Browsing Tag

shoegaze

Holy Gloam borrowed from Dinosaur Jr in their melancholic shoegaze serenade, Used for Falling

Posted on 15 July 2023

Making an authentic mark on the Shoegaze landscape where so many chorally dissonant signatures have been scribed is no easy feat; Holy Gloam succeeded all the same with their latest single, Used for Falling.

The vulnerable vocal lines become the soft sonic underbelly of the sludged-to-the-nines single, which uses clamorously effect-laden guitars to visualise the rancorous paths of descent our minds can take us down and sweeten the vocal harmonies in texturally sublime contrast. Sharpening the teeth of the melancholy is lyrical diehard romanticism, which paints a portrait of unconditional affection which distance and disconnection can’t diminish.

With their ability to invite their listeners into such evocatively compelling soundscapes which play the heartstrings as intricately and intimately as the guitars, the North Wales/NW England five-piece clearly have a bright future ahead of them. They have already been making major waves since songwriter Julian Neale founded the outfit in 2021; they’ve become staples in the NW touring circuit and their debut album, Small Nothings, was longlisted by Welsh Music Prize. Watch this space for more major moves from the scintillating evocateurs.

Used for Falling was officially released on July 7th; stream it on Spotify.

Review by Amelia Vandergast

 

Foreign Saints is sonorously spectral in their debut shoegaze single, Here With Me

Posted on 11 July 2023

If you placed yourself in the middle ground of Elliott Smith and Slowdive, you would be in good company with the sonorously spectral debut single, Here With Me, from Foreign Saints.

With a slice of psychedelia written into the indie pop songwriting chops, Here With Me unravels as a hazy kaleidoscope of wistful colour. As the lyrics allude to what’s lost through time and distance, the dreamy instrumentals envelop you in their reverb-swathed cathartic tonality.

The bedroom pop project from the Brooklyn-based musician, Thomas Roberts, may not be far past its inception, but Roberts is already proving himself to be an unreckonable resonant force. Fans of The Japanese House, War on Drugs, and Day Wave won’t want to let the project slip them by, especially with the debut EP in the pipeline.

Here With Me is now available to stream on Spotify.

Review by Amelia Vandergast

Strange Things became the heirs to sonic obscurity with their vintage psych rock tour de force, Witness to the Apathy Gospel / Approaching Mindfulness

Posted on 1 June 2023

With the same fuzzy psychedelic alchemy that would be tasted in the notes of a cocktail of The Zombies, Sonic Youth, and Wire, the standout single, Witness to the Apathy Gospel / Approaching Mindfulness from Strange Things’ LP, In That Light of Fading Day will leave you intoxicated from the first time you savour the vintage tones.

The melting pot of psych, shoegaze and experimental noise, influenced by the likes of The Jesus and Mary Chain, The Telescopes and The Stooges, ensured that the LP from the Canadian connoisseurs of sonic obscurity was far from the ordinary lockdown-born albums that proliferated the airwaves when amateur hour seemed to stretch out in perpetuity.

Beneath the sludgy swathes of effects are some serious songwriting chops, written in the way the progressions immerse you even deeper in the vintage psych outpour of grief for the victims of the Uvalde County shooting.

Closing the single on headily distorted Eastern rhythms was the cherry on the sonic dissonance cake. Stream Witness to the Apathy Gospel / Approaching Mindfulness for yourselves via Spotify.

Review by Amelia Vandergast

The Q-Days – Underboard: Alt-90s Nostalgia Has Never Been Kaleidoscopically Sweeter

Posted on 7 April 2023

The Brighton-based alt-rock outfit, The Q-Days, is driving nostalgia into the next generation of British guitar music with their dreamy kaleidoscopic 90s Britpop-kicked tones and cathartically honeyed vocal lines. Their latest single, Underboard, is sweeter than Sally Cinnamon under the duress of the choral progressions that lick anthemic soul into every honed note.

With escapism, freedom of expression and euphoria as their triadic ethos, they stand for everything we should be giving an ovation to in the UK right now. It’s the pits, but one thing is for sure, our polluted waters are the perfect breeding ground for prodigal sons of rock n roll that salvation seekers will want to flock to.

After spending their foundling days developing their craft before it reached the airwaves and live stages, The Q-Days were always going to be primed to make a killer debut. So far, they’ve opened for Youth Killed It, The Rifles, and Bilk, but if any breakthrough act is definitively headliner material, it’s The Q-Days.

Underboard will officially release on April 7th. Check it out on SoundCloud.

Review by Amelia Vandergast

Sonica unveiled their ethereally experimental shoegaze revival, Wait for Me

Posted on 11 February 2023

With one of the most experimental revivalist approaches to Shoegaze known to the airwaves, the Perth-based outfit, Sonica, easily set their lush reverb-swathed tones apart from the rest. Intent on not being another Lush, Ride, or Curve replica act, Sonica found innovative ways of distorting their dream pop melodies without bursting the semi-lucid bubble

The bleeding vocals from Claire Turton stand up to the mesmeric plate, containing the same ethereal beguile as Cocteau Twins and Siouxsie and the Banshees in the moody standout single, Wait for Me, which pushes grungy tones into the midst of the euphonic kaleidoscopic accordance. Leaving ample space for the gritty and cold timbre of 80s post-punk, the four-piece revisited the golden era of shoegaze by taking a route never tread before.

Wait for Me is now available to stream on Spotify.

Review by Amelia Vandergast

The Sun Hit an 80s New Wave Atmosphere in Sabet and Doherty’s Single, At the Brink of Dawn

Posted on 30 January 2023

Docking their boat at the harbour of 80s new wave atmosphere, the soundtrackers, professional songwriters and producers, Sabet and Doherty, orchestrated a sonic depiction of when the sun hits in their single, At the Brink of Dawn, taken from their sophomore EP, The Secret.

