Browsing Tag

Midwest Emo

Midwest Emo-Laced Alt-Rock Visceralism as Pretty Killer Channel Addiction’s Aftermath in ‘Sharp Teeth’

Pretty Killer

A cavernous echo of 90s-esque reverb drifts through Sharp Teeth, the latest single from Pretty Killer, as the Worcester-based breakthrough outfit tore through the alternative rock space with an emotionally heightened twist on pop punk. References to Midwest Emo feel inevitable as the track unfolds, yet the band channel those tonal hallmarks into something hauntingly original The atmosphere builds patiently, tension simmering beneath the surface before the arrangement begins to lean toward a full emotional outpour.

That slow edge toward eruption arrives through melodicism tempered with pressure, proving that alt-rock remains an artform in the truest sense. Few artists manage to translate feeling into sound with convincing weight, yet Pretty Killer reach that threshold with striking clarity, turning raw emotional material into something close to sonic alchemy. The guitars swell with deliberate restraint before opening wider, letting the emotional architecture of the track expand until the arrangement can barely contain it.

When the breakdown arrives, the word becomes literal. Sharp Teeth reaches a peak of visceral intensity as post-hardcore textures bleed through the production, amplifying the emotional gravity that drives the single forward. Beneath the distortion lies the central narrative, a stark reflection on addiction and the hollow space left when someone slips away piece by piece before vanishing completely.

The track draws from the loss of a childhood friend to opioid dependence, yet the framing shifts the focus toward something quietly compassionate. The song reads like an olive branch extended toward listeners who know the ache of watching someone press the self-destruct button, or those tempted to press it themselves while believing the damage remains personal.

Recorded in a converted church studio in Springfield, Massachusetts and shaped by Alan Day on mixing duties with mastering from Mike Kalajian, Sharp Teeth captures Pretty Killer at a turning point, leaning into a darker, more grounded chapter fuelled by live instrumentation and emotional clarity.

Sharp Teeth is now available on all major streaming platforms, including SoundCloud. 

Review by Amelia Vandergast

Fixation turned self-sacrificial in the Midwest Emo-tinged Trap Pop haze of Trukadi’s THINKIN’ STRAIGHT

An amalgamation of Midwest emo, trap, pop and alt rock was always going to hit with a certain degree of distinction, but with their sonic synthesis, THINKIN’ STRAIGHT, the breakthrough alternative artist Trukadi brought down the hammer of authenticity hard enough to leave bruises on your rhythmic pulses. Every aesthetic, every motif, every razor-sharp introspective lyric weighs heavy as Trukadi explores how romantic obsessions can become self-destructive addictions, where you’d sacrifice parts of yourself just for another hit, where everything else loses meaning. Undoubtedly, we’ve all been there, leaving everyone susceptible to the limerence that radiates around the darker, deeper tendrils of distortion injected into the genre-defying mix.

With enough talent to put Midwest emo in the mainstream, few people are likely to underestimate what Trukadi is capable of as he continues to build his discography. His newest release also marks a shift behind the curtain as he commits to more intentionally constructed work. After experimenting with glitch hop touches and trap-leaning drums on earlier drops, he stepped into a grittier alternative direction, letting yearning and emotional dependence colour the soundscape rather than relying on technical flourishes.

The music video accompanying the track reinforces that intent. His choices in colour, styling and the framing of his guitar pull together a clearer visual identity, hinting at how seriously he’s beginning to shape his artistic world. It sits comfortably beside the introspection that drives the single, capturing longing, compulsion and blurred emotional edges without drifting away from the pop accessible core.

THINKIN’ STRAIGHT is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

Trust is a loaded gun in Jasno’s Midwest rap-rock requiem Cowboy

Jasno turned venom into catharsis in their latest single, Cowboy, a snarling dissection of the serpentine personas that smile while twisting the knife. By drawing from the sharpened theatricality of emo’s former front runners and strapping Midwest motifs to experimental bursts of rap-tinged alt-rock, the Michigan-based outfit brought new dimensions of ferocity to the subgenre. With lyrics that gnash and compositions that shapeshift across cinematic symphonics and raw rhythmic catharsis, Cowboy is the kind of track that leaves scars worth showing.

