His hiatus during the grunge era only seems to have honed his craft, leading to this moment of resurgence.

‘Electric’ is a testament to Vayne’s belief in following his rock-licked heart. The track is a fusion of adrenalizing riffs and memorable hooks, all set against the backdrop of 80s iconography. Yet, it’s the sheer zeal and fervour that Vayne pours into his music that truly defines the song. The lyrics, more than just words, are mantras for living, weaving through the music and urging listeners to embrace a vibrant lust for life.

In an era where optimism can feel scarce, ‘Electric’ offers a potent reminder of rock’s unifying power. Mario Vayne’s name might have been synonymous with the rock legends of yesteryear had this track been released in their time. Today, it stands as a signal that the spirit of classic rock not only endures but evolves.

Electric was officially released on March 8th; stream the single on Spotify.

Review by Amelia Vandergast

Sixsense – AYANNA: A Darkly Luminous Journey in Alt-RnB

Sixsense, the London-based alt-RnB visionary, redefined the genre with his latest single ‘AYANNA’. The emotional odyssey blends Afrobeat and Latin RnB into a soundscape that is as dark as it is scintillating.

‘AYANNA’ opens with a floodgate of visceral emotion, drawing the listener into a world of rhythmic compulsion and painful introspection. Sixsense takes genres known for their bright, euphoric atmospheres and steers them into uncharted territories of depth and darkness. The result is a compelling contradiction: a track that resonates with the lightness of its tones yet delves into the profoundest of emotional depths.

The artist’s talent is undeniable. His voice, a commanding presence in the London music scene, is set to proliferate the charts. With ‘AYANNA’, Sixsense is not just on the cusp of contemporary trends; he is pioneering a new direction in genre-fluid, vibe-driven music.

Described as a love song intertwined with the pangs of growing up, ‘AYANNA’ encapsulates that bittersweet nostalgia of memories lost to time. Following the success of his 9th studio release, ‘CUENTAME’, this track continues to showcase Sixsense’s knack for crafting lyrics that resonate.

Raised in Santiago de Chile and London, and influenced by his Jewish-South American and Australian heritage, Sixsense brings a unique perspective to his music. His self-taught musical journey, beginning with an electric piano in his youth, is evident in the intricate blend of acoustic melodies and electronic rhythms in ‘AYANNA’.

AYANNA was officially released on March 8; stream the single on Spotify.

Review by Amelia Vandergast

Pop plunged to new emotional depths with Bekah Wilbourn’s debut single, Go Numb

Bekah Wilbourn’sGo Numb‘ envelops you in a world where vulnerability meets a sonic revolution. This debut single from the El Paso native is a journey through the heartstrings, plucked and resonated in a symphony of emotion and sound.

The track begins with gentle guitar strings laying the foundation, upon which Wilbourn’s vocals weave a narrative of emotional rawness. As the production escalates, the listener is drawn into a rhythmic stupor, a blend of moodily turbulent synthetics and a compelling backbeat that commands attention.

As the song progresses, Wilbourn introduces chamber pop orchestral layers, amplifying the emotional resonance, and elevating the track to an almost cinematic scope. The interplay of 90s pop influences with forward-thinking sonic elements ensures that ‘Go Numb’ resonates with a sense of familiarity, yet ventures boldly into uncharted territories.

Lyrically, ‘Go Numb’ is a poignant reflection on the all-too-human desire to retreat into numbness when vulnerability becomes a battleground. Wilbourn captures this sentiment with raw honesty, offering a mirror to our own experiences of emotional turmoil.

Bekah Wilbourn, with ‘Go Numb’, carved her own niche with a blend of introspection, innovation, and undeniable musical prowess. This single is a bold statement of intent from an artist unafraid to bare her soul and push the boundaries of pop music.

Go Numb was officially released on March 15; stream the single on Spotify.

Review by Amelia Vandergast

Belfast’s Fuar became the paragon of the loveable rogue in his folk debut, Leave the Light On

For his debut single, Leave the Light On, the Belfast-born-and-bred multi-instrumentalist Fuar put the faux Irish roots of Mumford & Sons to shame. If you want to get high on the fumes of authentic Irish folk, make Faur your dealer.

The infectiously upbeat acoustic folk anthem needed little more than his guitar chords, a solid backbeat and Faur’s naturally exhilarated charisma to drive the euphoria through the progressions of the hook-proliferated single which celebrates love and the ecstasy found in the sparks of connection.

With Faur’s affinity for punk giving Leave the Light On plenty of fiery rugged bite, he hasn’t just contributed to the rich tapestry of Irish folk music, he’s made his own matchless mark on the genre. With the promise of plenty more singles to come conflated with the commercial potential which courses through his debut, it is impossible not to anticipate Faur becoming one of the biggest breakthrough singer-songwriters in 2024. Watch this space.

Leave the Light On was officially released on March 16th; stream the single on Spotify.

Review by Amelia Vandergast

Baby T echoed the soul of the ‘MISUNDERSTOOD’ in his hauntingly hard-hitting hip-hop hit.

After a four-year break from the airwaves, the Emmy award-winning hip-hop artist, producer and emissary of innovation, Baby T is back, and his sound isn’t just bigger than ever; MISUNDERSTOOD stirs emotions from the depth of the soul to evoke a viscerally profound response.

Waxing lyrical around the nostalgically arcane air and cinematic flair of the 1960s classic, Don’t Let Me Be Misunderstood, may have been a sure-fire way of Baby T playing havoc with heartstrings, but his fiery original verses – modernised for maximum resonance – and the percussive passion which brings bass-drenched depth allowed MISUNDERSTOOD to hit hard enough that you’ll feel the emotional bruises.

As we exist as ideas in the minds of everyone we meet, there’s plenty of our identity that can be lost in translation when we’re poured through everyone’s perception filters, but even the knowledge of this irrefutable fact isn’t enough to take away the sting of feeling unseen, disrespected or underestimated. Baby T’s candid introspection, laid out through instantly ensnaring vocal hooks, is all the consolation and motivation you’ll need to stay on your authentic path.

MISUNDERSTOOD is a flawless testament to his prestige. Haunting and hard-hitting in equal measure, it’s a serious contender for our favourite hip-hop track of the year.

Stream MISUNDERSTOOD on all major platforms via this link.

Review by Amelia Vandergast

Sarah McCulloch painted a mountainous vignette with her honkytonk hit, Back In Them Hills

Sarah McCulloch’s single Back In Them Hills is a vivid portrayal of the landscape her soul calls home, offering listeners a sanctuary in its upbeat honkytonk rhythms. The track goes beyond a mere tribute to country folk’s roots; McCulloch becomes a conduit for the genre’s enduring spirit. Her vocal lines which spill over with soul are as panoramic as the landscapes she paints with her lyrics.

McCulloch, a renowned folk singer-songwriter and country artist from Florida, is known for her exceptional storytelling and poignant lyrics. Her ability to weave captivating stories through her music has earned her a loyal fan base and critical acclaim, with Americana-UK and Lonesome Highway praising her previous works for her modern yet traditional sound.

McCulloch’s upcoming full-length acoustic album, Driving Me Home, produced by Jim Bickerstaff and featuring Florida musicians like Raiford Starke and Jeanie Fitchen, is an inspiring collection of aural stories which reflect themes of triumph over adversity and the courage to embrace vulnerability. Born in Miami and raised near the Big Cypress Seminole Reservation, McCulloch’s music, recognised by the State of Florida’s Division of Arts and Culture, draws inspiration from her unique upbringing.

Back in Them Hills was officially released on March 22nd; stream the single on SoundCloud.

Review by Amelia Vandergast