Kanyun’s seminal single, Winter in Sight, is a testament to the power of musical innovation; the journey through the heart of winter encapsulates its contrasting emotions with a finesse that only a cultivated artist like Kanyun could achieve.
The track opens with a haunting melody reminiscent of a Nils Frahm composition, setting a profound and melancholic tone. The minor keys speak volumes, hinting at the long, dark nights of winter and the introspection they bring as the lo-fi production shares the cosiness of intimacy, away from the biting cold.
The soft meandering guitars weave through the track like warm threads in a winter tapestry, creating melodies that comfort and embrace the listener. The guitar lines are an embodiment of sitting by a crackling fire or finding solace in the arms of a loved one.
Kanyun’s journey from a trap-beat producer to a lo-fi maestro is evident in this track. His ability to create a sound that resonates with a broad audience while retaining a distinct personal touch is remarkable. Winter in Sight is not just a song; it’s a feeling, a moment in time captured through the lens of a gifted artist.
As we look forward to Kanyun’s future projects and the evolution of his new record label, Amelia Grace Recordings, Winter in Sight stands as an attest to his artistic growth and the potential that lies ahead.
Winter in Sight is available to stream and purchase on all major platforms via this link.
The North Dakota alt-folk artist, composer and producer Joel Porter’s fascination with the human psyche knows even fewer bounds than the experimentalism in his harmonic landscapes.
Art brings meaning to life; in Porter’s work, which includes his recently released single, Godsend, life also brings meaning to art as the quiescent neo-classic melodies complement confessional emotional exploration. With his signature sense of intimate longing, Godsend is yet another testament to his talent and introspective eloquence. With a sound so sweet it stings, the melancholic cries for providence in Godsend are so profound they resonantly overwhelm the senses.
Combined with the aesthetic desolation in the black-and-white music video which visualises the monochromatic hues of a forsaken soul, Godsend is yet another masterpiece in Joel Porter’s repertoire.
Over the course of his career, he’s worked with renowned artists, showcased his music on a national level, accumulated over 7.5 million streams, and secured sync placements with the television series The 100 and in the Grey Skies: A War of the Worlds Story video game.
Something tells us the best is yet to come for Porter and his ability to construct bridges between the pensiveness of Elliott Smith and the intricate ambience of Nils Frahm.
The official music video for Godsend will premiere on September 28; watch it on YouTube.
With a touch of the more sombre scores found on the Westworld OSTs and lashings of orchestral beguile, JxPrezzo’s latest ethereal piano composition, A New Home, is a scintillating exploration of rebirth and a reconnection to security.
Four years after finding the inspiration to orchestrate his own compositions upon hearing the piano accompaniment to Echoes of Silence by the Weeknd, the solo artist released his debut score, A Year Later, in 2019.
By exploring his emotions through his always visceral minor-key melodies, each of his elevated works carries the cinematic gravitas of a composer who has dedicated their life to the craft. If you told me he graduated with honours from Julliard or The Royal Academy of Music, I wouldn’t think twice. He doesn’t just hold a candle to Nils Frahm and Philip Glass, he’s equally as luminary and eloquent in his melodies.
A New Home was added to JxPrezzo’s discography on the 7th of July; stream it on Spotify.
From the instant you hit play on the Minneapolis vocalist, pianist and producer, a.patrick’s, latest single, fray,your senses surrender to the ethereal quiescence that ensues through this modern masterpiece.
His artful neo-classic style is enough to bring tears to the surface as his accordant harmonies echo above his distinguished piano melodies that carry little, if any, assimilation. The way he leaves himself exposed through his lyrics and gentle vocal presence is enough to feel you feeling just as emotionally naked.
As someone who frequently finds themselves drawn to melancholia in music, I can earnestly say that you’d struggle to find another soundscape as captivating and consoling in equal measure as this beautifully scorned lullaby.
Libya-born, Brussels-based self-taught neoclassical composer and pianist Nizar Breden has released his latest composition, Journey; through the gentle melodic crescendos, Bredan’s diverse cultural heritage emerges through the delicate score that is provoking and profound in equal measure.
By switching between dramatic, uplifting and tentative cadences, Journey is a score that will leave you hooked by its multifaceted nature, expressive textures, and Bredan’s ability to melodically flit between melancholy and an almost Machiavellian style of playfulness.
