Platonic love may take a backseat on the airwaves for fawning declarations of lust; if anyone can push it to the forefront, it is Lizzie Hosking with her uplifting ballad, Skye which soulfully celebrates the lifelong friendship with the person who has lifted her from every downward trajectory.
After realising that she’d written songs about people that don’t deserve an ounce of her time, Hosking delivered this timeless feat of pop which starts with minimalist ambient production around her soulful vocal timbre before building into an epic outpour of gratitude, soaring electric guitar riffs and all.
Skye, titled after her best friend, is a taste of what is to come on Lizzie Hosking’s upcoming album, which will keep the focus on folky storytelling instead of the punchy upbeat sonic style that she’s become renowned for since making her promising debut in 2020. We wholeheartedly approve of this wholesome move.
Skye was officially released on October 21st. Check it out for yourselves on Spotify.
Nairobi-hailing indie-pop newcomer, Mist’riii has released the ballad to end all others with her beautifully scored feat of expression, Sometimes.
It’s not often that I’m caught off guard, but that’s exactly where Sometimes succeeds. It resonates like a brand-new visceral experience that you desperately want to share with the rest of the world because you KNOW the emotional magnetism transcends genre preferences. It’s a strikingly ornate, moving ballad that deserves to be in the OST for the next Hollywood romance blockbuster – in spite of the intimate indie feels.
In her own words, here is what Mist’riii had to say about her latest release,
“Sometimes, we don’t want someone from our past back; we acknowledge that it is over, but from time to time, we can’t help but wonder if they ever think about us. Not sure if it’s the ego at play in such instances, or just nostalgia (or both lol) but I believe that it’s a sentiment that anyone who has ever lost someone (whether it’s an ex lover or friend) can relate to.”
Sometimes is now available to stream on SoundCloud, where the independently released track has already racked up over 17k streams.
Too Soon to Dieis the latest classically cut pop single from Ohio’s sincerest singer-songwriter Angie Hakeem, who stretched her glassily dynamic vocals back through the decades to remind us of how sweet our perspectives on love and life used to be.
The real beauty within Too Soon to Die is the lyrical ambiguity that allows you to implant your own experiences with loss, grief, and fear of losing into the cinematic ballad. It certainly wouldn’t be out of place in the Disney music genre with its orchestral arrangement, swoon-worthy crescendos and vocal highs that tempt the floodgates to open.
Too Soon to Die will officially release on July 8th. You can stream it for yourselves by heading over to SoundCloud.
After releasing her 2020 debut EP, which instantly attracted attention from BBC Introducing, Laura Loh has continued to move into her profoundly empathetic pop own. The Hampshire, UK-based classically-trained vocalist and instrumentalist is fresh from the release of her self-recorded and produced latest single, Closer.
Closer contends with the very real issue of our innate human tendency to put ourselves through the wringer every time we have realised that we aren’t infallible. In a therapeutically intimate way, the alt-pop single lulls you into a state of self-compassion, guided by Loh’s glassy vocals, the ethereal organ layers and massive percussion that aurally shows you the beauty in resilience.
If only all sonic mental health advocacy had the same visceral pull of Closer, we’d be an infinitely more self-actualised society. The deeply entrenched empathy in the single is an evocative bruiser. We can’t wait to hear what follows from Loh’s freshly discovered production boldness.
In her own words, here is what Loh had to say about her latest single:
“Closer is a song about recovery and personal growth, inspired by my experience with mental health; it is a reminder that it is okay to fall and take your time picking yourself back up. We all tend to be too hard on ourselves; I hope this song can encourage people to celebrate the progress they make every day, no matter how small.”
It is always a pleasure to discover an artist that has broken through their fear of expressive vulnerability, and few do it with as much panache as December Fades in his latest single, Waiting. The LA singer-songwriter and multi-instrumentalist always leaves us guessing what form of pop alchemy will follow the last. Waiting is an ornately passionate score of synths, keys and other ambiently minimal effects that serve as the platform for his effortlessly outreaching vocals.
