Browsing Tag

NYC Pop

Isla de Luca redefined the femme fatale archetype in her provocatively liberating alt-pop hit, I Already Am One

https://soundcloud.com/isladeluca/i-already-am-one/s-2uIRmKUEKZz?si=e1ec91131191412ab7cbbe435a4c3782&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Isla de Luca riotously fucked the gender binary with the launch of her debut alt-pop single, I Already Am One. With the rock licks augmenting the pop hooks and injecting them with adrenaline, the NYC icon staked a serious claim in the pop domain. After ensnaring just about everyone who crosses her on TikTok and Instagram, she’s more than ready to demurely dominate the airwaves with her scintillating synthesis of electronica, pop and rock.

While trad wives are falling over themselves to appease the male gaze as their sole aim in life, Isla de Luca has asserted herself as an indomitable queer pop icon with the refrain “I don’t need a rich man, I already am one”. It’s a subversive twist to die for and to live for. Through her mission to rip up the exploitative tropes around desire and empower others to embrace their provocative power, she stands just as tall as Kathleen Hanna in the feminist landscape.

If you thought femme fatales were all about seduction, feel the vindication cascading from Isla de Luca’s flawlessly electrifying vocal lines and realise the liberation of living as the archetype in their villain era.

For fans of MARINA, Paramore and Sophie, this single isn’t one you want to sleep on.

I Already Am One will be available to stream from February 16. Stream it and follow Isla de Luca on all major platforms via this link.

Review by Amelia Vandergast

NY’s Cindy Rees turned on the ‘Effervescent Light’ in her latest EDM pop release

Cindy Rees’ standout single, ‘Effervescent Light’, is a vibrant testament to the power of healing in music. Clocking in at just under two minutes, this New York-based singer and dancer turns every second into a pulsating celebration of sound and spirit. Rees, who found her voice in the bustling cityscape of NYC, channelled her passion for dance and songwriting into a track that radiates positivity and energy.

The song is a kaleidoscope of genres, seamlessly blending elements of trance and house with pop sensibilities. It’s a bold move, but Rees navigates this eclectic mix with the ease of a seasoned artist. The beats are snappy, creating a rhythmic pulse that forms the backbone of the track. It’s this foundation that allows the rest of the musical elements to shine.

Rees’ Bollywood-esque vocal range is nothing short of phenomenal as she harmonises over the commanding bass-swathed beats. Her voice doesn’t just traverse different pitches; it explores a spectrum of emotions.

With some honing to her production style, she has some serious promise in the music industry.

Effervescent Light was officially released on January 5th; stream the single on SoundCloud.

Review by Amelia Vandergast

Leah Nawy has unleashed her iconic indie pop rock playlist staple, Friend of Mine

We’ve been obsessed with the NYC pop rock pioneer Leah Nawy ever since sinking into her lusciously groove-pocketed debut single, NUISANCE, which has racked up over 46k streams on Spotify alone since its release in 2023. In the opening verses of her sophomore single, Friend of Mine, the singer-songwriter, producer, and multi-instrumentalist exhibited a softer and more vulnerable side in her confessional release which alludes to how opening yourself up to people is only priming for the scars that will be left when you inevitably part ways.

When there’s little to separate realism and pessimism after life experiences have taught you that optimism is the outlook of the naïve, sentiments which unravel with the same pensive sting as the lyrics in Friend of Mine are inevitable. Yet, by the time the track reaches the midway mark, it transcends into a soulful power ballad before metamorphosising into an indie rock anthem for the disenfranchised but tenacious despite the bruises masses.

By bursting the bubblegum pop bubble with spikes of cultivated indie rock, the melancholy within Friend of Mine adopted a brand-new ferocity as an attestation to how you can reflect on your shortcomings without falling into a trap of self-pity. With a voice as indomitable as Lady Gaga fused with a cutting-edge indie pop rock signature sound, she’s a rare artist whose work merits her being referred to as an icon. We can’t wait to hear what follows.

Friend of Mine was officially released on December 22. Stream it on Spotify.

Review by Amelia Vandergast

Fallyn weaved a cautionary tale into her debut pop track, Love Bomb

Fallyn’s debut single Love Bomb is a masterful blend of nostalgia and modernity, an ethereal journey that bridges the gap between the distinct pop sounds of the 80s and today’s contemporary landscape. The track is a melodious odyssey, laced with dreamy, choral textures that are as captivating as they are introspective.

Love Bomb opens with a celestial ambiance, immediately setting a tone that is both haunting and enchanting. Fallyn’s voice, reminiscent of icons like Mariah Carey and Whitney Houston, carries a delicate power that lures the listener into the intoxicating atmosphere of the single. Her vocal prowess is evident as she navigates through the layers of sound with ease and emotion. The genius lies in the track’s thematic depth. Fallyn delves into the complex phenomenon of love bombs, a manipulative tactic often employed by narcissists at the onset of relationships.

Fallyn and her collaborator, Trenton Michael, skilfully intertwine 80s pop elements with contemporary sounds, creating a track that feels both familiar and fresh with each element, from the ethereal synths to the layered harmonies, meticulously crafted to enhance the overall experience. Notably, she is one to watch.

Love Bomb dropped on December 1st; stream it on all major platforms via this link.

Review by Amelia Vandergast

Strange Neighbors grooved to a ‘Quiet Beat’ in their latest power pop single

Quiet Beat - Single by Strange Neighbors

NYC power pop outfit Strange Neighbors gave their vocal melodies all the country twang of an early Taylor Swift record in their latest single, Quiet Beat while allowing their retro sonic aesthetic to strip away the past few decades and safely transplant you into the sanctum of the 90s.

