With an intro which carries the same aural weight as a quiescently morose melody from Nils Frahm, Alt Indie trailblazers Fendahlene’s single kicks off “High and Low and Back Again” with a teasing start before settling into an intricately masterful feat of Indie Power Pop.
Any fans of the National, R.E.M., Bon Iver, Arcade Fire and Interpol will definitely want to pay attention to the band’s latest release. There’s no replicating that Alt 90s sound, Fendahlene didn’t have to, the Australian-based artist has been crafting alchemically evocative tracks since their inception in 1994.
With the cuttingly angular Post Punk guitar tones weaving around the resolving vocals, High and Low and Back Again unfolded as an unforgettably soul-filling stylistic Indie hit. We’re already stoked to hear what is next.
You can check out High and Low and Back Again for yourselves by heading over to YouTube.
There will be plenty more to come from the band in 2020 and beyond. Keep up to date with the artist’s latest news and releases via Facebook.
Review by Amelia Vandergast
With a tumultuous past behind him and a newly found motivation in music, English artist Calboa has released his new single ‘Same S**h’, an ode to living through the same everyday problems and being able to atone for the mistakes we make, changing our way of life.
Indie to the bone and melancholic in his lyrics, Calboa inherits precious knowledge from acts such as The Doors, Nick Cave and The Libertines, demonstrated through a creative and straightforward approach to his music. He covers both personal and universal themes such as the loss of friends and loved ones and the dangerously easy descent into the world of drugs.
In this light, ‘Same S**h’ represents a relatable anthem for us all. Starting with a syncopated organ to set the tone for the first verse, crunch guitar lines quickly kick in to expand the rocky sound of this ballad, while his vocals reverb passion and honesty.
Calboa can classify as a poet – a multi-instrumentalist who finds in music his greatest expression and a way out of the “s**t” he’s had to deal with by using his experience as a means to inspire listeners.
Though the song is titled ‘Same S**h’, it’s definitely not the “same shit” you’re used to hearing, so go check it out on Spotify.
Review by Jim Esposito.
Up and coming Melbourne Indie artist Mondé is set to release their emotively raw, accordantly powerful Indie Art Rock single Best At. Fans of The National, and The Editors, you’re going to want to hear it.
Mondé possesses the rare ability to make lightly orchestrated instrumentals bleed pure weighted emotion. If you’re as aurally sensitive as me, listening to Best At will be an emotional sucker punch.
The humble yet stridently ardent romanticism-soaked lyrics allow you to warm to Mondé instantaneously. You’ll be captivated by his talent when it comes to making the inexpressible expressible.
It’s not only the momentum which picks up as the single progresses. The raw unfiltered soul also amps up in ferocity as the poised and gentle Indie vocals evolve into forcefully zealous choral howls. The seamless build up in intensity is just one of the reasons why this flawless track demands repeat attention.
Best At will be available to stream from April 20th via SoundCloud.
Stay up to date with the latest releases and news via Facebook.
Review by Amelia Vandergast
Starting off in a disused public toilet in Kentish Town as a rehearsal space, Useless Cities was up and gigging after about 12 months.
The outcome is bittersweet melodies and feelings, all pinned together by a skewer of flowing guitar sound. Intertwined male and female vocals are anointed by a holding piano sound and warm bass tones, aligned on OCD-like overthought drum beats.
They have just finished recording their first EP with Jessica Corcoran at Gravity Shack Studios in Tooting. It has had radio play on the Uni of Cork campus indie radio show, Freakscene radio show and Spark Sunderland new music show.
Useless Cities are an indie 4-piece with male and female vocals: Tom – Vocals/Guitar, Conny – Vocals/Keys, Clare – Bass, Sebs – Drums.
For fans of – The National, Arcade Fire, Mogwai.
Slowlights are a London based four piece, mainly influenced by Arcade Fire, The National, Local Natives and Coldplay. They started 2016 by recording a debut EP with producer, Peter Miles.
The band have been on the road supporting Eliza and The Bear. Slowlights are independently releasing one track a month from the EP to their soundcloud page, Only Young is the third song that they have put out.
The EP will be released as a whole on June 1st!