Pensive piano pop has never been quite as bitter-sweet as the latest stormy release, Home N Away, by up and coming artist Adam Wedd. The emotionally charged semi-orchestral soundscape is fraught with loss and mourning and still manages to hit a compassionate soft spot as you’re swept up in the fanfare of the theatrical elements and straight from the soul sentiment.
Despite a global pandemic, the London-based singer-songwriter’s career hasn’t failed to pick up traction. With a sell-out debut EP under his belt, accolades from BBC introducing and the freedom to tour Europe and the USA once more, he is definitely one to watch.
Home N Away was officially released on October 1st. You can check it out for yourselves by heading over to Spotify.
For his latest release, the up and coming London-based artist Doyle put his uplifting touch on the iconic track, Arms Around Me by Starley. By all accounts, Arms Around Me was the perfect summer dance-pop anthem before the remix, under Doyle’s melodic manipulation, the track started to emanate quintessential indie-pop vibes, making the lyrics even more intimate and the vocals infinitely more endearing.
With his debut album expected to drop in 2022, you should leave ample space on your radar for the bedroom artist and producer.
You can check out Doyle’s entrancing remix of Arms Around Me via YouTube.
London-based alt-indie singer-songwriter Libby Phippard has released her latest single, When a Question is Not a Question; sonically, it’s a funky upbeat synth-pop track, lyrically, it’s a visceral attack on the manipulative protagonist that inspired the artfully enraged single.
With a canter that is enough to leave Eminem’s head in a spin and vocal timbre that carries rich harmony, Phippard didn’t just succeed in creating an experimental track; she succeeded in creating an experimental single that burns with enough soul that it will leave you feeling fired up. We can’t wait to hear what follows.
The single was officially released on August 27th; you can check it out for yourselves via SoundCloud.
‘Waiting to be Found’ is the latest colossal alt-pop single from the luminary artist Gabrielle Ornate, which allows synths to bring a post-punk-style atmosphere while she feeds new-age-style-soul into the vibrant, massive production through the unapologetically intense vocals.
It is easily one of the most ethereal summer pop anthems that you will hear this year, or any other year, given that feels like quite the sonic paradox. Despite the alchemic ingenuity of the release, accessibility oozes through the sincerity and the rhythmic pull of the dark and sultry dance pop-rock earworm.
Waiting to Be Found was officially released on August 6th; you can check it out for yourselves by heading over to SoundCloud.
Independent London-based singer-songwriter Emily Silver’s latest future pop track, Feel the Flames, is enough to make Lady Gaga sound tame. The single that was co-written and produced by the Brit Award winner, Simon Ellis (Britney, Spice Girls, S Club 7), is the epitome of filthy pop.
The bass-drenched-drops motif the track with electrifying energy which Silver easily matches with her fiercely resounding vocal timbre. Emily Silver has already performed in the Royal Albert Hall and the 02 Arena, but with her vocals, there isn’t a stage she couldn’t command. There’s a magnetic amount of hunger in Feel the Flames that grips you with sharp melodic teeth and refuses to let go.
Feel the Flames is due for release on July 16th; you can check out Emily Silver on SoundCloud.
NYC-hailing, London-based singer-songwriter duo Scotia & Dagny have made their debut with the release of their contemporary indie-pop ballad, All I Ever Wanted. In the rankings of the best slow dance singles ever released, we wouldn’t put this cinematically neo-classically-underscored single far away from Elton John’s ‘Your Song’.
The poised, reflective nature of the semi-orchestral downtempo soundscape complements the lyrics that explore the emptiness that ensues loss. The dreamy air to the single takes the sting out of the melancholy, but the wavering vocal notes hit bruisingly hard.
All I Ever Wanted is now available to stream via Spotify.
After listening to Sofia Biancardi’s latest single, Need You Now’, it is safe to say that London has a new luminary artist in its midst that has made the competition for the Mercury Prize a little harder.
The, quite literally, arresting release is everything that an indie ballad should be. There’s a sublime balance between poise, grace and fiercely intense expression. The otherworldly ethereal release is enough to leave you feeling like you’ve had a religious experience.
Words alone could never encapsulate the raw beauty in Need You Now, which captures the visceral obsessive distress that catches us when we contemplate losing the ones we need the most. It’s so far beyond a ‘watching the rain with pensive malaise’ kind of ballad; it’s a contending with a storm of guttural pain kind of ballad.
Need You Now officially released on June 25th; you can check it out for yourselves by heading over to SoundCloud.
‘Wife’ is the latest poetically Avant-Garde single from Cypriot-born, London-based singer-songwriter and actress Echo Wants Her Voice Back. Starting with a minimalist, spiritual intro that any fans of the Cranberries will appreciate, Wife is captivating from the start. The conversationally imploring vocals lead you right into the heart of the track, and that is a trip you’re going to want to take over and over again.
With a touch of Gwen Stefani-Esque attitude to the folk-pop lyrics in the chorus, the seamlessly progressive single is proof of the alchemy that can breathe through a release created without constraint. The baroque pop outro that carries reminiscence to Emilie Autumn’s archaic sound is a haunting way that ensures Wife will stay with you long after the outro
With her second EP in the works, Echo Wants Her Voice back is well worth room on your radar.
Lara de Belder’s debut single, Turn It Over, is easily one of the most promising debuts made in 2021. Discernibly, the British-American artist brought plenty of her experience in the theatre to her jazzy debut single that reflects upon themes of obsession and desire.
With a voice as mesmerising as Cher’s and the endlessly enlivening instrumentals bleeding euphoria with every progression, Turn it Over is consistently captivating. The single allows you to mentally contend with the dark side of obsession as the jazzy instrumental arrangement finds a way to absolve any guilt you may be harbouring from obsessive behaviour. We have all been there.
Turn it Over is the first single to be released from Lara’s upcoming concept album that explores relationship breakdowns. Needless to say, we’re already stoked to hear it.
London singer-songwriter Libby Phippard’s latest single, ‘Please Don’t Ask Me to Stay’ is the kind of revival needed to keep classical music relevant in 2021.
With her operatic training, background in classical music and tendency to draw influence from everyone from Hozier to Ariana Grande, her latest ballad is a theatrical release that doesn’t allow any of the pain of a relationship expiring to hide behind smoke and mirror. Instead, it bridges the gap between those grandiose lovesongs that have always been around and the common experience of romantic duality.
It is criminal for singles such as Please Don’t Ask Me to Stay to be relegated to soundtracks. If society can see the beauty in acts such as Daughter and Tom Odell, there’s no reason why the same affection can’t be found in Libby Phippard’s timeless sound.
Please Don’t Ask Me to Say is due for official release on March 12th. You can check it out for yourselves by heading over to SoundCloud. Head over to the artist’s official website for more info.