Browsing Tag

Warpaint

Sleeps Under Beams’ ‘If a Kiss Could Speak’ Is an Indie Dream Pop Love Letter Written in Vapour

If a Kiss Could Speak, would it be as dreamy as the latest single by that title from the transatlantic indie dream-pop trio Sleeps Under Beams? It would be hard-pressed to reach the same level of ethereal electricity as the new-wave nostalgia-tinged single, which carries the stylistic charm of Honeyblood and Warpaint in its diaphanous haze while reaching a new plateau of transcendence.

Formed in 2020, Sleeps Under Beams brings together USA-based lyricist Lisa Ann Swain, Netherlands-based multi-instrumentalist and producer Drew Campbell, and vocalist Anna Rea, making If a Kiss Could Speak feel like a love letter passed across borders and translated into atmosphere. Their sound pulls ethereal instrumentals, shoegaze aesthetics and raw lyricism into an intimate dream-pop language.

The romanticism of the release knows no bounds. It stretches with infinite fervour, inviting you to get lost in the sublimity of one of the sweetest sensations we can experience. Rea’s vocal presence drifts through Campbell’s production with feather-soft magnetism, while Swain’s lyrical framing keeps the track rooted in emotional specificity.

Ensuring that intimacy is the heart and soul of the release, Sleeps Under Beams more than succeeded in orchestrating a sonic visualisation of tender desire.

If a Kiss Could Speak is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Jessie Berkshires – Enough: An Ethereal Synth-Soaked Lesson in Self-Discovery

Jessie Berkshires’ latest single, Enough, is a masterful blend of alt-pop finesse and 80s nostalgia, wrapped in a neon glow of modernity and soulful conviction. The single opens with Berkshires’ ethereal harmonies which weightlessly drift across the stabbing synth lines.

The intro’s melodic foundation sets the stage for a rhythmically compelling backbeat that kicks against the rest of the reverb-swathed instrumentation to create an immersive experience reminiscent of a neon-drenched dreamscape.

Berkshires’ vocal delivery is a study in artful beguile, echoing the haunting allure of Kate Bush. Her voice, a serene yet strident force, weaves through the track, delivering catharsis and conviction with equal measure. The lyrics, a poignant reflection on independence and empowerment, resonate with a poetic clarity that strikes at the heart.

The track’s production is a deft mix of contemporary magnetism and retro charm. Imagine pouring Warpaint’s style into The Human League’s mould, and you’re close to the unique cocktail that is ‘Enough’. It’s a sound that’s as deliciously poured as it is thoughtfully concocted.

In ‘Enough’, Jessie Berkshires offers a lesson in how to blend past and present, pain and hope, into a track that’s as empowering as it is enchanting.

Enough arrived on the airwaves on February 16. Stream the single on Spotify.

Review by Amelia Vandergast

Shashaa Tirupati turned off the gaslight anthem and played her own indietronica masterpiece, ‘All About You’

Shashaa Tirupati has unveiled an installation of hypnotic indietronica that instantaneously seduces you into its gravity.  In the same way a narcissist’s magnetism is irresistible, the world-renowned singer-songwriter pulls you into her artfully beguiling exposition of the sanity-smothering experience of dealing with narcissism after being lured in by a gaslighting lothario.

Shashaa Tirupati’s aura in All About You is intoxicating in the same vein as Warpaint, Still Corners, and Widowspeak. Every vocal harmony and instrumental melody finds a new facet of your soul to stir as the demure vocal performance fights fire with avant-garde glamour.

The artist’s journey, from a multilingual playback singer to an independent music maven, is reflected in the intricate layers of this track. Trained in various Hindustani classical styles and proficient in over a dozen languages, Shashaa’s musical prowess is evident in every note. After following her passion, she broke into the industry under the mentorship of the legendary A. R. Rahman. This collaboration marked the beginning of a series of successful projects, including the National Film Award-winning “Vaan” from ‘Kaatru Veliyidai’.