Starting with cavernously choral angular guitar work in the same vein as Slowdive, the instrumental aural escapade builds into a feat of full-bodied beguile through the percussive fills brought by Doherty, best known for his work with Ben Folds and They Might Be Giants.

The oceanically cathartic testament to the collaborative chemistry that spills between the two artists is a unique invitation to slip array from the fray of typically structured music and become part of the flotsam while you trust in the expert orchestrators, who drift you into one of the sweetest 80s rock crescendos towards the outro.

At the Brink of Dawn is now available to stream on YouTube.

Review by Amelia Vandergast

Under the Sun – Ocean Breeze: an ambient dreamwork of Lynchian cogitation

Posted on 11 January 2023
Ocean Breeze by Under The Sun

Adding a disarming new trajectory to the evolution of shoegaze, the Suffolk-based originator Under the Sun (Matt Catling) constructed an ambient dreamwork of Lynchian cogitation with their three-track release Ocean Breeze.

As hazy as the titular allusion, the opening title single carries the weight of driftwood as it traverses through the meditatively industrial layers of reprising synths and delay-filtered dreamy guitars. Mastered by none other than Simon Scott (Slowdive), Ocean Breeze is a scintillating adaption of the origins of ambient soundscapes, modernised through the essence of caustic 21st-century dystopia that leaks into the transcendence of the track.

The arrestive rhythms in Ocean Breeze are a testament to Under the Sun’s ability to create sonic worlds far more accommodating than the ones we’re physically bound to. Short of taking a trip to the 5th dimension, there’s no better escapism than the sanctity that flows just as mellifluously through the following singles, Whirlwind and Soft Focus.

With Whirlwind unravelling as a tribally psychonautic fever dream and Soft Focus exhibiting Branca-Esque tendencies enveloped by the bleeding lament of the vocals, it’s an evocative conclusion to a release you don’t realise how deeply you have enmeshed with until silence falls.

Stream Ocean Breeze on SoundCloud and Spotify, or purchase the release via Bandcamp.

Review by Amelia Vandergast

Bleach Bath – Branches: The Only Sludge Pop Debut You Need To Year This Year

Posted on 20 December 2022

With the rhythm section dripping as much sex appeal as the most aphrodisiacal tracks on the Deftones’ White Pony album, the alt-90s oozing from the droning walls of shoegaze guitars that have been distorted out-of-kilter and the killer sludgy pop hooks, the debut single, Branches, from the Tennessee-based artist, Bleach Bath, is beyond promising.

The tinges of emo to the lyricism, which runs through the insecurities that every girl will have battled with at some age, ensured Bleach Bath came out with all vulnerable guns blazing. It is impossible not to get on a level with the singer-songwriter and band frontwoman who has been tearing up stages across Tennessee, priming herself to make an unforgettable debut.

Any fans of Honeyblood, Wolf Alice, Ex Hex, Hole and My Bloody Valentine won’t want to skip this grungy kaleidoscopic dream of uninhibited angst and relatable uncertainty.

Branches was officially released on December 2nd. Check it out on Spotify.

Review by Amelia Vandergast

Minneapolis Shoegaze Revivalists, Lumari, Look into The ‘Neon Mirror’ in Their Inexplicably Alchemic Latest Single

Posted on 11 November 2022
Lumari

Pull yourself away from your Souvlaki, Loveless and Whirlpool albums and sink into the sublime reverb-drenched alchemy in the Minneapolis Dream Pop powerhouse, Lumari’s latest single, Neon Mirror.

With just a touch more intensity in the droning guitars that cradle the ethereally demure soul in Margo Pearson’s vocals which caress you on a multi-sensory level, Lumari achieved what so few shoegaze revivalists manage in this beguile-some release. They stayed true to the originator’s sound while throwing in plenty of their own post-modern flavour.

With touches of I Wanna Be Adored in the downward spirals of pulsating rhythm, there’s nostalgia to be here for sure; there’s also an unpredictability to the structuring of the inexplicably gripping release that stands testament to their songwriting and instrumental prowess.

Prior to founding Lumari, the founding members, Dave and Dan West could be found in the punk scene, opening for Green Day, NOFX and the Offspring. Once their tastes matured into an affinity for post-modern rock and Britpop, they teamed up with shoegaze lover Robert Caple and producer Eric Olson before completing the outfit with Margo Pearson.

Neon Mirror will officially release on November 11th. Hear it on Spotify.

Review by Amelia Vandergast

Honeyyycrush has unvelied her confessional piece of Southern Gothic Slowcore, Belly Empty

Posted on 4 November 2022
https://soundcloud.com/honeyyycrush/belly-empty/s-MuIWNMqXx86?in=honeyyycrush/sets/honeyyycrush-demos/s-5mJz94CLze8&si=c7945eabfed94be686e3c440ea981fc4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Brooklyn-based Singer-songwriter, Honeyyycrush (Alexandra Antonopoulos) established herself as one of the most underrated artists of her generation with the launch of her hauntingly soul-stirring single, Belly Empty.

The dark Southern Gothic meets alt-pop single entwines shoegazey guitars with ritualistic percussion and, of course, the evocatively efficacious nature of her ephemeral vocal timbre that meanders with the grungy slowcore melodies.

By building Belly Empty into one of the most arresting crescendos I’ve heard in a long time after grippingly raw lyrical confessionalism which features a vulnerable reprise of “you don’t know me like I do”, this progressively beguiling single is one born of understood isolation and sheer innovation. We can’t wait to hear her forthcoming EP, Milk Teeth.

Belly Empty will officially release on November 4th. Check it out on SoundCloud.

Review by Amelia Vandergast