Browsing Tag

nick drake

Sepia-Tinged Serenity: GOODTIME’s ‘Damsel Eyes’ Dances Between Tenderness and Nostalgia

Posted on 26 October 2024
GOODTIME

GOODTIME, a rising artist from New York City, affirmed his tonal mastery in his single, ‘Damsel Eyes’. The warmth bleeding from his guitar and the soul carried by his harmonies create a sonic landscape that lands somewhere between Nick Drake and Elliott Smith. He doesn’t just replicate indie folk’s past; he redefines it with a unique blend of traditional acoustic songwriting and atmospheric elements. His ability to seamlessly weave nostalgia with his signature ‘twisted lullabies’ invites listeners into soothing subversion that can easily become a sanctuary.

The haunting crescendos in ‘Damsel Eyes’, paired with the smoky sax lines, pull you deeper into its intimate atmosphere; with a melody akin to Oasis’ ‘Half the World Away’, the song nestles into an emotional place where beauty meets bittersweet reflection. It’s the kind of track that could make anyone misty-eyed, proving that GOODTIME has more than earned his place on the indie folk scene.

After tending to his creative spark as a percussionist at the age of 5, he earned more instrumental stripes at age 15 by self-teaching himself guitar, piano, bass, and banjo. Today, he crafts, produces, and mixes all his work from his home studio. After dedicating himself to his craft, his live performances have earned him a spot alongside artists such as Will Paquin and Dana & Alden, performing at iconic venues like The Bitter End and Mercury Lounge. Yet perceptibly, the best is yet to come for the lyrical lumiary.

Damsel Eyes will be available to stream on all major platforms, including Spotify, from October 25th.

Review by Amelia Vandergast

Gaze into the introspective kaleidoscope of leo hc’s seminal indie folk release, the shades EP

Posted on 23 August 2024

leo hc’s debut release, ‘the shades EP’, elegantly strips music back to its most elemental form, serving as a pure conduit for emotion which resonates through the instrumental textures and the lyrical narratives.

The opening track, the aptly named ‘the shades’, introduces us to a semi-lucid reverie where the angular, fingerpicked guitar notes intertwine with leo’s reticent, whispered vocals. Each motif transcends sound to become experiences shaded in deep introspection, allowing listeners to immerse their own melancholic emotions into the abstract depths of the production.

The subsequent track, ‘two wrongs’, transitions into a more indie folk aura, with vocals that echo Elliott Smith, soaring within a seraphically toned lo-fi backdrop. This piece epitomises intimacy, transforming the listening space into a personal enclave of reflective peace.

Track three, ‘i’m the man’, continues the narrative with a progressively gratifying indie lullaby. It allows for a dynamic interplay of intensity, with artful flourishes that let emotional currents ebb and flow, underscoring leo’s mastery in balancing sonic peaks and valleys.

The EP rounds off with ‘lovers hilltop’, a stunning demonstration of acoustic indie songwriting. Here, the poignant strains of coming-of-age yearning are captured through evocative fingerpicked guitars, drawing influences from classical Spanish guitarists while paying homage to artists like Jose Gonzalez and Hot Left Pole.

Overall, ‘the shades EP’ by leo hc is a pacifying synthesis of introspection and musicality, offering a sanctuary where each track invites personal reflection amidst evocatively crafted soundscapes.

Stream the shades EP on Spotify now. 

Review by Amelia Vandergast

Chris Bannister unleashed the black dog of depression in his latest Americana folk vignette, William, You Lied

Posted on 27 July 2024

The roots-reverent folk singer-songwriter, Chris Bannister, broke the radio silence which followed the successful release of his 2020 album, Truth, with his latest lyrically panoramic single, William, You Lied.

Taken from the UK-residing professional musician’s upcoming sophomore album, The Calling Course, which is due for release in August, William, You Lied is a sonically stripped, tonally paralysing, emotionally charged vignette of how heavy depression weighs on the soul and how it clouds vision with confusion and loss of direction.

The single, which follows the release of seven critically acclaimed LPs, aches with authenticity as Chris Bannister takes influence from folk greats in the vein of Cohen, Nick Drake, and Steve Earl while using his distinctive Americana-tinged acoustic folk signature to scribe a striking account of the all-consuming afflictions imposed by a melancholy mind.

