Browsing Tag

Rage Against the Machine

Does Politics Have a Place in Music in 2024?

Politics in Music

As we step into 2024, the question of whether politics belongs in music remains as pertinent as ever. Music, an art form that transcends boundaries and speaks the universal language of emotion, has often been a vessel for political expression. From the soul-stirring melodies of folk to the rebellious chords of punk, music has not just mirrored but also shaped societal narratives.

But in a society more bitterly divided than ever with people clinging to the extreme ends of the political spectrum with increasingly partisan views, is it the right move for your music career to be candid with your political beliefs? No one can answer that question for you. Each artist has their own agenda. But with the considerations outlined below, you will hopefully see that societal regression is an inevitable symptom of inhibition of expression.

There is certainly an argument that music should be an escape from the dystopia that is closing in around us, but if you are biting your lyrical tongue to appease as many people as possible, it may be time to bite the political bullet and start to speak for the marginalised and voiceless.

The Role of Artists in Challenging Oppressive Structures

History is replete with artists who have used their platform to challenge oppressive political structures. Their music becomes a rallying cry, a beacon of hope and solidarity. In oppressive regimes, where voices are stifled, music becomes the unquenchable flame of resistance. It’s not just about creating art; it’s about creating change.

If you are an independent artist, you may not be able to start a revolution with your next single, but the ripple effect of liberating music can at least spark some resistance.

Authenticity vs. Appeasement: The Cost of Political Expression

Incorporating politics in music can be a double-edged sword. Artists risk alienating fans whose beliefs diverge from the message conveyed. However, the pursuit of universal appeasement often leads to bland, meaningless art. True artistic expression demands authenticity, even at the cost of popularity. It’s a testament to the artist’s integrity, choosing significance over safety.

In the digital era of music when music can feel like a popularity contest with the focus on how many listeners tune into your music on Spotify monthly and you get booked for gigs based on your Instagram followers, anything that threatens to diminish your follower count is enough to strike fear, but if you want to spend your entire career pussyfooting around the people who want to sedately suck the cocks of GB News presenters before parroting ‘go woke, go broke’ at anyone with a conscience and a voice, go ahead.

There is always the risk of facing the same backlash which saw the Dixie Chicks fall from grace in 2003 when Natalie Maines commented on the US invasion of Iraq, which saw radio stations boycotting their music and sponsors boycotting them. Yet, if you’re so inclined to be a populist, you may as well have moved into politics instead of the music industry.

The Revolutionary Echoes of Genre Pioneers

The annals of music history are marked by pioneers who were brave enough to carry the torch of political expression. Hip-hop became a catalyst for collective resistance. Rock became a rallying cry against economic stagnation. Punk became a rejection of fascism.

These genres have always been more than just music; they’ve been movements, challenging norms and igniting societal change. Their creators weren’t just musicians. They were revolutionaries whose notes were as potent as any speech.

Culture propels matters into public discourse, prompting us to reconsider our perspectives on the world. Pivotal cultural events often lay the groundwork for shifts in politics and policy-making.

The Sleaford Mods Controversy: A Reflection of Expectations

If you are thinking that silence on key issues is the key to success, the recent controversy surrounding Sleaford Mods, who faced backlash for not expressing their views on Palestine, underscores a critical aspect of music and politics. It highlights the expectations placed on artists to use their platform for political discourse.

This incident, which saw Sleaford Mods storm off stage after a Palestinian flag was thrown at their feet, reflects the evolving relationship between artists, their art, and their audience in the realm of political expression.

The Irony of Political Ignorance

Remember how in 2020 it only just dawned on some music fans that Rage Against the Machine is a political band? Well, there’s been an even more absurd instance of music fans being politically tone-deaf. When Green Day played their 2004 hit, American Idiot, during an NYE show on ABC and changed the lyrics to “I’m not a part of the MAGA agenda”, people were shocked at the twist to the single that has ALWAYS been underpinned by political angst.

Both of these instances are stark reminders of how music can be consumed without comprehending its deeper messages. Are these the kinds of mind-numbed fans you want to appease by refraining from including political messages in your music? The kinds of people who love to hate far more than they love to adore? The kinds of people who look for any hint that the world is descending into ‘woke madness’ because you don’t share their views? The people who throw the oppressed under the bus because they can’t come to terms with the real reasons behind their shortcomings so they foam at the mouths like pedant toddlers screeching because they’re not being pandered to by everyone, all of the time?