From the offset, the volatility floods in, but never at the expense of finesse; it’s all part of the sonic storm Jasno conjure with precision and intention. The spacey synth lines arc like spacecraft across scorched landscapes, while the vocals hit like a threat and a prophecy rolled into one. The band’s full commitment to pushing genre boundaries is writ large in their sonic DNA, but Cowboy hits differently. It’s a revenge anthem for anyone who’s ever had their trust mocked and their kindness misread as weakness.

From the unforgiving lyrics to the skyscraping delivery of the crescendo, Jasno went beyond proving their ability to command any stage. With two full-length albums and three EPs already under their belts, the DIY trio are known for dominating any line-up they’re thrown into, regardless of genre. Now deep into production for their third album, Jasno’s upward motion looks less like a climb and more like combustion.

Cowboy is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

Falc1 Transformed Romantic Reverence into a Desert-Born Swell of Emo-Folk in Desert Tears

Falc1 delivered a duskily dreamy indie folk serenade with Desert Tears, a reverie-wrapped love letter that lays it all on the line. With a clever and measured integration of 80s-esque reverb in a future-forward and genre-fluid arrangement, the track transcends style. It finds its definition in the resonance that reverberates between the acoustic and emotional architecture of the single.

The lyrics move like an impassioned swarm of poetry through the synchronicity of piano and acoustic guitars, amassing visceralism with every progression until the crescendo of amplified emotion. As that wave crests, it stings like a heartbreak vignette, but nothing is lost in the swell. The reprising admission of “I love that you’re mine” becomes a primal mid-western emo cry, soaking every syllable with soul and all the contradictions that come with love held tight through doubt and clarity.

Based in Toronto, Falc1 is no stranger to breaking moulds. With over 60 tracks to his name and a loyal audience built from the ground up through TikTok, he’s become a vital voice for the fans who live between genres and crave substance more than spectacle. Desert Tears proves he’s not trying to fit into a movement. He’s making his own. With new tracks landing monthly and momentum only building, Falc1 is an artist not just to keep on your radar, but to keep in your headphones on repeat.

Desert Tears is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast

Trukadi Bottled the Sweet Bruise of Longing in the Emo-Tinged Pop Euphonic Euphoria of ‘Arizona’

Trukadi pulled sincerity out of the abstract and dressed it in melody for his first 2025 release, Arizona. By kicking trends to the curb and bringing hooks that ensnare with an unflinching grip, he built a euphoric mirage of Midwest emo guitars and pop sensibilities so sticky-sweet it practically melts into your chest. His unique aural blueprint feels less like a stylistic choice and more like an atmosphere; one that seeps through the cracks and soaks you in nostalgic ache and starry-eyed optimism.

The San Francisco Bay Area artist has already proven his prowess behind the console with his instrumental EP Threshold and emotionally raw glitch-hop outings like Pick and Choose. But Arizona marks a definitive evolution. The vocal tone is fuller, the songwriting sharper, and the emotion even more unfiltered. There’s no hesitation in how the track leans into vulnerability. There’s bruising in every shimmering chord and beat, but it’s the kind of ache you welcome. The kind that reminds you what it means to feel everything at once.

Between his finesse over fretwork and his ability to turn yearning into something you can wrap yourself in, Trukadi offered a self-examination soundtracked by subtle euphoria. Arizona hits on every level. You might have to explain the marks.

Arizona is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Park National Spilled the Soul-Spiked Ache of Loving Through Self-Loathing in the Shoegazed Emo Anthem, ‘Your Mom’s House’

It took a few decades for Midwest emo to grow up, but that long-awaited maturity resounds in the sludgy shoegazed guitar tones of Your Mom’s House by Park National, which still delivers the visceral ache of emotions pouring out into a world that is all too ready to distort them with dissonance. But the cultivation on display that carves its way through the locked-on emotive target overdriven guitar tones elevates this anthem of ennui to the nth degree.

With one of the strongest guitar solos I’ve ever heard in emo-adjacent territory paired with the sheer striking sensibility of Your Mom’s House, which delivers the pained refrain of “just because I can’t love myself, doesn’t mean I can’t love you”, it is no surprise that Park National is amassing followers like there’s no tomorrow with the smorgasbord of resonance he distills into his vignettes.

