Browsing Tag

Queer Clubbing

Mavi Veloso delivered a vindicating hit of urban electro euphoria with ‘Names’

Debut albums are scarcely as promising as the Brazil-born, Netherlands-based artist Mavi Veloso’s debut LP, Travesti Biológica, which hit the airwaves on January 21st, 2022. The LP celebrates the beauty of trans and non-binary bodies while making no bones about pushing the envelope in a more progressive direction. The mash of pop, trap and futurism is an indulgent throw-back to the electroclash era and simultaneously a definitive milestone in the evolution of electro-pop that breaks the heteronormative mould.

The standout single, Names, is a fierce electro-pop anthem that bites back and speaks out to anyone in the queer community that has felt the sting of derogatory and disgustingly dim remarks. You couldn’t ask for a more vindicating hit of urban electro euphoria. Mavi Veloso has exactly what it takes to become the Peaches of our generation. We are more than here for it.

Names is now available to stream on Spotify.

Review by Amelia Vandergast

Johnny Paradiso – Hypermisery: Volatile in Nature, Transcendent in Tone Alt EDM

https://open.spotify.com/track/408VleXBJii4Qg2Z79iFMX

Even the concept of hypermisery is beguiling and thought-provoking. Yet, with his release “Hypermisery”, Johnny Paradiso has created a soundscape which will speak to more than your mind.

Prepare for your rhythmic pulses to be arrested by this progressive feat of experimental electronica. For their debut single, Johnny Paradiso merged elements from a myriad of styles to create a melting pot of danceable euphoria.

Once you find the groove in the mix which is volatile in nature but transcendent in tone, the entrancing essence to the soundscape is all too easy to latch onto. Any fans of ahead of the curve EDM will undoubtedly want to take the time to explore the ingenuity of this artist. He’d go down a storm in Berghain.

You can check out Johnny Paradiso’s debut single Hypermisery featuring Tradavious for yourselves by heading over to Spotify.

Review by Amelia Vandergast