Northwest purveyors of Alt-Indie Psych Rock KEEF released their sanity-saving earworm ‘In This Town’ on November 13th, 60’s Psych tones are teased, but there’s no escaping the present in this damningly danceable depiction of the 21st century.
Sticky-sweet kaleidoscopic accordance introduces despondent vocals which allow you to taste the grit of modernity whilst savouring the roguish foreboding derision which only Northern artists can serve up with such finesse and sincerity.
The playful venom which is spat towards people who obnoxiously make the world a bleaker place was the catharsis fix I never knew I needed.
In This Town affirms the necessity of music which permits a collective sense of consolation by feeding our frustrations back at us with the assurance that you’re not alone in your nihilism. While I’m gutted I can’t listen to it live and embrace the psychotropic effects of the eccentrically nuanced instrumentals in a sweaty euphoric crowd, I’m overwhelmingly gratified that I got a dopamine hit from this scathingly choral hit all the same.
In This Town will be available to stream on all major platforms from November 13thvia this link.
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Love the leader, love the leader. Buckets of blood. You get the idea. This is a moody masterpiece really, with it’s dark undertones and badass beat. I feel like I’m in a video game, somehow trapped but finding ways out. This music is so trippy but I like it.
‘’Last City Of England’’ is the lead single off the new 2nd album by Ortaka, continuing to explore an eclectic range of influences and techniques, songs and instrumentals. He describes his music as Indie Rock/ Electronic and I feel like it should be called Ortaka music.
This is really fascinating music and the full album is set for release on 29th May 2020. Instrumentals, drum and bass to noise rock influences are a plenty here. I would love to jam out with good friends like my buddy Dan to this as he’s such a huge drum & bass fan.
I like the ruggedness of the ‘Orteka’ creations and I can’t quite work it all out. Perhaps that is the point, you aren’t supposed to. Just enjoy it and listen at a very high volume.
This is an artist not to be ignored so click here on the SoundCloud link and be amazed.
With a tumultuous past behind him and a newly found motivation in music, English artist Calboa has released his new single ‘Same S**h’, an ode to living through the same everyday problems and being able to atone for the mistakes we make, changing our way of life.
Indie to the bone and melancholic in his lyrics, Calboa inherits precious knowledge from acts such as The Doors, Nick Cave and The Libertines, demonstrated through a creative and straightforward approach to his music. He covers both personal and universal themes such as the loss of friends and loved ones and the dangerously easy descent into the world of drugs.
In this light, ‘Same S**h’ represents a relatable anthem for us all. Starting with a syncopated organ to set the tone for the first verse, crunch guitar lines quickly kick in to expand the rocky sound of this ballad, while his vocals reverb passion and honesty.
Calboa can classify as a poet – a multi-instrumentalist who finds in music his greatest expression and a way out of the “s**t” he’s had to deal with by using his experience as a means to inspire listeners.
Though the song is titled ‘Same S**h’, it’s definitely not the “same shit” you’re used to hearing, so go check it out on Spotify.
Netherlands-based band The Sign of Leo have dropped their latest piece ‘The Global Fight’, infusing that Indie Rock sound pulling sounds from the 70’s and 80’s Rock scene, to create this catchy piece.
Starting off with that powerful hum that ends abruptly, as the strings collide together on the electric guitar and the heavy tap on the drum begins to seep through. Whilst having that synthesized keyboard sound that gives it that 80’s sound.
Adding in the upbeat clash of the tambourine that plays in the distance, alongside the heavy riffs on the guitar as the instrumentals have their time to shine, going back and forth with the heavy sound to the more synthesized essence.
The vocals have that raucous tone to them, making sure that they’re loud and high-pitched so that they manage to power through the instrumentals, as the rhythm does tend to overtake the vocals in terms of pitch and pace. But everything comes together in an impressive way, it all flows and is in tune with one another. Always keeping the volume loud to give it that real Rock sound.
Check out The Sign of Leo’s single The Global FIght by heading over to Spotify now.
Rock music has infinite permutations in modern day. Under every genre, there’s a subgenre that hybrids with rock. When folks complain about a lack of rock, they ought to be more specific. Rock is everywhere, but the blues is scarce these days. Other than a few big acts, rock has had to adapt to survive. The Thinking Men seek to remind us of why we like to add rock to our music. They remember where rock came from and they know how to inject the blues into good, energetic bursts of sound creating that feeling we’ve been missing.
Their song I Wanna Be Good lends itself to a fairly simple, formulaic approach. There’s no need for too much going on in the verses as they’re a means to an end, and that end is a rip-snorting time full of aggression and virility. It’s also downright fun. This song has all the raw catchiness of garage rock with the soul and style of blues rock. The Thinking Men have form and function in mind as they bring together all the things you’ve wanted to return in a new package that can keep up with the loudness wars while retaining its rooted dignity. This can be a dangerous game though, reviving old flames. As the lyrics state, if you can’t be good, you’ll wind up dead. Let’s see how long the Thinking Men can stay on that bull and remain good.