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Interview: Dar.Ra opens up the Blood N Treasure on his much-awaited new EP

With a pure sound and meaningful lyrics abundant in each of his well-crafted tracks, London-based author, music writer, producer and remixer pioneer Dar.Ra kindly opened up his busy schedule to have a quick chat with us. Telling us more about the much-loved new EP Blood N Treasure, stories from the music world, and charting worldwide, he also kindly provides valuable advice for all musicians out there who want to be the best.

Llewelyn: We’re super excited to speak with you Dar.Ra. Firstly, how has your 2023 been so far and please tell our readers what it takes to be a successful musician in this stream-friendly world we live in.

Dar.Ra: The year has been flying by, I get up early, stay creative, try not to react to the global madness and meditate as much as possible. I think being successful in this industry is a measure of how you see success. I’ve been making music since the mid-1980s I got a job as a vocalist in a Reggae band called Bass Culture at 16 and went on the road to avoid working in a factory soldiering PCB boards. I think if you’re still going after that long and you’re still putting out good records then that’s success in my book.

Llewelyn: Secondly, let’s chat about your upcoming EP Blood N Treasure. Where did the process begin and what’s the vision behind the new project?

Dar.Ra: ‘No Time For Tears’ came first I wanted to do an epic ballad which moved around arrangement-wise and ended up with a 7-minute tour de force. It was inspired by the story of the last Russian Tsar and how the love they had for each other couldn’t be stopped by bullets that assassinated them. I believe we go on after this. I have experienced other dimensions through sleep paralysis, I know there is something else beyond this third-dimensional experience we call reality. When you ascend from your body and see yourself asleep you explore what your astral self can do which is beyond the physical experience. It’s happened quite a few times and each time it reminds me we are more than this body or ego or car we drive around in. ‘Cure For Jealousy’ came out of left field I had a jam going in C minor for a while and the lyric came into my head as I felt a pang of jealousy when some guy was chatting to my G friend in a club I was DJ ing at. I was being cool but I could feel that uncomfortable fear someone was trying to move in on my Goddess. I was jamming at home the next day and thought I wonder if there is a ‘Cure For Jealousy’. It’s a hard one to crack however much of a Zen master you think you are, it’s the universe’s way of testing you to say you’re not as cool as you think you are. The thing is when you’re too detached from people and things, the less you care about stuff like that, but when you’re connected to something its easy to get triggered when other people aren’t playing by the same rules. I’m still working on it and unless I go live in a cave and meditate all day and night I’m going to get triggered by people not showing respect for you or the things you care about. It’s hard to get the balance, but that’s why we are here on Earth to work through these things. The remixes for both tracks on the EP are equally awesome, both were done by Sri Lankan-born and based Viduala who also did ‘Lights’ which is one of my favourite tracks I’ve worked on to date and features on the ‘New Kinda Normal’ album.

Llewelyn: You are known worldwide for your music and the much-loved Kusha Deep Radio show. Do you still feel the rush of being on such an incredible show and what do you love most about what you do?

Dar.Ra: I go through stages with all things, sometimes I’m buzzing sometimes I’m chilled about things. I love putting together a killer set, be it Tech House or Reggae, when I hear tracks that take me to that next dimension, I’m diving in the deep end to get things rocking. If you’re happy though I’m happy. I’ve always been a crowd-pleaser when I’m out and about, I just want to see you having the best time of your life. I remember playing Camden Palace London in the 90s with my band Bliss I had a number 1 dance record called ‘New Dawn’ and we had 1500 people all unified and rising up as one, total love mixed with euphoria that’s what it’s always been about for me. It’s more than Music it’s a connection of human energy and when it ignites with Love the place explodes. If you come to a Dar.Ra / Kusha Deep show you’ll get what I mean.

Llewelyn: You’re known as one of the best writers in the game and have penned worldwide hits for various EMI and 21st Century Artists. What do you feel makes a truly great song and do you go into a different zone when writing or does it just flow when you want?

