Browsing Tag

Nashville Pop Punk

NEET and Tidy wrapped their grungy pop-punk hooks around the afflictions of modernity in their LP, Is This Progress?

If any band can advocate for the LP format in an era when our attention spans are shorter than a boardwalk, it is NEET and Tidy with their aural corridor back to the alt-90s.

The sophomore album, Is This Progress? is an unflinchingly reflective exposition of the afflictions of modernity. The sludged-up hooks in Pillow Talk, which captures the bitter taste of a love turned sour, carry all the infectious rancour of Jawbreaker and NOFX, before Play Me launches a straight-up attack on how far the industry has fallen since the golden era of indie and alt-rock. Lyrics in the vein of, “your favourite pop star is the latest infection”, and “another NFT, another stupid dance”, paint a damning portrait of how twisted the industry has come through the contortions of capitalism and narcissism-driven content.

Another standout release within the LP is the evocative evolution of pop-punk into the chorally reverb-swathed remit of shoegaze. Snow (Okay) is a harbingering lament on how the music industry revolves around ableism when it isn’t bleeding vulnerable people dry. From start to finish, the sophomore release from NEET and Tidy asserts the Nashville-residing outfit as one of the most relatable and essential bands in 2024. If you’re always looking for artists with the ability to cut through the static of your ennui, you will find one when you delve into this seminal release.

Is This Progress will reach the airwaves on February 23rd; stream the LP on Spotify.

Review by Amelia Vandergast

Silent Disco brought the future of rock to Tennessee with their debut indie-pop-rock about a girl single, Rocks

Pop-punk collided with alt-indie in the debut synth-scored euphoric hit, Rocks, by the up-and-coming powerhouse Silent Disco, which may be the sweetest about a girl single we’ve ever heard. The stellar slice of alt-rock affirms that we’ve moved past the Girl All the Bad Guys Want tropes by celebrating the magic and mystique of spiritual girls.

It’s as hooky as any of Fall Out Boy’s iconic releases, but Rocks does far more than just teasing a little early 00s emo nostalgia; it is also well and truly ahead of the curve of artists clamouring over themselves to do the 1975 better than the 1975. It may not be the average sound that spills out of Nashville, but Silent Disco is definitively bringing the future of rock to Tennessee.

Rocks will officially release on April 1st, 2022. You can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast