Browsing Tag

Punk Rock

The Verge struck all the right raw, protestive and empowering chords in ‘Keep the Head Up’

If you fused the ferocity of Rage Against the Machine or Bikini Kill with the rhythmic pull of Guns n Roses and threw in augmented layers of down-and-dirty blues rock, you’d be left with a cocktail as aurally visceral as the seminal single, Keep the Head Up, from the underground’s most indomitable outfit, The Verge.

The Parisian powerhouse has been cranking up the overdrive on their guitars since 2014; since banding together they haven’t failed to establish themselves as an unmissable live act and an ensemble which knows exactly how to infuse that energy into their records.

With melodies and riffs that will tattoo themselves across your synapses from the first spin and the way the vocals pull you right into the core of their boisterously bluesy hits, their provoking emotional depth knows few bounds. In Keep the Head Up, they demonstrate their ability to strike the right raw, protestive, and empowering chords.

The official video for Keep the Head Up is available to stream on YouTube.

Keep up to date with the latest aural antics from The Verge by heading over to their official Facebook page.

Review by Amelia Vandergast

London’s FOURA.M mainlined livewire energy into their alt-rock debut, Bombers

With a scuzzed-up and brashy guitar intro that will throw you right back to At the Drive-In’s moment of glory when their live performance of One-Armed Scissor on Conan became a global phenomenon, the intro to the debut track, Bombers, from FOURA.M, will capture your attention in an equally as visceral way.

Marketing themselves as ‘Dad Rock straight outta London’ scarcely does the frenetic fourpiece justice. Their influences reminisce with alt 90s and 00s tones, but nothing about Bombers feels remotely dated; the evocative pulls of the Foo Fighters-esque melodies and touches of Royal Blood in the production sealed FOURA.M a place amongst the other acts who are giving rock a fighting chance of surviving the Gen Z obsession with electronica.

If you see as much potential in FOURA.M as we do after bearing witness to their strong debut, keep your eyes peeled for their live tour dates around London.

Bombers hit the airwaves on July 28; stream it on Spotify.

Review by Amelia Vandergast

Fill your cup with the frenetic furore that spills from the punk rock veins of Lex Maria’s single, Plague or Pain

Nestle into a riotous plague-pain dichotomy with the standout single from Lex Maria’s sophomore EP, Ghosts. The clamorously cold post-punk single, Plague or Pain, from the Swedish purveyors of angst-fuelled alternative rock, is a messily discordant hit that fans of Melvins, Pixies, and Sonic Youth shouldn’t need to be asked to listen to it twice.

The heavy down-tuned guitars paired with the pervasive air of self-reported sexual frustration and the Marilyn Manson-esque effect-laden spoken word verses create a strong sonic tonic which won’t be everyone’s cup of tea, but if cacophonous catharsis is your poison, fill your cup with the frenetic furore that spills from the punk rock veins of Plague or Pain.

Ghosts was officially released on June 30; stream it on Spotify.

Review by Amelia Vandergast

Nina Hain became the cover girl of Riot Grrrl in 2023 with her debut single, I Have a Name

The Canadian-born, Zurich and London-based multi-instrumentalist, classically trained singer and songwriter Nina Hain revived the Riot Grrrl movement with the monolithically fierce beguile in her debut single, I Have a Name.

Produced by Rocky O’Reilly and Mastered by Robin Schmidt (Liam Gallagher, Nothing But Thieves), the polished single is as impeccable as you would expect. But, somewhat ironically, in the context of the single, Nina Hain isn’t an artist that is going to skate through her career by high-profile association.

The stellar songwriting, which allows you to roll with all the stridently liberating crescendos led by her resounding vocal timbre, proves that she’s got the lyricality to make as much of a bruising impact as Bikini Kill, Sleater-Kinney and L7. But make no mistake; this is far from your average all-edge-and-no-substance 90s throwback hit. The musicality of the single allows Nina Hain to stand alongside icons such as Honeyblood, Wolf Alice, and Black Honey as she uses her resounding voice as a protest to female oppression.

Expect plenty more from Hain as she continues to work with the Zurich-based indie label, Nekonen Records, to deliver a string of singles in the lead-up to her debut EP, due for release in Spring 2024.

I Have a Name hit the airwaves on June 30th; stream it on YouTube.

Review by Amelia Vandergast

Tune into Rebels in Stereo’s riotous punk rock anthem, Lace of Steel

CoVault by Rebels in Stereo

‘Lace of Steel’ is the riotously hooky seminal single from Chicago’s premier pop-punk-influenced outfit, Rebels in Stereo. Taken from their EP, CoVault, the overdriven to the nth degree hit reels you in with the edged and tight anthemics, but it is the vignette weaved through the high-octane release that keeps you immersed.

With a similar narrative to Thrash Unreal by Against Me! any female-identifying outliers that are looking for resonance will get more than they have bargained for when they delve into the punk rock anthem, which gains momentum through the modernist melodic power metal licks and the songwriting chops that are as sharp as a butcher’s cleaver.

With a new LP in the pipeline, there’s little doubt that 2023 will be the year of Rebels in Stereo. It takes far more than a powerful set of pipes to become an arresting frontwoman; thankfully, Cassidy’s vocal range is as wide-spanning as her talents in weaving soul into her superlative harmonies.

