Browsing Tag

southern rock

Shaw Revolver Wrestle Reverie and Reality in ‘Chasin’ My Shadow’

Shaw Revolver is the artistic definition of keeping it in the family—but there’s nothing saccharine about their dynamic. The trio—fronted by the father-daughter triad of Michael, Dresden, and Brielle—harness their natural synergy without ever falling into sentimentality. What they conjure instead is something far more powerful: emotionally charged rock, stripped of ego, driven by instinct.

The layered harmonies in Chasin’ My Shadow come like storm clouds over sunburnt desert guitars—guitars that shift with a chameleonic coolness, bleeding spectral southern rock into gothic textures, then turning on a dime into lines so virtuosically affecting they sound like the subconscious speaking in reverb. It’s a sonic terrain that mirrors the track’s thematic weight: trying to find stillness while wrestling with the shadows trailing behind you.

Chasin’ My Shadow doesn’t just feel like catharsis—it feels like confrontation. A reckoning between dream states and disillusionment, between inner peace and inherited pain. And while I’ll usually brace myself for the insular feel of family bands, Shaw Revolver blew that expectation wide open. Their sound doesn’t lock you out—it drags you right through the heart of their sound.

Since their 2019 debut, Shaw Revolver has toured coast to coast with their travelling acoustic act, but this single proves they’re just as potent when they plug in and wear their souls on their sleeves. Theirs is a rock ethos built on substance, delivered with gravitas, grace, and an unshakable sense of purpose.

Chasin’ My Shadow is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Beatdown Saints – All The Sinners: A Baptism in Blues-Soaked Rock

If you like your rock how you like your whiskey—unadulterated and smooth-pouring—you’ll easily acquire a taste for the low-down and dirty bluesy melodic grooves of Beatdown Saints. With a unique ability to tie your soul in knots when the vocal lines ascend atop of the guitars which pour gasoline over the tighter-than-a-straitjacket instrumental arrangementAll The Sinners is a reminder that rock doesn’t need a reinvention when it’s played with this level of conviction.

Taking cues from the Black Crowes, Grateful Dead, and Gov’t Mule, Beatdown Saints don’t just tip their hats to blues-driven rock—they make it their own with raw energy and jam-band spontaneity. The powerhouse trio of Mike Setzer, Todd Kasper, and Marc Berger deliver a sound that’s as unapologetically fierce as it is fluid, built for both smoky barroom stages and festival spotlights.

With Setzer’s road-worn experience alongside legends like Mike Pinera and Jack Russell, Kasper’s hard-hitting drumming pedigree, and Berger’s incendiary guitar work, Beatdown Saints refuse to play it safe. All The Sinners is a full-throttle showcase of their ability to walk the line between tight musicianship and the reckless abandon that keeps blues rock alive.

Save your rhythmic pulses from damnation and hit play—All The Sinners is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Revive your reverence for rock with Doneil’s hit single, ‘Georgia’

Doneil channels rock’s golden era, dragging it through the dust, drenching it in gasoline, and setting it ablaze. Their standout single, Georgia, is the sound of a band with nothing to prove but everything to give. Any old-school rock devotees will be on their knees for the adrenalised hit that piles up multi-layered harmonies as high as the southern rock grit in the riffs.

With a riled renegade spirit, Doneil leave no raw edge, no smouldering swagger, and no ounce of soul to be desired. But at the core of it all lies a reverence for rock’s untouchable legacy—infectious, perceptible, and entirely unfeigned.

Born from two musicians who met, married, and turned their bus into a roving rock hub, Doneil have spent the past three years building their name across Spain and Sri Lanka. Now, with a full lineup and a European tour kicking off in 2025, they’re set to bring their vision of PURE ROCK to an even bigger stage. Their roots dig into 80s pop-rock, funk, and disco, but Georgia is a full-throttle statement—no distractions, no compromises, just the kind of rock ‘n’ roll that keeps the genre alive.

With Tilt Corporate behind their distribution and SacatapusMusic on production, Doneil are riding full speed towards rock supremacy.

