All Posts By

Amelia Vandergast

Mild Horses unleashed avant-garde chaos in his genre-defying electronica release, Eye of the Behemoth

Posted on 25 April 2024
Eye Of The Behemoth by Mild Horses

Mild Horses, the experimental brainchild of Matthew Leuw, previously known for his roles in various underground bands, including Norwich’s Crest and Brighton’s Coin-op, has returned with ‘Eye of the Behemoth’.

The single seizes the listener with its lo-fi synth melodies grounded on a solid backbeat, before erupting into a drum n bass rhythmic firestorm. Not merely content to rest here, it pushes the boundaries further with sharp horn stabs, marking a bold foray into avant-garde territory. As the track progresses, the intense energy momentarily retreats into more subdued, jazzy grooves that infuse the piece with psychedelic tranquillity, setting the stage for a climactic resurgence. The finale of this instrumental odyssey is a masterclass in musical composition—returning full circle with a powerful beat that perfectly encapsulates the track’s dynamic range.

‘Eye of the Behemoth’ is not just another experimental track; it is a statement of artistic integrity from Mild Horses. This single does exactly what it promises—immersing its audience in an artfully crafted storm of sound that resonates long after the last note fades. It’s an assertive piece that boldly declares Mild Horses’ niche in the eclectic landscape of contemporary music. For fans of genre-defying soundscapes, this release is an essential experience, offering both challenge and reward in its complex layers.

Stream and purchase Eye of the Behemoth ahead of its official release date of May 10th on Bandcamp.

Review by Amelia Vandergast

Boston’s Indie Pop Scene Lit Up After the Unveiling of Maya Salafia’s Latest Single, Swim

Posted on 24 April 2024

The Boston indie pop singer-songwriter, Maya Salafia, broke the two-year spell of silence with the songwriting alchemy caged within the melodies of her latest single, Swim. Instead of skimming over the most obvious emotional themes in a love song, the young prodigy delved deeper, dipping into the sense of duality we are forced to navigate when falling in love and trying to keep a firm grip on our autonomy.

The line, “I never knew existing could be so much work and I hate you ‘cos you like me and I can’t breathe without you taking it away”, in particular, shows that Maya Salafia knows just how to run with a metaphor into unexpected territory and leave you awestruck by a resonant epiphany in the process.

If Maya Salafia doesn’t follow in at least some of Taylor Swift’s footsteps, I suggest we start a riot. Coincidentally, it isn’t only the poetic lyricism that would be equally as at home on Swift’s latest LP which bares reminiscence to the undeniable member of the contemporary pop pantheon. The breezy guitar chord progressions and vocal lines also echo in the same vein as Swift’s earlier work when the guitars aren’t running through the angular indie jangle pop notes and hook-rife warmly overdriven chords. If you’re sick of tuning into throwaway pop hits, hit play and find your new playlist staple.

Swim was officially released on April 12th; stream the single on Spotify.

Review by Amelia Vandergast

Skinny G Radio lingers on the precipice of chaos in his augmented alt-pop power ballad, As I Look Around

Posted on 24 April 2024

Skinny G Radio’s latest single, As I Look Around, is an audacious expression of alt-pop artistry that captures Geoffrey Lussier at his most uninhibited. As a Connecticut native with a diverse musical pedigree, influenced by the likes of Billy Joel and John Mayer and seasoned through an apprenticeship in Los Angeles, Lussier’s craft as Skinny G Radio fuses insightful songwriting with an eclectic production style reminiscent of Mark Ronson and Jon Bellion.

As I Look Around is a rock-licked, electronica-augmented piano pop power ballad that dances on the edge of chaos and control. This track encapsulates the turbulence of its themes—insanity and the loss of control—in a way that resonates deeply in our unpredictable era. Yet, it’s the song’s masterful balance of explosive energy and restraint that defines its character. With dynamic shifts that travel from the guitar-driven grit of 70s rock through the polyphonic glow of 80s pop, to the ornate orchestral layers, the song creates a rich, ever-evolving soundscape.

This single not only highlights Lussier’s ability to channel broad musical influences into a seamlessly alchemic sound but also his skill in creating a palpable connection through layered, complex compositions. As I Look Around is a compelling herald for his upcoming album, promising more explorative leaps into the potent emotions and reflections of contemporary life. It’s an invitation to experience the maddening times with a sense of infectious zeal and an anthem for those drawn to the artful edge of alt-pop innovation.

As I Look Around was officially released on April 16th; stream the single on Spotify.

Review by Amelia Vandergast

The Vouchers struck a raw nerve with the melodic malaise in their alt-post-punk seminal release, Dead History

Posted on 24 April 2024
OYEZ! by The Vouchers

The Vouchers’ standout single, Dead History, from their debut album OYEZ! doesn’t break the post-punk mould; it is a sublime continuation of the disorder initiated by Joy Divison, infused with the melodic malaise of Dinosaur Jr.