Conclusion: The Inextricable Link Between Music and Politics

In conclusion, the question isn’t whether politics belongs in music in 2024, but rather how it manifests. Music has always been a reflection of the times, a voice for the voiceless, and a tool for change. As long as there are stories to be told and injustices to be challenged, politics will find its rhythm in the heart of music. The true essence of music lies in its ability to speak truth to power, to challenge, and to inspire.

If you have a political or a protestive track you would like to promote, submit music to our indie music blog for a review or use our artist interview service to give your fans and our readers an inside view into the inspiration behind your latest release.

 

Article by Amelia Vandergast

WD-HAN drove their listeners towards progressive action and revolution in ‘Something’s Gotta Change’

In this year alone the LA-hailing rock outfit, WD-HAN, has riffed right across the rock spectrum with their diverse discography. With their latest single, Something’s Gotta Change, the chameleonic powerhouse turned their vitriol towards political punk-rock to deliver a viscerally empowering hit. If any single has what it takes to spark an anarchist revolution, it’s Something’s Gotta Change.

Starting the hit with the sobering fact that more people are enslaved today than ever in history was an efficacious way for WD-HAN to drive their listener’s compulsions toward progressive action. The collective rise in individualism and apathy created the perfect storm for oppression; we’ve sat back and watched how the marginalised have been attacked – it is only a matter of time before injustice meets everyone who can’t afford to escape into space.

Believing that the issue of human trafficking deserves attention resulted in the release of one of the most impactful anthems we’ve heard this year. The track was created in support of the Foundation for a Slavery-Free World and Operation Underground Railroad. 

Something’s Gotta Change was officially released on August 11th; stream it on SoundCloud.

Review by Amelia Vandergast

Ai Kittens bring in the future of mid-tempo metal with their AI-generated single, Alone with Yourself – Gen 103.

As we move through the rapid reforms in our digital spaces, it was only a matter of time before an AI band started to use neural networks to generate songs. At the vanguard of digital pioneering in this corner is Ai Kittens. To date, they have released over 150 authentically arranged tracks based on Rage Against the Machine and the licks of Tom Morello.

In this instance, in all sincerity, we can confirm that Ai Kittens are bringing in the future of mid-tempo metal. For RATM and Morello fans, Ai Kittens single, Alone with Yourself – Gen 103, is the perfect introduction to their atmospheric sound, swaggering rock guitars and ability to use technology in a way that completely reinvents music.

We do not doubt that there will be plenty of rock purists quick to criticise the nature of this project, but we have to hand it to Ai Kittens for their ingenuity. This method of ‘mining’ music which evades the usual copywriting issues with sampling, has all the potential to better the airwaves in the future.

Alone with Yourself is now available to stream on Spotify.

Review by Amelia Vandergast

Mar Palafox lead the vanguard in his latest spacey hard rock single, Battle.

After a string of successful singles, the alt-rock solo artist Mar Palafox has released his debut self-titled album; expect an adrenalizing ensemble of power metal, prog rock and spacey hard rock.

Any fans of Dir En Grey, InMe and Porcupine Tree will be easily absorbed by the atmospheric textures in the soundscapes that coincide with frenetic solos as they blaze through the complex time signatures. Each single on the album is a feat of ingenuity, but none more so than the standout single, Battle. The slightly lo-fi feel to the single gives Battle a punky garage rock edge that is cutting, to say the least.

You can check out Mar’s debut album for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Icelandic alt-rock 5-piece Atomic Annie orchestrated a sonically frenetic hit with ‘What If?’

Atomic Annie’s latest scuzzed-up alt-rock track, ‘What If?’ matches the fervent chaos of Rage Against the Machine and exudes all of the salacious appeal of The Velvet Underground. The Icelandic 5-piece’s sonic twist on hard rock is easily one of the best Independent rock releases of 2021; the energy is enough to take the soundscape off this stratosphere.

With the level of sex appeal cranked up to 11 to match the dial on the over-driven fuzzy guitars that sear through arresting solos that make Slash sound sedate, this fuzz-rock anthem deserves to go viral.

Atomic Annie is clearly one of the most promising up and coming alt-rock outfits contributing to the airwaves in 2021. They’ve got the talent and finesse to appease the classic rock snobs and a veraciously eclectic feel to draw in any fans of that unparalleled feeling of hearing a sound for the first time and being welcomed to a brand-new tumultuous aural world.

