Browsing Tag

UK Indie Pop

Soup and Cigarettes sweetened the sound of summer in their single, ‘Flower Dress’.

Here to make sure that 80s indie pop retains modernity is the Bristol, UK four-piece, Soup and Cigarettes, with their new album, UK DUTY PAID. The standout single, Flower Dress, makes a melodic indie ode to summer with its jangly kaleidoscopically colourful guitars, dreamy vocals, and sticky-sweet synths.

1987 had Sally Cinnamon; in 2022, we have Flower Dress, which effervesces around the lust for amorous life that magnifies in the heat of the summer. Fans of the 1975, PEACE and Jaws will also want to consider Soup and Cigarettes as a playlist staple band.

Check out UK DUTY PAID, which was officially released on August 19th here.

Review by Amelia Vandergast

Partisan Way deliver polyphonic indie-pop bliss in ‘Borrow Me’.

Partisan Way started as a remote indie-pop lockdown project in 2020; on the basis of their debut album, Show Don’t Tell, we hope the UK-based outfit set its sights on plenty more than conquering more than just the digital realm.

The sweetest earworm on the album is the first single, Borrow Me. If you poured some sugar on The Vaccines, the sticky-sweet result wouldn’t be all too far away from the uplifting piano-led melodies and the even more vibrant synth lines.

While they call it like it is in the kind of toxic relationship dynamics that you can’t get enough of through the scathingly sharp-witted lyrics, the vibrant progressions successfully capture the haze that affection can leave you in.

I don’t make Mansun comparisons lightly, but Borrow Me hit the evocative spot just as well as I Can Only Disappoint You.

Borrow Me is now available to stream on Spotify.

Review by Amelia Vandergast

AMOSA has released her ethereally dark electronic pop debut, ‘WALKAWAY’.

Oxford, UK-based singer-songwriter AMOSA has released her debut indie-pop single, WALKAWAY, which runs in the same moody vein as Billie Eilish and King Princess.

The stylishly arranged single flows through downtempo, reflective synth-led grooves in the captivating soundscape that delivers an ethereal atmosphere, direct lyricism, and swathes of emotion that captures the vulnerability in the admission that you want someone to stay who has already started to walk away.

It’s a stunning extension of compassion to anyone who has ever experienced holding onto toxic people, knowing that they’re bad, but feeling the physical addiction all the same.

At the age of 21, AMOSA is already proving that she’s got the contemporary sound and the matured talent to climb the indie-pop charts. We’re stoked to watch her ascent.

WALKAWAY is now available to stream via Spotify.

Review by Amelia Vandergast