Lyrically, the single goes so far past the old adage of anything worth having is worth waiting for. Waiting is a stunning reminder that life can’t always be in motion; waiting is just a part of the human experience as another verb.
Waiting will officially release on February 11th. You can check it out for yourselves here.
There are few sadder things than watching the co-creator of your memories disappear and become past tense; the up and coming pop sensation, Tyler Shamy, explored just that in his latest artfully crafted electro-pop ballad, without a trace.
Beyond the sonic finesse, it is the sentiment the single was created with that allows it to resonate as breathtaking from the first hit. With its vulnerability, the single calls all those possessive ‘I will never let you go’ pop singles into question as Shamy gives a far less toxic perspective on mourning an amorous loss. The visceral pain is there, but in place of the bitterness, there’s an acknowledgement of the tenderness in the intimacy that once existed. This gravitas-bursting break-up track should be on every coupled-up person’s playlists – just in case. The LA-based artist is evidently one to watch. Whether he’s scoring for TV and film or creating for the airwaves, he always knows how to deliver the maximum evocative effect.
Tyler Shamy’s latest single, without a trace, is now available to stream via Spotify.
Pensive piano pop has never been quite as bitter-sweet as the latest stormy release, Home N Away, by up and coming artist Adam Wedd. The emotionally charged semi-orchestral soundscape is fraught with loss and mourning and still manages to hit a compassionate soft spot as you’re swept up in the fanfare of the theatrical elements and straight from the soul sentiment.
Despite a global pandemic, the London-based singer-songwriter’s career hasn’t failed to pick up traction. With a sell-out debut EP under his belt, accolades from BBC introducing and the freedom to tour Europe and the USA once more, he is definitely one to watch.
Home N Away was officially released on October 1st. You can check it out for yourselves by heading over to Spotify.
‘Aura’is the third confessionally passionate pop track from the alternative singer-songwriter, producer and engineer, TIBIBI. The dark and moody yet ethereally tender contemporary ballad spins a tale of loneliness and absolution through love. In a melodically powerful way, it reminds you that life is no fairy tale, but that doesn’t mean that you won’t wind up finding the salvation that you yearned for.
I can’t help admire how TIBIBI explored the fraught emotions as deeply as she delved into the euphoria of finally finding someone on your level. Aura is easily one of the sincerest songs that you will hear this year.
Aura is due for release on September 28th; you can check it out for yourselves by heading over to SoundCloud.
Abi Mia’s latest piano pop ballad, Shadow, is easily one of the timeliest singles that we’ve heard this year; for the lyrics, she looked deep into the collective misery and burnout surrounding her, sonically, she constructed a compelling case for self-care that is impossible to ignore.
Our self-destructive need to work ourselves to exhaustion determination to be fine with everything our chaotic world throws at us is something that has been eating away at us since long before the lockdowns, but right now is the perfect time for a conversation. Abi Mia leads that dialogue with her soul-baring single that will quickly convince you to strip away your façade and allow the single to resonate with you on a deeper level.
The only question that the radio-ready orchestral ballad leaves you with is why isn’t she already a multi-platinum artist? It is only a matter of time before Abi Mia is scouted for her distinct vocals that only allow fleeting reminiscence while boasting the same robust propensities as Lady Gaga, Miley Cyrus and Adele.
Shadow is due for release on September 17th. Check it out for yourselves on SoundCloud.
After racking up over 110k streams with his folky dark pop debut single, The Ghost, breaking pop artist Lesse is here with his latest deeply melancholic single, Runaway.
If Hozier carried the same pensive edge of Tom Odell, the sonic result wouldn’t be worlds away from this captivating ballad which uses minimalist minor-key piano notes and plenty of spatial effects to allow Lesse’s evocative vocal harmonies to resound in the atmosphere of the neo-classically inclined soundscape
The artist’s songwriting ability, paired with his vocal talent and lyrical vulnerability, make Runaway one of the most powerful ballads to have hit the airwaves this year.