Dar.Ra: I think just being as real with what you’re channelling is key, not getting in the way of inspiration and letting it flow without censoring and editing it before you’ve let it flow out of you. There is this space that we can all go into when we silence our thoughts, it’s in that space where genius lies, where all ideas come from it’s a frequency or a universal matrix of vibrations. All ideas come from that silence. You never solve any challenge by thinking about it, it’s when you turn off from thoughts that the ideas flow. Think of any great idea, Tesla for instance would go into that space and feel the energy grid then find the alternating current for instance that makes your car work. He also understood the power of vibration and how to harness it to create endless energy. You can have anything you want you just need to know how to ask for it.

Llewelyn: Cure For Jealousy certainly has our attention. It’s ridiculously infectious and mega catchy (in a good way). Is this your favourite song off the new project and may you kindly provide the A&R Factory readers with some further insight into this terrific track?

Dar.Ra: It is a cool tune and one which I enjoyed making, once they are out I’m on to the next thing though writing the next thing of hearing a new melody in my head, I do not look back too much once they are mastered. It’s fun though to go back and re-learn how to play them if you have to do it live. Each track brings a new challenge and that’s what keeps me interested in making music. I remember meeting Debbie Harry when I was at Chrysalis and I remembered her Heart of Glass track and how Georgio Morroder, produced it and got vibed up on that live Disco/ Rock feel, and I just went down that road with it. It’s got a lot of flavours on the track which you are not hearing on a lot of tunes out at the moment. It’s real and all played live. I do not rely on loops, auto tune or AI to make music, it’s all 100 organic like a Veggie Stir Fry.

Llewelyn: Do you have any funny or wild stories you’re allowed to share from a past gig or a moment in your career that makes you laugh or cringe a little?

Dar.Ra: I played a gig in Queensland Australia in 2003 and the place had been used as a wake for a person who had died earlier in the afternoon. When we came on the coffin was standing on the side of the stage in the wings but you could see it every time you looked right. We just got on a rocked the place, everyone dancing and going off and the coffin was moving to the vibrations of us playing, I was praying it didn’t fall off the stand and the dude roll out into the crowd. That was a weird one. I wrote a book called ‘Road Tales’ (Darragh J Brady) about being on the road with all the crazy people I met from 1995 to 2007 who all had incredible life-changing experiences. It’s on Amazon and tells you more about that kind of intense but cool moments. It goes from the UK to Australia to America and Central America, worth a go if you’re looking for a good read. My other book is the ‘Night That Jimi Died’ which is about a girl who can channel the Spirit of Jimi Hendrix, she changes the world through using certain types of frequencies that alter people’s DNA in order to awaken them to the great takeover of human freedom from the powers that be. They both have 5-star reviews on Good Reads.

Llewelyn: Lastly, do you have any plans for the rest of 2023 and what exciting projects or shows are scheduled?

Dar.Ra: I’m recording some Audiobooks, producing a new album later this year and looking to leave England for pastures greener setting up a well-being centre which will hold music and yoga and meditation workshops. You will all be welcome!

Check out the video for the lead single Cure For Jealousy on YouTube.

Follow this experienced artist on all his adventures via IG.

Interview by Llewelyn Screen

By My Side: FERNE jumps on the district line with her lover on Stay Here

After previously moving away from a love cheat on the excellent Louisa in January 2022, FERNE has dropped a hugely unforgettably sweet summer love song to hold hands with all night on the I-need-you-tonight anthem, Stay Here.

Born in Philadelphia, based in southwest London, FERNE is a Kingston, UK-based indie alternative 4-piece band (formally a solo act) who randomly met at a music showcase and their friendship has grown rather brilliantly from there.

FERNE started her music career when she moved to London in 2019 to study music technology at university. She was discovered at the regional finals of an open mic competition in London where she was signed to an artist development program and has been creating ever since.” ~ FERNE (https://www.fernemusic.com/about)

Displaying such tender care in an often lonely world, FERNE shall warm chilly hearts in a nanosecond. This is quality all the way through and might cause a smile to form no matter what genre you usually like.

Stay Here from Kingston, UK-based indie alternative act FERNE is such a wonderfully dreamy single all about expressing feelings that many rather avoid. Showing us deep inside the ups and downs of a romance which has stood the test of time, as it naturally connects two hearts as one.

Sung with so much love and cute passion to make a blush form when most needed, we are rejuvenated by a truly genuine release to hold onto during those nippy nights.

Tune into this fine new single on Spotify.