After finding influence in the wandering tones of Chopin, the circulating melodies of Tiersen and the evocative works Ólafur Arnalds, Ludovico Einaudi and Nils Frahm, Bredan discernibly found his signature style that will easily enamour any fans of the aforementioned.
Journey is the first of the singles to come from his new series of original compositions; the rest are due to follow throughout 2021 and 2022.
Artist and composer Lee Olivier-Hall is set to release his most candid work to date. His EP ‘Moments in Sound’ was written during the pandemic as the film composer captured the emotional impact of uncertainty, fear and isolation.
The conceptual duplicity of the lead single, This is Only the Beginning, plays with our newly found pessimism and fear of beginnings as the tender ambient neo-classic keys reflect the fragility of our optimism. The use of spatial effect and instrumental minimalism is devastatingly profound as it mimics the hollow, vacuous nature of our new world.
Since graduating from BIMM London, the artist has primarily focused on composing for film, his experience scoring for film reflects in the visual nature of the four-track EP which is easily one of the most stunning accounts of lockdown melancholy.
This is Only the Beginning will be available to stream and purchase on all major platforms from June 4th. In the meantime, you can check out Lee Olivier-Hall via his website,Instagram or Facebook.
Self-described as ‘Genre-Fluid Performers’, childhood friends Jonathan Chan and Jan Bislin – better known as Momento – are multi-instrumentalists, performers, and composers, specialising in a mixture of original and reworked pop and classical compositions. Here presenting their new single ‘Through The Horizon’, a mixture of Sigur Ros’ ‘Hoppipolla’ and ‘How It Ends’ by Devotchka, the classically trained duo mix electric and acoustic violin performances with sequenced electronic drums and synthesiser parts to create a beautiful, entrancing soundscape that is at once familiar and wholly new.
Already well-established as support for acts as diverse as Tim Minchin, James Blunt, and Gary Barlow, and with over half-a-million YouTube views under their belts – as well as regular headline shows on the streaming platform Sofar Sounds – Jonathan and Jan have here created a beguiling instrumental piece which allows both performers to shine, never overly flashy yet clearly demonstrating their supreme musicianship and arrangement expertise. Based on ‘Through The Horizon’, 2021 should be pretty memorable for Memento.
Ukrainian composer, producer and pianist Olexandr Ignatov has countless accolades to their name. After the release of their Neo-Classic album “Messages”, they can also be proud to have their name behind one of the most stunning albums of 2020.
Each composition invites you to explore a different emotion, Patience, Empathy, Temperance, Loyalty, Trust, the track which hit the evocative spot the hardest for us was undoubtedly “Struggle”.
The precision in timing between the notes is almost otherworldly in the way it sets trepidation, torment and a spiralling sense of despair. Yet, it can’t be said that the piece was without any sense of beauty and resilience. It’s the perfect reminder that if you’re struggling, you’re still fighting and not all hope is lost. And with that revelation, I might have a little cry.
Struggle is available to stream via Spotify with the rest of their ground-breaking album.
London-based composer and pianist JxPrezzo has crafted four delicately unique Neo-Classic soundscapes for their latest instrumental EP “Seven Years”.
After an intro track which is all too efficacious at pulling you into the release, you get to the title track which is the best example of how JxPrezzo’s tender melodies can tell a story. From tentative, explorative notes which ring with optimism to stabbing atmospheric dread, Seven Years is a deftly-orchestrated evocative rollercoaster.
As you listen to the light yet fluid textures in the soundscape, you can almost feel the tension in your body being replaced with the quiescently comforting tones. But if you’re as aurally sensitive as me, when the minor notes are hit, you won’t just hear them, you’ll feel them. My eyes may now sting a little, but that’s a small price to pay for experiencing such a gentle yet resounding release.
With the harsh caustic anger which is coursing through the world right now, tranquilly quiescent soundscapes such as up and coming artist Star Gazer’s single “Only a Dream” feel like a necessity.
The Neo-Classically keyed, futuristically produced instrumental ambient track is just one of the distinctively resolving singles found on Star Gazer’s EP “Within” which stands as a testament to both Star Gazer’s authenticity and ingenuity.
Any fans of Phillip Glass and Nils Frahm will definitely want Only a Dream in their ears and Star Gazer on their radars.
You can drink in the twilight tones of Only a Dream for yourselves via Spotify along with the rest of Star Gazer’s EP. COVID-19 dreams may not be pleasant, but the intoxicatingly ambient EP definitely is.