Stream and purchase Lace of Steel by heading over to Bandcamp.

Review by Amelia Vandergast

Pop-Punk trailblazer, Brooklyn Belton, unveiled the ultimate adversity aftercare anthem, Just Fine

Starting with an instant hook that sounds like it came straight out of the Bowling for Soup arsenal, the debut single, Just Fine, from the Ohio pop-punk trailblazer, Brooklyn Belton, effortlessly became one of our favourite alt-rock earworms of 2023 so far.

With an instrumental arrangement so tight it is practically corseted, Brooklyn Belton polished the punk rock genre with her anthemic slice of stellar songwriting, which won’t fail to leave you galvanised for the way the exhilarant guitars wrap around her lyrics that compel you to pick yourself up, dust yourself off and deal with the cards of adversity your autonomy has dealt you.

When the chorus comes around, you’ll lose yourselves in the euphoric energy while simultaneously finding yourself in the candid introspection that perceptibly oozes from the wounds of a personal battle.

Just Fine hit the airwaves on April 14. Check it out on YouTube.

Review by Amelia Vandergast

Stephen The Storyteller pulled a wild sonic card in his punk n roll hit, Missin On.

If you fused the roguish appeal of the Cramps with proto-punk scuzz and bluesy rock n roll riffs, the amalgam would be as raucously gritty as the standout single, Missin On, from Stephen the Storyteller’s album, Supragenre.

With his whiskey-soaked vocal lines pouring into the frenetically progressive pace of the authentic by-design hit, you’ll be shakin’ like Elvis by the time the chorus kicks around. He’s the complete antithesis of artists of the modern era who create around the confines of stereotype and genre; reminiscences aside, Stephen The Storyteller pulled a wild sonic card with this release that stays true to the organic nature of expression. The Doylestown artist, poet, and producer, may keep his sound design experimentally old school, but with his music videos, he’s embraced the future and allowed AI to take the metaphorical lead.

The AI-created music video for Missin On premiered on April 1; watch it on YouTube, and check out more of his content on his official website.

Review by Amelia Vandergast

Velvet Bethany’s ‘La Mirage’ Rocks with Rebellious Spirit

Velvet Bethany’s (Allison Mitchell) latest release, “La Mirage,” is a fiery punk track that showcases the raw and unfiltered spirit of rock and roll. With her driving guitar riffs and relentless drumbeat, Allison Mitchell channels the energy of punk legends like The Clash and The Ramones, while still managing to carve out her own unique sound.

Lyrically, “La Mirage” is a rallying cry for those who refuse to be held back by the status quo. Mitchell’s vocals drip with intensity as she proclaims, “I’m not living in a la mirage,” a bold statement of defiance against the pressures of conformity.

The instrumentation on “La Mirage” is nothing short of masterful. The guitars buzz with a relentless energy, while the bass and drums provide a rock-solid foundation for the song’s infectious melody. The result is a track that is both dynamic and catchy, with each element working in perfect harmony to create a truly unforgettable listening experience.

This tune is a tour de force of punk rock that will leave listeners hungry for more. With her electrifying guitar work and powerhouse vocals, Allison Mitchell proves that she is a force to be reckoned with in the world of rock and roll. Fans of punk and rock music alike will undoubtedly find something to love in this explosive new track from Velvet Bethany.

Chicago punk three-piece, Torch the Hive, delivered relatable hardcore rancour in their latest single, deku

The Chicago-hailing punk three-piece, Torch the Hive, is fresh from the release of their latest feat of relatable hardcore rancour, deku. Never ones to shy away from the facets of society that are like paint-stripper to sanity, Torch the Hive are staunch advocates of mental health awareness in an era which laces the atmosphere with off-kilter dejection.

The lyric, “just make it go away, I don’t want to feel constrained, I swear I’m not insane”, stands as an undeniable testament to the fact that if you’re not disillusioned at this point, you’re the flawed one for your inability to see the obscurity that is sending even the most resilient to the brink.

Sonically, deku leaves nothing to be desired. The jangly indie rock guitars in the intro lose their angular form when the grungy chorus kicks into full momentum, but the punk pioneers saved the best for their colossal breakdowns that hammer home the extent of frustrated friction. Torch the Hive have exactly what it takes to become the Fugazi or At the Drive-In. We can’t wait to hear where they take their sound next.

deku was officially released on February 24th. Hear it on Spotify.

Review by Amelia Vandergast

Pharsalia defied physics in their pop-punk revamp, Gravity Killer

Here to prove that emo was anything but a phase is the Delaware-hailing pop-punk revampers, Pharsalia, with their latest physics-defying single, Gravity Killer.

The catchy heart-in-throat choruses have kept their original form, and there’s plenty of punch in the dynamically bouncy guitar riffs, which keep you palpitatingly sweet in the lead up to the euphoric chaos in the pit-worthy choruses. The 5-piece has made a name for itself in the local scene and beyond with its fan-first lyrical relatability and approachability. This track is only going to take their renown to the next level.

If any single has what it takes to tear your attention away from the new album material from Fall Out Boy it is this scintillatingly scorned anthem for the disenfranchised that is super-charged with earworm-y energy.

Gravity Killer hit the airwaves with the force of a hadron collider on January 27th. Hear it on Spotify.

Review by Amelia Vandergast