William, You Lied was officially released on July 26th; stream the single on Spotify and discover more about Chris Bannister via his official website.

Review by Amelia Vandergast

Resonating Reflections: Timothy Jaromir Echoed the Complexity of the Human Condition Through the Organically Intricate Single, ‘Rebound’

Posted on 11 May 2024

Swiss singer-songwriter, Timothy Jaromir, became the Paul Simon of his generation in the intimacy of his latest single, Rebound. The organic euphony of the intricately organic instrumental arrangement, tinged with sporadically nuanced modern aesthetics, speaks volumes of his command over orchestrating progressions which resound with as much heartfelt candour as the poetry in his lyrics.

Speaking on the complexities that construct the human condition, Rebound forces you to reflect on how everyone you meet is a walking embodiment of the light and dark of their histories before you contemplate the sanctity of finding a love that will fuel you in perpetuity.

After releasing two solo albums, four EPs and several singles in his decade-spanning career, Timothy Jamir has had plenty of time to hone his craft; judging by how deep Rebound nestles into the soul, it’s safe to assume that he hasn’t wasted a day.

His forthcoming Nick Drake-inspired EP, Man Atlas, promises to deliver his most introspective and powerful work to date by leaning into the subconscious rather than pandering to the superficiality that premeditates the success of many of this era’s most laudable artists. 2024 undoubtedly has the scope to be a career-defining year for Jaromir.

Rebound was officially released on April 26th; stream the single on Spotify.

Review by Amelia Vandergast

Phil Coomer prescribed love as a drug in his latest release, All the Medicine I Need

Posted on 7 February 2024
https://youtu.be/eNRKiL6PZT0?si=2dDJrrguCrbBzFlA

The folk-pop evocateur Phil Coomer used all his award-winning song-writing stripes to decorate his latest single, All the Medicine I Need, with a sense of sentimentality that will see your soul swell with gratitude for everyone who sweetens your world.

As the orchestral strings quiver, the tenderly fingerpicked acoustic guitar strings amplify the warmth spilling from Coomer’s folky Americana harmonies which shine with crystalline soul as they emanate the soft and intimate folk vocal style of the late 60s and carry the same affecting mesmerism of Nick Drake.

Even when artists pen their own material, it isn’t a given that they will orchestrate something original; there’s never any danger of assimilative pedestrianism when you slip into a Phil Coomer folk score; just how it is possible for a salve for the soul to feel so expressively raw is an alchemic paradox that stands as a testament to his songwriting virtuosity.

All the Medicine I Need will be available to stream and purchase on all major platforms from 05/06/2024. Until then, you can stream the music video on YouTube.

Review by Amelia Vandergast

Culture Bloom harmonised to the nines in their spectrally raw acoustic indie & alt-rock synthesis, Nightmare

Posted on 8 October 2023

‘Nightmare’ is the first synthesis of acoustic indie and alt-rock to spill from the debut EP, Aren’t You Proud?, from Denver Colorado’s most nostalgically euphonic drop-dead stunning duo, Culture Bloom.

If Placebo penned bitter-sweet symphonies in the same vein as The Verve and mainlined a little Death Cab for Cutie into that vein, the alt-90s melodiousness would hit with exactly the same force of impact as Nightmare.

The emotional weight carried within the harrowed and haunted layers of vocal harmonies as they collide with the stabbing guitar lines resonates as infinitely more than the sum of all parts, allowing Nightmare to stand as a testament to the song-crafting capacities of the duo that should be on every alt indie fan’s radar.

Stream Nightmare on Spotify and stay tuned for the EP release on October 20th.

Review by Amelia Vandergast

UK singer-songwriter Kwun has made his spectrally soul-chilling debut with his single, Supernatural

Posted on 1 November 2022

On October 21st, the UK-based singer-songwriter and producer, Kwun made his melodious debut with the soul-chilling single, Supernatural, which fuses the songwriting styles of Nick Drake & John Lennon.

