Few new 2022 releases have resonated with us quite as much as Hyde Park’s composition, The Insomniac’s Lament. After an evocatively loaded neo-classic prelude, the cutting minor-key piano melodies flourish into blossoming progressions and the poetically-titled single transitions into an orchestrally-scored power-pop single that glistens with optimism.
The evolutionary nature of The Insomniac’s Lament marks just how significant the shifts in our psyches can be. It brings brand-new meaning to the expression “it’s like night and day”.
The Insomniac’s Lament is just one of the singles on the indie-pop singer-songwriter’s debut EP This is Just a Simple Song. Even the US-based artist’s humility leaves us excited about his potential for success.
The Insomniac’s Lament is now available to stream on Spotify.
Shir Tal-Ezer tells the time-old tale of our human incapacity to let go with her phenomenal contemporary ballad ‘I Don’t Know How to Let Go’.
The singer-songwriter incorporated stabbing neo-classic keys, searing rock n roll guitar solos and stomach-churning crescendos alongside her conversational balladic vocals for maximum evocative impact. The progressive single ensures that your rhythmic pulses are intrinsically combined with the bitter-sweet melodies. The unpredictable time signatures and progressions leave you broadsided every time the soundscape takes another dramatic turn. Calling Shir Tal-Ezer’s single ingenious is far from hyperbolic.
Swiss pop singer Anna Smith caught the slipping sands of ‘Time’ with her semi-orchestral pop ballad, created in collaboration with film composer Cédric Joel Ziegler.
With crescendos powerful enough to bring you closer to God paired with Anna Smith’s vocals which simultaneously exude tenderness and strength as they bring an evocative charge to the lyrics which compel you to do the best with the time you have, it’s hard not to feel things fall into perspective as you drink in the celestial air.
We can only hope that there will be more collaborative work from Anna Smith & Cédric Joel Ziegler soon. Evidently, the Zurich University of the Arts, where the two artists met is doing something right. They could boost enrolment on the strength of this phenomenal release alone.
‘Last Night’ is the latest confessionally powerful pop single from Norfolk-born singer-songwriter, Annie Tisshaw, with classical piano training behind her and resounding vocals to project, it’s impossible not to pay attention to the intense indie neo-classic ballad.
In the same way Kate Nash’s ‘Foundations’ leaves you gripped by the amorous drama, Last Night suckers you in through narrative lyrics brought to life with Annie Tisshaw’s striking vocals which also carry a classical touch.
After making an unapologetically feminist debut with ‘My Body’ in 2019, Annie Tisshaw has consistently exhibited her dynamism through her discography, needless to say, we’re already excited to hear what comes next from the magnetically multifaceted artist.
Starting off with ambient neo-classic keys, Hager’s single All at Once from her 2020 album Miscellaneous Melodies takes pensive Indie Pop to a new level of quiescent ingenuity.
The melodies in All at Once may be tender, but evocatively, it hits hard enough to leave you aurally bruised. All at Once has the same effect as someone asking in full sincerity if you’re okay, when you’re really not okay. It brings torrid emotions to the surface as you listen to the melancholy in Hager’s striking vocals, but we all need outlets and I couldn’t point you in the direction of a more consolingly stunning single.
I have zero shame in the admission that the floodgates opened with All at Once, my tear ducts never stood a chance with this celestially compelling feat of Pop.
You can check out All at Once and the rest of the artist’s Miscellaneous Melodies album by heading over to Spotify.
“Dreams” is the recently released ambiently Avant-Garde single from London-based Alt Pop artist ZORYA. Hit play, and slip into the artfully bold, tonally cathartic layers of the devilishly progressive track which unravels with perception-shifting spiritual wisdom.
The ethereally enticing dreamscape pulls you in with baroque and gothic elements, but it is ZORYA’s vocals which will leave the tightest shackles around your synapses as they verse poetic lyrics which lead you through arcane metaphors for life.
“Doubt” is the recently released compellingly resonant Pop single from up and coming singer-songwriter Amber Lee which perfectly captures the collective mood felt over recent months.
Saying that it is hard to see past doubt may be hard. Easing into this strikingly evocative single and finding a connection definitely isn’t.
Amber Lee’s modern and stylistic take on Neo-Classic Pop complete with sonic synth lines drips with contemporary appeal. If any voice can lead this generation of Pop artist’s, it comes from Amber Lee’s larynx.
You can check out the official video to Doubt which dropped on August 15th for yourselves by heading over to YouTube.
From the first few baroque notes in the award-winning composer and songwriter Alise Ashby’s latest semi-orchestral single “Gotta Learn to Love” featuring the vocals of Gabriela Martina, I was transfixed. The cinematic release is resounding in every possible way.
The pandemic and lockdown gave the world an opportunity to better themselves on a global scale. I was filled with naïve optimism that humans would start to act through empathy, love and compassion instead of hate and fear. Yet, we seem to be moving in the exact opposite direction. Alise Ashby’s latest single is a powerful (in more ways than one) reminder that we can only progress as a society if we learn to love, not just romantically, but to extend that love to the rest of the world. If they won’t listen to Gabriela Martina’s vocals, we may be doomed.
You can check out Gotta Learn to Love for yourselves by heading over to YouTube.
Getting Over You is the fourth single to be released by singer-songwriter Regina Fae. And it is the fourth time she’s crafted an arcanely powerful soundscape which perfectly captures the complexity of emotion.
Getting Over You is so much more than your usual lovelorn song, it’s absolving, it’s raw, and instrumentally, it’s practically celestial. It’s rare to encounter a baroquely inspired romantic track which oozes strikingly contemporary appeal. Once you hit play, you’re on a journey, and you’ll be captivated until long after the accordantly heart-breaking, ethereally chilling outro.
You can check out Regina Fae’s single Getting Over You for yourselves by heading over to Spotify.
Keep up to date with her latest releases via Facebook.
Shipwreck is the standout single from up and coming singer-songwriter Hailey Davis’ latest EP “Arc of Visibility”. It’s also the perfect introduction to the artist’s unashamedly bold, impeccably matured approach to contemporary Pop.
You’re likely to have heard some of the lyrics before, in the form of insidious thoughts which creep through your skull and chew away on self-confidence. But through Hailey Davis’ unfalteringly absorbing vocals and lyrical affirmations such as “I’m not perfect, but I deserve a little more”, Shipwreck becomes a masterfully empowering single.
Not every Pop artist has the ability to craft perception-shifting tracks, but perceptibly, Hailey Davis is so much more than your average newcomer. Combined with her pioneering stylistic sound, she’s a trailblazer leading the way into artful insightful Pop.
You can check Shipwreck for yourselves by heading over to apple music now.