Browsing Tag

London Pop

Make a Date with Cliff Lynch’s Soul-Wrapped Pop Hit, Sex on the Weekend

Posted on 6 April 2024

Cliff Lynch, emerging from his boyband roots with Roman Road, has crafted a pop anthem that is brimming with the exoticism of sonic seduction and offers a refreshing departure from the assimilative new wave pop trend currently saturating the UK indie scene with his latest single, Sex on the Weekend.

Hit play and get into tune with the 90s boyband-esque harmonies and colourfully moody melodies which complement Lynch’s distinctively bold approach to pop, which is charting his own path through a genre often mired in superficiality. Fuck baseless earworms when you can discover soul-stirring experiences which showcase artist’s commitment to depth and authenticity, which is exactly what you get with Sex on the Weekend.

The single explores lust-fuelled emotional themes, yet nothing about it feels salacious. Instead, Cliff Lynch delivers an intimately vulnerable testament to lyrical candour. The Latin guitar grooves and solid backbeat create a backdrop that is both sensual and sincere. This track is a challenge to every lothario who believes hook-up culture needs to lack soul.

Born in South London and influenced by icons like Queen, Michael Jackson, and Justin Timberlake, Lynch’s solo material takes a mature, singer/songwriter approach, blending rock, R&B, and beloved pop elements. ‘Sex on the Weekend’ is a testament to his evolution as an artist, from his early days with Cloud 9 and Roman Road to his current solo endeavours.

As Lynch gears up for his debut EP release in 2024, ‘Sex on the Weekend’ stands as a compelling preview of what’s to come. It’s a track that will leave listeners hot under the collar, not just for its sensual themes, but for its heartfelt honesty and the undeniable talent of Cliff Lynch as a solo artist in the pop domain.

Stream Sex on the Weekend on Spotify now.

Review by Amelia Vandergast

Arden – I Don’t Sleep: A Poignant Alt-Pop Symphony of an Exposed Heart and Soul

Posted on 7 January 2024

The London-based alt-pop pioneer, Arden, found the inspiration for his latest single, I Don’t Sleep, through the fear that once you have laid your soul bare, there’s no covering it up to the ones you exposed your vulnerability to.

There’s sweetness in the sentiment “there will always be a part of me that’s yours” but the bitterness of that part of you becoming redundant in the wake of a breakup is a cutting juxtaposition. Lyrically, it is powerful enough to make you view relationships through a brand-new cautious lens. Still, within the blossoming swells in the piano melodies and the orchestrally carved crescendos, there’s a scintillating atmosphere, full of spirited passion – stirring enough to make you want to take the dive into inevitable pain.

I Don’t Sleep is a testament to Arden’s ability to blend poignant lyrics with lush musical arrangements. The song achieves a cinematic quality, panoramic enough to be part of a blockbuster soundtrack, yet intimate enough to tug at the heartstrings with every note. Arden’s cultivated songwriting, reminiscent of Owl City, shines through in I Don’t Sleep. His soulful vocal performance, memorable melodies, and sophisticated production showcase a maturity beyond his years.

As he opens 2024 with this energised and refined sound, Arden solidifies his place as an artist to watch, captivating audiences with his honest and witty songwriting.

I Don’t Sleep will hit the airwaves on January 5th; stream it on SoundCloud.

Review by Amelia Vandergast

Gemma Felicity – CHAOTIC: Confessionally Captivating Indie Pop

Posted on 12 December 2023

London’s Gemma Felicity set the bar high with her anthemic hit, Come Back to Me, which solidified her position in the industry as one to watch. With her latest single, CHAOTIC, she surpassed all expectations by exhibiting a strikingly authentic and evocatively rich track which captures the complexity of ADHD and subsequently, its impact on relationships.

Felicity’s candid storytelling, set against the dreamy yet rhythmically enticing backdrop of an indie-pop soundscape, offers a unique and personal perspective on the challenges and nuances of neurodiversity.

With her lyrical confessionalism finding the perfect balance between introspection and relatability as she touches on impulsivity, emotional dysregulation and the paradoxical fear of seeking security while fearing commitment, you can’t help but be affected by how she meticulously juxtaposes these themes while creating a dynamic listening experience. The chorus, particularly with its restless energy and poignant lyrics, encapsulates the essence of feeling trapped by one’s own contradictions.

Gemma Felicity’s background as a self-reflective songwriter, combined with her personal experiences and struggles, shines through in CHAOTIC. Her journey from using music and writing as a form of self-soothing during illness, to studying music performance and songwriting, has culminated in this impactful single.