Follow the socials for event news and more on IG.

Reviewed by Llewelyn Screen

Take Me Away: Towse misses that special fire on We’d Start a Garden

With their highly-anticipated first release in 5 years, Towse is on top form on this delightfully mellow song to try and hold back tears with as the lost romance burns a hole into the heart on We’d Start a Garden.

Towse is a niche indie outfit who are signed by Green Eyed Records and performs with the kind of uniqueness which shall stimulate the mind of those who want something different.

A breakup song about the sadness and confusion of realizing you won’t be spending the rest of your life with someone.” ~ Towse

Written as part of the Song a Day for a Month challenge and recorded in both London and California, Towse drops a bedroom pop-soaked stunner to calm even the busiest of hearts. Kind in nature and relatable in every facet, we are treated to something rather brilliant.

We’d Start a Garden from the superbly visionary band Towse drops a song so deep, it will probably cause tears to stream down at unexpected levels of emotion. Showing us where to go in order to feel happier again and sung so beautifully, this is a catchy single for all the right reasons.

Healing takes time to fully heal most wounds after all.

Turn this up on Spotify.

Reviewed by Llewelyn Screen

A Subdued Delight: Millar’s “Happy” Explores Melancholic Beauty

Millar, a London-based singer-songwriter, enchants listeners with her latest single, “Happy.” With her elegant and pure voice, reminiscent of subdued Fiona Apple or Tori Amos, Millar delivers a lovely and heartfelt tune that embodies simplicity and beauty.

“Happy” unfolds gently, showcasing Millar’s prowess as both a pianist and a vocalist. The delicate piano chords set the stage for introspection, while her emotive vocals draw listeners into a world of melancholic contemplation. The song’s simplicity works in its favour, allowing the raw emotions to take centre stage and resonate deeply with the audience.

Drawing inspiration from the dream-pop genre, Millar effortlessly weaves themes of nostalgia, childhood innocence, love, and heartbreak into her music. “Happy” captures the essence of longing and the bittersweet realization of witnessing someone find happiness with another person. Millar’s introspective lyrics and poignant storytelling evoke a profound sense of empathy and introspection, inviting listeners o reflect on their own experiences of love and loss.

Millar’s online presence, particularly on Instagram (@millar.musicuk), allows fans to connect directly with her musical journey. Through her social media platforms, Millar shares insights into her creative process and engages with her audience, fostering a sense of community and intimacy.

As a pianist and vocalist, Millar’s talent shines through her music. Her dedication to her craft is evident in her bio, where she details her journey from writing songs at a young age to studying music performance and artist development. This background undoubtedly contributes to the refined and nuanced approach she brings to her compositions.

Millar’s “Happy” is a testament to her artistry and ability to craft emotionally evocative music. With her melancholic and chilled-out sound, she creates a listening experience that resonates long after the song ends. As Millar continues to explore her signature sound and share her musical stories, audiences can eagerly anticipate more enchanting tunes that capture the essence of human emotions.

Millar’s “Happy” is an exquisite gem in the realm of singer-songwriter music. With her captivating vocals, skilful piano playing, and introspective lyricism, Millar invites listeners to immerse themselves in a world of melancholic beauty.

I Want To Be The Shining Star: Emily Luke-Taylor dazzles mightily with 2nd single Close To You

Sensing that this is her time to be with someone so pure and kind in an often cold world, Emily Luke-Taylor locks her eyes on her lover and shall remain in eyesight for as long as possible with the stunner to play on maximum volume, Close To You.

Emily Luke-Taylor is a refreshing UK-based indie singer-songwriter who somehow fuses beautiful melodies with pop, jazz and electronica in a style which will have many pressing repeat.

Jolting our emotions and giving us all something to think about, Emily Luke-Taylor performs so wonderfully and shows us what caring music sounds like. This is a romantic message for the betterment of modern-day society. Why? It shows us that true love does still exist.

Close To You from the multi-talented London, UK artist Emily Luke-Taylor is a you-feel-so-true track to vibe with forever when those dark clouds threaten to ruin everything. Sung so beautifully and featuring intricate melodies and goodness, this is the perfect wake-me-up track to bring in pure energies.

Turn this up on Spotify.