Driven by the creative synergy of Mark Langston, Tom Brown, and Matt Clifton, the three-piece intertwines satirical observational poetry with a distinctive North East twang, resulting in unapologetically raw, eloquently monochromatic chemistry.

Dead History captures the essence of The Vouchers’ distinct approach; the track is a sonic labyrinth where angular hooks meet the cold tonalities of an ennui-laden atmosphere, and sparse lyrics become poignant bursts of clarity. The minimalist lyricism of Dead History might initially seem understated, but every word hangs in the air of the release that ticks all the right post-punk boxes.

If you’re looking for a new indie band to get behind, you’ll need to keep the pace as The Vouchers make their inevitably rapid ascent.

Stream and purchase Dead History on Bandcamp.

Review by Amelia Vandergast

The overdriven alchemy in Three Mile Island’s Ride Your Luck unleashes sonic spirits.

Posted on 23 April 2024

With elements of dreamy indie and classic rock n roll as the cornerstones of their sonic signature in their latest seminal single, Ride Your Luck, the West Midland’s prodigal sons of innovation, Three Mile Island, found plenty of room between the stylistic pillars of influence to inject their own over-driven, time-defying, alchemy.

The haunting chorus, which incidentally replicates what Black Sabbath’s single Changes does to the soul, fused with vocals that are as locked and loaded with visceral dynamite as Chris Cornell’s, Rolling Stones-reminiscent lead guitar work and an underpinning aura of Primal Scream’s iconic release, Give Out But Don’t Give Up, culminates in a single that doesn’t only allow you to imagine what is possible when the intersections of rock are explored, it grips you with a soulful intensity that leaves an inexplicable mark.

If this is the future of rock, the genre is about to make one hell of a mainstream comeback.

Stream Ride Your Luck on Spotify now.

Review by Amelia Vandergast

Simon Ewing serenaded through the eras in his acoustic indie folk triumph LULLABY

Posted on 23 April 2024

Simon Ewing’s latest single, LULLABY, artfully blends a spectrum of musical epochs with a mastery of guitar play that fans of folk and beyond will find irresistibly compelling. The track is a confluence of lo-fi charm and intricate guitar work that nods to The Maccabees’ Toothpaste Kisses while embedding a distinctly Americana vibe interlaced with blues’ soulful essence.

LULLABY won’t sing you to sleep; instead, it vibrates with life, signifying the Bristol-based troubadour’s knack for weaving narratives that affirm the sensibility of the soul. The song’s architectural simplicity in structure belies a complex, layered emotional resonance that hooks the listener from the first chord.

Ewing’s ability to synthesise swathes of genres into a seamless, flowing piece shows not just versatility but a deep reverence for the roots of each genre. Each note reflects a rhythmic exploration that feels both classic and innovative, making LULLABY a testament to Ewing’s ability to transcend traditional storytelling through music.

If Elliott Smith’s songs had veered away from melancholy towards this vein of succinct sweetness, they might have touched the same bright corners of the soul that Ewing reaches with this track.

Stream LULLABY on SoundCloud and YouTube.

Review by Amelia Vandergast

Chill Hop meets RnB Dream Pop in Eth4n’s emotion-driven release, Daisy

Posted on 23 April 2024

Driven by emotion and experimental innovation, the standout single, Daisy, from Eth4n’s debut EP, Inerrata, is a hazily melodic installation of aural hypnosis that demands you submit to the catharsis from the first note.

With saturated in delay guitars giving the seminal release a vintage tape deck recording feel and the mellow electronic elements rounding out the RnB dream pop/chill hop hybrid instrumentals, Daisy unravels as an intoxicatingly artful release.

By borrowing the serene dream pop timbres of AIKA’s vocal harmonies, the bitter-sweet exploration of how affection gives us a temporary lust for life strikes all the right evocative chords, especially when Eth4n’s effect-laden pseudo-trap vocals enter the mix and inject swathes of dynamism into the vignette of tentative idiosyncratic affection.

The Australian-born, London-based experimentalist may pull inspiration from the likes of Frank Ocean and JPEGMafia, but rather than assimilating their styles, he runs with the influence into brand-new sonic territory that you’ll be compelled to join him in every time you need sanctuary.

Stream Eth4n’s Inerrata EP on Spotify now.

Review by Amelia Vandergast

Hyper-pop originator, KAWAII HOE, delivered hyper-surreal alchemy with their debut single, Kaleidoscope Love

Posted on 23 April 2024

KAWAII HOE’s debut single “Kaleidoscope Love” synthesises the future of hyperpop with layers of 8-bit nostalgia in a boundary-pushing production. With a backdrop that cuts across familiar trends, KAWAII HOE charted a course to untouched alt-pop territory; the sticky-sweet anthem uses a throbbing backbeat and heavy basslines to create a compelling contrast with the crystal clear, autotuned vocals that endlessly ascend into otherworldly euphony.