All About You is a reflection of Shashaa Tirupati’s artistic evolution and her commitment to exploring new musical territories. With her roots in classical music and wings in the indie scene, Shashaa stands out as a multifaceted artist, continually pushing the boundaries of her craft. This track is a clear indication that her journey in music is one of constant innovation and heartfelt expression. With 9 million monthly fans on Spotify backing her, she’s an unreckonable force in the music industry.

All About You was officially released on January 19; stream the single on Spotify.

Review by Amelia Vandergast

Aegra prescribed synth-woven solace in her latest release, Six Hands

‘Six Hands’ from Aegra’s double A-side release is an echo chamber of the past blending with contemporary indie fervour. The sublime fusion of new wave indie and the timelessness of synthpop is reminiscent of Policia, Crystal Castles, and Warpaint, with plenty of room for Aegra’s sonic signature to scribe through the mellifluous progressions.

The track is built on a foundation of robust electronic basslines and the rhythmic pulse of choppy indie guitars, creating a backdrop that is both invigorating and grounding. The production of Six Hands is a masterclass in balance and subtlety. Ethereal reverb wraps around each note and each beat to create an atmosphere that is both intimate and invigorating.

At the heart of this sonic odyssey is Aegra’s vocal prowess. Her voice, airy and consoling, weaves through the melodies, offering comfort and a sense of deep, introspective contemplation. The mantra “everything will be just fine” resounds as an emotional anchor, a soothing reassurance amidst the whirlwind of melodies and harmonies.

Aegra’s journey – from being burnt by the industry to finding solace in a ‘real’ job, and then back to the arms of music – resonates in every note. This isn’t just a comeback. It’s a reawakening and a testament to the enduring power of music as a companion, a healer, and a muse.

From the Inside/Six Hands was officially released on December 22. Stream it on Spotify.

Review by Amelia Vandergast

Evie Lulu has launched her superlative sludge pop single, Adored

After earning her stripes as a music producer, the singer-songwriter, Evie Lulu, made her latest single, Adored, definitively her own. Beyond the similarities to Daughter and Warpaint, the lyrically-driven artist is exemplary in her determination to allow spilled ink to manifest as melodic triumphs that catch in your throat before they take up residence as a sludgy indie pop earworm you will always want to appease by giving her candidly kaleidoscopic soundscapes repeat attention.

Pop, rock, and grunge may be common ingredients in many modern-day amalgams, but the songstress who takes inspiration from Bon Iver, Kate Bush, The Sundays and Silverchair when orchestrating her reflectively uninhibited releases is in a league of her own. From the delicious distortion on the guitars to the vulnerability within the vibrato in the vocal lines, Adored is a bitter-sweet sonic dream, which is all too efficacious in its ability to hammer home the emotions expressed.

Adored hit the airwaves on March 1; hear it on Spotify.

Review by Amelia Vandergast

The Alt-90s Cinematically Lives and Breathes Through Agent Envy’s Grungy Industrial Rock Single, No Friend

San Diego artist and producer Agent Envy is fresh from the release of her sultrily fierce single, No Friend, which cinematically amalgamates trip-hop, industrial rock, grunge and metal. Under the wide-spanning influence of acts including NIN, Tool, Massive Attack and Deftones, Agent Envy found her own striking sonic aesthetic that is nothing short of iconic in itself.

Any fans of Warpaint and Wolf Alice will want to sink their teeth into this demurely powerful protest against life’s prolific protagonists who guise their usury entitlement as friendship to take what they can, and guilt trip you when they’ve bled you dry of your empathy but still haven’t quite had their fill.

“No Friend is about finally saying, “enough is enough,” and captures the triumph and catharsis of setting a boundary. The track explores a powerful side of my vocal range not previously featured in my earlier songs, along with the deep, sultry vocals that my audience is familiar with.”