Check out Atomic Annie on Spotify.

Review by Amelia Vandergast

X Wire fan the flames with their politically-charged alt-rock hit ‘World on Fire’

Imagine a world where Rage Against the Machine never existed; it would suck. No one would know how sweet it feels to be adrenalized by being surrounded by strangers all venting their relatable socio-politically inspired angst in a mosh pit. It’s also unlikely that we’d get to hear tracks such as ‘World on Fire’ by the up and coming alt-rock powerhouse, X Wire.

A sequence of depressing news broadcasts serves as the prelude and introduces over-driven guitars, growling bass and Bryce Kelley’s soaring hard rock vocals that are accessible from the first note. X Wire swerved every cliché and established themselves as one to watch. If World on Fire was judged on the guitar solo alone, I do not doubt that X Wire would quickly climb the charts. At the age of 17-years-old, Liam Eastwood already boasts a distinctively original guitar style.

World on Fire is available on apple music, or you can check out the official music video which premiered on November 4th 2020 via YouTube.

Review by Amelia Vandergast

Phantom Electric deliver protest punk catharsis with “Modern Culture”

Rage Against the Machine may be consistently be heralded as the ultimate political Alt-Rock act, but the visceral aural empowerment which stems from Phantom Electric’s single “Modern Culture” is just as adrenalizing.

Expect broiling buzzsaw riffs, frenetically super-charged drums and a growlingly ominous bassline which demands that Modern Culture is blasted at max volume for the ultimate hit of protest punk catharsis.

Feel the furore in the sonically tight arrangement which throws plenty of virtuosic tumultuous breakdowns your way in between the massive choruses which will undoubtedly be a hit with any fans of Deftones, Black Rebel Motorcycle Club and Nine Inch Nails.

Modern Culture hits so hard it might just knock some sense into the Alt-Right. The Atlanta-based act who made their debut in 2013 isn’t just one to watch, they’re one to get behind.

You can check out Modern Culture which dropped as a double A-side release with “Lie”, which also attacks the state of America’s increasingly fragile socio-political atmosphere via SoundCloud.

Review by Amelia Vandergast

Under Stolen Skies Have Made Their Debut with the Super-Charged Unifying Punk Rock Hit “State of I”

Under Stolen Skies

Punk angst and poetic poignancy sit hand in hand in up and coming Alt Rock artist Under Stolen Skies’ debut single “State of I”.

Any fans of Rage Against the Machine’s high-octane all-consuming energy will definitely appreciate the experimentally absorbing Nu Metal single. And yes, the single comes with the Morello-style improvised intricate guitar breakdowns which will make your synapses feel suitably rearranged.

Reminiscences aside, Under Stolen Skies’ sound could never have been born through mere assimilation. The urgency, the authenticity, and the sheer performative conviction well and truly put them in a league of their own.

The Canadian artist has been firmly affixed to our radar after hearing State of I, you’ll undoubtedly follow suit once you get a taste of just how fresh their sound is.

You can check out Under Stolen Skies super-charged debut single for yourselves by heading over to Spotify now.

Review by Amelia Vandergast

Crisis King – Tonight – If You Thought That Extreme Music Could Not Be Eclectic, Think Again!

Crisis King is an artist with a fondness for hard-hitting metal, post-hardcore and industrial tones. His recent studio work, Tonight, is an EP that features 6 original songs. The artist’s music explores genres as diverse as hardcore, industrial, new-metal and more, going for an eclectic, yet direct sound. Opening number, “Die Easy”, is an extremely powerful wall of sound that feels like a stampede of vikings, crushing and burning everything in their path. The song has powerful drums and loud guitar riffs that are down-tuned and aggressive, perfectly matching the vocals.

The dark lyrical themes on the songs of the EP are also a great match with the album’s production aesthetics, but there is also room for melodies here and there.

“The Tides” highlights the group’s most melodic side, yet it still features hard-hitting drums, loud guitar walls and serendipitous changes. Throughout the span of these 6 tracks, Crisis King really stand out for the diverse approach they are able to bring to the table, exploring different sides of their musicianship and offering up an EP that feels eclectic, yet extremely direct, just as you would expect from a band such as Crisis King!