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Manchester Orchestra

MYLO BYBEE painted a mindful melodic rock masterpiece with their exposition of tainted free will in Master & Machine

The Idaho aural assassins, MYLO BYBEE, fired all the right melodic rock shots in their heaviest single to date, Master & Machine.

The angst-driven title single from their forthcoming LP traverses the scarcely-spoken-of-subject of how everything we do societally, personally, professionally, and artistically is impacted by someone else pulling the strings to spark deep contemplation on the issue of free will.

Even Sam Harris would have a field day with the exposition on how every good intent is blighted by societally parasitic phenomena, such as greed, corruption and misogyny. Master & Machine may hit hard, but after getting the ennui out of the way, the rest of the LP allows hope to permeate the bleakness of our current global landscape.

The collision between alt-rock and indie unravels with a rhythmic magnetism that fans of Death Cab for Cutie, Manchester Orchestra and Silversun Pickups will be organically drawn to. Reminiscences aside, there are no parallels to how Tyler Schlagenhauf melodically commands his vocal lines and contorts them into compassion-sharpened hooks.

Stream Master & Machine, released via ZMI Arcadia Recordings, on SoundCloud.

Review by Amelia Vandergast

Apres Pompeii has released his poetic folk-rock single, Clay.

‘Clay’ is the latest poetic folk-rock single released by singer-songwriter Apres Pompeii. What starts as a conceptually intimate and bleary soundscape seamlessly builds into a sonically choral indie hit with sweet psychedelic kicks in the percussion and plenty of colour in the artfully crafted melodies.

After a sonic crescendo of angular indie guitars, the Pittsburgh-based artist brings the tempo back down to conclude the single on a note that will enamour any fan of Violet Femmes, Frightened Rabbit or Manchester Orchestra. If you are always on the lookout for the Elliott Smith of our generation, hit play.

Check out Apres Pompeii’s latest single on SoundCloud.

Review by Amelia Vandergast