Browsing Tag

Mogwai

Brikcs shattered boundaries and entered innovation’s nirvana with ‘King’

Posted on 17 April 2024

Brikcs, a visionary from the ethereal edges of music’s evolving landscape, delivered a profound auditory experience in his latest single, King. With a foundation laid by a Mogwai-meets-Portishead neo-classic intro of eloquent keys and phantasmically distorted vocal notes, the track boldly transitions into the dark territories of trap. If you went down the rabbit hole and instead of finding wonderland you entered innovation’s nirvana and met your demons, your trip would come a close visceral second to hitting play on King.

The artistic juxtaposition in King — between harsh, ensnaring bars and the enduring non-lexical harmonies that echo the transcendent terrain of Sigur Rós — crafts a captivating portal to an aural realm defined by authenticity. The single thrives on a blend of ornate classical notes and reverberating electronic effects, creating an installation of unparalleled emotional intensity.

The lyrical assertion of autonomy challenges listeners to disintegrate preconceived labels with every bar dropped. Acting as a nod to how the world attempts to shape us into archetypes, Brikcs resists them all, violently shaking them into the ether of this masterpiece.

Brikcs, an Icelandic multi-instrumentalist now based in Copenhagen, eschews easy classification, melding the raw energy of underground clubs with the refined grandeur of opera houses. King encapsulates his complex musical journey through haunting pianos, ethereal vocals, cerebral rap, and an electro-orchestral crescendo.

Accompanied by an experimental short film, directed by Vasco Alexandre and shot at ARKEN Museum of Modern Art, the track is not only a music release but a cinematic event, currently making waves in film festivals worldwide.

King was officially released on March 22nd; stream the single on Spotify.

Review by Amelia Vandergast

Mosa melodically sculpted the twilight in his latest electronic score, The Night Sets In

Posted on 7 October 2023
Mosa

Lose yourself in the dusky twilight of the latest electronic folk serenade by the Oxford-based sound designer Mosa. His scintillating single, The Night Sets In, is a plaintively compelling composition that could be easily compared to the artfulness of Radiohead, Mogwai, and Low; although those comparisons can allude to the diaphanously sonorous atmosphere of his sound, they don’t do Mosa’s intrinsic authenticity much justice.

His unique ability to infuse the dusty soul of blues into his sound design around the neo-classic keys and ethereal motifs establishes him as one of the most authentic artists around in 2023. We were hooked after hearing his single, Helicopter, earlier this year, after hearing The Night Sets In, which could easily rival the beguiling gravitas of any of the releases on the Westworld soundtrack, we are even more assured that Mosa is one to watch.

The Night Sets In will be officially released on October 7th. Hear it on all major platforms via this link.

Review by Amelia Vandergast

Silverhours reached the pinnacle of art-rock innovation with ‘The Miser’

Posted on 5 August 2023

With the artfulness of Radiohead, the arcane beguile of Bjork, the atmospherics of Mogwai, and the elevated ornate grace of Sigur Ros, the standout single, The Miser, from the sonic exploration of an album, Madeleine Moment, by Silverhours is a sensually multi-sensory firestorm of gravitas.

By amalgamating jazz and electronica in an intimately lo-fi production space, The Miser is the epitome of uninhibited expression, orchestrated by an artist enthralled by the geometry of musical rhythms. In full, the LP tracks a story that scarcely leaves any of the visceral emotions by the wayside; they’re all materialised in the juxtapositions between melodies, harmonies and memories to capture the haunting echoes of the past.

After getting kudos from Nick Cave after winning his online covers competition, Silverhours started to pick up traction in their career, leading to the launch of this drenched with evocative ingenuity debut LP. If it’s good enough for Nick Cave, it is good enough for your playlists.

Stream Madeleine Moment in full by heading over to Spotify.

Review by Amelia Vandergast

The devil is in the art-rock detail in Outerrings’ latest single, Titan

Posted on 22 July 2023

With a soundscape sweet enough to appease fans of Mogwai, Radiohead, and Sigur Ros, the latest single, Titan, from the Durham-based alt-rock trio, Outerrings, is an ethereal lesson in melodicism.

By using the consistent presence of the gentle yet rhythmically compelling guitar chords as an anchoring point in the release in place of percussion, Titan is as antithetical as alt-rock singles come, but it is all the more mesmerising for it in its reverb-drenched gravitas.

By underpinning the release with the vulnerable fragility of the vocal lines that cry out to those laden with ennui and burden, it is an evocatively artful ride everyone alienated by modern culture will want to strap themselves in for.

Titan was officially released on July 2nd. Hear it on Spotify.