Park National is the project of Chicago’s Liam Fagan, who broke through in 2020 with the self-produced The Big Glad, a record soaked in coming-of-age angst and serrated emo-pop textures. He’s now barrelling into new sonic territory with You Have to Keep Searching, a lo-fi-flecked, fuzz-soaked, genre-warping body of work that serves as a conduit for catharsis and chaos in equal measure. Guided by a DIY ethos and unflinching introspection, Fagan’s evolution is anything but obscure.

Your Mom’s House is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

billon dailey is set to make his hook-filled alt-indie-pop debut with ‘Pull on My Heartstrings’

billon dailey

If the Beach Boys made their debut in 2021 and picked up some Midwest Emo tendencies, their bright and instantly infectious melodies would have plenty in common with the ones found in singer-songwriter, billion daily’s triumph of a debut single, Pull on My Heartstrings.

The intricately and anthemically layered single breezes through the whole tonal spectrum as it runs through the frenetic choruses and verses where you can drink in the lush accordance of shimmering notes. It is anything but your average debut, which has plenty to do with the artist cutting his teeth as a songwriter under the moniker, iamsleepless, for years. After turning away from music to explore faith, having an existential crisis from that decision and returning to music armed with weed and a guitar, he started work on his debut release; we’re beyond glad that he did.

Pull on My Heartstrings is available to stream from December 3rd 2021. You can catch it for yourself on SoundCloud.

Review by Amelia Vandergast

Alt-Indie solo artist Bent 290 has released his psychotropic sophomore single, Minds and Makers.

‘Minds and Makers’ is the psychotropic sophomore release from alt-indie solo artist Bent 290 (Dakota Schilling). With hints of Midwest Emo in the vocals, nuances of reggae in anthemic guitars and lashings of electronic psych euphoria, it’s impossible not to warm to the multi-instrumentalist and songwriter’s instantly enamouring expressionism.

If you could imagine what it would sound like if Muse, All American Rejects, and Tame Impala aurally met in the middle, you’ll get an idea of the kind of bitter-sweet soul on offer here.

The project, Bent 290, was born during the 2020 lockdown when Dakota locked himself away in a cabin in North-Eastern Indiana. His debut release broke onto the airwaves to critical acclaim in 2020. After the release of his power-pop hit, we’re sure that only good things will follow.

Minds and Makers is now available to stream on Spotify.

Review by Amelia Vandergast

MX Strong brings in the future of pop-punk with his single, Too Far.

https://soundcloud.com/mx_strong/too-far/s-mWnbrnHQxB7

MX Strong’s latest single, Too Far, is full of angsty, hooky, pop-punk energy. Anyone who grew up with their iPods full of Blink 182 will want to pay attention.

The up and coming artist takes plenty of inspiration from Machine Gun Kelly, Jack Harlow and SuicideBoys, which you will note through the lyrics; for his sonic palette, MX Strong relied on his authenticity to set himself apart.

As someone who grew up in the 90s, a time when there was little overlap between alt genres and urban artists, there’s nothing better than seeing the outliers of society converging around unifying sound. MX Strong has been an integral part of that cultural coalescence. His ability to appeal to a wide audience is reflected in his streaming stats and the loyalty of his fans.

Too Far was officially released on September 17th; you can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Progressive pioneer, Junkhouse Bones, has released his latest single, Only a Name.

Junkhouse Bones

Elements of prog rock, Midwest emo, indie, garage rock, and pop all feed into the latest single from the genre-melding self-taught solo artist Junkhouse Bones (Dominic Orteza). After starting with a trashy garage rock prelude, Only a Name loses its discordant textures as the melodies get sweeter and the vocals provide even more nectar to make sure that the earworm sticks to your synapses like superglue.

With riffs that allow Orteza to show his rock and roll stripes and the cleverly formulated instrumental breakdowns, it’s impossible not to be hooked by the release that consistently piques your interest with clever motifs and aural curveballs.

Only a Name will be released on September 17th; you can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast