Browsing Tag

UK Grime

HBEEE Trailblazed through London’s Grime Scene and Razed it To the Ground with ‘Chosen Freestyle’

https://www.youtube.com/watch?v=xFcEhEc9prw

After getting caught up in the hype of London’s hottest up-and-coming hip-hop trailblazer, HBEEE through his viral hit, Game Over, we couldn’t wait to dig into his latest hit, Chosen Freestyle.

Once the introspective instrumentals swathe the production in an atmosphere that sets the perfect tone for reflection, the bars and the beats roll in thick and fast, exhibiting HBEEE’s ability to freestyle with the fervour of Juice WRLD, Cassidy, and MC Juice, while staying true to his own gritty grime artistic identity.

The raw and spontaneous bars result in unexpected lyrical flows, which continuously culminate in a series of mic drops. HBEEE’s wordplay doesn’t solely exhibit his ability to maintain rhymes and stay on the beat; it also lends itself to a personal connection between his candour and the listener’s ability to relate to the lyricism.

Cheeky and convictive in parts, cuttingly haunting in others, HBEEE knew exactly how to make his mark on the London grime scene. Try as other artists might, few flows bring the same fire as what blazes through Chosen Freestyle; he’s razing the whole grime scene to the ground.

The official music video for Chosen Freestyle will premiere on YouTube on March 28th.

Review by Amelia Vandergast

MOBI1 & Hardest Bars ignited the London grime scene with ‘Joey Clipstar Freestyle’

In the gritty heart of West London’s grime scene, MOBI1’s latest single, ‘Joey Clipstar Freestyle’, is a rhythmic inferno, signalling his indomitable presence and unyielding ascent.

Surviving a catastrophic explosion and emerging from literal ashes, MOBI1i is an emissary of resilience. Anyone who locks into his bars that run as hard as his beats can live it by proxy and feel the fire that blazes as MOBI1 razes the music industry with the head-spinning volition in his flow.

The production, a collaborative genius of Katmandu and Wadizdis, tears up the rulebook of drill beats. It’s a rhythmic firestorm, a relentless assault on the senses that perfectly complements MOBI1’s explosive delivery. Every hook is a masterstroke of lyrical agility, a testament to Mobi1’s skill as he weaves through the beat with a tongue-twisting fervour.

In short, ‘Joey Clipstar Freestyle’ is a declaration that MOBI1 is here to reign supreme in the grime domain. As he continues to make waves across the UK, from radio sets to fashion shows, one thing is crystal clear: he’s a force to be reckoned with.

Check out the official music video on YouTube or add MOBI1’s latest hit to your Spotify playlists.

Review by Amelia Vandergast

Ard Adz & Sho Shallow sharpened the raw edge of London’s rap scene with ‘Still Windy’

Brixton’s biggest rap luminary, Sho Shallow, has another feat of innovative urban engineering in his discography, which is quickly becoming an unreckonable legacy in the London rap scene. Still Windy, created in collaboration with Ard Adz, is a deeply affecting synthesis of lyrical intimacy, gritty charisma, and melodious beats that pulsate luxe grooves into the release which doesn’t allow the essence of the track to be overshadowed and lost by excessive studio production.

In the span of 12 hours, Still Windy was recorded and the music video was filmed, ensuring the same fire that sparked the inspiration blazes through the fervent release, which juxtaposes the soul in the backing vocals with the sharp cadence in the rap delivery, which bleeds urgency and expressive candour.

The video has racked up almost 200k streams since its December 28th premiere, which debuted ahead of the Head Above Water LP, which is due for release on January 26.

Check out the official music video brought to YouTube by GRM Daily via YouTube.

Review by Amelia Vandergast

Timmy – Speedy Gonzales: A Gritty Testament to UK Rap’s Evolving Landscape

Timmy’s latest track, ‘Speedy Gonzales‘ is a dark, gritty, and profoundly impactful testament to his burgeoning dominance in the rap scene. His ability to press the right lyrical buttons and pluck at the rawest melodic heartstrings is evident throughout the track, which is driven by Timmy’s impassioned delivery and the haunting, ethereal backing vocals that seamlessly blend with his grime bars and drill beats. It’s a vignette that takes you through the highs and lows of urban life, reflecting on the diminishing value placed on human existence.

The track’s pace is relentless, mirroring the artist’s namesake, Speedy Gonzales. Yet, it’s the depth of the lyrics and the sombre sonic imprint that truly sets this song apart. Timmy doesn’t just rap; he tells a story, painting a vivid picture of the struggles and realities faced in the streets. His words are convictive, cutting through the noise and leaving a lasting impression on the listener.

The track is a bold statement from an artist who is clearly not afraid to speak his truth. As the final beats of ‘Speedy Gonzales’ fade, you can’t help but feel a sense of anticipation for what Timmy will do next. His talent is undeniable, and his ability to connect with the audience on a deeper level is beyond compare in the UK’s underground rap scene.

Watch the official music video for Speedy Gonzales via YouTube.

Review by Amelia Vandergast

You will want Doller on speed dial after feeling the heat of the fusionist fire in his EP, Call Me

On November 3rd, UK’s fieriest genre fusionist Doller dropped his dynamic three-track EP, Call Me, to prove he’s lost none of the flair, flow, or finesse that has seen his audience stretch across the globe during his storming 15-year music career.

After track one unravels as an infectiously hooked garage hip-hop anthem, which efficaciously gets you in the groove and hot under the collar, Doller dips into a pseudo-trap iteration of dancehall before bringing in a smooth and steamy session of trap-soul. Achieving that feat of sonic eclecticism with three separate tracks would be one thing, but Doller exhibited his superlative versatility by reworking the same track while ensuring that each track stands by the volition of its own merit.