Reviewed by Llewelyn Screen

No Other Way: Jon Poppii doesn’t know how long he can stay on fuck friends (acoustic)

Wanting so much more and feeling rather frustrated with not being intertwined inside his dream lover’s romantic aura, Jon Poppii tells the whole truth about how his spirit is feeling right now on fuck friends (acoustic).

Jon Poppii is a London, UK-based indie pop singer-songwriter who is new in the game release-wise but shows massive brilliance from all corners here.

Sung with so much love and featuring soothing vocals to dream inside, Jon Poppii shall change moods with a reflective insight into something he can’t control. With an impressive tone and taking us to a moment made to shudder all bones, this is the ultimate love lost single for 2023.

fuck friends (acoustic) from London, UK-based indie pop singer-songwriter Jon Poppii is one of the more truthfully eye-opening singles to have many ponder their romantic journey. Performed so wonderfully by a rising artist who appears ready to move, in a world which seems to be easy to be forgotten about.

Turn this up on loud via Spotify.

Reviewed by Llewelyn Screen

Left Me: Nico Del Greco urges all of us to use the previous pain to fly free on Watch Me Cry

Feeling cold and lonely from being left in the darkness by a past lover, Nico Del Greco shows us how to turn something sad into a beautiful moment to feel alive again on Watch Me Cry.

Nico Del Greco is a London, UK-based Italian composer, and music producer who blends in tasty treats filled to the brim with indie pop/electronic and classical music.

The most important message I wanted to share in this song is summarised by the lyrics “use my blood to water me, pick these flowers from my skin”. In other words – take your pain and use it to feed your soul, turn it into something beautiful and let everyone see it.” ~ Nico Del Greco

Captivating all ears with a rather delightfully produced track of mighty proportions, Nico Del Greco displays seriously excellent skills on this honest gem.

Watch Me Cry from London, UK-based Italian multi-talented composer Nico Del Greco is a simply superb anthem for anyone who feels rather hurt from the surreal feeling of a broken heart. Sung with a flourishing passion and never letting go, this is a rejuvenating moment for us all to heal inside no matter the weather.

Listen up on Spotify.

Reviewed by Llewelyn Screen

Be the change you want to see: MILENA synergises our emotions with The Secret Garden

After impressing all with her loving single from 2019 called Summer of Heat & Spice, MILENA guides us to the peaceful resting spot on the heartwarming new track to rejoice with despite the stresses of the world, The Secret Garden.

MILENA is a London, UK-based Montenegro-born indie pop singer-songwriter and piano player who is known for her soothing vocals and affectionate nature.

Coming from a music and artistic family, her musical journey started at a tender age. She began playing classical guitar and piano, then, later on, studied at the Music Academy in Montenegro. Along the way, she won various prizes, participated in many festivals and appeared on children’s TV programmes, in musical theatre and TV commercials.” ~ MILENA

Silencing the noise and skyrocketing so high into the sky with flowers tucked in her hair, MILENA is a rather stunning soundtrack which is surely exactly the kind of song humanity needs more of.

The Secret Garden from London, UK-based indie pop singer-songwriter MILENA is a rather pacifying song all about teaching us where the better days are. With no shoes on and brushing away the dark thoughts, we are treated to something so sweet and special.

Reminding us of her signature vocals which shall ease the pain of the burning world, this is a rather delightful effort from a musical angel loved all over the world.

Turn this up to learn more on Spotify.

Reviewed by Llewelyn Screen

Brixton Academy Wasn’t to Blame for the Asake Tragedy: Sign the Petition

Brixton Academy

After Brexit shafted touring musicians harder than *that* scene in Pulp Fiction and the Tory government deafened themselves to the calls for support in the light of the energy crisis and left many people literally in the dark, another sadistic blow has been dealt to the UK music industry as the future of Brixton Academy is bleak at best.

Property investors are probably already salivating at the prospect of claiming the building, stripping the culture from its art deco bones, and insipidly reconfiguring it to make as much bank as possible at the expense of a cultivated landscape. If you’re still under the illusion that the current government give a fuck about the cultural future of the UK, you probably stopped paying attention in 2016.