The influence of artists like Holly Humberstone, Gracie Abrams, Lexi Jayde, and Julia Michaels is evident in her dark pop style, yet Felicity maintains a distinct and individual artistic voice. This song, as part of her EP, Baggage, promises to leave a lasting impact on the indie-pop landscape and on listeners who find a piece of themselves in its lyrics.

CHAOTIC hit the airwaves on December 1st; stream it on Spotify.

Review by Amelia Vandergast

Belinda Vodea flourished through the retro 80s aesthetic in her pop single, EOM

Posted on 1 December 2023

Belinda Vodea’s debut single EOM (Eyes on Me) is a lustrous nod to the 80s pop era, artfully infusing modern sensibilities with retro flourishes. This London-born British-Albanian artist’s sound resonates with the familiar warmth of a bygone era, yet her approach is refreshingly contemporary, much like her predecessors Dua Lipa and Rita Ora,

Vodea’s airy and soulful vocal delivery is a standout feature of EOM, beckoning listeners with its natural ease and emotive quality, drawing comparisons to the bright and edgy tones of Zara Larsson. Her voice, coupled with the backdrop of lightly distorted electric guitars and expansive, reverberant 80s drums, creates a soundscape that is both nostalgic and bracingly new.

The collaborative spirit of the track’s production, led by Ashea (known for her work with Alan Walker), reflects the power of female artistry, a choice that Vodea emphasises as key to capturing the song’s essence. EOM is a musical journey of love, longing, and self-discovery, with lyrics that explore the universal need to feel noticed and remembered, yet also the determination to progress and thrive. The song’s thematic content is echoed in its composition—dramatic drums and nostalgic synths underpin the narrative of romantic disappointment and personal growth.

Belinda Vodea, who has honed her craft from a young age, balancing her passion for music and dance with academic studies, is poised to make an unforgettable entrance into the pop scene. With her influences ranging from George Michael to Rihanna, and from Bryan Adams to Jhené Aiko, she has developed a unique sound that pays homage to the music that resonated in her household during her formative years.

EOM is more than a debut; it’s a statement of intent from an artist who has been preparing for the spotlight her whole life. From performing mini-shows for her family to aspiring to sell out stadiums, Vodea’s ambition is as clear as her talent. With the single set to release on all major streaming platforms on December 1st, Belinda Vodea is a name to watch in the evolving landscape of pop music.

Stream EOM on SoundCloud.

Review by Amelia Vandergast

Lilypads found room to organically blossom in their affectingly sweet debut single, Ode to You

Posted on 7 November 2023

Lilypads set their bar transcendently high with the die-hard romanticism instilled into their debut single, Ode to You. With commercial and cross-over appeal by the smorgasbord as a result of their cultivated charm and endearingly articulate lyricism that is effortlessly complemented with the equally as affable melodicism, the tenderly refined duo is set to take the reverence for their sound far beyond the London music scene.

If your soul doesn’t stir with the dreamily accordant delivery of “I guess I never really knew just how much I ode to you”, you may want to check you’ve still got a pulse. Love songs may proliferate the airwaves, but Lilypads still found room to organically blossom as one of the premier indie pop acts of 2023.

The relaxed yet complex melodies are as innovative as they are innovative; the side serving of comforting nostalgia is a harmonious bonus element, which makes losing yourself in the gratitude of the single even more affectingly sweet. As Lilypads continue to rise, this track may well be remembered as the genesis of their ascent.

Ode to You hit the airwaves on November 3rd, stream it on Spotify.

Review by Amelia Vandergast

All isn’t fair in love and war in millar’s indie alt-electro-pop single, hunting ground

Posted on 12 September 2023

By drawing parallels between blood sports and romanticism in her indie alt-electro-pop single, hunting ground, the up-and-coming London-based singer-songwriter, millar, delivered a striking exposition of how nothing is fair in love and war when unsuspecting diehard romantics are forced to play by the rules of mind games.

As the atmospheric space progressively shifts from light to dark in the same vein as The Neighbourhood, Cigarettes After Sex and Perfume Genius around the strikingly angular indie guitar work which bears reminiscences to Slowdive and the driving backbeat that gives the single a punchily vindicating energy, hunting ground, is one of the most stunning UK indie tracks to spill up from the underground in 2023.

