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Orchestral Indie

The formidable queen of orchestral indie, Tabitha Booth, set a baroque score in her single, Silent Lucidity

Posted on 17 April 2023

Coming to you live from Cocoon Studios, Tabitha Booth set a baroque score in her evocatively artful cover of Queensrÿche’s hit 90s song, Silent Lucidity. The chamber strings carve through the indie artist’s neo-classic class, which effortlessly resonates through her Tori Amos-ESQUE vocal lines and the tension-fraught arrangements that stands as a testament to her ability to weave an intricate and picturesque narrative.

Amanda Palmer may be the ‘Girl Anachronism’, but Tabitha Booth established herself as the formidable queen of orchestral indie after unveiling the disquiet alchemy in Silent Lucidity. We are stoked to see her back on the airwaves after the reprieve that followed her 2020 single, Curiosity. Here’s to hoping that there’s plenty more poignantly pensive alchemy lingering in the pipeline.

The live recording of Silent Lucidity is now available to stream on Spotify.

Review by Amelia Vandergast

Whatever the question, the affable indie-rocker, Sam Scherdel, has ‘The Answer’

Posted on 17 June 2022

As stunning as The Manics’ Gold Against the Soul album, as cinematic as the Hollywood sign, the latest single from the Britpop-inspired UK singer-songwriter, Sam Scherdel, is a slice of celestial sonic bliss.

‘The Answer’ is a humbling admission of human nature, the inability to know everything, carry intellect on every subject and find absolutes at every turn. With weary yet romantically honeyed vocals atop the orchestrally decorated indie-rock score that grips with the same gravitas as Ben Folds, I think I felt every emotion on the human spectrum on the first listen (and the 5th; it just keeps giving. I might be addicted).

With exactly the same vein of magnetism as Billy Idol’s Baby Put Your Clothes Back On, hitting play on The Answer is a surefire way of giving Scherdel permanent space in your psyche. It’s beyond an earworm; it’s an ear unicorn.

The Answer will officially release on June 17th, check it out for yourselves via Spotify.

Check out Sam Scherdel on Facebook and Instagram.

Review by Amelia Vandergast

Los Cozmatics traverse ennui in their orchestral indie debut single, Tears

Posted on 26 December 2021

After a melancholic minor key start, Los Cozmatics’ orchestrally scored debut single, Tears, builds into a captivating narrative around a protagonist going through the motions while controlled by ennui to the tune of alt-indie melodies spiked with resilience and dejection.

With poetically bitter-sweet lyrics, “he had no time for the rain falling on his tears”, Tears holds a captivating panoramic expression. With the elegantly soulful Winehouse-reminiscent vocals over the mash of angular indie guitars and orchestral strings, Tears is a triumph in authenticity. We hope to hear plenty more from Los Cozmatics in 2022. They’re exactly what our sad AF societies need.

Tears is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Ins Kino is ‘Coming Around’.

Posted on 22 April 2021

Coming Around by Ins Kino

Ins Kino is the recording project of Raleigh, North Carolina, based singer-songwriter Evan Farkas, and ‘Coming Around’ is the first single from his forthcoming debut EP. There’s a melancholic-yet-upbeat feel to the track, reminiscent of The Divine Comedy, early Smiths, or My Life Story. That could be down to Farkas’ use of strings and woodwind over a pushy, bouncy rhythm section, rather than simply relying on the more usual ‘indie’ guitar, bass, and keyboards approach.

It’s a nice mix of cynical and optimistic, chilled-and-mellow yet somehow bouncy-and-upbeat all at once, hooky melodies and a catchy pop chorus coupled with orchestral, cinematic sweeps and swooshes from the off-beat instrumentation, Farkas’ vocal beautifully delivered in that sort of almost-distracted, sardonic Neil Hannon, Ed Harcourt kind of way. It’s undeniably chamber pop, but with an eye to lazy, witty lyrics and deep, crooning vocals.

You can hear ‘Coming Around’ on BandCamp, and follow Ins Kino on Instagram.

Review by Alex Holmes