After almost a century of history, Brixton Academy is unlikely to be a cultural landmark beyond 2023 after the Met declared they lost confidence in the Academy Music Group and revoked its licence to operate as a music venue after it was stormed by non-ticket holders when Asake took to the stage on December 15, 2022. Let’s just gloss over the fact that Brixton Academy has been successfully operating as a music venue since 1983 after its tenure as a cinema from 1929 and discotheque from 1972.

Asake sells out night O2 Brixton Academy performance in minutes and a  second night is added | Evening Standard

The tragedy of the crowd crush that became fatal for two and seriously injured two more definitely shouldn’t be underplayed, but there is no justice in letting the blame fall onto the wrong people. No music venue or event organiser anticipates events to be stormed en masse by overly entitled people with a nefarious disregard for public safety. Of course, the security staff were going to be overwhelmed by 3,000 people charging through the broken doors as though they were enacting the Game of Thrones Battle of the Bastards scene.

Crowd crushes are hardly a commonplace occurrence at gigs and festivals. Everyone who regularly attends them knows this beyond a shadow of a doubt, but evidently, if we had a say in the matter, we would have written this incident as an extreme act of cultural vandalism, not something that should determine the future of a landmark venue where historical shows have unfolded. Rather than reeling off all the legendary shows that take place here, of which there are many, it is far more important to look at what the loss of the 2000+ capacity venue will mean for the future when the industry is already in a precarious state.

Brixton Academy to remain closed until April following deaths at Asake gig

Putting the appropriate safeguards in place to prevent that kind of tragedy at every show is completely unviable. The direction of the blame following the investigation allows you to see the Met’s agenda as clear as day – they just couldn’t be bothered getting to grips with what really happened on December 15th when the Nigerian Afrobeats artist hit London. Case in point, only one person was arrested following the crowd crush for assaulting a police officer. Following that arrest, the investigation did little more than pin the blame on the Academy Music Group. The 2,999 other people that forced their way through the venue door got off completely Scot-free. And it’s not like there wasn’t ample video and photo footage to carry out a proper investigation and hold the guilty accountable.

One attendee who witnessed tensions getting fraught outside saw people trying to scan their tickets to no avail. So where was the Met investigation into the ticket touts? Oh, quelle surprise, there wasn’t one! And it isn’t like the Asake gig in London was the first time fake tickets caused brawls outside music venues. The very same thing happened outside Glasgow O2 Academy after swathes of people purchased a ticket to see the rapper Digga D in October 2022, only to realise that they had purchased invalid tickets. Cue nine police cars and an ambulance rocking up to the venue to deal with the chaos that ensued around the ticketing scam. Obviously, something has to change, but that something isn’t the future of Brixton Academy.

At the time of writing, the petition surpassed 43,000 signatures. If it garners over 100,000 signatures, it will be considered for a parliamentary discussion. Even if you’re as cynical as me about how that discussion goes, use what little democratic power we have left and sign it here.

Article by Amelia Vandergast

My bro was telling me: Somecallmewale avoids the overthink on NOT THAT DEEP

Moving away from the previously unhealthy mindset, Somecallmewale keeps things smooth and simple to make our palates happier again away from the nervous vibes which can wrap up real souls like unnecessary plastic in the ocean on NOT THAT DEEP.

Somecallmewale is a London, UK-based British-Nigerian music producer-artist who is as charismatic as they come and projects his vibe rather splendidly on each track.

Wale is deeply influenced by the sounds of Rap, R&B, and soul, citing artists like Whitney Houston, Babyface, and Vince Staples as major inspirations. However, Wale draws inspiration from a variety of sources, whether from UK Grime, Jazz, and even Bollywood soundtracks.” ~ Somecallmewale

Do you like mellow music with a message? Somecallmewale is the name we should all be talking about. Sizzling with patience and calming vibes to embrace, this is a top-notch soundtrack to admire for its intellect.

NOT THAT DEEP from London, UK-based British-Nigerian artist/producer extraordinaire Somecallmewale is a late-night release to play when it’s time to make a move with a sensual soul. Rapped with confidence and showing us an impressive flow to warm up all hearts like a hot bubble bath steaming and ready, we find a massively likeable freestyle-like track to rinse all worries away.

Listen up on Spotify.

Reviewed by Llewelyn Screen