Review by Amelia Vandergast

Grab a seat at the table for Tuncratio’s atmospheric alt-rock instrumental, Feast of Nothing

Posted on 26 December 2022

There’s something in the atmosphere of Tuncratio’s seminal instrumental alt-rock single, Feast of Nothing. The intro instrumental framework threw me right back to when Alexisonfire was a prized possession in my CD collection. Feast of Nothing then progresses into a deeply evocative melodic piece with complex time signatures that compel you to lean deeper into the alluring sonic mise en scene that cinematically wraps up through a cinematically orchestral outro.

The Italian-born, Scottish-by-adaption multi-instrumentalist and producer entered the music industry in the early 2000s. Not one to feel sated in the confines of one genre, his music spans across multiple, often in the space of one track. In his eclectic range of influences, Smashing Pumpkins, Mogwai and Deftones often push to the forefront in his sonic signature scribbled across his discography. Tuncratio’s back catalogue currently consists of two LPS, two mixtapes and the EP, Elephant in the Room, from which Feast of Nothing was taken.

Feast of Nothing was officially released on December 12th; catch it on Spotify. Stay tuned for Tuncratio’s upcoming

Review by Amelia Vandergast

Vulpine break new ground with their experimental post-rock EP, Ventures.

Posted on 19 October 2021

Scotland’s most melodic alt-rock outfit, Vulpine, has released their genre-spanning debut EP, Ventures, which brings a rare sense of accessibility to math rock and plenty of solemnity and poise to emo pop-rock.

The best introduction to their atmospheric, progressively gripping songwriting style is the title track, which carries the evocative weight of Frightened Rabbit combined with the instrumental furore of Mogwai.

From an ambient prelude, an intricately immense storm kicks up in the instrumentals, taking you through gripping breakdowns and even sweeter crescendos that hit the climactic spot every time. As the consistently in-flux sonic palette switches up through the progressions, vocalist, Pete Fox, demonstrates the provoking range of his vocal power.

The Ventures EP released on October 1st. It is now available to stream and purchase on all major platforms via this link.

Review by Amelia Vandergast

Toronto’s The Silk Demise stalk in with seductively haunting single ‘’Professor’s Lake’’

Posted on 22 May 2020

Wrapped in a promise, under stars. I set our feet as we melt in the dark.

Founded in 2006, this is the ultimately dark ambient electronic, trip-hop, and chillout music for the soul- to be enjoyed with the lights ideally off. 

‘The Silk Demise’ are highly influenced by trip-hop legends Massive Attack and Portishead and they expertly conjure their own smooth brand of the genre, relying on samples, synths, and melodic drones. Their music is a bit scary but enjoyable and this is a quality outfit.

Let’s enjoy this top act from Toronto, Canada and hope for more quality release while they create that one massive hit to propel them to the front of the queue. 

Stream more from ‘The Silk Demise’ here on YouTube.

Reviewed by Llewelyn Screen

Annika Brown: Amanda Palmer Meets Steampunk (Only for The Brave)

Posted on 27 November 2017

Annika Brown’s Latest track Apocalypso is a theatrical spectacular. Nothing quite could prepare me for what was about to unfold over the next three minutes as I hit play on YouTube. It’s hard to pay attention to the actual sound of the track after watching the official music video in which she embraces Kate Bush style dramatics. I certainly won’t be forgetting what I’ve just heard in a long time.

Annika’s sound Is definitely an acquired taste, I’m not sure tracks such as Apocalypso will ever fair well in the mainstream, however she’s created an eclectic mix of sound which she imparts her Emily The Strange demeanour within. Even when she’s playing an acoustic guitar in the woods her unique charm is never dampened. . But that’s just part of it’s charm. Alternative music fans are in for a treat with this act. With operatic vocals, doom riddled melodies and classic piano backing track. There’s a hint of Victorian hysteria within her music, which she reincarnates through her Gothic Soprano vocals. The Same as can be heard with acts such as a Emilie Autumn and her signature Fantasy Rock styling.

Head on over to her website where you can keep up date with her musical ventures. Her latest album The Devils Story Book featuring Apocalypso is available to download or stream now!

 

A&R Factory Present: Useless Cities

Posted on 2 June 2016

Starting off in a disused public toilet in Kentish Town as a rehearsal space, Useless Cities was up and gigging after about 12 months.

The outcome is bittersweet melodies and feelings, all pinned together by a skewer of flowing guitar sound. Intertwined male and female vocals are anointed by a holding piano sound and warm bass tones, aligned on OCD-like overthought drum beats.

They have just finished recording their first EP with Jessica Corcoran at Gravity Shack Studios in Tooting. It has had radio play on the Uni of Cork campus indie radio show, Freakscene radio show and Spark Sunderland new music show.

Useless Cities are an indie 4-piece with male and female vocals: Tom – Vocals/Guitar, Conny – Vocals/Keys, Clare – Bass, Sebs – Drums.

For fans of –  The National, Arcade Fire, Mogwai.

https://www.facebook.com/Uselesscities/