Browsing Tag

Neo-Classic

Neo-Classic Roots Entwine with Modernistic Tones in The Ideal Setback’s Latest Release “Ambedo”

https://www.soundcloud.com/theidealsetback

Ambedo is just one of the celestially graceful compositions which feature on The Ideal Setback’s latest album Nodus Tollens which is due for release on September 25th. It’s safe to say that ambience has never been quite so evocative.

As neo-classic roots entwine with modernistic transcendental tones under the deft composition of Todd Chappell, you’ll be able to feel every fluctuation in momentum and passion. The intricately light soundscape was inspired by and titled after the melancholic trances we enter when vivid sensory details capture us and allow us to drift into a dimension besides the anxiety-riddled hellscape we call 2020. For your own sanity, hit play.

You can check out Ambedo for yourselves by heading over to SoundCloud now.

Review by Amelia Vandergast

Ukranian Composer and Pianist Olexandr Ignatov explores the human psyche with their 2020 album “Messages”

Ukrainian composer, producer and pianist Olexandr Ignatov has countless accolades to their name. After the release of their Neo-Classic album “Messages”, they can also be proud to have their name behind one of the most stunning albums of 2020.

Each composition invites you to explore a different emotion, Patience, Empathy, Temperance, Loyalty, Trust, the track which hit the evocative spot the hardest for us was undoubtedly “Struggle”.

The precision in timing between the notes is almost otherworldly in the way it sets trepidation, torment and a spiralling sense of despair. Yet, it can’t be said that the piece was without any sense of beauty and resilience. It’s the perfect reminder that if you’re struggling, you’re still fighting and not all hope is lost. And with that revelation, I might have a little cry.

Struggle is available to stream via Spotify with the rest of their ground-breaking album.

Review by Amelia Vandergast

Ryuho Okawa – An epic, swelling, storm of a soundscape in “The Thunder”

Ryuho Okawa’s ‘The Thunder” is an epic, rolling, soundscape – 8’15” of soaring composition in three parts, a gorgeous, haunting female vocal cutting in over the orchestral melodrama. It sounds, and I mean this in the most complimentary way possible, like the end credit music to a Michael Bay movie or, even more, a Hideo Kojima game, Metal Gear Solid or Death Stranding cut scenes rolling as the strings swell and the tympani crash. It’s that expansive and evocative.

It is a beautiful, well-crafted piece; a slow build of melancholy orchestration, deep long-drawn out ‘cello notes underlying pizzicato violin, and then three minutes in there’s a drop, the calm before the musical storm. That stunning vocal cuts in before a huge peal of orchestral thunder, a lift, and the drums rise to a militaristic tattoo, all snare rolls and marching beat, then the resolve at 5’30”, crescendo to key shift and then peace, the slow play out, the fierceness of the storm abating, tranquillity returning as the volume fades.

‘The Thunder’ is stunning; an absolute tempest of a track. You can hear it here, but be warned – you may need to take a moment after to catch your breath.

Review by Alex Holmes.

Artist and Producer Ian Chamberlain has released their cinematically Avant-Garde single “Disruption”

With an intro which wouldn’t be out of place in a Nils Frahm composition, Ian Chamberlain kicks off his latest single “Disruption” with a teasing Neo-Classic start before throwing an unexpected aural curveball your way and throwing you headfirst into an experimentally electrifying soundscape.

The Adelaide, Australia-based artist and producer poured his passion for both Classical music and mechanical sounds into Disruption. Which may give you an indication of just how distinct and alchemic their sound is. Yet, to truly appreciate their talent, you’ll have to immerse yourself in the cinematically avant-garde single yourself.

Listening to Disruption is practically a full-body experience for the way the visceral notes seem to make every cell in your body stand to attention. For your sake instead of theirs, hit play. It’s not every day you’ll get to encounter such a mind-blowing feat of ingenuity.

You can check out Ian Chamberlain’s single Disruption for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Neo-Classic artist and composer Reid Wegrecki made orchestral strings accessible with their lo-fi ambient dreamscape “Curiosity”

Many contemporary music fans view classical music as anachronistic or inaccessible. Reid Wegrecki is on a mission to smash those misconceptions and accordantly welcome more people to the world of orchestrally-crafted ambience.

By finding the perfect balance between live orchestral instruments and lo-fi ambient electronic effect, Reid Wegrecki offers the striking nature of neo-classic strings, brass and keys while allowing her soundscapes to be commercially immersive.

For every composition, Reid Wegrecki collaborates with a rotating line up of exceptionally skilled artists. The end result is more than mesmeric. Quite honestly, it’s like nothing I’ve ever heard before. While I’m no stranger to Classical or Neo-Classic scores, their sound resonates as captivating and cathartic simultaneously. The ambience will soothe you while the nuancedly crafted melodies will leave you in awe of the talent behind the soundscape.

The perfect introduction to the artist and composer’s style is the instrumental single “Curiosity” which can be found on their tenderly absolving 4-track EP “Daydreams”.

You can listen to Reid Wegrecki’s transfixing single curiosity for yourselves by heading over to Spotify or YouTube now.

Keep up to date with their latest releases via Facebook.

Review by Amelia Vandergast

Composer and Pianist JxPrezzo Has Released Their Tenderly Explorative 4-Track EP “Seven Years”

London-based composer and pianist JxPrezzo has crafted four delicately unique Neo-Classic soundscapes for their latest instrumental EP “Seven Years”.

After an intro track which is all too efficacious at pulling you into the release, you get to the title track which is the best example of how JxPrezzo’s tender melodies can tell a story. From tentative, explorative notes which ring with optimism to stabbing atmospheric dread, Seven Years is a deftly-orchestrated evocative rollercoaster.

As you listen to the light yet fluid textures in the soundscape, you can almost feel the tension in your body being replaced with the quiescently comforting tones. But if you’re as aurally sensitive as me, when the minor notes are hit, you won’t just hear them, you’ll feel them. My eyes may now sting a little, but that’s a small price to pay for experiencing such a gentle yet resounding release.

You can check out the Seven Years EP for yourselves by heading over to Apple Music or SoundCloud.

Review by Amelia Vandergast