Stream Georgia on Spotify now.

Review by Amelia Vandergast

Jason Patrick X Strikes with Venomous Precision in His Rallying Hard Rock Hit, ‘Let’s Go’

Jason Patrick X

With his latest release, Jason Patrick X reminds audiences how ferociously rock used to land its punches in Let’s Go. The down-and-dirty anthem isn’t just an earworm with hooks—it’s a viper with fangs, striking with rhythmic precision as the guitars writhe with serpentine glamour. The momentum builds with nods to Pantera and Rage Against the Machine, while the rap verses carry enough bite to give Mike Patton a run for his money.

Hailing from the Bayou Country of Louisiana, Jason Patrick X is no stranger to resilience. A retired Army soldier with a master’s degree from Berklee, his artistry carries the weight of lived experience—perseverance, defiance, and raw, unfiltered emotion. His sound breathes new life into his Gen X roots, amplifying the voice of the forgotten generation with unshakable conviction. There’s no shortage of firepower in Let’s Go. The irresistible call to action slams the pedal to the metal, turning a hard rock groove into an all-out adrenaline rush. The nu-metal nuances bring an extra rush of intensity, solidifying Jason Patrick X as an artist who knows how to strike and make a meaningful impact. With an LP in the pipeline and set for release this summer, his creative zenith is well within reach.

Let’s Go will be available to stream on all major platforms from March 14th; until then, discover the artist via his website and connect with him on Facebook and Instagram.

Review by Amelia Vandergast

Folk Rock Introspection: WLDFLWRS Celebrate the Comfort of Isolation with their Debut, BEST COMPANY

WLDFLWRS’ Americana-inspired debut single ‘BEST COMPANY’ holds a quiet candle to the sanctuary of introversion. The Warwickshire folk rock ensemble crafted a panorama of gentle acknowledgement of how loneliness can sometimes feel like the safest shelter. There’s no forced buoyancy in these southern rock-rooted chords; instead, the guitars and percussion carry a patient hush that intricately resounds everything that needs to be said.

Hints of honkytonk traditions keep the track grounded, while an expressive balance between Bob Dylan’s gravitas and the glimmering cool of The Stones offers a familiar frame. Yet WLDFLWRS colour it with their own hue of raw truth, their vocals authentically aching as they pull listeners into the quiet corners of their world. The resulting sound is a dioramic blend of vintage rock tones that refuses to pander or wilt.

The band’s knack for honest arrangement and subtle swagger allows each note to fall perfectly into place, forming a soundscape which extends connection without stomping on the boundaries between personal reflection and universal resonance.

The official music video for BEST COMPANY premiered on December 6th; stream the video on YouTube now.

Follow WLDFLWRS on Instagram to stay up to date with all the latest releases and tour news.

Review by Amelia Vandergast

Turquoise Willie brought the Southern rock funk in ‘Gonna Make It Alright’

Turquoise Willie funked up Southern soul-rock in a way that sets them apart from every other vintage-toned entity gracing our speakers. ‘Gonna Make It Alright’ is a freewheeling escape into euphoria. With sonics to repair the soul, it’s hard to think of anything that this track couldn’t remedy.

From an intro that echoes the legendary vibes of the Stone Roses or Happy Mondays, the single explodes into a Southern soul-rock groove that’s nothing short of infectious. The track testifies to the power of feel-good rock ‘n’ roll, doing exactly what its title promises. Turquoise Willie riffs with an unholy amount of talent, aiming solely to deliver sonic serotonin to rock enthusiasts everywhere. Embed this timelessly gasoline-soaked hit in your playlists and say goodbye to your dark days for good.

Jason Young and Chris Schiltz, the dynamic duo behind Turquoise Willie, formed in 2015 after a long journey as studio and touring musicians, including stints with the legendary Steve Azar. They found their synergy in a shared passion for keeping vintage roots rock not just alive, but amplified. The result is music that reverberates across the vast expanse of roots music with unwavering authenticity.