Between Aidan’s vocals and Zach’s guitars, there’s a sticky-sweet brand of alchemy that won’t fail to intoxicate you when the jangly chorus, which reminisces with the tones popularised by the Psychedelic Furs, is in full swing.

Quiet Beat is just one of the meticulously manicured singles crafted by the groove-driven outfit which has been spilling colourful aural euphoria onto the streets of New York City since 2018 by staying committed to their MO of orchestrating earworms you would need a concussion to forget.

Quiet Beat will officially release on September 14th; until then, stream and purchase the single via Bandcamp.

Review by Amelia Vandergast

Get caught in the melodicism of the ‘Morning Rush’ with Sophia B.’s latest single

You’ve heard of bubble gum pop; prepare yourself for the even more visceral rush of caffeinated pop before you delve into the latest experimentally authentic single, Morning Rush, from the one and only luminary, Sophia B.

However you take your coffee, you will find the notes in Morning Rush more than palatable as Sophia B. creatively tears the monotony from the morning commute and replaces it with a soulfully sticky-sweet buzz. There is a plethora of pop hits that pay ode to the way infatuation hits late at night when you’re left with little but your thoughts, but only the NYC-hailing award-winning composer and lyricist found the opportunity to pay ode to the confusion that brings you to question whether your morning rush is stemming from the sugar in your coffee or the apple of your eye.

With the dreamy chords, the smooth installations of soul, and the aptly hyper touch to the vocals, regardless of your relationship status, Morning Rush will leave you blissfully on cloud nine.

Keep Morning Rush with you at all times by purchasing the track on Apple Music or stream the official music video via YouTube.

Review by Amelia Vandergast

V3x reclaimed the power of her vulnerability in the future-embracing alt-pop hit, D34D

NYC alt-pop originator V3x puts the experimentalism of Grimes and FKA Twigs to shame in her standout future-embracing trip-hop-y single, D34D. Making no bones about attacking mistreatment through ferocious innocence, the luminary independent artist came into her vindicating own through this 8-bit-adjacent earworm.

With “sometimes I think I might be dead, given the way you treat me” as an opening lyric, the instrumentally sunny single, which spills the tropic heat through the scorching synth timbres and brings in the indie intimacy via the guitars, empathy is non-optional.

We’ve all been there, handing our vulnerability over to people that were always going to manipulate it. In 2:30 minutes, V3x proves how sweet it can be to reclaim that susceptibility instead of stripping it from our psyche.

Check out the seminal single, D34D, from V3x via Spotify.

Review by Amelia Vandergast

Sarah Anne Fernandez is phantasmically demure in her antithesis of an electro-pop breakup track, Nightmare

Sarah Anne Fernandez

‘Nightmare’ is the phantasmically demure electro-pop hit from Sarah Anne Fernandez, which slices through the vulnerability with razor-sharp wit to help anyone coming to terms with romantic loss to leave their feelings of  loss in the dirt.

The artfully moody hit definitively proves that clever meta-wordplay goes a long way in quashing the usual feelings of grief. How could anyone feel sad when succumbing to the vision of haunting their ex in their nightmares while they are lying next to their new romantic victim?

It’s the ultimate antithesis to the usual pop breakup track that affirms your sadness as it flips the script and liberates you with seductively dark imagery. The NYC artist is definitively one to watch in 2023.

Nightmare will hit the airwaves on January 13th. Check it out on Spotify.

Review by Amelia Vandergast

Chloe Southern – Naked: Intimately Confessional Neo-Folk-Pop

Taken from her debut EP, Last Man on Earth, Chloe Southern’s indie neo-folk-meets-pop single, Naked, strips emotionally bare. The urgency of the distinctive vocal delivery paired with the intimacy in the confessionalism makes for a powerful listening experience. Anyone that has ever wrestled with entropy to feel viscerally again will be consumed by the conceptual score, which runs through the dim views that get dimmer in the wake of loneliness.

Narrating how she hates coffee because she only makes it for herself and the smell of snow which takes her to places where she finds a lost love’s shadow proves how easily our perceptions of elemental to inane things can change over time and with the absence of the co-creators of our stories before a chapter closes.

Through and through, it is a stunning single from the Brooklyn-based singer-songwriter which deserves to complement the next heartbreakingly cinematic Blockbuster.

Naked is now available to stream on Spotify.

Review by Amelia Vandergast

Expectation meets self-preservation in Aleandro Valente’s blissfully tropic indie pop hit, Not O.K.

The up-and-coming NYC-residing pop artist Aleandro Valente tore off his façade in spectacular fashion in his single, Not O.K. to expose the duality of his determination of being what others perceive him to be and staying true to himself.

The angular indie jangle pop guitars around the sun-bleached tropic RnB pop keys create the perfect platform for the high dynamic stretches of Aleandro Valente’s smooth vocal timbre that pulls you right into the battle of self-preservation and will.

It is Ariana Grande meets the 1975 in this vulnerable earworm that will see the Italian artist and his candour go far. It will undoubtedly be resonant for plenty of his listeners that feel the expectation to amplify their true nature to tick boxes that we never agreed to fill in the first place.

Not O.K. is now available to stream along with the debut album it was taken from, Bite on a Lemon, on Spotify.

Review by Amelia Vandergast