The single doesn’t merely add to the cacophony of generic love songs; KAWAII HOE transforms the quest for love into the epicentre of their narrative, presenting it with a purity and serenity that belies the intense musical undercurrents.

KAWAII HOE weaves together influences from icons like 100 gecs, Charli XCX, and Dorian Electra, creating a quirky and unapologetically experimental tapestry, stitched by hyper-surreal alchemy. We can’t wait to hear the next installation of ingenuity after this exceptionally promising debut.

Kaleidoscope Love was officially released on March 23rd; stream the release on all major platforms via this link.

Review by Amelia Vandergast

Stic N Move’s This is My Life became a vibrant new pulse in the heart of hip-hop

Posted on 22 April 2024

Stic N Move merged the vibrant soul of Reggaeton-inspired beats with the core of hip-hop in his latest single, This is My Life, which radiates the warmth of exotic rhythms and a palpable sense of old-school hip-hop grit.

The intrinsic authenticity within every element of Stic N Move is a refreshing divergence from the cliché rap tracks with rappers waxing lyrical on what they think the genre wants to hear. The instant hit showcases an infectiously charismatic approach that’s bound to captivate any hip-hop enthusiast.

Stic N Move, born Eric Braxton, lives his lyrics, expressing a genuine pursuit of passion over the trappings of fame. His music isn’t crafted from the fabric of superficiality; instead, it’s woven with the threads of personal truth and dedication to family.

The construction of the track is killer. The polyphonic keys are a vibrant extension of his personality, seamlessly matching the energy and conviction in his voice. The result is a sound that could light up any room and invigorate any playlist.

Stic N Move continues to redefine his journey by committing to projects like a new podcast and writing new songs weekly. His relentless drive and innovative spirit are making significant waves, promising a future rich with potential and new anthems for his growing audience.

“This is My Life” is more than just a song; it’s a statement, a manifesto of an artist who refuses to blend into the background, urging everyone to live authentically and passionately. As Stic says, leave your hatin’ at the door and embrace the groove.

This is My Life is now available to stream on Spotify.

Review by Amelia Vandergast

Emma Hunter Shot to Kill Sonic Banality in Her 3rd EP, Morire

Posted on 22 April 2024

Emma Hunter’s third EP, Morire, emerges as a defiant rejection of sonic predictability, marking a high point in the Oxford-based singer-songwriter, guitarist and loop artist’s career with a collection that’s as audaciously raw as it is artistically sophisticated.

With Tom Bruce’s trip-hop-infused percussion, the 50s-inspired Flamenco-guitar-licked EP unfolds a landscape soaked in cinematic tones and intricate, chanteuse-esque harmonies that narrate a four-part poetic anthology of turmoil. Every chapter brings you closer to the darkest corridors of the mind as it navigates an imperfect world, filled with vices and prejudices.

Starting strong, Guilty pierces the veil of comfort with its visceral energy and poignant lyrics, exposing the unnerving ease with which we catastrophise – it’s enough to open a window into your own soul. This duskily strident opening salvo sets a formidable standard, intricately balancing fiery guitar work with solid percussive rhythms as Hunter lyrically unravels through an insurgence of relatable unease. The robust instrumental work anchors Hunter as she carries the weight of the world, surrounded by demons and they tease the end of the world after inconsequential incidents.

Love is Not a Choice follows, dissipating the initial turmoil into an anthem of acceptance. The track stands bold in its portrayal of love’s inherent defiance against societal norms, offering a melody that radiates warmth and liberation. As you drench yourself in the sun-soaked bliss of the flourishing serpentine rhythms, you surrender to the true, unbiased nature of love. In an era that is increasingly hellbent on insisting everyone stays within the heteronormative mould of hegemony, you see that the only choices made in relation to love is discrimination.

Awaken Me introduces itself with Hunter’s looped vocals artfully circulating over waves of ambience before the first verse crashes onto the shore of the single, plunging into the thematic deep waters of personal rebirth and spiritual stagnation. You can’t help but be pulled into the undercurrents of the compassionate lyricism which aims to pull the listener out of deep water as Hunter aches for an emotional awakening. The interplay of confession and compassion opens a deeply affecting affirmation that sometimes, healers need to heal.

Finally, the titular track, Morire, presents a harrowing narrative of watching a loved one tend to their vices and sink into personal decay, culminating the EP on an aching note. The paralysing power in Hunter’s vocal prowess reaches its zenith here as she exudes primal agony while never losing her ability to artfully hold notes in a delicate balance of pain and pitch-perfection, delivering a poignant exploration of loss and helplessness with a backdrop of soul-stirring crescendos.

With the Morire EP, Emma Hunter, alongside Tom Bruce, carved a niche in the alternative music scene that resonates with both intimacy and grandeur, making the release a compelling listen for those who seek depth and defiance in music.

Morire was officially released on March 29; stream the EP on Spotify and Bandcamp.

Follow Emma Hunter on Facebook and Instagram.

Review by Amelia Vandergast