No Friend will be available to stream and purchase on all major platforms from December 9th. Catch in on Spotify & YouTube.

Review by Amelia Vandergast

Mayshe-Mayshe sung an ethereal art-pop lullaby in her latest bedroom pop single, Indigo

Ahead of the launch of her sophomore album, the Yorkshire bedroom pop artist and producer, Mayshe-Mayshe (Alice Rowan), has painted the airwaves in ‘Indigo’.

With a sense of spirituality in her artfully hushed choral vocals as they meet the dreamy art-pop melodies weaved on vintage synths and the skittish yet absorbingly organic percussion, the ethereal allure of Indigo shouldn’t be underestimated. Lyrically, Indigo inspires the listener into embracing the uncertainties of life and reminds them that there is always another side to exhaustion and ennui.

Indigo may be technically lo-fi, but Mayshe-Mayshe created a feat of indie dream pop that could easily rival Warpaint, Beach House and Deer Hunter. It comes as no surprise that many of her fans return to her anxiety-quashing sound time after time.

Mayshe-Mayshe’s album, Indigo, will release across all major streaming platforms on November the 11th. Indigo, the single, is now available to stream on Spotify and YouTube.

Review by Amelia Vandergast

 

Fair Verona roll their cigarettes with ‘Starlight’ in their latest evocative alt indie pop single.

‘Starlight’ is the latest sorrowfully ornate single from the Charlottesville, Virginia-hailing up-and-coming alt-pop duo, Fair Verona. In a sea of Phoebe Bridgers, Angel Olsen, Daughter and Lorde assimilators, Fair Verona gracefully went against the tide in their raw candour led soundscape.

While the lyrics bite into your sense of empathy, delicate piano keys and the twilight textures envelop you in their efficacious ethereal catharsis. It is impossible not to take on the emotional weight of the single. Unless you are a complete sociopath, in which case, I pity your immunity to the lush spacey blows hammered home by Mickey Vaughan’s evocatively glistening vocal timbre.

Check out the alternative mix of Starlight by heading over to YouTube.

Review by Amelia Vandergast

Melancholic Pop Meets Nordic Soul in Maren Davidsen’s Sophomore Single, Back to You

After garnering over 50k streams on Spotify with her 2021 debut single, Damage Done, the London-based Norwegian singer-songwriter, Maren Davidsen, has returned to the airwaves with her equally as phenomenal indie-pop sophomore single, Back to You.

Any fans of Big Thief, Daughter, and London Grammar will quickly come to be consumed by the toxic tale of love that is narrated through the melancholic-pop-meets-Nordic-soul arrangement and Davidsen’s vocal vulnerability.

The hypnotically harrowing yet hooky all the same single lays bare on the subject of heartbreak following an equally as soul-crushing relationship. For anyone that is still carrying buried relationship trauma, Back to You will hit bruisingly hard.

If you’re as hooked as we are, you’ll want the singer-songwriter and guitarist on your radar for the release of her debut 5-track EP, which will hit the airwaves this summer.

Back to You is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Aiko Aiko became the definition of etherealism with their latest release, Al Lat.

Aiko Aiko

Prepare your dark ambient trip-hop playlists for the latest release, Al Lat, from the alt-electronica duo, Aiko Aiko; it proves just how readily we bound around the word ‘ethereal’. When you’re confronted with a soundscape as phantasmal as AI Lat there are few ways to aptly allude to just how ensnaring the delicately commanding textures are.

The artist has been infusing their alchemic mash of soft synths, organs, driving electronic beats and intricate piano melodies onto the airwaves since 2012. With a brand of emotionally intellectual catharsis similar to Warpaint, Portishead and Widowspeak, it comes as no surprise that they have captivated an international fanbase with their psychedelic reprising progressions.

Al Lat will officially release on October 7th. You can check it out for yourselves by heading over to the artist’s website or SoundCloud.

Review by Amelia Vandergast