Gonna Make It Alright was officially released on November 22; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

Backwoods Creek delivered the ultimate Southern soul-rock anthem ‘Alright’

Sensing cynicism in the universal waters, Backwoods Creek prescribed a potent dose of optimism with their latest single, ‘Alright’. The refreshing take on bluesy soul-swathed Southern rock played fast and loose with the genre constraints while keeping the instrumental arrangement tight enough to unravel as every rock-inclined muso’s wet dream.

Part lyrical mantra, part musical Tour De Force, the UK-based quintet exhibited ‘Alright’ as a masterclass in balancing raw, overdriven guitars and whiskey-soaked vocals with an undercurrent of hope and redemption. It’s a track that carries the dynamic energy of power pop while remaining true to its bluesy rock and roll roots.

The virtuosic cohesion of the instrumentals showcases their skill and chemistry, honed through years of friendship and collaboration, and you don’t have to buy tickets to their live shows (even though you really should) to witness their infectious energy performance energy; the band’s electrifying aura is perfectly captured in this track.

No one can deny that while life is on a downward trajectory hearing everything will be alright prises ennui out of your perception. This life-affirming hit goes beyond reassurance –  it’s transformative.

Alright will hit the airwaves on March 15; check out the release via the official Backwoods Creek website.

Review by Amelia Vandergast

The dust of desert rock gelled with the sludge of grunge in Jeremy Phillips & The Ozark Grunge’s latest single, Hell Into Home

We’ve scarcely returned to the 21st century after revisiting the 90s with Jeremy Phillips & The Ozark Grunge’s single, Crazy. Proving that they’re more than just a one-trick sonic pony, they’ve dropped another nostalgia atom bomb with their lamentatively exhilarating single, Hell Into Home.

If Kurt Cobain had a little more of a Southern twang to his vocal lines and arrestively brashy swagger to his guitar hooks, Nirvana’s seminal hits would have swum in the very same vein as this epitome of an earworm.

The tight instrumentation lends itself effortlessly well to the grungily cosmic songwriting that entices you into the centre of the dusty-with-desert-rock-atmospherics hit that mourns the loss of a home becoming a house in the absence of the person that made the brick-and-mortar a place worth coming back to.

Stream Hell Into Home, which was officially released on July 21, via Spotify and YouTube.

Review by Amelia Vandergast

Skip Seattle and Go to the Ozarks for Your 90s Grunge with Jeremy Phillips’ Latest Single, Crazy

Country and Grunge rarely collide, but when they do, as proven by the latest single, Crazy, from Jeremy Phillips and The Ozark Grunge, evocative firestorms spark in the gruff vocal timbre and southern rock riffs, which will take you higher than a billionaire in space.

With the raucousness scouring the soul in Crazy, the hit is rough around all the right edges, but at its core, it’s a heartfelt release strong enough to pick you up off the floor if you reach to it in your lowest moments.

While the lyrics allude to how love is one of the only acceptable forms of madness, the blazingly tight instrumentals, which will throw you right back to the 90s, sell sludged-up sanctuary. While so many artists are keen to assimilate the Seattle grunge sound, Jeremy Phillips proves the distortion sounds just as sweet in the Ozarks.

Crazy is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Paraguayan Southern Rock troubadour Sunburned River is beguilingly defiant in his cinematic single, Go On

Paraguayan Southern Rock troubadour Sunburned River closed 2022 with the release of his heart-wrenchingly defiant single, Go On.

Starting with choral 70s folk-rock tones, the disarming single seamlessly builds around orchestrally cinematic and baroque motifs, complementing the rugged acoustic guitar timbres and the low ethereal hum of his evocative vocal timbre. If that wasn’t enough sonic beguile, the singer-songwriter orchestrated an electric guitar riff solo for the ages.

Regardless of who you revere as a guitar hero, Sunburned River’s talent while ripping through the soaring lead guitar work is breath-takingly superlative. The only thing on par with his instrumental ability is his captivatingly immersive songwriting skills.

The official video for Go On is now available to stream on YouTube.

Review by Amelia Vandergast