Browsing Tag

Scottish Singer Songwriter

Connor Fyfe has released the stickiest earworm of the year with his new wave indie track, Cars

https://on.soundcloud.com/A1cfi

After becoming the youngest act to sell out Kings Tut in Glasgow and perform at TRNSMT, the 17-year-old Connor Fyfe is already in the habit of making history with his songwriting chops that are as sharp as they are sticky-sweet. His latest single, Cars, gives plenty of clues to how his ascent has been an unfaltering upward trajectory since leaving school in May.

With a bigger-than-Blossoms synth-drenched sound that borrows from the new wave synth pop genre while ticking all the right indie rock boxes, the momentum within Cars is momentous, but the adolescent prodigy knew just when to inject a sense of fragility and vulnerability into his vocal lines to ensure it’s a track that sucker punches the emotional and rhythmic pulses simultaneously.

Co-written with the legendary Ross McNae of Twin Atlantic, Cars pulsates with commercial appeal; each intricately clever chord progression embeds the earworm even deeper while the soulful synergy between the impassioned vocal lines and synthy indie rock synthesis ensures it will deliver endless euphoria.

With the promise that there are plenty more tracks in the pipeline, don’t be surprised if Connor Fyfe is one of the biggest Scottish artists since Lewis Capaldi.

Cars will officially be released on November 17th; stream it on SoundCloud.

Review by Amelia Vandergast

Lindsey Black came ‘Undone’ with superlative grace in her sublimely evocative indie rock record

flight by Lindsey Black

Indie rock siren of a songstress Lindsey Black borrowed a few shoegaze elements to amplify the arrestive beguile in her latest independently released single, Undone, which hit the airwaves on February 3rd. As the single progresses, tinges of Americana amplify the sincerity of the soul exhibited in the candourous serenade that features on her second studio album, flight.

Any fans of Desperate Journalist and The Twilight Sad will easily succumb to the pensively sublime orchestration of Undone, which also carries hints of the Manic Street Preachers’ more soulfully reaching records. With Graeme Young in the iconic Chamber Studios in Edinburgh in charge of the recording for the sophomore album, it was never going to fall flat, but only a voice as serenely vulnerable as Lindsey Black’s could reach so transcendently high.

Undone is now available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

Frances Gein has released her infectiously antagonist proggy grunge-pop hit Lest for Stress

Frances Gein

The 90s-inspired LGBTQ+ singer-songwriter, Frances Gein, made her debut in 2021 after learning guitar during the pandemic – not that her latest single, Lest for Stress, will let you believe it.

The stellar grungy sad-pop hit will remind you of how sweet it was to discover your reigning rock icons as you lose yourself in the choral energy of the guitars and realise just how infectious The Scotland-based artist’s magnetic attitude is.

There are a few hints to hole in the lyricism, but sonically, Lest for Stress carries the same angsty soul as Blondie and The Pretenders while teasing hints of prog rock that lend themselves to the unpredictability of the earworm.

In her own words

“Lest for Stress is an angsty sarcastic social critique of being broke. It’s not a revolutionary song, but it’s a fuck you to everything, everyone, and even myself”.

She’s the icon we never knew we needed.

The single is due for official release on February 11th, 2022. You can check it out for yourself on Spotify.

Review by Amelia Vandergast

Alt Indie Rock artist Tom Morris invites you to share ‘The Dark Hours’ with him through his debut release

https://tommorris.bandcamp.com/track/the-dark-hours

Like many artists, Scottish singer-songwriter Tom Morris released his debut single, The Dark Hours’, this summer, but unlike most new releases, the soundscape exhibited the artist’s prowess when it comes to instilling overwhelming emotion as the track becomes so much more than the sum of all parts.

The moody hints of 80s Electro hum around the intricate bluesy indie rock guitars while Tom Morris crafts one of the most infectious vocal melodies I’ve heard this year.

No artist carries the influence of Kurt Vile without picking up the hypnotically mellifluous textures of his meanderingly enticing guitar, which is exactly what is on offer in The Dark Hours which captures the agony of those twilight hours when your body loses most of its capacity for function while your mind runs rampant through every avenue for melancholy.

When I first hit play, I was intrigued by the stylistic collision of genres, by the time The Dark Hours faded out, I was overcome by the artist’s invaluable ability to alchemically offer compassion and comfort through relaying his own bitter-sweet introspection.

You can find out more about Tom Morris by heading over to his official website.

Head over to Bandcamp to stream and download The Dark Hours.

Review by Amelia Vandergast