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Pop Earworm

Wowuh Stitched the Fabric of Memory into a Pop Anthem in ‘Your/My Mess’

Wowuh

Your/My Mess by Wowuh is a vignette that finds an epiphanous way to exhibit how love lingers in the most unexpected corners. Most people are completely oblivious to the meaning we subconsciously attach to material possessions, but the way Wowuh takes a discarded red dress and uses it as a precipice for an exposition on how even when memories fade, they are still part of the fabric of our being allows transcends profound introspection. The track doesn’t seek resolution—it holds the weight of the aftermath with poignant grace to recontextualise views and perspectives with the soul of poetry.

After opening with emotive acoustic intimacy, the polished yet pure single builds into a radio-ready earworm, allowing the crescendo to pirouette throughout the entire multi-layered, textured and toned chorus. The ache, the atmosphere, and the artefacts left behind are all given room to resonate, without platitudes or saccharine oversimplifications.

The LA-based, RVA-born songwriter and producer Andy Chess, under his moniker Wowuh, once buried his hooks beneath distortion. Now, he’s creating gravity-shifting collisions of bedroom confessions and arena-scale catharsis.

Co-written with Annie Chung Jones and Sarah Lacey, and brought to life by the moody production work of Conner ‘Noams’ Riley, Your/My Mess owns its flaws, its tenderness, and its truth. With a voice warm enough to melt the coldest of hearts, Wowuh is a name you won’t have to memorise; it will be everywhere.

Your/My Mess is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast.

Jamie Beth Refuses to Falter in Her Indie Pop Earworm, ‘Don’t Change My Mind’

After lighting up the airwaves with her debut single, Streetlights, the indomitable force, Jamie Beth returned with Don’t Change My Mind—an indie-pop tour de force of a reminder that love still endures.

The nineteen-year-old Geordie singer has already made waves on BBC Introducing, Amazing Radio, Tyneside Radio, and Spark Sunderland, and with this latest single, she’s taking no prisoners as she storms the scene.

Rather than merely narrating the off-kilter euphoria of losing power through romantic obsession, the anthemic guitar feeds the frenzy into the rhythmic pulses, sweeping you up in a hazily impassioned reverie. Don’t Change My Mind pulls you under the current of its rhythmic momentum, wrapped in a sticky-sweet Sabrina Carpenter-esque aura that makes the single effortless to devour.

Jamie Beth’s ability to deliver quintessential pop panache pierced with her authentic energy and sincerity is on full display in her sophomore release, which splices indie rock instrumentation with dreamy bubblegum pop vocals. With this release, she’s ticked all the pop boxes and invented a few of her own along the way.

Stream Don’t Change My Mind from 10th February on all major platforms, including Spotify. 

Review by Amelia Vandergast

Tom Waits Meets Ricky Martin in THE Astrolabe’s pop mood elevator,  Lovers

THE Astrolabe became the superlative king of cosmic pop sex appeal with his latest single, Lovers. If you thought Ricky Martin’s Livin la vida loca was sonically seductive, brace yourself for the affectingly aphrodisiacal energy of Lovers, which alchemises Latino rhythms with Bowie-esque space dust and jazzy grooves, creating a genre-fluid tour de force that sweeps through the soul with maximum volition.

Following a prelude that nods to Kraftwerk, the Athens-hailing innovator’s vocals croon into the mix, allowing you to imagine how Waits’ discography would have unfolded if he was just as adept at wrapping his gruff timbres around pop hooks. In the choruses, the peerless singer-songwriter proves he’s equally comfortable in a more harmonic register as his vocal notes soar with the brass section.

We are officially obsessed with THE Astrolabe and his endlessly uplifting cultivated sound that goes beyond setting a tone; his ability to command your entire mood is second to none. For your own sake, get him on your radar.

Lovers started serenading the airwaves on October 3rd; get hot under the collar with it by heading over to Spotify.

Review by Amelia Vandergast

Arlo Boe ignited a dark electro-pop inferno of infatuation and insanity with ‘Manic’

In her fiercest pop hit to date, Manic, the trailblazing siren Arlo Boe delivered a veritable earworm that could devour a dancefloor. With EDM pop aesthetics, which are as dark as they are kinetic, the electrifying anthem adrenalizes as it empowers listeners who are tired of tempering their manic proclivities when it comes to obsessive infatuation.

There are nods to Lady Gaga in her ‘The Fame’ era in the scathing spoken word increments which interrupt the Goldfrapp-esque production, which harks back to the 00s pop era while simultaneously flirting with the energy and euphoria of 80s pop. Yet, Manic is so much more than a revisitation of pop’s past; Arlo Boe ensured that her latest single won’t be out of place on contemporary pop playlists.

Arlo says, “I have always been fascinated by obsessive loves and the way people can just form these intense infatuations overnight. My favourite movie is Gone Girl and after I wrote this all I could think of was Amy Dunne, this is what semi-inspired the video which I planned, shot, and edited myself. I love the troupe of “If I can’t have you, no one can” … in an entertainment sense of course!”

Manic stormed the airwaves on September 27; stream the single on Spotify now or watch the official music video on YouTube.

Review by Amelia Vandergast