With vocals void of veneer flourishing in their own distinctive timbre instead of forced into assimilation, surrendering to the emotion in Supernatural, especially with the bitter-sweet vibrato, is non-optional.

Atop the trickling upbeat piano keys, shimmering motifs, gentle percussive fills, and orchestral swells, Pang’s spectrally sweet vocals lead you into catharsis; the healing propensities of Supernatural were no mistake. The single was recorded at 432 Hz, the frequency which resonates and harmonises with nature and the human body. While lyrically, Kwun provokes the listener into questioning adages old and new to become the greatest versions of their beings.

Mark Prentice (Johnny Cash & Bruce Springsteen), Sam Wheat (Pharrell Williams & Amy Winehouse) and Tony Cousins (Adele & George Michael) all put their deft finishing touches on this resoundingly promising release. We can’t wait to hear what his forthcoming album, Ancient Ageless & True, has in store.

The Radio Edit of Supernatural is now available to stream on Spotify.

Review by Amelia Vandergast

Roderick Jaynes take us to ‘The Bridge’ with his latest indie-folk single.

Posted on 30 May 2021
https://soundcloud.com/roderick-jaynes

San Francisco’s rising singer-songwriter Roderick Jaynes is set to release his most versatile single to date, The Bridge. With a grungy interlude that will make any fans of Dinosaur Jr prick up their ears, The Bridge is an indie chamber folk-pop track that keeps on giving.

As the progressive single picks up momentum and discord, the nuancedly psychedelic soundscape shunts you further down the rabbit hole as the descending piano keys and apathy-ringing chord progressions transgress into a form of aural gravity.

Any fans of Elliott Smith, Nick Drake Radiohead or Phoebe Bridgers won’t want to miss out on this evocatively haunting, stylistically artful release.

The Bridge is due for release on May 28th; you’ll be able to check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Leopold Medley asks us all to touch his pretty ‘Picture On The Wall’

Posted on 7 March 2021

Laid back, trippy, vulnerable, gentle, arty, and honest – all words which could be used to describe Brooklyn artist Leopold Medley’s debut album of folk-pop, ‘Picture On The Wall’. This, the first single and title track, is a perfect introduction to Medley’s spacey, stream-of-consciousness lyric writing and calm fingerpicked guitar.

Anyone who ever played the teen-soap-cum-time-bending video-game Life Is Strange will know immediately the sound of ‘Picture On The Wall’, that sort of ‘Pooka-esque’ gentle Nick Drake-with-electronics, trippy bedroom-ness that’s questioning and calming all at the same time.

‘Picture On The Wall’ – the album – is ten tracks of soft, beautiful psych-folk that uplifts the soul and brings a smile to even the most jaded of faces; ‘Picture On The Wall’ – the single – is the perfect introduction to that.

You can check out ‘Picture On The Wall’ across all major streaming platforms from the 12th February, and follow Leopold Medley on Facebook and Instagram.

Review by Alex Holmes

Hampshire based Folk-Roots artist Megan Linford shines bright with truthful ‘’Lessons’’

Posted on 31 May 2020

Put in time and you will get the results. With a soothing piano to start the song, you know this is going to be good. Giving thanks to her parents, speaking about lessons learnt- no matter how hard the occasional trips and falls. 

‘Megan Linford’, is making her way on the UK Folk/Indie scene with her sun-kissed melodies and honest lyrics, that shows her humble and grateful attitude to life. She is an Indie artist, doing it herself with the love and support of friends and family. She hosts her own music night in Portsmouth and seems to be learning all the sides of the music industry, a very smart move indeed. 

After already pushing out 2 self- released EP’s and 3 singles, Megan is working hard on her first album set for release in 2020. I personally can’t wait to hear the new music and hopefully lockdown hasn’t slowed anything down for her.

From the little I know about Megan, I can tell that this is an extremely industrious and hard working woman who won’t let anything stop her. Her voice is absolutely breathtaking and I can’t wait to see her live at a gig soon. The local music scene needs people like Megan, someone with a positive message and self-awareness, in these troubled times.

‘’Lessons’’ and more stunning vocals from Megan are here on Spotify.

Reviewed by Llewelyn Screen