From the luxe high vibes that reverberate around the rhythmically arresting first single, which features MC Neat and Zara W, to the scintillating atmosphere in track two to the wavy, dreamy tonal hues within track three, which pays an intimate ode to intimacy with a little help from Aleisha Lee and Terry Trill, there’s something for everyone in the Call Me EP, which has established Doller as the baller of originality.

Before the release of Call Me, the Edmonton-originating artist who was born the roots reggae icon Kush Tafari and shares blood with the Jamaican rapper Flash earned endorsements from the likes of Ghetts, Tion Wayne, DJ Target, Charlie Sloth, Sian Anderson, Sir Spyro, Wiley, and Logan Sama. His music has also been synced into an MTV Base advert and the critically acclaimed film Sket. Over the years, he’s flitted between rap, dancehall, and trap-soul as his musical influences diversified. If one thing has remained a constant, it is the renown that has stemmed from his versatile style and impressive lyrical prowess. While some artists out there gas themselves up as a triple threat, Doller is asserting himself as the ultimate threat and one to watch throughout 2024.

Stream the Call Me EP on Spotify & SoundCloud.

Follow Doller on Facebook & Instagram.

Review by Amelia Vandergast

Grime icon in the making, Jacob Briggs, has released a dizzying drop with ‘Bothered’.

Amalgamating the fiercest elements of trap, grime and drill, the UK icon in the making, Jacob Briggs, created a juggernaut of a hit with his latest single, Bothered, which officially dropped on December 9th.

Proving that grime hasn’t lost its flavour since Wiley gave us a taste in the early 00s, Bothered exhibits Briggs’ dizzying flow, which doesn’t sacrifice the lyrical content which puts to shame the archetypes built in the industry since it dawned.

The electronic music producer and creative artist started his sonic journey inspired by RnB and hip hop acts before creating his own rhythm-riding sonic signature that packs enough fervour to make your head spin. Watch this space before Briggs tears through it with the force of a lyrical tornado.

Feel the heat simmer from Bothered by heading over to YouTube.

Review by Amelia Vandergast

Roysson delivers a Hip Hop and Grime playlist staple with his latest release.

Roysson has been putting Hertfordshire on the hip hop map for the past ten years with his laceratingly sharp wit, massive beats and commanding persona. His standout single, Hip Hop and Grime, pays ode to the iconic UK grime style, but Roysson finds plenty of room to stamp down his signature genre-melding style that has been hyped by BBC Introducing and GRM Daily, amongst many others.

Hip Hop and Grime is an instantly galvanizing mix with the garagey beats, rapid-fire drill vocals and Roysson’s ability to create a gritty vignette of modern culture without ever having to pander to cultural stereotypes. If Stormzy, Dave, Skepta and Wiley are your playlist staples, you will find that Roysson fits in well right alongside them. With plenty more material locked, loaded and ready to drop, now is the perfect time to add him to your radar.

You can check out Roysson’s standout single, which has already racked up over 25k streams, on YouTube.

Review by Amelia Vandergast

Jibs delivered ‘Sweet & Soothin’ vibes through their debut hip hop EP

UK grime and RnB rarely converge, but when they do, gritty realistic romance is delivered minus hallmark cliches and overused metaphors. The perfect example is ‘Sweet & Soothin’, which is the standout track from South-London artist Jibs’ debut EP.

Sweet & Soothin’ wouldn’t be out of place on Chase & Status’ iconic collaborative album ‘No More Idols’. On that basis, the future looks bright for Jibs and his unfiltered but polished tracks which make you feel as much as they make you want to move.

Sweet & Soothin’ is now available to stream along with the artist’s debut EP ‘A Night with Jibs’ via Spotify.

Review by Amelia Vandergast

Raw South London ‘Rapper Kwazi Cort’ makes a statement with “Please Don’t Boast” ft. ‘LD (67)

‘Kwazi Cort’ and ‘LD (67)’ are two well-known MC’s in the London Hip Hop scene and they join forces expertly on this powerfully delivered party track. 

These two MCs are on a mission in 2020 and aren’t letting anything and anyone get in the way. Tired of fake artists showing off with their toys, they are quite clear with their intentions on this track. Humble enough to still ride the bus & tube, it’s about the music & respect from real fans that really matters.

2020 has been a quiet year for ‘Kwazi Cort’ and you get the feeling that he has been working hard on this song, perfecting his craft and getting his mindset right. With quality like this, it won’t be long before Kwazi is at the top of the UK scene, with ‘LD (67)’ right there next to him.

‘’Please Don’t Boast’’ is the follow up to 2019’s underrated ‘’British Device’’, a track that showed his growing lyrical maturity. Let’s hope that 2020 is full with more top music with passion from this talented London MC.

Stream this new banging track here on SoundCloud

Reviewed by Llewelyn Screen

Kily Cali – So Retro: Nostalgically Overwhelming UK Grime

Ahead of the much-anticipated ‘Ostinato Rigore’ EP release by Kily Cali I had the pleasure of checking out the sensational British Hip Hop artists back catalogue of sound. It’s safe to say I have joined his fanbase in the eager wait for fresh tracks to drop. Kily Cali’s latest track So Retro won me over after hearing the first bar. His gritty style entrenched in realism threw me right back to the 90’s. The progression of Kily Cali’s tracks is almost overwhelming, you never know which way the track will twist and turn yet. He switches his Rap flow up from vehemently rolling verses to Soulful sensibility. There aren’t many people that can get away with the lyrics ‘this is London darlin’’ but Cali is one of them. His lyricism is enough to blow most British MC’s out of the water.

You can check out Kily Cali’s iconic sound out for yourselves ahead of the EP release on SoundCloud, connect with Kily on Facebook to stay up to date with future releases. Someone better tell Stormzy he’s got fresh competition.

Review by Amelia Vandergast