We can’t wait to hear where millar’s candour and inexplicable talents in euphonically visualising melancholy take her next.

hunting ground was officially released on September 1st; stream it now on Spotify.

Review by Amelia Vandergast

London’s queer pop queen Tana reached peak supremacy in her single, Kiss Me Like We’re Gonna Die

Posted on 25 July 2023

The queer pop queen, Tana, hasn’t fallen short of success and supremacy since we last heard her in 2022 with her pop-rap hit, Supermodel. For her latest single, Kiss Me Like We’re Gonna Die, the London-based genre-fluid originator stripped back the tempo to unveil an RnB pop single that is steamier than *that* scene in Titanic.

Instead of painting a portrait of perfect – and therefore unattainable – romance, Tana played it pure in Kiss Me Like We’re Gonna Die by nuancedly alluding to how promises of perpetual bliss only leave us lingering in naivety further down the line. Despite the visceral pain projected into the release, there’s a sense of romanticism that visualises the realities of love instead of paying homage to Hollywood tropes that never actualise in material reality.

In addition to orchestrating originated and awakeningly installations of candour, Tana has hit the main stage at UK Black Pride 2022, performed at NXNE Festival, London Pride and Tallinn Music Week, while being spun BBC Introducing, Soho Radio, Gaydio and Trace Urban. Even if you don’t watch this space, Tana is enough of a phenomenon that you’ll hear about her regardless if you put her on your radar.

Kiss Me Like We’re Gonna Die is now available to stream on Spotify.

Review by Amelia Vandergast

Forget your ex, fixate on Good Time Locomotive’s debut new wave pop-rock hit, Lines of Symmetry

Posted on 13 May 2023

The London-hailing prodigal sons of jangly new wave pop-rock, Good Time Locomotive, put the silver lining on your last sanity stripper of a relationship with their debut single, Lines of Symmetry, which allowed them to more than stay true to their moniker.

If you thought that Stranger Things delivered a potent shot of 80s nostalgia, you’ll be wishing your hair was bigger from the first time the crooned-over chorus hits in Lines of Symmetry. This wholly relatable dance-worthy hit is the nearest thing to closure that most disenfranchised hopeless romantics out there will get; consider the absolute earworm of a melody as bonus material.

Good Time Locomotive may be a fresh-faced outfit, but it comprises a collective of seasoned musicians who have enough musical chops between them to officially dub themselves as a powerhouse. We can’t wait to roll with the emotional punches in their forthcoming EP, due for release this summer.

Lines of Symmetry will officially release on May 13; hear it on SoundCloud.

Review by Amelia Vandergast

Krystal Scarlet attests that fantasies can come true in her euphonious pop hit, Wonderland.

Posted on 28 December 2022

London-based pop breakthrough artist, Krystal Scarlet, dropped in on the airwaves for the first time since her infectiously vindicating 2021 hit, Won’t Forget, with her new 80s-inspired single, Wonderland, on December 16th. The funky indie guitar chops pop around the snappy percussion and colourfully vibrant electronic synthetics create an uplifting earworm that all too easily takes you to the titular destination.

With pitch-perfect euphonious harmonies, Krystal Scarlet carries the Taylor Swift effect before coming into her own via the authentically indie grooves in the track that will leave you humming to the tune of the fantastical euphoria for days on end.

The track that celebrates the kind of love that can abstract you from your own daydream and take you somewhere even sweeter isn’t one that you can passively let pass you by. Obsession is non-optional.

Wonderland is now available to stream on Spotify.

Review by Amelia Vandergast

Gemma Felicity shared her bitter-sweet learning curve in her evocative indie pop single, Better Without You

Posted on 15 December 2022

With a guitar tone as chorally compelling as Slowdive’s in their latest album, the London-based independent singer-songwriter Gemma Felicity rendered us heartbroken by proxy with her sophomore single and official music video, Better Without You.

The steadily ascending pop artist has been refining her performative and songwriting talents since she was nine years old. After taking a hiatus for her undergrad degree and enduring mental and physical illness, she returned to music with the vow to express her deepest emotions.

Stylish, sincere and self-reflective in equal measure, Better Without You transcends the archetypal breakup song to get to the crux of tangibly resonant emotion. Unless your soul is completely defunct, you can’t help but invest in the matured indie pop masterpiece that fills you with compassion for the vulnerable powerful protagonist she portrays.

With her debut EP, Baggage, in the pipeline, we’re stoked to have her on our radar.

Watch the official video for Better Without You on YouTube.

Review by Amelia Vandergast